32:I[579957,["/_next/static/immutable/chunks/3dhb0v2xksfr8.js","/_next/static/immutable/chunks/234kez7p7ux5l.js","/_next/static/immutable/chunks/0ssn1adz59u43.js","/_next/static/immutable/chunks/1v6asv4kifz5j.js","/_next/static/immutable/chunks/01ynk-xsc23nt.js","/_next/static/immutable/chunks/0nwdpp3fcr_wj.js","/_next/static/immutable/chunks/36o56zkq_u_-v.js","/_next/static/immutable/chunks/1vkpfsd2jnun4.js","/_next/static/immutable/chunks/2qkfacdf69yt7.js","/_next/static/immutable/chunks/0bbzkjt6or0ro.js","/_next/static/immutable/chunks/20z5t8plqxy_8.js","/_next/static/immutable/chunks/3dng7hpyv2tg9.js","/_next/static/immutable/chunks/1ux4-xrtnoue6.js","/_next/static/immutable/chunks/1a2401iaghhhk.js","/_next/static/immutable/chunks/004-02oi136--.js","/_next/static/immutable/chunks/02uc5y84rdxhl.js","/_next/static/immutable/chunks/2yt-ta3ybuunm.js","/_next/static/immutable/chunks/2276aqw3qm8ry.js","/_next/static/immutable/chunks/2hrvf0ehuq6uh.js"],"ComparisonFeed"] 33:T15ac,First Sight, Episode 2: "Also yours." Make Episode 2 of an AI short drama series. Episode 1 is attached (first_sight_ep01.mp4): 1990s Manhattan, late October. She nearly collides with a man on a brownstone sidewalk ("Sorry." / "My fault."), walks on, realises her right pearl earring is gone, turns back, and he is standing far down the street holding it up: "You dropped something." Episode 2 picks up from that exact moment (ep01_last_frame.jpg). The series is called "First Sight", and this episode quietly breaks that idea: he is holding TWO identical pearl earrings, and he seems to have met her before. She has no memory of him. Don't explain anything. The episode ends on the question, not the answer. Deliver one finished vertical video for Instagram Reels: 1080x1920, 24 fps, about 28 seconds (five cuts of 4-6 s plus a 2.5 s end card), with sound. ATTACHED REFERENCES. Use them on every cut, always in this order: - image 1 = HER (her_sheet.jpg): face, hair, wardrobe, autumn street light - image 2 = HIM (him_sheet.jpg): face, tousled hair, wardrobe - image 3 = ep01_last_frame.jpg: the last frame of Episode 1 (street, light, where they stand) Once cut 1 is approved you may use its last frame as image 3 for the later cuts. THE EPISODE. Beats and dialogue are fixed; you direct the shots. 1. ~4 s. The opening image, and the hook: a close insert of his open palm, held perfectly still at chest height. On it lie TWO identical small pearl drop earrings on thin gold hooks, catching the low sun. Her shadow falls across his hand as she arrives. No faces. No dialogue. 2. ~5 s. Her close-up. She looks down at his palm, then slowly raises her left hand to her LEFT ear and touches the pearl earring that is still there. Her RIGHT ear is bare. Confusion. No dialogue. 3. ~6 s. Profile two-shot, an arm's length apart, his open palm still between them. HER (quietly): "That one's mine. Whose is that?" HIM: "Also yours." 4. ~5 s. Her close-up. She searches his face for something she should remember and can't find it. HER: "We've never met." 5. ~6 s. His first frontal close-up of the series (Episode 1 never showed his face straight on). Low sun in his hair, a loose strand over his forehead. A small, sad half-smile. HIM: "Last October, you said that too." Hold on him after the line. End card ~2.5 s: "Episode 3?" CONTINUITY LOCKS. These drifted in Episode 1 whenever they weren't stated loudly. - Her RIGHT ear is bare. A single pearl drop earring in her LEFT ear only (the character block below says "earrings"; in this episode she wears only the left one). - The two earrings in his palm are identical to hers. His palm stays open and still; the fingers never move. - Her ivory cashmere coat is DRAPED OVER HER SHOULDERS LIKE A CAPE, arms NOT in the sleeves. Write it in capitals in every prompt. - His other hand stays in his coat pocket. SERIES LOOK. Paste these blocks unchanged into every video prompt. Film look: Single continuous shot, 1990s Manhattan, Upper West Side brownstone street in late October, late-afternoon low sun. Shot on 35mm motion picture film, Kodak 5219 look, fine organic grain, gentle halation on backlit highlights, natural skin texture, no digital sharpness. Characters: CHARACTERS (keep faces, hair and wardrobe exactly as in the reference images): THE WOMAN from image 1: long voluminous honey-blonde 90s blowout hair, blue-grey eyes, small pearl drop earrings, thin gold chain, floor-length ivory satin cowl-neck slip gown under an ivory cashmere long coat DRAPED OVER HER SHOULDERS LIKE A CAPE, arms not in the sleeves, one hand holding the coat closed at her chest. THE MAN from image 2: golden-brown tousled hair with a loose strand falling over his forehead, blue eyes, light stubble, camel wool overcoat over a black shirt open at the collar, thin silver chain, black trousers, hands in coat pockets. Light and color: LIGHT AND COLOR: warm low sun, rim light through her hair, soft bounce fill on faces, long shadows across the sidewalk, warm amber and honey palette with soft teal shadows, gentle contrast, slightly lifted blacks, period film grade. Closing: PERFORMANCE: naturalistic, understated, restrained film acting, no posing, no staring, no exaggerated expressions. AUDIO: quiet street ambience, distant traffic, leaves underfoot, dialogue spoken naturally in English with clear lip sync, no music. (Cuts without dialogue: no dialogue.) NO on-screen text, no subtitles, no captions, no watermark, no modern cars, no phones, no extra people in the foreground. RULES THAT KEPT EPISODE 1 FROM LOOKING AI - One camera move per cut, and it has a reason. - Hands hold one still pose per cut. No gestures that need finger articulation. - Nobody stops without a reason. - Never ask the video model for text. Burn subtitles in afterwards. POST - English dialogue subtitles, burned in: clean sans-serif, off-white with a thin outline, bottom-centre, all text kept between y 250 and y 1480 so Instagram's UI doesn't cover it. Time them to the lines as actually spoken. - No hook line or explanation at the start. The episode opens straight on the two earrings. A small "FIRST SIGHT / EPISODE 2" title may fade in over cut 2, top-centre, as in Episode 1. - End card on a warm near-black background: "FIRST SIGHT · EPISODE 2", a large "Episode 3?", then credit lines naming the LLM, skill and video model you actually used. - No watermark, no logos. Also hand back a short making-of note: the prompt you sent for each cut, how many takes each cut needed, and what you rejected and why.34:T15ac,First Sight, Episode 2: "Also yours." Make Episode 2 of an AI short drama series. Episode 1 is attached (first_sight_ep01.mp4): 1990s Manhattan, late October. She nearly collides with a man on a brownstone sidewalk ("Sorry." / "My fault."), walks on, realises her right pearl earring is gone, turns back, and he is standing far down the street holding it up: "You dropped something." Episode 2 picks up from that exact moment (ep01_last_frame.jpg). The series is called "First Sight", and this episode quietly breaks that idea: he is holding TWO identical pearl earrings, and he seems to have met her before. She has no memory of him. Don't explain anything. The episode ends on the question, not the answer. Deliver one finished vertical video for Instagram Reels: 1080x1920, 24 fps, about 28 seconds (five cuts of 4-6 s plus a 2.5 s end card), with sound. ATTACHED REFERENCES. Use them on every cut, always in this order: - image 1 = HER (her_sheet.jpg): face, hair, wardrobe, autumn street light - image 2 = HIM (him_sheet.jpg): face, tousled hair, wardrobe - image 3 = ep01_last_frame.jpg: the last frame of Episode 1 (street, light, where they stand) Once cut 1 is approved you may use its last frame as image 3 for the later cuts. THE EPISODE. Beats and dialogue are fixed; you direct the shots. 1. ~4 s. The opening image, and the hook: a close insert of his open palm, held perfectly still at chest height. On it lie TWO identical small pearl drop earrings on thin gold hooks, catching the low sun. Her shadow falls across his hand as she arrives. No faces. No dialogue. 2. ~5 s. Her close-up. She looks down at his palm, then slowly raises her left hand to her LEFT ear and touches the pearl earring that is still there. Her RIGHT ear is bare. Confusion. No dialogue. 3. ~6 s. Profile two-shot, an arm's length apart, his open palm still between them. HER (quietly): "That one's mine. Whose is that?" HIM: "Also yours." 4. ~5 s. Her close-up. She searches his face for something she should remember and can't find it. HER: "We've never met." 5. ~6 s. His first frontal close-up of the series (Episode 1 never showed his face straight on). Low sun in his hair, a loose strand over his forehead. A small, sad half-smile. HIM: "Last October, you said that too." Hold on him after the line. End card ~2.5 s: "Episode 3?" CONTINUITY LOCKS. These drifted in Episode 1 whenever they weren't stated loudly. - Her RIGHT ear is bare. A single pearl drop earring in her LEFT ear only (the character block below says "earrings"; in this episode she wears only the left one). - The two earrings in his palm are identical to hers. His palm stays open and still; the fingers never move. - Her ivory cashmere coat is DRAPED OVER HER SHOULDERS LIKE A CAPE, arms NOT in the sleeves. Write it in capitals in every prompt. - His other hand stays in his coat pocket. SERIES LOOK. Paste these blocks unchanged into every video prompt. Film look: Single continuous shot, 1990s Manhattan, Upper West Side brownstone street in late October, late-afternoon low sun. Shot on 35mm motion picture film, Kodak 5219 look, fine organic grain, gentle halation on backlit highlights, natural skin texture, no digital sharpness. Characters: CHARACTERS (keep faces, hair and wardrobe exactly as in the reference images): THE WOMAN from image 1: long voluminous honey-blonde 90s blowout hair, blue-grey eyes, small pearl drop earrings, thin gold chain, floor-length ivory satin cowl-neck slip gown under an ivory cashmere long coat DRAPED OVER HER SHOULDERS LIKE A CAPE, arms not in the sleeves, one hand holding the coat closed at her chest. THE MAN from image 2: golden-brown tousled hair with a loose strand falling over his forehead, blue eyes, light stubble, camel wool overcoat over a black shirt open at the collar, thin silver chain, black trousers, hands in coat pockets. Light and color: LIGHT AND COLOR: warm low sun, rim light through her hair, soft bounce fill on faces, long shadows across the sidewalk, warm amber and honey palette with soft teal shadows, gentle contrast, slightly lifted blacks, period film grade. Closing: PERFORMANCE: naturalistic, understated, restrained film acting, no posing, no staring, no exaggerated expressions. AUDIO: quiet street ambience, distant traffic, leaves underfoot, dialogue spoken naturally in English with clear lip sync, no music. (Cuts without dialogue: no dialogue.) NO on-screen text, no subtitles, no captions, no watermark, no modern cars, no phones, no extra people in the foreground. RULES THAT KEPT EPISODE 1 FROM LOOKING AI - One camera move per cut, and it has a reason. - Hands hold one still pose per cut. No gestures that need finger articulation. - Nobody stops without a reason. - Never ask the video model for text. Burn subtitles in afterwards. POST - English dialogue subtitles, burned in: clean sans-serif, off-white with a thin outline, bottom-centre, all text kept between y 250 and y 1480 so Instagram's UI doesn't cover it. Time them to the lines as actually spoken. - No hook line or explanation at the start. The episode opens straight on the two earrings. A small "FIRST SIGHT / EPISODE 2" title may fade in over cut 2, top-centre, as in Episode 1. - End card on a warm near-black background: "FIRST SIGHT · EPISODE 2", a large "Episode 3?", then credit lines naming the LLM, skill and video model you actually used. - No watermark, no logos. Also hand back a short making-of note: the prompt you sent for each cut, how many takes each cut needed, and what you rejected and why.35:T15ac,First Sight, Episode 2: "Also yours." Make Episode 2 of an AI short drama series. Episode 1 is attached (first_sight_ep01.mp4): 1990s Manhattan, late October. She nearly collides with a man on a brownstone sidewalk ("Sorry." / "My fault."), walks on, realises her right pearl earring is gone, turns back, and he is standing far down the street holding it up: "You dropped something." Episode 2 picks up from that exact moment (ep01_last_frame.jpg). The series is called "First Sight", and this episode quietly breaks that idea: he is holding TWO identical pearl earrings, and he seems to have met her before. She has no memory of him. Don't explain anything. The episode ends on the question, not the answer. Deliver one finished vertical video for Instagram Reels: 1080x1920, 24 fps, about 28 seconds (five cuts of 4-6 s plus a 2.5 s end card), with sound. ATTACHED REFERENCES. Use them on every cut, always in this order: - image 1 = HER (her_sheet.jpg): face, hair, wardrobe, autumn street light - image 2 = HIM (him_sheet.jpg): face, tousled hair, wardrobe - image 3 = ep01_last_frame.jpg: the last frame of Episode 1 (street, light, where they stand) Once cut 1 is approved you may use its last frame as image 3 for the later cuts. THE EPISODE. Beats and dialogue are fixed; you direct the shots. 1. ~4 s. The opening image, and the hook: a close insert of his open palm, held perfectly still at chest height. On it lie TWO identical small pearl drop earrings on thin gold hooks, catching the low sun. Her shadow falls across his hand as she arrives. No faces. No dialogue. 2. ~5 s. Her close-up. She looks down at his palm, then slowly raises her left hand to her LEFT ear and touches the pearl earring that is still there. Her RIGHT ear is bare. Confusion. No dialogue. 3. ~6 s. Profile two-shot, an arm's length apart, his open palm still between them. HER (quietly): "That one's mine. Whose is that?" HIM: "Also yours." 4. ~5 s. Her close-up. She searches his face for something she should remember and can't find it. HER: "We've never met." 5. ~6 s. His first frontal close-up of the series (Episode 1 never showed his face straight on). Low sun in his hair, a loose strand over his forehead. A small, sad half-smile. HIM: "Last October, you said that too." Hold on him after the line. End card ~2.5 s: "Episode 3?" CONTINUITY LOCKS. These drifted in Episode 1 whenever they weren't stated loudly. - Her RIGHT ear is bare. A single pearl drop earring in her LEFT ear only (the character block below says "earrings"; in this episode she wears only the left one). - The two earrings in his palm are identical to hers. His palm stays open and still; the fingers never move. - Her ivory cashmere coat is DRAPED OVER HER SHOULDERS LIKE A CAPE, arms NOT in the sleeves. Write it in capitals in every prompt. - His other hand stays in his coat pocket. SERIES LOOK. Paste these blocks unchanged into every video prompt. Film look: Single continuous shot, 1990s Manhattan, Upper West Side brownstone street in late October, late-afternoon low sun. Shot on 35mm motion picture film, Kodak 5219 look, fine organic grain, gentle halation on backlit highlights, natural skin texture, no digital sharpness. Characters: CHARACTERS (keep faces, hair and wardrobe exactly as in the reference images): THE WOMAN from image 1: long voluminous honey-blonde 90s blowout hair, blue-grey eyes, small pearl drop earrings, thin gold chain, floor-length ivory satin cowl-neck slip gown under an ivory cashmere long coat DRAPED OVER HER SHOULDERS LIKE A CAPE, arms not in the sleeves, one hand holding the coat closed at her chest. THE MAN from image 2: golden-brown tousled hair with a loose strand falling over his forehead, blue eyes, light stubble, camel wool overcoat over a black shirt open at the collar, thin silver chain, black trousers, hands in coat pockets. Light and color: LIGHT AND COLOR: warm low sun, rim light through her hair, soft bounce fill on faces, long shadows across the sidewalk, warm amber and honey palette with soft teal shadows, gentle contrast, slightly lifted blacks, period film grade. Closing: PERFORMANCE: naturalistic, understated, restrained film acting, no posing, no staring, no exaggerated expressions. AUDIO: quiet street ambience, distant traffic, leaves underfoot, dialogue spoken naturally in English with clear lip sync, no music. (Cuts without dialogue: no dialogue.) NO on-screen text, no subtitles, no captions, no watermark, no modern cars, no phones, no extra people in the foreground. RULES THAT KEPT EPISODE 1 FROM LOOKING AI - One camera move per cut, and it has a reason. - Hands hold one still pose per cut. No gestures that need finger articulation. - Nobody stops without a reason. - Never ask the video model for text. Burn subtitles in afterwards. POST - English dialogue subtitles, burned in: clean sans-serif, off-white with a thin outline, bottom-centre, all text kept between y 250 and y 1480 so Instagram's UI doesn't cover it. Time them to the lines as actually spoken. - No hook line or explanation at the start. The episode opens straight on the two earrings. A small "FIRST SIGHT / EPISODE 2" title may fade in over cut 2, top-centre, as in Episode 1. - End card on a warm near-black background: "FIRST SIGHT · EPISODE 2", a large "Episode 3?", then credit lines naming the LLM, skill and video model you actually used. - No watermark, no logos. Also hand back a short making-of note: the prompt you sent for each cut, how many takes each cut needed, and what you rejected and why.36:T15b1,First Sight, Episode 2: "Also yours." Make Episode 2 of an AI short drama series. Episode 1 is attached (first_sight_ep01.mp4): 1990s Manhattan, late October. She nearly collides with a man on a brownstone sidewalk ("Sorry." / "My fault."), walks on, realises her right pearl earring is gone, turns back, and he is standing far down the street holding it up: "You dropped something." Episode 2 picks up from that exact moment (ep01_last_frame.jpg). The series is called "First Sight", and this episode quietly breaks that idea: he is holding TWO identical pearl earrings, and he seems to have met her before. She has no memory of him. Don't explain anything. The episode ends on the question, not the answer. Deliver one finished vertical video for Instagram Reels: 1080x1920, 24 fps, about 28 seconds (five cuts of 4-6 s plus a 2.5 s end card), with sound. ATTACHED REFERENCES. Use them on every cut, always in this order: - image 1 = HER (her_sheet.jpg): face, hair, wardrobe, autumn street light - image 2 = HIM (him_sheet.jpg): face, tousled hair, wardrobe - image 3 = ep01_last_frame.jpg: the last frame of Episode 1 (street, light, where they stand) Once cut 1 is approved you may use its last frame as image 3 for the later cuts. THE EPISODE. Beats and dialogue are fixed; you direct the shots. 1. ~4 s. The opening image, and the hook: a close insert of his open palm, held perfectly still at chest height. On it lie TWO identical small pearl drop earrings on thin gold hooks, catching the low sun. Her shadow falls across his hand as she arrives. No faces. No dialogue. 2. ~5 s. Her close-up. She looks down at his palm, then slowly raises her left hand to her LEFT ear and touches the pearl earring that is still there. Her RIGHT ear is bare. Confusion. No dialogue. 3. ~6 s. Profile two-shot, an arm's length apart, his open palm still between them. HER (quietly): "That one's mine. Whose is that?" HIM: "Also yours." 4. ~5 s. Her close-up. She searches his face for something she should remember and can't find it. HER: "We've never met." 5. ~6 s. His first frontal close-up of the series (Episode 1 never showed his face straight on). Low sun in his hair, a loose strand over his forehead. A small, sad half-smile. HIM: "Last October, you said that too." Hold on him after the line. End card ~2.5 s: "Episode 3?" CONTINUITY LOCKS. These drifted in Episode 1 whenever they weren't stated loudly. - Her RIGHT ear is bare. A single pearl drop earring in her LEFT ear only (the character block below says "earrings"; in this episode she wears only the left one). - The two earrings in his palm are identical to hers. His palm stays open and still; the fingers never move. - Her ivory cashmere coat is DRAPED OVER HER SHOULDERS LIKE A CAPE, arms NOT in the sleeves. Write it in capitals in every prompt. - His other hand stays in his coat pocket. SERIES LOOK. Paste these blocks unchanged into every video prompt. Film look: Single continuous shot, 1990s Manhattan, Upper West Side brownstone street in late October, late-afternoon low sun. Shot on 35mm motion picture film, Kodak 5219 look, fine organic grain, gentle halation on backlit highlights, natural skin texture, no digital sharpness. Characters: CHARACTERS (keep faces, hair and wardrobe exactly as in the reference images): THE WOMAN from image 1: long voluminous honey-blonde 90s blowout hair, blue-grey eyes, small pearl drop earrings, thin gold chain, floor-length ivory satin cowl-neck slip gown under an ivory cashmere long coat DRAPED OVER HER SHOULDERS LIKE A CAPE, arms not in the sleeves, one hand holding the coat closed at her chest. THE MAN from image 2: golden-brown tousled hair with a loose strand falling over his forehead, blue eyes, light stubble, camel wool overcoat over a black shirt open at the collar, thin silver chain, black trousers, hands in coat pockets. Light and color: LIGHT AND COLOR: warm low sun, rim light through her hair, soft bounce fill on faces, long shadows across the sidewalk, warm amber and honey palette with soft teal shadows, gentle contrast, slightly lifted blacks, period film grade. Closing: PERFORMANCE: naturalistic, understated, restrained film acting, no posing, no staring, no exaggerated expressions. AUDIO: quiet street ambience, distant traffic, leaves underfoot, dialogue spoken naturally in English with clear lip sync, no music. (Cuts without dialogue: no dialogue.) NO on-screen text, no subtitles, no captions, no watermark, no modern cars, no phones, no extra people in the foreground. RULES THAT KEPT EPISODE 1 FROM LOOKING AI - One camera move per cut, and it has a reason. - Hands hold one still pose per cut. No gestures that need finger articulation. - Nobody stops without a reason. - Never ask the video model for text. Burn subtitles in afterwards. POST - English dialogue subtitles, burned in: clean sans-serif, off-white with a thin outline, bottom-centre, all text kept between y 250 and y 1480 so Instagram's UI doesn't cover it. Time them to the lines as actually spoken. - No hook line or explanation at the start. The episode opens straight on the two earrings. A small "FIRST SIGHT / EPISODE 2" title may fade in over cut 2, top-centre, as in Episode 1. - End card on a warm near-black background: "FIRST SIGHT · EPISODE 2", a large "Episode 3?", then credit lines naming the LLM, skill and video model you actually used. - No watermark, no logos. Also hand back a short making-of note: the prompt you sent for each cut, how many takes each cut needed, and what you rejected and why. · A37:T15b1,First Sight, Episode 2: "Also yours." Make Episode 2 of an AI short drama series. Episode 1 is attached (first_sight_ep01.mp4): 1990s Manhattan, late October. She nearly collides with a man on a brownstone sidewalk ("Sorry." / "My fault."), walks on, realises her right pearl earring is gone, turns back, and he is standing far down the street holding it up: "You dropped something." Episode 2 picks up from that exact moment (ep01_last_frame.jpg). The series is called "First Sight", and this episode quietly breaks that idea: he is holding TWO identical pearl earrings, and he seems to have met her before. She has no memory of him. Don't explain anything. The episode ends on the question, not the answer. Deliver one finished vertical video for Instagram Reels: 1080x1920, 24 fps, about 28 seconds (five cuts of 4-6 s plus a 2.5 s end card), with sound. ATTACHED REFERENCES. Use them on every cut, always in this order: - image 1 = HER (her_sheet.jpg): face, hair, wardrobe, autumn street light - image 2 = HIM (him_sheet.jpg): face, tousled hair, wardrobe - image 3 = ep01_last_frame.jpg: the last frame of Episode 1 (street, light, where they stand) Once cut 1 is approved you may use its last frame as image 3 for the later cuts. THE EPISODE. Beats and dialogue are fixed; you direct the shots. 1. ~4 s. The opening image, and the hook: a close insert of his open palm, held perfectly still at chest height. On it lie TWO identical small pearl drop earrings on thin gold hooks, catching the low sun. Her shadow falls across his hand as she arrives. No faces. No dialogue. 2. ~5 s. Her close-up. She looks down at his palm, then slowly raises her left hand to her LEFT ear and touches the pearl earring that is still there. Her RIGHT ear is bare. Confusion. No dialogue. 3. ~6 s. Profile two-shot, an arm's length apart, his open palm still between them. HER (quietly): "That one's mine. Whose is that?" HIM: "Also yours." 4. ~5 s. Her close-up. She searches his face for something she should remember and can't find it. HER: "We've never met." 5. ~6 s. His first frontal close-up of the series (Episode 1 never showed his face straight on). Low sun in his hair, a loose strand over his forehead. A small, sad half-smile. HIM: "Last October, you said that too." Hold on him after the line. End card ~2.5 s: "Episode 3?" CONTINUITY LOCKS. These drifted in Episode 1 whenever they weren't stated loudly. - Her RIGHT ear is bare. A single pearl drop earring in her LEFT ear only (the character block below says "earrings"; in this episode she wears only the left one). - The two earrings in his palm are identical to hers. His palm stays open and still; the fingers never move. - Her ivory cashmere coat is DRAPED OVER HER SHOULDERS LIKE A CAPE, arms NOT in the sleeves. Write it in capitals in every prompt. - His other hand stays in his coat pocket. SERIES LOOK. Paste these blocks unchanged into every video prompt. Film look: Single continuous shot, 1990s Manhattan, Upper West Side brownstone street in late October, late-afternoon low sun. Shot on 35mm motion picture film, Kodak 5219 look, fine organic grain, gentle halation on backlit highlights, natural skin texture, no digital sharpness. Characters: CHARACTERS (keep faces, hair and wardrobe exactly as in the reference images): THE WOMAN from image 1: long voluminous honey-blonde 90s blowout hair, blue-grey eyes, small pearl drop earrings, thin gold chain, floor-length ivory satin cowl-neck slip gown under an ivory cashmere long coat DRAPED OVER HER SHOULDERS LIKE A CAPE, arms not in the sleeves, one hand holding the coat closed at her chest. THE MAN from image 2: golden-brown tousled hair with a loose strand falling over his forehead, blue eyes, light stubble, camel wool overcoat over a black shirt open at the collar, thin silver chain, black trousers, hands in coat pockets. Light and color: LIGHT AND COLOR: warm low sun, rim light through her hair, soft bounce fill on faces, long shadows across the sidewalk, warm amber and honey palette with soft teal shadows, gentle contrast, slightly lifted blacks, period film grade. Closing: PERFORMANCE: naturalistic, understated, restrained film acting, no posing, no staring, no exaggerated expressions. AUDIO: quiet street ambience, distant traffic, leaves underfoot, dialogue spoken naturally in English with clear lip sync, no music. (Cuts without dialogue: no dialogue.) NO on-screen text, no subtitles, no captions, no watermark, no modern cars, no phones, no extra people in the foreground. RULES THAT KEPT EPISODE 1 FROM LOOKING AI - One camera move per cut, and it has a reason. - Hands hold one still pose per cut. No gestures that need finger articulation. - Nobody stops without a reason. - Never ask the video model for text. Burn subtitles in afterwards. POST - English dialogue subtitles, burned in: clean sans-serif, off-white with a thin outline, bottom-centre, all text kept between y 250 and y 1480 so Instagram's UI doesn't cover it. Time them to the lines as actually spoken. - No hook line or explanation at the start. The episode opens straight on the two earrings. A small "FIRST SIGHT / EPISODE 2" title may fade in over cut 2, top-centre, as in Episode 1. - End card on a warm near-black background: "FIRST SIGHT · EPISODE 2", a large "Episode 3?", then credit lines naming the LLM, skill and video model you actually used. - No watermark, no logos. Also hand back a short making-of note: the prompt you sent for each cut, how many takes each cut needed, and what you rejected and why. · 238:T418,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles.39:T418,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles.3a:T418,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles.3b:T41d,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · A3c:T41d,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · B3d:T41d,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · C3e:T41d,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · D3f:Ta0f,Build a stunning interactive 3D “Overengineered Coffee Machine” that runs in the browser: an elaborate miniature Rube Goldberg machine whose entire purpose is to make one tiny cup of espresso. Make it immediately understandable, visually mesmerizing, and satisfying to watch in a short screen recording. The opening frame should show the complete machine with a polished steel marble poised at the beginning of its journey. Create a continuous chain reaction: 1. A steel marble spirals down a brass funnel and exits onto a curved rail. 2. It strikes a lever that releases coffee beans into a miniature grinder. 3. Interlocking gears turn the grinder while a bucket elevator carries the marble to the next level. 4. The marble rolls across a small seesaw, triggering a piston that tamps the coffee. 5. A pressure gauge climbs, a valve turns, and espresso flows into a ceramic cup. 6. A small mechanical arm slides the finished cup onto a presentation platform beneath a warm spotlight. 7. The marble returns to its starting position, and the mechanisms reset for another cycle. Every stage must visibly cause the next. Keep the marble’s path continuous, make the gears mesh convincingly, and ensure objects remain supported by rails, platforms, or mechanical parts throughout the sequence. Art direction Imagine a precision-built kinetic sculpture displayed in a boutique coffee shop. Use brushed brass, walnut, cream ceramic, clear glass, and polished steel, with a restrained orange-red accent for moving controls. Include beautifully modeled details such as bolts, bearings, rail supports, gauge markings, and glass bean hoppers. Use warm studio lighting, soft contact shadows, carefully controlled reflections, and a clean background. Make the materials feel tactile and the construction believable. Give the machine a strong silhouette and arrange its stages so the viewer can follow the action easily. Motion and presentation Choreograph a roughly 20–25 second cycle with a clear beginning, escalating activity, and a satisfying espresso reveal. Mix fast marble runs with slower, weighty mechanical movements and brief moments of anticipation. Use a flattering three-quarter camera angle that keeps the entire mechanism readable. Start the animation automatically. Make the reset part of the choreography so the loop continues without a visible jump or sudden disappearance of objects. Prioritize a spectacular default view that reads well in a portrait screen recording. Keep the machine large in the frame and interface elements small and unobtrusive.40:Ta0f,Build a stunning interactive 3D “Overengineered Coffee Machine” that runs in the browser: an elaborate miniature Rube Goldberg machine whose entire purpose is to make one tiny cup of espresso. Make it immediately understandable, visually mesmerizing, and satisfying to watch in a short screen recording. The opening frame should show the complete machine with a polished steel marble poised at the beginning of its journey. Create a continuous chain reaction: 1. A steel marble spirals down a brass funnel and exits onto a curved rail. 2. It strikes a lever that releases coffee beans into a miniature grinder. 3. Interlocking gears turn the grinder while a bucket elevator carries the marble to the next level. 4. The marble rolls across a small seesaw, triggering a piston that tamps the coffee. 5. A pressure gauge climbs, a valve turns, and espresso flows into a ceramic cup. 6. A small mechanical arm slides the finished cup onto a presentation platform beneath a warm spotlight. 7. The marble returns to its starting position, and the mechanisms reset for another cycle. Every stage must visibly cause the next. Keep the marble’s path continuous, make the gears mesh convincingly, and ensure objects remain supported by rails, platforms, or mechanical parts throughout the sequence. Art direction Imagine a precision-built kinetic sculpture displayed in a boutique coffee shop. Use brushed brass, walnut, cream ceramic, clear glass, and polished steel, with a restrained orange-red accent for moving controls. Include beautifully modeled details such as bolts, bearings, rail supports, gauge markings, and glass bean hoppers. Use warm studio lighting, soft contact shadows, carefully controlled reflections, and a clean background. Make the materials feel tactile and the construction believable. Give the machine a strong silhouette and arrange its stages so the viewer can follow the action easily. Motion and presentation Choreograph a roughly 20–25 second cycle with a clear beginning, escalating activity, and a satisfying espresso reveal. Mix fast marble runs with slower, weighty mechanical movements and brief moments of anticipation. Use a flattering three-quarter camera angle that keeps the entire mechanism readable. Start the animation automatically. Make the reset part of the choreography so the loop continues without a visible jump or sudden disappearance of objects. Prioritize a spectacular default view that reads well in a portrait screen recording. Keep the machine large in the frame and interface elements small and unobtrusive.41:Ta0f,Build a stunning interactive 3D “Overengineered Coffee Machine” that runs in the browser: an elaborate miniature Rube Goldberg machine whose entire purpose is to make one tiny cup of espresso. Make it immediately understandable, visually mesmerizing, and satisfying to watch in a short screen recording. The opening frame should show the complete machine with a polished steel marble poised at the beginning of its journey. Create a continuous chain reaction: 1. A steel marble spirals down a brass funnel and exits onto a curved rail. 2. It strikes a lever that releases coffee beans into a miniature grinder. 3. Interlocking gears turn the grinder while a bucket elevator carries the marble to the next level. 4. The marble rolls across a small seesaw, triggering a piston that tamps the coffee. 5. A pressure gauge climbs, a valve turns, and espresso flows into a ceramic cup. 6. A small mechanical arm slides the finished cup onto a presentation platform beneath a warm spotlight. 7. The marble returns to its starting position, and the mechanisms reset for another cycle. Every stage must visibly cause the next. Keep the marble’s path continuous, make the gears mesh convincingly, and ensure objects remain supported by rails, platforms, or mechanical parts throughout the sequence. Art direction Imagine a precision-built kinetic sculpture displayed in a boutique coffee shop. Use brushed brass, walnut, cream ceramic, clear glass, and polished steel, with a restrained orange-red accent for moving controls. Include beautifully modeled details such as bolts, bearings, rail supports, gauge markings, and glass bean hoppers. Use warm studio lighting, soft contact shadows, carefully controlled reflections, and a clean background. Make the materials feel tactile and the construction believable. Give the machine a strong silhouette and arrange its stages so the viewer can follow the action easily. Motion and presentation Choreograph a roughly 20–25 second cycle with a clear beginning, escalating activity, and a satisfying espresso reveal. Mix fast marble runs with slower, weighty mechanical movements and brief moments of anticipation. Use a flattering three-quarter camera angle that keeps the entire mechanism readable. Start the animation automatically. Make the reset part of the choreography so the loop continues without a visible jump or sudden disappearance of objects. Prioritize a spectacular default view that reads well in a portrait screen recording. Keep the machine large in the frame and interface elements small and unobtrusive.42:Ta14,Build a stunning interactive 3D “Overengineered Coffee Machine” that runs in the browser: an elaborate miniature Rube Goldberg machine whose entire purpose is to make one tiny cup of espresso. Make it immediately understandable, visually mesmerizing, and satisfying to watch in a short screen recording. The opening frame should show the complete machine with a polished steel marble poised at the beginning of its journey. Create a continuous chain reaction: 1. A steel marble spirals down a brass funnel and exits onto a curved rail. 2. It strikes a lever that releases coffee beans into a miniature grinder. 3. Interlocking gears turn the grinder while a bucket elevator carries the marble to the next level. 4. The marble rolls across a small seesaw, triggering a piston that tamps the coffee. 5. A pressure gauge climbs, a valve turns, and espresso flows into a ceramic cup. 6. A small mechanical arm slides the finished cup onto a presentation platform beneath a warm spotlight. 7. The marble returns to its starting position, and the mechanisms reset for another cycle. Every stage must visibly cause the next. Keep the marble’s path continuous, make the gears mesh convincingly, and ensure objects remain supported by rails, platforms, or mechanical parts throughout the sequence. Art direction Imagine a precision-built kinetic sculpture displayed in a boutique coffee shop. Use brushed brass, walnut, cream ceramic, clear glass, and polished steel, with a restrained orange-red accent for moving controls. Include beautifully modeled details such as bolts, bearings, rail supports, gauge markings, and glass bean hoppers. Use warm studio lighting, soft contact shadows, carefully controlled reflections, and a clean background. Make the materials feel tactile and the construction believable. Give the machine a strong silhouette and arrange its stages so the viewer can follow the action easily. Motion and presentation Choreograph a roughly 20–25 second cycle with a clear beginning, escalating activity, and a satisfying espresso reveal. Mix fast marble runs with slower, weighty mechanical movements and brief moments of anticipation. Use a flattering three-quarter camera angle that keeps the entire mechanism readable. Start the animation automatically. Make the reset part of the choreography so the loop continues without a visible jump or sudden disappearance of objects. Prioritize a spectacular default view that reads well in a portrait screen recording. Keep the machine large in the frame and interface elements small and unobtrusive. · A43:Ta14,Build a stunning interactive 3D “Overengineered Coffee Machine” that runs in the browser: an elaborate miniature Rube Goldberg machine whose entire purpose is to make one tiny cup of espresso. Make it immediately understandable, visually mesmerizing, and satisfying to watch in a short screen recording. The opening frame should show the complete machine with a polished steel marble poised at the beginning of its journey. Create a continuous chain reaction: 1. A steel marble spirals down a brass funnel and exits onto a curved rail. 2. It strikes a lever that releases coffee beans into a miniature grinder. 3. Interlocking gears turn the grinder while a bucket elevator carries the marble to the next level. 4. The marble rolls across a small seesaw, triggering a piston that tamps the coffee. 5. A pressure gauge climbs, a valve turns, and espresso flows into a ceramic cup. 6. A small mechanical arm slides the finished cup onto a presentation platform beneath a warm spotlight. 7. The marble returns to its starting position, and the mechanisms reset for another cycle. Every stage must visibly cause the next. Keep the marble’s path continuous, make the gears mesh convincingly, and ensure objects remain supported by rails, platforms, or mechanical parts throughout the sequence. Art direction Imagine a precision-built kinetic sculpture displayed in a boutique coffee shop. Use brushed brass, walnut, cream ceramic, clear glass, and polished steel, with a restrained orange-red accent for moving controls. Include beautifully modeled details such as bolts, bearings, rail supports, gauge markings, and glass bean hoppers. Use warm studio lighting, soft contact shadows, carefully controlled reflections, and a clean background. Make the materials feel tactile and the construction believable. Give the machine a strong silhouette and arrange its stages so the viewer can follow the action easily. Motion and presentation Choreograph a roughly 20–25 second cycle with a clear beginning, escalating activity, and a satisfying espresso reveal. Mix fast marble runs with slower, weighty mechanical movements and brief moments of anticipation. Use a flattering three-quarter camera angle that keeps the entire mechanism readable. Start the animation automatically. Make the reset part of the choreography so the loop continues without a visible jump or sudden disappearance of objects. Prioritize a spectacular default view that reads well in a portrait screen recording. Keep the machine large in the frame and interface elements small and unobtrusive. · B44:Ta14,Build a stunning interactive 3D “Overengineered Coffee Machine” that runs in the browser: an elaborate miniature Rube Goldberg machine whose entire purpose is to make one tiny cup of espresso. Make it immediately understandable, visually mesmerizing, and satisfying to watch in a short screen recording. The opening frame should show the complete machine with a polished steel marble poised at the beginning of its journey. Create a continuous chain reaction: 1. A steel marble spirals down a brass funnel and exits onto a curved rail. 2. It strikes a lever that releases coffee beans into a miniature grinder. 3. Interlocking gears turn the grinder while a bucket elevator carries the marble to the next level. 4. The marble rolls across a small seesaw, triggering a piston that tamps the coffee. 5. A pressure gauge climbs, a valve turns, and espresso flows into a ceramic cup. 6. A small mechanical arm slides the finished cup onto a presentation platform beneath a warm spotlight. 7. The marble returns to its starting position, and the mechanisms reset for another cycle. Every stage must visibly cause the next. Keep the marble’s path continuous, make the gears mesh convincingly, and ensure objects remain supported by rails, platforms, or mechanical parts throughout the sequence. Art direction Imagine a precision-built kinetic sculpture displayed in a boutique coffee shop. Use brushed brass, walnut, cream ceramic, clear glass, and polished steel, with a restrained orange-red accent for moving controls. Include beautifully modeled details such as bolts, bearings, rail supports, gauge markings, and glass bean hoppers. Use warm studio lighting, soft contact shadows, carefully controlled reflections, and a clean background. Make the materials feel tactile and the construction believable. Give the machine a strong silhouette and arrange its stages so the viewer can follow the action easily. Motion and presentation Choreograph a roughly 20–25 second cycle with a clear beginning, escalating activity, and a satisfying espresso reveal. Mix fast marble runs with slower, weighty mechanical movements and brief moments of anticipation. Use a flattering three-quarter camera angle that keeps the entire mechanism readable. Start the animation automatically. Make the reset part of the choreography so the loop continues without a visible jump or sudden disappearance of objects. Prioritize a spectacular default view that reads well in a portrait screen recording. Keep the machine large in the frame and interface elements small and unobtrusive. · C45:T51d,Make a 30-second vertical short (9:16) that continues "Across the Street", an AI-made 90s Manhattan drama. We'll post it on Instagram Reels and judge it by how far it spreads, so make the version most likely to go viral. The attached video is Episode 2 (original: https://www.instagram.com/reel/DctKaR8N7VR/ by @dreamfall.art). Watch it first. Then write a short breakdown: why it went viral, who the characters are, and where Episode 2 leaves the story. Then make Episode 3, picking up right where Episode 2 ends. Hook the viewer in the first two seconds and end on a cliffhanger. - Keep the same characters, faces, hair, wardrobe, apartments and look as the attached episode: 90s film, warm and grainy, autumn Central Park. - Everything in English: dialogue, voices and any on-screen text. No subtitles. - Keep it tasteful. Nothing explicit. - Make new footage. Don't reuse clips from Episode 2. - Pick the song to post it with. Any existing song is fine, including the one from Episode 2. Time the cuts and lines so the dialogue never talks over the vocals. Deliver the breakdown and two versions of the video: one with the song mixed in, and one with only dialogue and sound effects. Also give the song, the second it should start from and the music volume, so we can add it the same way in Instagram.46:T51d,Make a 30-second vertical short (9:16) that continues "Across the Street", an AI-made 90s Manhattan drama. We'll post it on Instagram Reels and judge it by how far it spreads, so make the version most likely to go viral. The attached video is Episode 2 (original: https://www.instagram.com/reel/DctKaR8N7VR/ by @dreamfall.art). Watch it first. Then write a short breakdown: why it went viral, who the characters are, and where Episode 2 leaves the story. Then make Episode 3, picking up right where Episode 2 ends. Hook the viewer in the first two seconds and end on a cliffhanger. - Keep the same characters, faces, hair, wardrobe, apartments and look as the attached episode: 90s film, warm and grainy, autumn Central Park. - Everything in English: dialogue, voices and any on-screen text. No subtitles. - Keep it tasteful. Nothing explicit. - Make new footage. Don't reuse clips from Episode 2. - Pick the song to post it with. Any existing song is fine, including the one from Episode 2. Time the cuts and lines so the dialogue never talks over the vocals. Deliver the breakdown and two versions of the video: one with the song mixed in, and one with only dialogue and sound effects. Also give the song, the second it should start from and the music volume, so we can add it the same way in Instagram.47:T51d,Make a 30-second vertical short (9:16) that continues "Across the Street", an AI-made 90s Manhattan drama. We'll post it on Instagram Reels and judge it by how far it spreads, so make the version most likely to go viral. The attached video is Episode 2 (original: https://www.instagram.com/reel/DctKaR8N7VR/ by @dreamfall.art). Watch it first. Then write a short breakdown: why it went viral, who the characters are, and where Episode 2 leaves the story. Then make Episode 3, picking up right where Episode 2 ends. Hook the viewer in the first two seconds and end on a cliffhanger. - Keep the same characters, faces, hair, wardrobe, apartments and look as the attached episode: 90s film, warm and grainy, autumn Central Park. - Everything in English: dialogue, voices and any on-screen text. No subtitles. - Keep it tasteful. Nothing explicit. - Make new footage. Don't reuse clips from Episode 2. - Pick the song to post it with. Any existing song is fine, including the one from Episode 2. Time the cuts and lines so the dialogue never talks over the vocals. Deliver the breakdown and two versions of the video: one with the song mixed in, and one with only dialogue and sound effects. Also give the song, the second it should start from and the music volume, so we can add it the same way in Instagram.48:T522,Make a 30-second vertical short (9:16) that continues "Across the Street", an AI-made 90s Manhattan drama. We'll post it on Instagram Reels and judge it by how far it spreads, so make the version most likely to go viral. The attached video is Episode 2 (original: https://www.instagram.com/reel/DctKaR8N7VR/ by @dreamfall.art). Watch it first. Then write a short breakdown: why it went viral, who the characters are, and where Episode 2 leaves the story. Then make Episode 3, picking up right where Episode 2 ends. Hook the viewer in the first two seconds and end on a cliffhanger. - Keep the same characters, faces, hair, wardrobe, apartments and look as the attached episode: 90s film, warm and grainy, autumn Central Park. - Everything in English: dialogue, voices and any on-screen text. No subtitles. - Keep it tasteful. Nothing explicit. - Make new footage. Don't reuse clips from Episode 2. - Pick the song to post it with. Any existing song is fine, including the one from Episode 2. Time the cuts and lines so the dialogue never talks over the vocals. Deliver the breakdown and two versions of the video: one with the song mixed in, and one with only dialogue and sound effects. Also give the song, the second it should start from and the music volume, so we can add it the same way in Instagram. · A49:T522,Make a 30-second vertical short (9:16) that continues "Across the Street", an AI-made 90s Manhattan drama. We'll post it on Instagram Reels and judge it by how far it spreads, so make the version most likely to go viral. The attached video is Episode 2 (original: https://www.instagram.com/reel/DctKaR8N7VR/ by @dreamfall.art). Watch it first. Then write a short breakdown: why it went viral, who the characters are, and where Episode 2 leaves the story. Then make Episode 3, picking up right where Episode 2 ends. Hook the viewer in the first two seconds and end on a cliffhanger. - Keep the same characters, faces, hair, wardrobe, apartments and look as the attached episode: 90s film, warm and grainy, autumn Central Park. - Everything in English: dialogue, voices and any on-screen text. No subtitles. - Keep it tasteful. Nothing explicit. - Make new footage. Don't reuse clips from Episode 2. - Pick the song to post it with. Any existing song is fine, including the one from Episode 2. Time the cuts and lines so the dialogue never talks over the vocals. Deliver the breakdown and two versions of the video: one with the song mixed in, and one with only dialogue and sound effects. Also give the song, the second it should start from and the music volume, so we can add it the same way in Instagram. · B4a:T18a0,Build a single-file interactive WebGL toy called "Jelly Bum": a translucent gummy-candy sculpture of a buttocks-and-hips torso (cut flat at the waist and mid-thigh, like a mannequin) wearing a string bikini bottom. It stands on a layered cake board. It wobbles like real jelly when you poke it, pull it or shake the table. TECH - One self-contained HTML file. three.js r160 as an ES module from https://cdn.jsdelivr.net/npm/three@0.160.0/build/three.module.js. No addons, no build step, WebGL 2 only, with a friendly fallback message if WebGL 2 is missing. - Write a custom orbit camera with damping and inertia. Drag on the background to rotate, use the wheel or pinch to zoom. Clamp it so the camera never goes below the board. Arrow keys also rotate. - Build a custom studio environment: a mid-grey gradient dome plus a few bright emissive softbox planes, run through PMREMGenerator, so reflections stay contrasty and the jelly reads as saturated candy. Use ACES tone mapping. The scene background must match the page's CSS background exactly. No shadow maps. SHAPE - Define the body as a signed distance field: smooth-union ellipsoids for the waist, hips and two round cheeks (with a visible cleft), plus two tapered round-cone thighs with a gap between them. The top is cut flat with rounded edges and the bottom sits flat on the board. - Mesh it with surface nets (about 0.0165 grid step, roughly 28k vertices). Snap vertices onto the surface, take normals from the SDF gradient, and drop the bottom cap. SOFT-BODY PHYSICS - Use a spring lattice of about 100 nodes (0.19 spacing) inside the body. The bottom layer is glued to the board. Each node has an anchor spring to its rest position plus springs to its neighbours (only where the midpoint is inside the body). Integrate with semi-implicit Euler in about 10 substeps per frame. The wobble should be visible and decay over about 2–3 s. - Deform the mesh on the GPU. Put node rest positions and displacements in a float DataTexture. In the vertex shader (injected via onBeforeCompile into MeshPhysicalMaterial), blend node displacements with normalized Gaussian weights. Compute the analytic Jacobian so normals stay correct. Smoothly glue the deformation to zero at the base. - Poke (tap or click, or Enter on the focused canvas): apply a strong Gaussian velocity impulse into the surface at the hit point. - Pull (drag on the jelly): spring the nearby nodes toward the cursor's offset on a camera-facing plane. Soft-clamp the offset to about 0.5 units. On release the jelly springs back and wobbles. - Picking: sphere-trace the SDF in the deformed space (sample the field at point p - displacement(p)). Show a grab cursor on hover. - Shake the table: a "Shake the table" button plus the Space key. - All scene objects except the lights live in one stage group, and the shake moves that group. - The motion is a quick hop (about 0.05 units, 0.14 s), then a decaying side-to-side rattle (about 4.2 Hz, amplitude about 0.08, about 1.7 s) in a random mostly-sideways direction. - Feed the board's acceleration (finite differences per substep) into every free node as an inertial force, so the jelly lags behind, sways and keeps wobbling after the board stops. - A "Jelly liveliness" meter shows kinetic plus elastic energy as a percentage. LOOK - Jelly: MeshPhysicalMaterial with transmission 1, thickness about 0.85, IOR 1.36, a saturated attenuation colour (distance about 0.75), roughness about 0.07, clearcoat, a light sheen, a faint emissive glow and DoubleSide, so the back faces refract. About 110 tiny white bubbles are suspended inside and move with the deformation. - Flavours: Lagoon (turquoise), Raspberry (magenta-pink), Lime and Mango. Switching flavour animates the colours smoothly and gives the jelly a small bounce. - Bikini: the same mesh pushed out slightly along the normal. The shape is cut out procedurally in the fragment shader from rest-space coordinates: - A cheeky back panel, high-cut at the sides. - A small front triangle and a gusset. - Thin side strings with a dark trim binding. - Small 3D knots with two dangling cord ends on each hip, deformed with the jelly. - Edges anti-aliased with alpha-to-coverage. - Six procedural prints: Leopard rosettes, Zebra wavy stripes, Polka dots, Breton stripes, Gingham and Classic black. The trim and cords match each print. - Cake board: rounded-rectangle extrusions in three layers (cream frosting top, caramel stripe, chocolate biscuit base). Shift it slightly backward so it sits under the cheeks. - Coloured shadow: planar-project the deformed jelly onto the board top and the floor along the key-light direction, tinted with the flavour colour, using multiply blending and a stencil so it never double-darkens. The shadow follows the stage during the shake. Add soft contact darkening under the feet. - The jelly drops in slightly squashed on load, springs into shape, and the camera eases in. - No candies or balls anywhere. UI (English only) - Top-left: a small mono eyebrow "Confectionery physics · No. 7", a big italic serif title "Jelly Bum." with the full stop in the current flavour colour, and a short italic lede: "Gummy curves, skinny strings and a wobble that always comes back." - Bottom-left: "How to play — Poke the jelly. Pull a curve. Shake the table." with the hint "Space shakes it too. Drag the background to turn it, scroll or pinch to zoom." - Right side: a floating rounded control card containing: - A "WebGL 2 · live" badge with a pulsing dot in the flavour colour, and a Sound toggle (WebAudio boing on poke and release, a low thump plus boing on shake; off by default). - "The jelly": a dark "Shake the table" button with a SPACE key hint, plus the liveliness meter. - "Flavour": four candy-sphere swatches. - "Bikini": six pattern swatches. - Sliders for Firmness and Wobble damping. - Fonts: Literata italic (display), Onest (UI) and JetBrains Mono (labels), all from Google Fonts. - Light and dark themes through CSS tokens; the 3D background follows the theme. - On phones the card becomes a scrollable bottom sheet, and the camera reframes the scene into the free area using setViewOffset. - Respect prefers-reduced-motion, keep a visible keyboard focus state, and use touch-action: none on the canvas.4b:T18a0,Build a single-file interactive WebGL toy called "Jelly Bum": a translucent gummy-candy sculpture of a buttocks-and-hips torso (cut flat at the waist and mid-thigh, like a mannequin) wearing a string bikini bottom. It stands on a layered cake board. It wobbles like real jelly when you poke it, pull it or shake the table. TECH - One self-contained HTML file. three.js r160 as an ES module from https://cdn.jsdelivr.net/npm/three@0.160.0/build/three.module.js. No addons, no build step, WebGL 2 only, with a friendly fallback message if WebGL 2 is missing. - Write a custom orbit camera with damping and inertia. Drag on the background to rotate, use the wheel or pinch to zoom. Clamp it so the camera never goes below the board. Arrow keys also rotate. - Build a custom studio environment: a mid-grey gradient dome plus a few bright emissive softbox planes, run through PMREMGenerator, so reflections stay contrasty and the jelly reads as saturated candy. Use ACES tone mapping. The scene background must match the page's CSS background exactly. No shadow maps. SHAPE - Define the body as a signed distance field: smooth-union ellipsoids for the waist, hips and two round cheeks (with a visible cleft), plus two tapered round-cone thighs with a gap between them. The top is cut flat with rounded edges and the bottom sits flat on the board. - Mesh it with surface nets (about 0.0165 grid step, roughly 28k vertices). Snap vertices onto the surface, take normals from the SDF gradient, and drop the bottom cap. SOFT-BODY PHYSICS - Use a spring lattice of about 100 nodes (0.19 spacing) inside the body. The bottom layer is glued to the board. Each node has an anchor spring to its rest position plus springs to its neighbours (only where the midpoint is inside the body). Integrate with semi-implicit Euler in about 10 substeps per frame. The wobble should be visible and decay over about 2–3 s. - Deform the mesh on the GPU. Put node rest positions and displacements in a float DataTexture. In the vertex shader (injected via onBeforeCompile into MeshPhysicalMaterial), blend node displacements with normalized Gaussian weights. Compute the analytic Jacobian so normals stay correct. Smoothly glue the deformation to zero at the base. - Poke (tap or click, or Enter on the focused canvas): apply a strong Gaussian velocity impulse into the surface at the hit point. - Pull (drag on the jelly): spring the nearby nodes toward the cursor's offset on a camera-facing plane. Soft-clamp the offset to about 0.5 units. On release the jelly springs back and wobbles. - Picking: sphere-trace the SDF in the deformed space (sample the field at point p - displacement(p)). Show a grab cursor on hover. - Shake the table: a "Shake the table" button plus the Space key. - All scene objects except the lights live in one stage group, and the shake moves that group. - The motion is a quick hop (about 0.05 units, 0.14 s), then a decaying side-to-side rattle (about 4.2 Hz, amplitude about 0.08, about 1.7 s) in a random mostly-sideways direction. - Feed the board's acceleration (finite differences per substep) into every free node as an inertial force, so the jelly lags behind, sways and keeps wobbling after the board stops. - A "Jelly liveliness" meter shows kinetic plus elastic energy as a percentage. LOOK - Jelly: MeshPhysicalMaterial with transmission 1, thickness about 0.85, IOR 1.36, a saturated attenuation colour (distance about 0.75), roughness about 0.07, clearcoat, a light sheen, a faint emissive glow and DoubleSide, so the back faces refract. About 110 tiny white bubbles are suspended inside and move with the deformation. - Flavours: Lagoon (turquoise), Raspberry (magenta-pink), Lime and Mango. Switching flavour animates the colours smoothly and gives the jelly a small bounce. - Bikini: the same mesh pushed out slightly along the normal. The shape is cut out procedurally in the fragment shader from rest-space coordinates: - A cheeky back panel, high-cut at the sides. - A small front triangle and a gusset. - Thin side strings with a dark trim binding. - Small 3D knots with two dangling cord ends on each hip, deformed with the jelly. - Edges anti-aliased with alpha-to-coverage. - Six procedural prints: Leopard rosettes, Zebra wavy stripes, Polka dots, Breton stripes, Gingham and Classic black. The trim and cords match each print. - Cake board: rounded-rectangle extrusions in three layers (cream frosting top, caramel stripe, chocolate biscuit base). Shift it slightly backward so it sits under the cheeks. - Coloured shadow: planar-project the deformed jelly onto the board top and the floor along the key-light direction, tinted with the flavour colour, using multiply blending and a stencil so it never double-darkens. The shadow follows the stage during the shake. Add soft contact darkening under the feet. - The jelly drops in slightly squashed on load, springs into shape, and the camera eases in. - No candies or balls anywhere. UI (English only) - Top-left: a small mono eyebrow "Confectionery physics · No. 7", a big italic serif title "Jelly Bum." with the full stop in the current flavour colour, and a short italic lede: "Gummy curves, skinny strings and a wobble that always comes back." - Bottom-left: "How to play — Poke the jelly. Pull a curve. Shake the table." with the hint "Space shakes it too. Drag the background to turn it, scroll or pinch to zoom." - Right side: a floating rounded control card containing: - A "WebGL 2 · live" badge with a pulsing dot in the flavour colour, and a Sound toggle (WebAudio boing on poke and release, a low thump plus boing on shake; off by default). - "The jelly": a dark "Shake the table" button with a SPACE key hint, plus the liveliness meter. - "Flavour": four candy-sphere swatches. - "Bikini": six pattern swatches. - Sliders for Firmness and Wobble damping. - Fonts: Literata italic (display), Onest (UI) and JetBrains Mono (labels), all from Google Fonts. - Light and dark themes through CSS tokens; the 3D background follows the theme. - On phones the card becomes a scrollable bottom sheet, and the camera reframes the scene into the free area using setViewOffset. - Respect prefers-reduced-motion, keep a visible keyboard focus state, and use touch-action: none on the canvas.4c:T18a0,Build a single-file interactive WebGL toy called "Jelly Bum": a translucent gummy-candy sculpture of a buttocks-and-hips torso (cut flat at the waist and mid-thigh, like a mannequin) wearing a string bikini bottom. It stands on a layered cake board. It wobbles like real jelly when you poke it, pull it or shake the table. TECH - One self-contained HTML file. three.js r160 as an ES module from https://cdn.jsdelivr.net/npm/three@0.160.0/build/three.module.js. No addons, no build step, WebGL 2 only, with a friendly fallback message if WebGL 2 is missing. - Write a custom orbit camera with damping and inertia. Drag on the background to rotate, use the wheel or pinch to zoom. Clamp it so the camera never goes below the board. Arrow keys also rotate. - Build a custom studio environment: a mid-grey gradient dome plus a few bright emissive softbox planes, run through PMREMGenerator, so reflections stay contrasty and the jelly reads as saturated candy. Use ACES tone mapping. The scene background must match the page's CSS background exactly. No shadow maps. SHAPE - Define the body as a signed distance field: smooth-union ellipsoids for the waist, hips and two round cheeks (with a visible cleft), plus two tapered round-cone thighs with a gap between them. The top is cut flat with rounded edges and the bottom sits flat on the board. - Mesh it with surface nets (about 0.0165 grid step, roughly 28k vertices). Snap vertices onto the surface, take normals from the SDF gradient, and drop the bottom cap. SOFT-BODY PHYSICS - Use a spring lattice of about 100 nodes (0.19 spacing) inside the body. The bottom layer is glued to the board. Each node has an anchor spring to its rest position plus springs to its neighbours (only where the midpoint is inside the body). Integrate with semi-implicit Euler in about 10 substeps per frame. The wobble should be visible and decay over about 2–3 s. - Deform the mesh on the GPU. Put node rest positions and displacements in a float DataTexture. In the vertex shader (injected via onBeforeCompile into MeshPhysicalMaterial), blend node displacements with normalized Gaussian weights. Compute the analytic Jacobian so normals stay correct. Smoothly glue the deformation to zero at the base. - Poke (tap or click, or Enter on the focused canvas): apply a strong Gaussian velocity impulse into the surface at the hit point. - Pull (drag on the jelly): spring the nearby nodes toward the cursor's offset on a camera-facing plane. Soft-clamp the offset to about 0.5 units. On release the jelly springs back and wobbles. - Picking: sphere-trace the SDF in the deformed space (sample the field at point p - displacement(p)). Show a grab cursor on hover. - Shake the table: a "Shake the table" button plus the Space key. - All scene objects except the lights live in one stage group, and the shake moves that group. - The motion is a quick hop (about 0.05 units, 0.14 s), then a decaying side-to-side rattle (about 4.2 Hz, amplitude about 0.08, about 1.7 s) in a random mostly-sideways direction. - Feed the board's acceleration (finite differences per substep) into every free node as an inertial force, so the jelly lags behind, sways and keeps wobbling after the board stops. - A "Jelly liveliness" meter shows kinetic plus elastic energy as a percentage. LOOK - Jelly: MeshPhysicalMaterial with transmission 1, thickness about 0.85, IOR 1.36, a saturated attenuation colour (distance about 0.75), roughness about 0.07, clearcoat, a light sheen, a faint emissive glow and DoubleSide, so the back faces refract. About 110 tiny white bubbles are suspended inside and move with the deformation. - Flavours: Lagoon (turquoise), Raspberry (magenta-pink), Lime and Mango. Switching flavour animates the colours smoothly and gives the jelly a small bounce. - Bikini: the same mesh pushed out slightly along the normal. The shape is cut out procedurally in the fragment shader from rest-space coordinates: - A cheeky back panel, high-cut at the sides. - A small front triangle and a gusset. - Thin side strings with a dark trim binding. - Small 3D knots with two dangling cord ends on each hip, deformed with the jelly. - Edges anti-aliased with alpha-to-coverage. - Six procedural prints: Leopard rosettes, Zebra wavy stripes, Polka dots, Breton stripes, Gingham and Classic black. The trim and cords match each print. - Cake board: rounded-rectangle extrusions in three layers (cream frosting top, caramel stripe, chocolate biscuit base). Shift it slightly backward so it sits under the cheeks. - Coloured shadow: planar-project the deformed jelly onto the board top and the floor along the key-light direction, tinted with the flavour colour, using multiply blending and a stencil so it never double-darkens. The shadow follows the stage during the shake. Add soft contact darkening under the feet. - The jelly drops in slightly squashed on load, springs into shape, and the camera eases in. - No candies or balls anywhere. UI (English only) - Top-left: a small mono eyebrow "Confectionery physics · No. 7", a big italic serif title "Jelly Bum." with the full stop in the current flavour colour, and a short italic lede: "Gummy curves, skinny strings and a wobble that always comes back." - Bottom-left: "How to play — Poke the jelly. Pull a curve. Shake the table." with the hint "Space shakes it too. Drag the background to turn it, scroll or pinch to zoom." - Right side: a floating rounded control card containing: - A "WebGL 2 · live" badge with a pulsing dot in the flavour colour, and a Sound toggle (WebAudio boing on poke and release, a low thump plus boing on shake; off by default). - "The jelly": a dark "Shake the table" button with a SPACE key hint, plus the liveliness meter. - "Flavour": four candy-sphere swatches. - "Bikini": six pattern swatches. - Sliders for Firmness and Wobble damping. - Fonts: Literata italic (display), Onest (UI) and JetBrains Mono (labels), all from Google Fonts. - Light and dark themes through CSS tokens; the 3D background follows the theme. - On phones the card becomes a scrollable bottom sheet, and the camera reframes the scene into the free area using setViewOffset. - Respect prefers-reduced-motion, keep a visible keyboard focus state, and use touch-action: none on the canvas.4d:T18a5,Build a single-file interactive WebGL toy called "Jelly Bum": a translucent gummy-candy sculpture of a buttocks-and-hips torso (cut flat at the waist and mid-thigh, like a mannequin) wearing a string bikini bottom. It stands on a layered cake board. It wobbles like real jelly when you poke it, pull it or shake the table. TECH - One self-contained HTML file. three.js r160 as an ES module from https://cdn.jsdelivr.net/npm/three@0.160.0/build/three.module.js. No addons, no build step, WebGL 2 only, with a friendly fallback message if WebGL 2 is missing. - Write a custom orbit camera with damping and inertia. Drag on the background to rotate, use the wheel or pinch to zoom. Clamp it so the camera never goes below the board. Arrow keys also rotate. - Build a custom studio environment: a mid-grey gradient dome plus a few bright emissive softbox planes, run through PMREMGenerator, so reflections stay contrasty and the jelly reads as saturated candy. Use ACES tone mapping. The scene background must match the page's CSS background exactly. No shadow maps. SHAPE - Define the body as a signed distance field: smooth-union ellipsoids for the waist, hips and two round cheeks (with a visible cleft), plus two tapered round-cone thighs with a gap between them. The top is cut flat with rounded edges and the bottom sits flat on the board. - Mesh it with surface nets (about 0.0165 grid step, roughly 28k vertices). Snap vertices onto the surface, take normals from the SDF gradient, and drop the bottom cap. SOFT-BODY PHYSICS - Use a spring lattice of about 100 nodes (0.19 spacing) inside the body. The bottom layer is glued to the board. Each node has an anchor spring to its rest position plus springs to its neighbours (only where the midpoint is inside the body). Integrate with semi-implicit Euler in about 10 substeps per frame. The wobble should be visible and decay over about 2–3 s. - Deform the mesh on the GPU. Put node rest positions and displacements in a float DataTexture. In the vertex shader (injected via onBeforeCompile into MeshPhysicalMaterial), blend node displacements with normalized Gaussian weights. Compute the analytic Jacobian so normals stay correct. Smoothly glue the deformation to zero at the base. - Poke (tap or click, or Enter on the focused canvas): apply a strong Gaussian velocity impulse into the surface at the hit point. - Pull (drag on the jelly): spring the nearby nodes toward the cursor's offset on a camera-facing plane. Soft-clamp the offset to about 0.5 units. On release the jelly springs back and wobbles. - Picking: sphere-trace the SDF in the deformed space (sample the field at point p - displacement(p)). Show a grab cursor on hover. - Shake the table: a "Shake the table" button plus the Space key. - All scene objects except the lights live in one stage group, and the shake moves that group. - The motion is a quick hop (about 0.05 units, 0.14 s), then a decaying side-to-side rattle (about 4.2 Hz, amplitude about 0.08, about 1.7 s) in a random mostly-sideways direction. - Feed the board's acceleration (finite differences per substep) into every free node as an inertial force, so the jelly lags behind, sways and keeps wobbling after the board stops. - A "Jelly liveliness" meter shows kinetic plus elastic energy as a percentage. LOOK - Jelly: MeshPhysicalMaterial with transmission 1, thickness about 0.85, IOR 1.36, a saturated attenuation colour (distance about 0.75), roughness about 0.07, clearcoat, a light sheen, a faint emissive glow and DoubleSide, so the back faces refract. About 110 tiny white bubbles are suspended inside and move with the deformation. - Flavours: Lagoon (turquoise), Raspberry (magenta-pink), Lime and Mango. Switching flavour animates the colours smoothly and gives the jelly a small bounce. - Bikini: the same mesh pushed out slightly along the normal. The shape is cut out procedurally in the fragment shader from rest-space coordinates: - A cheeky back panel, high-cut at the sides. - A small front triangle and a gusset. - Thin side strings with a dark trim binding. - Small 3D knots with two dangling cord ends on each hip, deformed with the jelly. - Edges anti-aliased with alpha-to-coverage. - Six procedural prints: Leopard rosettes, Zebra wavy stripes, Polka dots, Breton stripes, Gingham and Classic black. The trim and cords match each print. - Cake board: rounded-rectangle extrusions in three layers (cream frosting top, caramel stripe, chocolate biscuit base). Shift it slightly backward so it sits under the cheeks. - Coloured shadow: planar-project the deformed jelly onto the board top and the floor along the key-light direction, tinted with the flavour colour, using multiply blending and a stencil so it never double-darkens. The shadow follows the stage during the shake. Add soft contact darkening under the feet. - The jelly drops in slightly squashed on load, springs into shape, and the camera eases in. - No candies or balls anywhere. UI (English only) - Top-left: a small mono eyebrow "Confectionery physics · No. 7", a big italic serif title "Jelly Bum." with the full stop in the current flavour colour, and a short italic lede: "Gummy curves, skinny strings and a wobble that always comes back." - Bottom-left: "How to play — Poke the jelly. Pull a curve. Shake the table." with the hint "Space shakes it too. Drag the background to turn it, scroll or pinch to zoom." - Right side: a floating rounded control card containing: - A "WebGL 2 · live" badge with a pulsing dot in the flavour colour, and a Sound toggle (WebAudio boing on poke and release, a low thump plus boing on shake; off by default). - "The jelly": a dark "Shake the table" button with a SPACE key hint, plus the liveliness meter. - "Flavour": four candy-sphere swatches. - "Bikini": six pattern swatches. - Sliders for Firmness and Wobble damping. - Fonts: Literata italic (display), Onest (UI) and JetBrains Mono (labels), all from Google Fonts. - Light and dark themes through CSS tokens; the 3D background follows the theme. - On phones the card becomes a scrollable bottom sheet, and the camera reframes the scene into the free area using setViewOffset. - Respect prefers-reduced-motion, keep a visible keyboard focus state, and use touch-action: none on the canvas. · A4e:T18a5,Build a single-file interactive WebGL toy called "Jelly Bum": a translucent gummy-candy sculpture of a buttocks-and-hips torso (cut flat at the waist and mid-thigh, like a mannequin) wearing a string bikini bottom. It stands on a layered cake board. It wobbles like real jelly when you poke it, pull it or shake the table. TECH - One self-contained HTML file. three.js r160 as an ES module from https://cdn.jsdelivr.net/npm/three@0.160.0/build/three.module.js. No addons, no build step, WebGL 2 only, with a friendly fallback message if WebGL 2 is missing. - Write a custom orbit camera with damping and inertia. Drag on the background to rotate, use the wheel or pinch to zoom. Clamp it so the camera never goes below the board. Arrow keys also rotate. - Build a custom studio environment: a mid-grey gradient dome plus a few bright emissive softbox planes, run through PMREMGenerator, so reflections stay contrasty and the jelly reads as saturated candy. Use ACES tone mapping. The scene background must match the page's CSS background exactly. No shadow maps. SHAPE - Define the body as a signed distance field: smooth-union ellipsoids for the waist, hips and two round cheeks (with a visible cleft), plus two tapered round-cone thighs with a gap between them. The top is cut flat with rounded edges and the bottom sits flat on the board. - Mesh it with surface nets (about 0.0165 grid step, roughly 28k vertices). Snap vertices onto the surface, take normals from the SDF gradient, and drop the bottom cap. SOFT-BODY PHYSICS - Use a spring lattice of about 100 nodes (0.19 spacing) inside the body. The bottom layer is glued to the board. Each node has an anchor spring to its rest position plus springs to its neighbours (only where the midpoint is inside the body). Integrate with semi-implicit Euler in about 10 substeps per frame. The wobble should be visible and decay over about 2–3 s. - Deform the mesh on the GPU. Put node rest positions and displacements in a float DataTexture. In the vertex shader (injected via onBeforeCompile into MeshPhysicalMaterial), blend node displacements with normalized Gaussian weights. Compute the analytic Jacobian so normals stay correct. Smoothly glue the deformation to zero at the base. - Poke (tap or click, or Enter on the focused canvas): apply a strong Gaussian velocity impulse into the surface at the hit point. - Pull (drag on the jelly): spring the nearby nodes toward the cursor's offset on a camera-facing plane. Soft-clamp the offset to about 0.5 units. On release the jelly springs back and wobbles. - Picking: sphere-trace the SDF in the deformed space (sample the field at point p - displacement(p)). Show a grab cursor on hover. - Shake the table: a "Shake the table" button plus the Space key. - All scene objects except the lights live in one stage group, and the shake moves that group. - The motion is a quick hop (about 0.05 units, 0.14 s), then a decaying side-to-side rattle (about 4.2 Hz, amplitude about 0.08, about 1.7 s) in a random mostly-sideways direction. - Feed the board's acceleration (finite differences per substep) into every free node as an inertial force, so the jelly lags behind, sways and keeps wobbling after the board stops. - A "Jelly liveliness" meter shows kinetic plus elastic energy as a percentage. LOOK - Jelly: MeshPhysicalMaterial with transmission 1, thickness about 0.85, IOR 1.36, a saturated attenuation colour (distance about 0.75), roughness about 0.07, clearcoat, a light sheen, a faint emissive glow and DoubleSide, so the back faces refract. About 110 tiny white bubbles are suspended inside and move with the deformation. - Flavours: Lagoon (turquoise), Raspberry (magenta-pink), Lime and Mango. Switching flavour animates the colours smoothly and gives the jelly a small bounce. - Bikini: the same mesh pushed out slightly along the normal. The shape is cut out procedurally in the fragment shader from rest-space coordinates: - A cheeky back panel, high-cut at the sides. - A small front triangle and a gusset. - Thin side strings with a dark trim binding. - Small 3D knots with two dangling cord ends on each hip, deformed with the jelly. - Edges anti-aliased with alpha-to-coverage. - Six procedural prints: Leopard rosettes, Zebra wavy stripes, Polka dots, Breton stripes, Gingham and Classic black. The trim and cords match each print. - Cake board: rounded-rectangle extrusions in three layers (cream frosting top, caramel stripe, chocolate biscuit base). Shift it slightly backward so it sits under the cheeks. - Coloured shadow: planar-project the deformed jelly onto the board top and the floor along the key-light direction, tinted with the flavour colour, using multiply blending and a stencil so it never double-darkens. The shadow follows the stage during the shake. Add soft contact darkening under the feet. - The jelly drops in slightly squashed on load, springs into shape, and the camera eases in. - No candies or balls anywhere. UI (English only) - Top-left: a small mono eyebrow "Confectionery physics · No. 7", a big italic serif title "Jelly Bum." with the full stop in the current flavour colour, and a short italic lede: "Gummy curves, skinny strings and a wobble that always comes back." - Bottom-left: "How to play — Poke the jelly. Pull a curve. Shake the table." with the hint "Space shakes it too. Drag the background to turn it, scroll or pinch to zoom." - Right side: a floating rounded control card containing: - A "WebGL 2 · live" badge with a pulsing dot in the flavour colour, and a Sound toggle (WebAudio boing on poke and release, a low thump plus boing on shake; off by default). - "The jelly": a dark "Shake the table" button with a SPACE key hint, plus the liveliness meter. - "Flavour": four candy-sphere swatches. - "Bikini": six pattern swatches. - Sliders for Firmness and Wobble damping. - Fonts: Literata italic (display), Onest (UI) and JetBrains Mono (labels), all from Google Fonts. - Light and dark themes through CSS tokens; the 3D background follows the theme. - On phones the card becomes a scrollable bottom sheet, and the camera reframes the scene into the free area using setViewOffset. - Respect prefers-reduced-motion, keep a visible keyboard focus state, and use touch-action: none on the canvas. · 24f:T43c,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop.50:T43c,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop.51:T43c,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop.52:T441,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop. · A53:T441,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop. · B54:T43e,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop.55:T43e,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop.56:T43e,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop.57:T443,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop. · A58:T443,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop. · B59:Tfef,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first.5a:Tfef,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first.5b:Tfef,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first.5c:Tff4,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first. · A5d:Tff4,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first. · B5e:T1d8c,Make a ~60s product launch film for Evals (evals.ag) — the place to battle AI setups on your own task and vote blind. 16:9, 1920×1080, 30fps, music-locked, no narration — on-screen type tells the story. Build it in HyperFrames (HTML + one paused GSAP timeline) under videos/evals-/. 0. Inputs Product: https://evals.ag (app: https://evals-app.vercel.app — use my logged-in Chrome session for anything behind sign-in). Motion reference: videos/evals-hype/renders/evals-ref2-short-fast2-impact.mp4 (approved). Match its feel exactly; change only scenario, design and assets. Core message: "Same prompt, different setups — battle them and vote blind. Stop guessing. Battle it." What Evals really does (only show these — no invented features, numbers, rankings or names) Ask: type what you want to make in the composer ("What would you like to make?"). Run modes: Battle (blind), Side-by-side comparison (pick models and skills), Direct. Battle: up to 4 setups. A setup = model + skill + environment (e.g. Claude Opus 5.5 / GPT-6 Astra, skills like hyperframes / frontend-design / web-design-guidelines, environments like Native Claude / Recorded session). Compare, blind: same prompt, outputs side by side as playable live previews, names hidden until you vote ("I prefer A / B"). Inspect: every output keeps its full run record — LLM, gen AI, skill, software, environment, services contacted, turn time, turn tokens, status. Rank: votes roll up into leaderboards of setups, not just models ("Setups, not just models." — same model, different setups). Explore: community Outputs, Tasks, Skills, Compare, Community, Leaderboards. Real model names visible in the product: Claude Opus 5.5, GPT-6 Astra. Show only names/numbers you actually see in your captures. End card: Evals mark + wordmark, "Stop guessing. Battle it.", URL evals.ag. 1. Reverse-engineer the reference first (frames are the truth) Download the reference and study it frame by frame. Write SPEC.md with measured numbers, not impressions: every cut (frame number), shot order and durations, average shot length, cuts per 10s camera moves per shot (start/end position, scale, curve), easing measured per frame (fraction of remaining distance covered each frame) type-on speed (frames per char), caret behaviour, word-by-word reveal spacing, new-word accent flash duration card/UI choreography (fly-in paths, stacking, depth), light↔dark section switches, split-screen layouts sound map: where every hit/whoosh/click lands relative to the cut Then rebuild shot for shot at the same rhythm. Only brand, copy, design and assets change. 2. Scenario Write SCRIPT.md before building: a fresh narrative arc true to what Evals really does (hook: a new SOTA model every week — which one is actually best at your work? → type a task → Battle up to 4 setups → blind side-by-side, vote → full run record → setup leaderboards → "Stop guessing. Battle it." evals.ag). Don't reuse the previous films' copy. Short punchy lines (2–5 words per beat), English. Every beat gets a timestamp on the music grid. 3. Design Write DESIGN.md once and make every section obey it (no per-section drift): palette (one accent per frame), type pairing (one sans for headlines; weights/sizes in px; tracking −0.02em, line-height 1.0) card treatment: real UI captures, rounded 14–18px corners, soft layered shadow Never: outline/hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI mockups, invented numbers/rankings/features. 4. Assets (all real, all new) Capture the real Evals UI with Playwright at 2–3× DPR: home composer (empty / typed), Run-mode menu (Battle / Side-by-side / Direct), setups stepper (1–4), a live run page (4 agents generating → "Your options are ready"), Compare (blind A/B with "I prefer A/B"), output run record panel, Leaderboards (setup rows), Explore Outputs/Tasks/Skills. Run one real 4-setup Battle on a visual prompt (e.g. a playable browser game) so the four results are genuinely the same task. Record real Evals outputs as clips from their live previews (screencast, 1600×900, 30fps, 6–7s each; press start/arrow keys or orbit so they move). Use outputs not used in earlier Evals films. Typing scenes: put a text layer exactly over the real input field, matching its font, size and colour. New music track (detect BPM and first downbeat with a script) and a fresh SFX set. 5. Motion rules (this is the 감도 — non-negotiable) One camera = one pure function of time cam(t) built from keyframes with velocity-continuous easing; applied from the master timeline. Deterministic: no timers, no randomness, any frame renders alone. Two easing families only: snappy ≈25% of remaining distance per frame (90% in 8–9 frames) and floaty ≈12% (18–20 frames). No overshoot unless the reference has it. Exits accelerate into the cut; the next shot carries the motion through it (velocity-matched). Real whip-pans: outgoing and incoming shots travel together over 0.30–0.45s, with velocity-driven motion blur that peaks mid-move. Never blur switched on over a hard cut. Overlays are screen-locked (never inherit the camera whip). Text arrives with its container in one mask reveal. Overlapping action: the next element starts at ~60% of the previous tween. No start-stop chains. Nothing freezes: every hold carries a 1–3% slow drift (sine.inOut across the whole hold). Fast moves decelerate over ≥6 frames — no dead stops. No double cuts (two visual changes on adjacent frames). Busy footage gets only a slow push; energy comes from the cuts. Word reveals 2–4 frames apart; the newest word flashes the accent, then settles 3–12 frames later. Hero type-on 1 char / 2 frames; in-product typing 0.6–0.9 char/frame; caret solid (never blinks). Every cut on the beat ±1 frame; visual hit and SFX on the same frame. 6. Speed, edit, impact Speed by re-rendering, never frame-dropping: render at --fps 30/speedup and play back at 30fps (e.g. --fps 95/4 → 1.263×). Pick the speed-up so one beat = a whole number of frames. Quantize every segment to 8th notes; round segment start frames up. Impact FX in post (ffmpeg) on 4–6 big hits only (cut to dark, reveal word, flash, key word, logo): zoom punch +8.5%, decaying τ = 0.09s crop shake 16px at ~22Hz, decaying τ = 0.1s rgbashift 16px for 2 frames, then 7px for 2 frames 1–2 frames of white flash Lighter version on secondary cuts (3.5% punch, 6px shake, 1 frame of split). Find hit frames from frame-diff peaks and by looking. 7. Sound Music bed carries the film; no ducking. SFX bus ~3dB under the music overall, above it only on hits and in the music's own gaps. At each big hit, layer reverse swell + boom (high-passed at 60Hz) + short transient + glitch synced to the RGB split. Use a modest total (~40–45 sounds); never spread SFX evenly on every cut. Master at −14 LUFS, AAC 192k. 8. QA before you report (mandatory) motion.py must show: no dead stops, no frozen holds, every cut within ±1.5 frames of a beat, no adjacent-frame cuts. strip.sh (16 consecutive frames) at every transition, and look at each one. A good whip shows a smooth velocity ramp with both shots visible mid-move. Contact sheets alone hide motion bugs. Check text readability, safe margins, and that every number/name on screen exists in the real product. Deliver renders/evals--v1.mp4 plus a report: script, design summary, asset list, shot list with times, BPM and speed factor, hit frames with FX, SFX map, QA results.5f:T1d8c,Make a ~60s product launch film for Evals (evals.ag) — the place to battle AI setups on your own task and vote blind. 16:9, 1920×1080, 30fps, music-locked, no narration — on-screen type tells the story. Build it in HyperFrames (HTML + one paused GSAP timeline) under videos/evals-/. 0. Inputs Product: https://evals.ag (app: https://evals-app.vercel.app — use my logged-in Chrome session for anything behind sign-in). Motion reference: videos/evals-hype/renders/evals-ref2-short-fast2-impact.mp4 (approved). Match its feel exactly; change only scenario, design and assets. Core message: "Same prompt, different setups — battle them and vote blind. Stop guessing. Battle it." What Evals really does (only show these — no invented features, numbers, rankings or names) Ask: type what you want to make in the composer ("What would you like to make?"). Run modes: Battle (blind), Side-by-side comparison (pick models and skills), Direct. Battle: up to 4 setups. A setup = model + skill + environment (e.g. Claude Opus 5.5 / GPT-6 Astra, skills like hyperframes / frontend-design / web-design-guidelines, environments like Native Claude / Recorded session). Compare, blind: same prompt, outputs side by side as playable live previews, names hidden until you vote ("I prefer A / B"). Inspect: every output keeps its full run record — LLM, gen AI, skill, software, environment, services contacted, turn time, turn tokens, status. Rank: votes roll up into leaderboards of setups, not just models ("Setups, not just models." — same model, different setups). Explore: community Outputs, Tasks, Skills, Compare, Community, Leaderboards. Real model names visible in the product: Claude Opus 5.5, GPT-6 Astra. Show only names/numbers you actually see in your captures. End card: Evals mark + wordmark, "Stop guessing. Battle it.", URL evals.ag. 1. Reverse-engineer the reference first (frames are the truth) Download the reference and study it frame by frame. Write SPEC.md with measured numbers, not impressions: every cut (frame number), shot order and durations, average shot length, cuts per 10s camera moves per shot (start/end position, scale, curve), easing measured per frame (fraction of remaining distance covered each frame) type-on speed (frames per char), caret behaviour, word-by-word reveal spacing, new-word accent flash duration card/UI choreography (fly-in paths, stacking, depth), light↔dark section switches, split-screen layouts sound map: where every hit/whoosh/click lands relative to the cut Then rebuild shot for shot at the same rhythm. Only brand, copy, design and assets change. 2. Scenario Write SCRIPT.md before building: a fresh narrative arc true to what Evals really does (hook: a new SOTA model every week — which one is actually best at your work? → type a task → Battle up to 4 setups → blind side-by-side, vote → full run record → setup leaderboards → "Stop guessing. Battle it." evals.ag). Don't reuse the previous films' copy. Short punchy lines (2–5 words per beat), English. Every beat gets a timestamp on the music grid. 3. Design Write DESIGN.md once and make every section obey it (no per-section drift): palette (one accent per frame), type pairing (one sans for headlines; weights/sizes in px; tracking −0.02em, line-height 1.0) card treatment: real UI captures, rounded 14–18px corners, soft layered shadow Never: outline/hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI mockups, invented numbers/rankings/features. 4. Assets (all real, all new) Capture the real Evals UI with Playwright at 2–3× DPR: home composer (empty / typed), Run-mode menu (Battle / Side-by-side / Direct), setups stepper (1–4), a live run page (4 agents generating → "Your options are ready"), Compare (blind A/B with "I prefer A/B"), output run record panel, Leaderboards (setup rows), Explore Outputs/Tasks/Skills. Run one real 4-setup Battle on a visual prompt (e.g. a playable browser game) so the four results are genuinely the same task. Record real Evals outputs as clips from their live previews (screencast, 1600×900, 30fps, 6–7s each; press start/arrow keys or orbit so they move). Use outputs not used in earlier Evals films. Typing scenes: put a text layer exactly over the real input field, matching its font, size and colour. New music track (detect BPM and first downbeat with a script) and a fresh SFX set. 5. Motion rules (this is the 감도 — non-negotiable) One camera = one pure function of time cam(t) built from keyframes with velocity-continuous easing; applied from the master timeline. Deterministic: no timers, no randomness, any frame renders alone. Two easing families only: snappy ≈25% of remaining distance per frame (90% in 8–9 frames) and floaty ≈12% (18–20 frames). No overshoot unless the reference has it. Exits accelerate into the cut; the next shot carries the motion through it (velocity-matched). Real whip-pans: outgoing and incoming shots travel together over 0.30–0.45s, with velocity-driven motion blur that peaks mid-move. Never blur switched on over a hard cut. Overlays are screen-locked (never inherit the camera whip). Text arrives with its container in one mask reveal. Overlapping action: the next element starts at ~60% of the previous tween. No start-stop chains. Nothing freezes: every hold carries a 1–3% slow drift (sine.inOut across the whole hold). Fast moves decelerate over ≥6 frames — no dead stops. No double cuts (two visual changes on adjacent frames). Busy footage gets only a slow push; energy comes from the cuts. Word reveals 2–4 frames apart; the newest word flashes the accent, then settles 3–12 frames later. Hero type-on 1 char / 2 frames; in-product typing 0.6–0.9 char/frame; caret solid (never blinks). Every cut on the beat ±1 frame; visual hit and SFX on the same frame. 6. Speed, edit, impact Speed by re-rendering, never frame-dropping: render at --fps 30/speedup and play back at 30fps (e.g. --fps 95/4 → 1.263×). Pick the speed-up so one beat = a whole number of frames. Quantize every segment to 8th notes; round segment start frames up. Impact FX in post (ffmpeg) on 4–6 big hits only (cut to dark, reveal word, flash, key word, logo): zoom punch +8.5%, decaying τ = 0.09s crop shake 16px at ~22Hz, decaying τ = 0.1s rgbashift 16px for 2 frames, then 7px for 2 frames 1–2 frames of white flash Lighter version on secondary cuts (3.5% punch, 6px shake, 1 frame of split). Find hit frames from frame-diff peaks and by looking. 7. Sound Music bed carries the film; no ducking. SFX bus ~3dB under the music overall, above it only on hits and in the music's own gaps. At each big hit, layer reverse swell + boom (high-passed at 60Hz) + short transient + glitch synced to the RGB split. Use a modest total (~40–45 sounds); never spread SFX evenly on every cut. Master at −14 LUFS, AAC 192k. 8. QA before you report (mandatory) motion.py must show: no dead stops, no frozen holds, every cut within ±1.5 frames of a beat, no adjacent-frame cuts. strip.sh (16 consecutive frames) at every transition, and look at each one. A good whip shows a smooth velocity ramp with both shots visible mid-move. Contact sheets alone hide motion bugs. Check text readability, safe margins, and that every number/name on screen exists in the real product. Deliver renders/evals--v1.mp4 plus a report: script, design summary, asset list, shot list with times, BPM and speed factor, hit frames with FX, SFX map, QA results.60:T1d8c,Make a ~60s product launch film for Evals (evals.ag) — the place to battle AI setups on your own task and vote blind. 16:9, 1920×1080, 30fps, music-locked, no narration — on-screen type tells the story. Build it in HyperFrames (HTML + one paused GSAP timeline) under videos/evals-/. 0. Inputs Product: https://evals.ag (app: https://evals-app.vercel.app — use my logged-in Chrome session for anything behind sign-in). Motion reference: videos/evals-hype/renders/evals-ref2-short-fast2-impact.mp4 (approved). Match its feel exactly; change only scenario, design and assets. Core message: "Same prompt, different setups — battle them and vote blind. Stop guessing. Battle it." What Evals really does (only show these — no invented features, numbers, rankings or names) Ask: type what you want to make in the composer ("What would you like to make?"). Run modes: Battle (blind), Side-by-side comparison (pick models and skills), Direct. Battle: up to 4 setups. A setup = model + skill + environment (e.g. Claude Opus 5.5 / GPT-6 Astra, skills like hyperframes / frontend-design / web-design-guidelines, environments like Native Claude / Recorded session). Compare, blind: same prompt, outputs side by side as playable live previews, names hidden until you vote ("I prefer A / B"). Inspect: every output keeps its full run record — LLM, gen AI, skill, software, environment, services contacted, turn time, turn tokens, status. Rank: votes roll up into leaderboards of setups, not just models ("Setups, not just models." — same model, different setups). Explore: community Outputs, Tasks, Skills, Compare, Community, Leaderboards. Real model names visible in the product: Claude Opus 5.5, GPT-6 Astra. Show only names/numbers you actually see in your captures. End card: Evals mark + wordmark, "Stop guessing. Battle it.", URL evals.ag. 1. Reverse-engineer the reference first (frames are the truth) Download the reference and study it frame by frame. Write SPEC.md with measured numbers, not impressions: every cut (frame number), shot order and durations, average shot length, cuts per 10s camera moves per shot (start/end position, scale, curve), easing measured per frame (fraction of remaining distance covered each frame) type-on speed (frames per char), caret behaviour, word-by-word reveal spacing, new-word accent flash duration card/UI choreography (fly-in paths, stacking, depth), light↔dark section switches, split-screen layouts sound map: where every hit/whoosh/click lands relative to the cut Then rebuild shot for shot at the same rhythm. Only brand, copy, design and assets change. 2. Scenario Write SCRIPT.md before building: a fresh narrative arc true to what Evals really does (hook: a new SOTA model every week — which one is actually best at your work? → type a task → Battle up to 4 setups → blind side-by-side, vote → full run record → setup leaderboards → "Stop guessing. Battle it." evals.ag). Don't reuse the previous films' copy. Short punchy lines (2–5 words per beat), English. Every beat gets a timestamp on the music grid. 3. Design Write DESIGN.md once and make every section obey it (no per-section drift): palette (one accent per frame), type pairing (one sans for headlines; weights/sizes in px; tracking −0.02em, line-height 1.0) card treatment: real UI captures, rounded 14–18px corners, soft layered shadow Never: outline/hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI mockups, invented numbers/rankings/features. 4. Assets (all real, all new) Capture the real Evals UI with Playwright at 2–3× DPR: home composer (empty / typed), Run-mode menu (Battle / Side-by-side / Direct), setups stepper (1–4), a live run page (4 agents generating → "Your options are ready"), Compare (blind A/B with "I prefer A/B"), output run record panel, Leaderboards (setup rows), Explore Outputs/Tasks/Skills. Run one real 4-setup Battle on a visual prompt (e.g. a playable browser game) so the four results are genuinely the same task. Record real Evals outputs as clips from their live previews (screencast, 1600×900, 30fps, 6–7s each; press start/arrow keys or orbit so they move). Use outputs not used in earlier Evals films. Typing scenes: put a text layer exactly over the real input field, matching its font, size and colour. New music track (detect BPM and first downbeat with a script) and a fresh SFX set. 5. Motion rules (this is the 감도 — non-negotiable) One camera = one pure function of time cam(t) built from keyframes with velocity-continuous easing; applied from the master timeline. Deterministic: no timers, no randomness, any frame renders alone. Two easing families only: snappy ≈25% of remaining distance per frame (90% in 8–9 frames) and floaty ≈12% (18–20 frames). No overshoot unless the reference has it. Exits accelerate into the cut; the next shot carries the motion through it (velocity-matched). Real whip-pans: outgoing and incoming shots travel together over 0.30–0.45s, with velocity-driven motion blur that peaks mid-move. Never blur switched on over a hard cut. Overlays are screen-locked (never inherit the camera whip). Text arrives with its container in one mask reveal. Overlapping action: the next element starts at ~60% of the previous tween. No start-stop chains. Nothing freezes: every hold carries a 1–3% slow drift (sine.inOut across the whole hold). Fast moves decelerate over ≥6 frames — no dead stops. No double cuts (two visual changes on adjacent frames). Busy footage gets only a slow push; energy comes from the cuts. Word reveals 2–4 frames apart; the newest word flashes the accent, then settles 3–12 frames later. Hero type-on 1 char / 2 frames; in-product typing 0.6–0.9 char/frame; caret solid (never blinks). Every cut on the beat ±1 frame; visual hit and SFX on the same frame. 6. Speed, edit, impact Speed by re-rendering, never frame-dropping: render at --fps 30/speedup and play back at 30fps (e.g. --fps 95/4 → 1.263×). Pick the speed-up so one beat = a whole number of frames. Quantize every segment to 8th notes; round segment start frames up. Impact FX in post (ffmpeg) on 4–6 big hits only (cut to dark, reveal word, flash, key word, logo): zoom punch +8.5%, decaying τ = 0.09s crop shake 16px at ~22Hz, decaying τ = 0.1s rgbashift 16px for 2 frames, then 7px for 2 frames 1–2 frames of white flash Lighter version on secondary cuts (3.5% punch, 6px shake, 1 frame of split). Find hit frames from frame-diff peaks and by looking. 7. Sound Music bed carries the film; no ducking. SFX bus ~3dB under the music overall, above it only on hits and in the music's own gaps. At each big hit, layer reverse swell + boom (high-passed at 60Hz) + short transient + glitch synced to the RGB split. Use a modest total (~40–45 sounds); never spread SFX evenly on every cut. Master at −14 LUFS, AAC 192k. 8. QA before you report (mandatory) motion.py must show: no dead stops, no frozen holds, every cut within ±1.5 frames of a beat, no adjacent-frame cuts. strip.sh (16 consecutive frames) at every transition, and look at each one. A good whip shows a smooth velocity ramp with both shots visible mid-move. Contact sheets alone hide motion bugs. Check text readability, safe margins, and that every number/name on screen exists in the real product. Deliver renders/evals--v1.mp4 plus a report: script, design summary, asset list, shot list with times, BPM and speed factor, hit frames with FX, SFX map, QA results.61:T1d91,Make a ~60s product launch film for Evals (evals.ag) — the place to battle AI setups on your own task and vote blind. 16:9, 1920×1080, 30fps, music-locked, no narration — on-screen type tells the story. Build it in HyperFrames (HTML + one paused GSAP timeline) under videos/evals-/. 0. Inputs Product: https://evals.ag (app: https://evals-app.vercel.app — use my logged-in Chrome session for anything behind sign-in). Motion reference: videos/evals-hype/renders/evals-ref2-short-fast2-impact.mp4 (approved). Match its feel exactly; change only scenario, design and assets. Core message: "Same prompt, different setups — battle them and vote blind. Stop guessing. Battle it." What Evals really does (only show these — no invented features, numbers, rankings or names) Ask: type what you want to make in the composer ("What would you like to make?"). Run modes: Battle (blind), Side-by-side comparison (pick models and skills), Direct. Battle: up to 4 setups. A setup = model + skill + environment (e.g. Claude Opus 5.5 / GPT-6 Astra, skills like hyperframes / frontend-design / web-design-guidelines, environments like Native Claude / Recorded session). Compare, blind: same prompt, outputs side by side as playable live previews, names hidden until you vote ("I prefer A / B"). Inspect: every output keeps its full run record — LLM, gen AI, skill, software, environment, services contacted, turn time, turn tokens, status. Rank: votes roll up into leaderboards of setups, not just models ("Setups, not just models." — same model, different setups). Explore: community Outputs, Tasks, Skills, Compare, Community, Leaderboards. Real model names visible in the product: Claude Opus 5.5, GPT-6 Astra. Show only names/numbers you actually see in your captures. End card: Evals mark + wordmark, "Stop guessing. Battle it.", URL evals.ag. 1. Reverse-engineer the reference first (frames are the truth) Download the reference and study it frame by frame. Write SPEC.md with measured numbers, not impressions: every cut (frame number), shot order and durations, average shot length, cuts per 10s camera moves per shot (start/end position, scale, curve), easing measured per frame (fraction of remaining distance covered each frame) type-on speed (frames per char), caret behaviour, word-by-word reveal spacing, new-word accent flash duration card/UI choreography (fly-in paths, stacking, depth), light↔dark section switches, split-screen layouts sound map: where every hit/whoosh/click lands relative to the cut Then rebuild shot for shot at the same rhythm. Only brand, copy, design and assets change. 2. Scenario Write SCRIPT.md before building: a fresh narrative arc true to what Evals really does (hook: a new SOTA model every week — which one is actually best at your work? → type a task → Battle up to 4 setups → blind side-by-side, vote → full run record → setup leaderboards → "Stop guessing. Battle it." evals.ag). Don't reuse the previous films' copy. Short punchy lines (2–5 words per beat), English. Every beat gets a timestamp on the music grid. 3. Design Write DESIGN.md once and make every section obey it (no per-section drift): palette (one accent per frame), type pairing (one sans for headlines; weights/sizes in px; tracking −0.02em, line-height 1.0) card treatment: real UI captures, rounded 14–18px corners, soft layered shadow Never: outline/hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI mockups, invented numbers/rankings/features. 4. Assets (all real, all new) Capture the real Evals UI with Playwright at 2–3× DPR: home composer (empty / typed), Run-mode menu (Battle / Side-by-side / Direct), setups stepper (1–4), a live run page (4 agents generating → "Your options are ready"), Compare (blind A/B with "I prefer A/B"), output run record panel, Leaderboards (setup rows), Explore Outputs/Tasks/Skills. Run one real 4-setup Battle on a visual prompt (e.g. a playable browser game) so the four results are genuinely the same task. Record real Evals outputs as clips from their live previews (screencast, 1600×900, 30fps, 6–7s each; press start/arrow keys or orbit so they move). Use outputs not used in earlier Evals films. Typing scenes: put a text layer exactly over the real input field, matching its font, size and colour. New music track (detect BPM and first downbeat with a script) and a fresh SFX set. 5. Motion rules (this is the 감도 — non-negotiable) One camera = one pure function of time cam(t) built from keyframes with velocity-continuous easing; applied from the master timeline. Deterministic: no timers, no randomness, any frame renders alone. Two easing families only: snappy ≈25% of remaining distance per frame (90% in 8–9 frames) and floaty ≈12% (18–20 frames). No overshoot unless the reference has it. Exits accelerate into the cut; the next shot carries the motion through it (velocity-matched). Real whip-pans: outgoing and incoming shots travel together over 0.30–0.45s, with velocity-driven motion blur that peaks mid-move. Never blur switched on over a hard cut. Overlays are screen-locked (never inherit the camera whip). Text arrives with its container in one mask reveal. Overlapping action: the next element starts at ~60% of the previous tween. No start-stop chains. Nothing freezes: every hold carries a 1–3% slow drift (sine.inOut across the whole hold). Fast moves decelerate over ≥6 frames — no dead stops. No double cuts (two visual changes on adjacent frames). Busy footage gets only a slow push; energy comes from the cuts. Word reveals 2–4 frames apart; the newest word flashes the accent, then settles 3–12 frames later. Hero type-on 1 char / 2 frames; in-product typing 0.6–0.9 char/frame; caret solid (never blinks). Every cut on the beat ±1 frame; visual hit and SFX on the same frame. 6. Speed, edit, impact Speed by re-rendering, never frame-dropping: render at --fps 30/speedup and play back at 30fps (e.g. --fps 95/4 → 1.263×). Pick the speed-up so one beat = a whole number of frames. Quantize every segment to 8th notes; round segment start frames up. Impact FX in post (ffmpeg) on 4–6 big hits only (cut to dark, reveal word, flash, key word, logo): zoom punch +8.5%, decaying τ = 0.09s crop shake 16px at ~22Hz, decaying τ = 0.1s rgbashift 16px for 2 frames, then 7px for 2 frames 1–2 frames of white flash Lighter version on secondary cuts (3.5% punch, 6px shake, 1 frame of split). Find hit frames from frame-diff peaks and by looking. 7. Sound Music bed carries the film; no ducking. SFX bus ~3dB under the music overall, above it only on hits and in the music's own gaps. At each big hit, layer reverse swell + boom (high-passed at 60Hz) + short transient + glitch synced to the RGB split. Use a modest total (~40–45 sounds); never spread SFX evenly on every cut. Master at −14 LUFS, AAC 192k. 8. QA before you report (mandatory) motion.py must show: no dead stops, no frozen holds, every cut within ±1.5 frames of a beat, no adjacent-frame cuts. strip.sh (16 consecutive frames) at every transition, and look at each one. A good whip shows a smooth velocity ramp with both shots visible mid-move. Contact sheets alone hide motion bugs. Check text readability, safe margins, and that every number/name on screen exists in the real product. Deliver renders/evals--v1.mp4 plus a report: script, design summary, asset list, shot list with times, BPM and speed factor, hit frames with FX, SFX map, QA results. · A62:T1d91,Make a ~60s product launch film for Evals (evals.ag) — the place to battle AI setups on your own task and vote blind. 16:9, 1920×1080, 30fps, music-locked, no narration — on-screen type tells the story. Build it in HyperFrames (HTML + one paused GSAP timeline) under videos/evals-/. 0. Inputs Product: https://evals.ag (app: https://evals-app.vercel.app — use my logged-in Chrome session for anything behind sign-in). Motion reference: videos/evals-hype/renders/evals-ref2-short-fast2-impact.mp4 (approved). Match its feel exactly; change only scenario, design and assets. Core message: "Same prompt, different setups — battle them and vote blind. Stop guessing. Battle it." What Evals really does (only show these — no invented features, numbers, rankings or names) Ask: type what you want to make in the composer ("What would you like to make?"). Run modes: Battle (blind), Side-by-side comparison (pick models and skills), Direct. Battle: up to 4 setups. A setup = model + skill + environment (e.g. Claude Opus 5.5 / GPT-6 Astra, skills like hyperframes / frontend-design / web-design-guidelines, environments like Native Claude / Recorded session). Compare, blind: same prompt, outputs side by side as playable live previews, names hidden until you vote ("I prefer A / B"). Inspect: every output keeps its full run record — LLM, gen AI, skill, software, environment, services contacted, turn time, turn tokens, status. Rank: votes roll up into leaderboards of setups, not just models ("Setups, not just models." — same model, different setups). Explore: community Outputs, Tasks, Skills, Compare, Community, Leaderboards. Real model names visible in the product: Claude Opus 5.5, GPT-6 Astra. Show only names/numbers you actually see in your captures. End card: Evals mark + wordmark, "Stop guessing. Battle it.", URL evals.ag. 1. Reverse-engineer the reference first (frames are the truth) Download the reference and study it frame by frame. Write SPEC.md with measured numbers, not impressions: every cut (frame number), shot order and durations, average shot length, cuts per 10s camera moves per shot (start/end position, scale, curve), easing measured per frame (fraction of remaining distance covered each frame) type-on speed (frames per char), caret behaviour, word-by-word reveal spacing, new-word accent flash duration card/UI choreography (fly-in paths, stacking, depth), light↔dark section switches, split-screen layouts sound map: where every hit/whoosh/click lands relative to the cut Then rebuild shot for shot at the same rhythm. Only brand, copy, design and assets change. 2. Scenario Write SCRIPT.md before building: a fresh narrative arc true to what Evals really does (hook: a new SOTA model every week — which one is actually best at your work? → type a task → Battle up to 4 setups → blind side-by-side, vote → full run record → setup leaderboards → "Stop guessing. Battle it." evals.ag). Don't reuse the previous films' copy. Short punchy lines (2–5 words per beat), English. Every beat gets a timestamp on the music grid. 3. Design Write DESIGN.md once and make every section obey it (no per-section drift): palette (one accent per frame), type pairing (one sans for headlines; weights/sizes in px; tracking −0.02em, line-height 1.0) card treatment: real UI captures, rounded 14–18px corners, soft layered shadow Never: outline/hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI mockups, invented numbers/rankings/features. 4. Assets (all real, all new) Capture the real Evals UI with Playwright at 2–3× DPR: home composer (empty / typed), Run-mode menu (Battle / Side-by-side / Direct), setups stepper (1–4), a live run page (4 agents generating → "Your options are ready"), Compare (blind A/B with "I prefer A/B"), output run record panel, Leaderboards (setup rows), Explore Outputs/Tasks/Skills. Run one real 4-setup Battle on a visual prompt (e.g. a playable browser game) so the four results are genuinely the same task. Record real Evals outputs as clips from their live previews (screencast, 1600×900, 30fps, 6–7s each; press start/arrow keys or orbit so they move). Use outputs not used in earlier Evals films. Typing scenes: put a text layer exactly over the real input field, matching its font, size and colour. New music track (detect BPM and first downbeat with a script) and a fresh SFX set. 5. Motion rules (this is the 감도 — non-negotiable) One camera = one pure function of time cam(t) built from keyframes with velocity-continuous easing; applied from the master timeline. Deterministic: no timers, no randomness, any frame renders alone. Two easing families only: snappy ≈25% of remaining distance per frame (90% in 8–9 frames) and floaty ≈12% (18–20 frames). No overshoot unless the reference has it. Exits accelerate into the cut; the next shot carries the motion through it (velocity-matched). Real whip-pans: outgoing and incoming shots travel together over 0.30–0.45s, with velocity-driven motion blur that peaks mid-move. Never blur switched on over a hard cut. Overlays are screen-locked (never inherit the camera whip). Text arrives with its container in one mask reveal. Overlapping action: the next element starts at ~60% of the previous tween. No start-stop chains. Nothing freezes: every hold carries a 1–3% slow drift (sine.inOut across the whole hold). Fast moves decelerate over ≥6 frames — no dead stops. No double cuts (two visual changes on adjacent frames). Busy footage gets only a slow push; energy comes from the cuts. Word reveals 2–4 frames apart; the newest word flashes the accent, then settles 3–12 frames later. Hero type-on 1 char / 2 frames; in-product typing 0.6–0.9 char/frame; caret solid (never blinks). Every cut on the beat ±1 frame; visual hit and SFX on the same frame. 6. Speed, edit, impact Speed by re-rendering, never frame-dropping: render at --fps 30/speedup and play back at 30fps (e.g. --fps 95/4 → 1.263×). Pick the speed-up so one beat = a whole number of frames. Quantize every segment to 8th notes; round segment start frames up. Impact FX in post (ffmpeg) on 4–6 big hits only (cut to dark, reveal word, flash, key word, logo): zoom punch +8.5%, decaying τ = 0.09s crop shake 16px at ~22Hz, decaying τ = 0.1s rgbashift 16px for 2 frames, then 7px for 2 frames 1–2 frames of white flash Lighter version on secondary cuts (3.5% punch, 6px shake, 1 frame of split). Find hit frames from frame-diff peaks and by looking. 7. Sound Music bed carries the film; no ducking. SFX bus ~3dB under the music overall, above it only on hits and in the music's own gaps. At each big hit, layer reverse swell + boom (high-passed at 60Hz) + short transient + glitch synced to the RGB split. Use a modest total (~40–45 sounds); never spread SFX evenly on every cut. Master at −14 LUFS, AAC 192k. 8. QA before you report (mandatory) motion.py must show: no dead stops, no frozen holds, every cut within ±1.5 frames of a beat, no adjacent-frame cuts. strip.sh (16 consecutive frames) at every transition, and look at each one. A good whip shows a smooth velocity ramp with both shots visible mid-move. Contact sheets alone hide motion bugs. Check text readability, safe margins, and that every number/name on screen exists in the real product. Deliver renders/evals--v1.mp4 plus a report: script, design summary, asset list, shot list with times, BPM and speed factor, hit frames with FX, SFX map, QA results. · B63:Tfef,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first.64:Tfef,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first.65:Tfef,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first.66:Tff4,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first. · A67:Tff5,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first. · C168:T48b,I want the whole human story in one shot — from the first people to the AI we use now. 15 seconds, 16:9, no narration, no on-screen text until the very last frame. One continuous move, never cutting. The camera pushes forward and the world changes around it: firelight on a cave wall, a hand pressed in ochre, then fields and the first walls, then a printing press, then steel and smoke, then a wall of city light, then a room of humming machines, then the light of a screen on a face in the dark. Each era arrives while the last one is still leaving — the fire becomes a furnace, the cave painting becomes a page, the page becomes a screen. Hand things off on shape: something round stays round, something bright stays in the same corner of the frame. Keep a human in almost every era, always small in the frame, so the scale of the thing reads against a person. No famous faces, no logos, no company names, no invented alphabets on signage. It should feel like one long exhale, not a slideshow. The last frame can carry one line of English text, my choice later — leave it clean. Give me the finished mp4, a cover frame, and the prompts you used per shot.69:T48b,I want the whole human story in one shot — from the first people to the AI we use now. 15 seconds, 16:9, no narration, no on-screen text until the very last frame. One continuous move, never cutting. The camera pushes forward and the world changes around it: firelight on a cave wall, a hand pressed in ochre, then fields and the first walls, then a printing press, then steel and smoke, then a wall of city light, then a room of humming machines, then the light of a screen on a face in the dark. Each era arrives while the last one is still leaving — the fire becomes a furnace, the cave painting becomes a page, the page becomes a screen. Hand things off on shape: something round stays round, something bright stays in the same corner of the frame. Keep a human in almost every era, always small in the frame, so the scale of the thing reads against a person. No famous faces, no logos, no company names, no invented alphabets on signage. It should feel like one long exhale, not a slideshow. The last frame can carry one line of English text, my choice later — leave it clean. Give me the finished mp4, a cover frame, and the prompts you used per shot.6a:T48b,I want the whole human story in one shot — from the first people to the AI we use now. 15 seconds, 16:9, no narration, no on-screen text until the very last frame. One continuous move, never cutting. The camera pushes forward and the world changes around it: firelight on a cave wall, a hand pressed in ochre, then fields and the first walls, then a printing press, then steel and smoke, then a wall of city light, then a room of humming machines, then the light of a screen on a face in the dark. Each era arrives while the last one is still leaving — the fire becomes a furnace, the cave painting becomes a page, the page becomes a screen. Hand things off on shape: something round stays round, something bright stays in the same corner of the frame. Keep a human in almost every era, always small in the frame, so the scale of the thing reads against a person. No famous faces, no logos, no company names, no invented alphabets on signage. It should feel like one long exhale, not a slideshow. The last frame can carry one line of English text, my choice later — leave it clean. Give me the finished mp4, a cover frame, and the prompts you used per shot.6b:T490,I want the whole human story in one shot — from the first people to the AI we use now. 15 seconds, 16:9, no narration, no on-screen text until the very last frame. One continuous move, never cutting. The camera pushes forward and the world changes around it: firelight on a cave wall, a hand pressed in ochre, then fields and the first walls, then a printing press, then steel and smoke, then a wall of city light, then a room of humming machines, then the light of a screen on a face in the dark. Each era arrives while the last one is still leaving — the fire becomes a furnace, the cave painting becomes a page, the page becomes a screen. Hand things off on shape: something round stays round, something bright stays in the same corner of the frame. Keep a human in almost every era, always small in the frame, so the scale of the thing reads against a person. No famous faces, no logos, no company names, no invented alphabets on signage. It should feel like one long exhale, not a slideshow. The last frame can carry one line of English text, my choice later — leave it clean. Give me the finished mp4, a cover frame, and the prompts you used per shot. · A6c:T490,I want the whole human story in one shot — from the first people to the AI we use now. 15 seconds, 16:9, no narration, no on-screen text until the very last frame. One continuous move, never cutting. The camera pushes forward and the world changes around it: firelight on a cave wall, a hand pressed in ochre, then fields and the first walls, then a printing press, then steel and smoke, then a wall of city light, then a room of humming machines, then the light of a screen on a face in the dark. Each era arrives while the last one is still leaving — the fire becomes a furnace, the cave painting becomes a page, the page becomes a screen. Hand things off on shape: something round stays round, something bright stays in the same corner of the frame. Keep a human in almost every era, always small in the frame, so the scale of the thing reads against a person. No famous faces, no logos, no company names, no invented alphabets on signage. It should feel like one long exhale, not a slideshow. The last frame can carry one line of English text, my choice later — leave it clean. Give me the finished mp4, a cover frame, and the prompts you used per shot. · 26d:T42e,I run a small baking account and I want to try the tiny-food thing everyone keeps sending me — a whole strawberry tart made at doll size, start to finish. Vertical, 9:16, 15 seconds. One pair of hands, no face, no voice. Real miniature scale: a tart that ends up about the size of a coin, pastry rolled out with a pin the length of a matchstick, baked in a tiny fluted tin, and the tools should look like actual tools, not toys. Show the whole thing happening — pastry pressed into the tin, the tin going into the oven, the shell coming out, pastry cream piped in, then strawberries sliced and laid in a ring, and a glaze brushed over them at the end. The strawberries are the point, so they have to look like real fruit at that size: seeds on the skin, the pale core when they are cut, juice on the board. Sound is half the point: the knife through the fruit, the oven door, the brush on the glaze. Close and quiet, no music bed on top of it. End on the finished tart next to something everyday for scale — a coin, a fingertip, a matchstick — so the size lands.6e:T42e,I run a small baking account and I want to try the tiny-food thing everyone keeps sending me — a whole strawberry tart made at doll size, start to finish. Vertical, 9:16, 15 seconds. One pair of hands, no face, no voice. Real miniature scale: a tart that ends up about the size of a coin, pastry rolled out with a pin the length of a matchstick, baked in a tiny fluted tin, and the tools should look like actual tools, not toys. Show the whole thing happening — pastry pressed into the tin, the tin going into the oven, the shell coming out, pastry cream piped in, then strawberries sliced and laid in a ring, and a glaze brushed over them at the end. The strawberries are the point, so they have to look like real fruit at that size: seeds on the skin, the pale core when they are cut, juice on the board. Sound is half the point: the knife through the fruit, the oven door, the brush on the glaze. Close and quiet, no music bed on top of it. End on the finished tart next to something everyday for scale — a coin, a fingertip, a matchstick — so the size lands.6f:T42e,I run a small baking account and I want to try the tiny-food thing everyone keeps sending me — a whole strawberry tart made at doll size, start to finish. Vertical, 9:16, 15 seconds. One pair of hands, no face, no voice. Real miniature scale: a tart that ends up about the size of a coin, pastry rolled out with a pin the length of a matchstick, baked in a tiny fluted tin, and the tools should look like actual tools, not toys. Show the whole thing happening — pastry pressed into the tin, the tin going into the oven, the shell coming out, pastry cream piped in, then strawberries sliced and laid in a ring, and a glaze brushed over them at the end. The strawberries are the point, so they have to look like real fruit at that size: seeds on the skin, the pale core when they are cut, juice on the board. Sound is half the point: the knife through the fruit, the oven door, the brush on the glaze. Close and quiet, no music bed on top of it. End on the finished tart next to something everyday for scale — a coin, a fingertip, a matchstick — so the size lands.70:T433,I run a small baking account and I want to try the tiny-food thing everyone keeps sending me — a whole strawberry tart made at doll size, start to finish. Vertical, 9:16, 15 seconds. One pair of hands, no face, no voice. Real miniature scale: a tart that ends up about the size of a coin, pastry rolled out with a pin the length of a matchstick, baked in a tiny fluted tin, and the tools should look like actual tools, not toys. Show the whole thing happening — pastry pressed into the tin, the tin going into the oven, the shell coming out, pastry cream piped in, then strawberries sliced and laid in a ring, and a glaze brushed over them at the end. The strawberries are the point, so they have to look like real fruit at that size: seeds on the skin, the pale core when they are cut, juice on the board. Sound is half the point: the knife through the fruit, the oven door, the brush on the glaze. Close and quiet, no music bed on top of it. End on the finished tart next to something everyday for scale — a coin, a fingertip, a matchstick — so the size lands. · A71:T433,I run a small baking account and I want to try the tiny-food thing everyone keeps sending me — a whole strawberry tart made at doll size, start to finish. Vertical, 9:16, 15 seconds. One pair of hands, no face, no voice. Real miniature scale: a tart that ends up about the size of a coin, pastry rolled out with a pin the length of a matchstick, baked in a tiny fluted tin, and the tools should look like actual tools, not toys. Show the whole thing happening — pastry pressed into the tin, the tin going into the oven, the shell coming out, pastry cream piped in, then strawberries sliced and laid in a ring, and a glaze brushed over them at the end. The strawberries are the point, so they have to look like real fruit at that size: seeds on the skin, the pale core when they are cut, juice on the board. Sound is half the point: the knife through the fruit, the oven door, the brush on the glaze. Close and quiet, no music bed on top of it. 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Golden-hour light, grass that sways, acacia trees and distant hills with parallax, dust kicked up by the hooves. It should loop smoothly and look great the moment it loads. Single HTML page, no external images or video.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_33DPSGVDJKNDAMQZYD6S0WJGZ6","title":"Make a browser animation of a zebra running across the African savanna, side view, like a nature documentary shot. Get the gallop right: legs, body bounce, head, mane and tail all moving like a real zebra. Golden-hour light, grass that sways, acacia trees and distant hills with parallax, dust kicked up by the hooves. It should loop smoothly and look great the moment it loads. 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A warmly lit commuter train passes through a dense neighborhood of small shops, narrow streets, utility poles, and glowing signs. The crossing lights flash and the barriers lower before the train arrives, then rise after the final carriage passes. Rain falls through the scene, and the train’s windows and street lights reflect across the wet road. Make it feel like a carefully crafted miniature film set, with convincing depth, rich materials, atmospheric lighting, and small details that reward a closer look. Choose a strong camera composition that makes the scene immediately captivating. The full crossing sequence should repeat smoothly. Include orbit controls and a pause/resume button. Deliver a working scene with actual animated geometry, not a static image or prerecorded video. You may choose the implementation and tools. use higgsfield","prompt":"Build a beautiful, animated 3D miniature of a Tokyo railway crossing on a rainy night, running in the browser. A warmly lit commuter train passes through a dense neighborhood of small shops, narrow streets, utility poles, and glowing signs. The crossing lights flash and the barriers lower before the train arrives, then rise after the final carriage passes. Rain falls through the scene, and the train’s windows and street lights reflect across the wet road. Make it feel like a carefully crafted miniature film set, with convincing depth, rich materials, atmospheric lighting, and small details that reward a closer look. Choose a strong camera composition that makes the scene immediately captivating. The full crossing sequence should repeat smoothly. Include orbit controls and a pause/resume button. Deliver a working scene with actual animated geometry, not a static image or prerecorded video. You may choose the implementation and tools. use higgsfield","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_617W7QZRYD86KGXXC59M2D3YV1","title":"Build a beautiful, animated 3D miniature of a Tokyo railway crossing on a rainy night, running in the browser. A warmly lit commuter train passes through a dense neighborhood of small shops, narrow streets, utility poles, and glowing signs. The crossing lights flash and the barriers lower before the train arrives, then rise after the final carriage passes. Rain falls through the scene, and the train’s windows and street lights reflect across the wet road. Make it feel like a carefully crafted miniature film set, with convincing depth, rich materials, atmospheric lighting, and small details that reward a closer look. Choose a strong camera composition that makes the scene immediately captivating. The full crossing sequence should repeat smoothly. 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A warmly lit commuter train passes through a dense neighborhood of small shops, narrow streets, utility poles, and glowing signs. The crossing lights flash and the barriers lower before the train arrives, then rise after the final carriage passes. Rain falls through the scene, and the train’s windows and street lights reflect across the wet road. Make it feel like a carefully crafted miniature film set, with convincing depth, rich materials, atmospheric lighting, and small details that reward a closer look. Choose a strong camera composition that makes the scene immediately captivating. The full crossing sequence should repeat smoothly. Include orbit controls and a pause/resume button. Deliver a working scene with actual animated geometry, not a static image or prerecorded video. You may choose the implementation and tools. use higgsfield · B","preview":{"id":"ast_23F2QVNC4E2JMKVTMA741JF9BE","source_key":null,"source_order":0,"source_path":"publications/tsk_7VXNVB3N99VWVFFMT3WE49XJVF/out_0W7M2VF1Z3GP7SCRRGMQHFJVVN/index.html","sha256":"8cbd9cc3647c529b773e32d812e3d2e480d8d5f8992268a95cd2cc741c933037","mime_type":"text/html","kind":"document","byte_size":1546,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"fd5c3dcbca3a4dd9f100d37de06f17a6","source_content_type":null,"url":"/api/v1/media/assets/ast_23F2QVNC4E2JMKVTMA741JF9BE/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/8c/8cbd9cc3647c529b773e32d812e3d2e480d8d5f8992268a95cd2cc741c933037/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=2e6e9b2b5700cabd68754960863d75d4100c728c373f2592498c06083bda7b4e&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/8c/8cbd9cc3647c529b773e32d812e3d2e480d8d5f8992268a95cd2cc741c933037/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=f5e73574881a1693d3136cf9c46ca63cea810ff5883a4536660c3c72d9cfae31"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-30T08:00:15.022260Z"},{"id":"tsk_3B3PGWE15EPYTG5ZNWCS9PHR6M","comparisonId":"cmp_6FSVKA3SQTJ8HYGBCDW86F1APG","title":"Build a single HTML page: a painfully boring corporate SaaS landing page (logo, nav, hero headline, Get Started button, three feature cards, pricing table, footer). A chubby orange cat lives on it and slowly destroys it. The cat wanders around by itself, sits on the headline, swats buttons and cards so they fall off with real physics, knocks the logo off the nav, chases the mouse cursor, kneads the pricing table, and naps in the ruins. Clicking the cat makes it meow and do something worse. Draw the cat with code (canvas, SVG or CSS), no external assets or libraries. Make it adorable and chaotic. It should feel fun the moment it loads.","category":"Website","summary":"Build a single HTML page: a painfully boring corporate SaaS landing page (logo, nav, hero headline, Get Started button, three feature cards, pricing table, footer). A chubby orange cat lives on it and slowly destroys it. The cat wanders around by itself, sits on the headline, swats buttons and cards so they fall off with real physics, knocks the logo off the nav, chases the mouse cursor, kneads the pricing table, and naps in the ruins. 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A moonlit pumpkin patch on a hill with a crooked haunted house, drifting fog, bats and fireflies. In the center sits a big 3D jack-o'-lantern: drag on it with the mouse to carve its face, and the cuts glow from a flickering candle inside that lights up the ground around it. Ghosts drift out of the house and swirl around; click a ghost and it pops into a burst of candy. Lightning flashes now and then, and the camera slowly orbits on its own. It should feel magical the moment it loads.","category":"Website","summary":"Build a spooky-cute Halloween night toy in the browser (Three.js, single HTML page, no external assets: model and draw everything in code). A moonlit pumpkin patch on a hill with a crooked haunted house, drifting fog, bats and fireflies. In the center sits a big 3D jack-o'-lantern: drag on it with the mouse to carve its face, and the cuts glow from a flickering candle inside that lights up the ground around it. 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A lighthouse on the cliff sweeps its beam, wooden boats gently rock in a small harbor on glittering water, a waterfall spills off the island's edge into the clouds below, seagulls circle overhead, and warm windows light up as the sky slowly turns to dusk. Make it feel like a handcrafted miniature with rich materials, soft shadows and small details that reward a closer look. Pick a captivating camera that slowly orbits the island, and include orbit controls. Deliver a working scene with real animated geometry, not a static image or a prerecorded video.","category":"Website","summary":"Build a beautiful real-time 3D miniature in the browser: a tiny floating island at golden hour. A lighthouse on the cliff sweeps its beam, wooden boats gently rock in a small harbor on glittering water, a waterfall spills off the island's edge into the clouds below, seagulls circle overhead, and warm windows light up as the sky slowly turns to dusk. Make it feel like a handcrafted miniature with rich materials, soft shadows and small details that reward a closer look. Pick a captivating camera that slowly orbits the island, and include orbit controls. Deliver a working scene with real animated geometry, not a static image or a prerecorded video.","prompt":"Build a beautiful real-time 3D miniature in the browser: a tiny floating island at golden hour. A lighthouse on the cliff sweeps its beam, wooden boats gently rock in a small harbor on glittering water, a waterfall spills off the island's edge into the clouds below, seagulls circle overhead, and warm windows light up as the sky slowly turns to dusk. Make it feel like a handcrafted miniature with rich materials, soft shadows and small details that reward a closer look. Pick a captivating camera that slowly orbits the island, and include orbit controls. 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A lighthouse on the cliff sweeps its beam, wooden boats gently rock in a small harbor on glittering water, a waterfall spills off the island's edge into the clouds below, seagulls circle overhead, and warm windows light up as the sky slowly turns to dusk. Make it feel like a handcrafted miniature with rich materials, soft shadows and small details that reward a closer look. Pick a captivating camera that slowly orbits the island, and include orbit controls. 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Ray-traced gravitational lensing that bends the starfield and the Milky Way behind it, a blazing accretion disk with Doppler beaming (one side brighter and bluer), the Einstein ring and the photon ring, plus a glowing relativistic jet. The camera slowly orbits on its own; drag to orbit, scroll to fall toward the event horizon. Sliders for mass, disk temperature, spin and camera distance; a cinematic bloom and film grain. 60 fps. It should look unreal the moment it loads.","category":"Website","summary":"Build a real-time, photoreal 3D black hole in the browser (single HTML page, WebGL shaders, no external assets or libraries). Ray-traced gravitational lensing that bends the starfield and the Milky Way behind it, a blazing accretion disk with Doppler beaming (one side brighter and bluer), the Einstein ring and the photon ring, plus a glowing relativistic jet. The camera slowly orbits on its own; drag to orbit, scroll to fall toward the event horizon. Sliders for mass, disk temperature, spin and camera distance; a cinematic bloom and film grain. 60 fps. It should look unreal the moment it loads.","prompt":"Build a real-time, photoreal 3D black hole in the browser (single HTML page, WebGL shaders, no external assets or libraries). Ray-traced gravitational lensing that bends the starfield and the Milky Way behind it, a blazing accretion disk with Doppler beaming (one side brighter and bluer), the Einstein ring and the photon ring, plus a glowing relativistic jet. The camera slowly orbits on its own; drag to orbit, scroll to fall toward the event horizon. Sliders for mass, disk temperature, spin and camera distance; a cinematic bloom and film grain. 60 fps. It should look unreal the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_4WKJVBVV337TDV9FKXKRARSBV1","title":"Build a real-time, photoreal 3D black hole in the browser (single HTML page, WebGL shaders, no external assets or libraries). Ray-traced gravitational lensing that bends the starfield and the Milky Way behind it, a blazing accretion disk with Doppler beaming (one side brighter and bluer), the Einstein ring and the photon ring, plus a glowing relativistic jet. The camera slowly orbits on its own; drag to orbit, scroll to fall toward the event horizon. Sliders for mass, disk temperature, spin and camera distance; a cinematic bloom and film grain. 60 fps. It should look unreal the moment it loads. · A","preview":{"id":"ast_6A680AM1CYASCASGC2ZFFGVPDK","source_key":null,"source_order":0,"source_path":"publications/tsk_05C366TXKP2951E0D95GBQJNBW/out_4WKJVBVV337TDV9FKXKRARSBV1/index.html","sha256":"418478599dac22e4946696ed5cddb9b6938aff4d3c5f7b36b61820e042b70028","mime_type":"text/html","kind":"document","byte_size":11139,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"09187cb1465543e8b82cd1020c055828","source_content_type":null,"url":"/api/v1/media/assets/ast_6A680AM1CYASCASGC2ZFFGVPDK/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/41/418478599dac22e4946696ed5cddb9b6938aff4d3c5f7b36b61820e042b70028/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=30171aacf77ac47960f82b6f134cf4e998e86a5033ed2f9c33508ff69da730ea&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/41/418478599dac22e4946696ed5cddb9b6938aff4d3c5f7b36b61820e042b70028/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=b37066ccae659efc573db6734aeacd94f70428e68b0cb568be603eb5e8655520"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_6CCFB15EYEGHXBXZFMJT0C16PP","title":"Build a real-time, photoreal 3D black hole in the browser (single HTML page, WebGL shaders, no external assets or libraries). Ray-traced gravitational lensing that bends the starfield and the Milky Way behind it, a blazing accretion disk with Doppler beaming (one side brighter and bluer), the Einstein ring and the photon ring, plus a glowing relativistic jet. The camera slowly orbits on its own; drag to orbit, scroll to fall toward the event horizon. Sliders for mass, disk temperature, spin and camera distance; a cinematic bloom and film grain. 60 fps. It should look unreal the moment it loads. · B","preview":{"id":"ast_1J7NHNKV6C1JXEJPC7WX1WPZ1R","source_key":null,"source_order":0,"source_path":"publications/tsk_05C366TXKP2951E0D95GBQJNBW/out_6CCFB15EYEGHXBXZFMJT0C16PP/index.html","sha256":"bec1e40a115d4a13a4ee655ef6bf2cf28dce43e8a773e8deca3f3323a9aa85dc","mime_type":"text/html","kind":"document","byte_size":33471,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"14cfd5ff33d282b2775b59df14b9559f","source_content_type":null,"url":"/api/v1/media/assets/ast_1J7NHNKV6C1JXEJPC7WX1WPZ1R/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/be/bec1e40a115d4a13a4ee655ef6bf2cf28dce43e8a773e8deca3f3323a9aa85dc/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=979d748472a9c548e317451730399196e64bcd2f08ce43b40d6c2c7759f1108c&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/be/bec1e40a115d4a13a4ee655ef6bf2cf28dce43e8a773e8deca3f3323a9aa85dc/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=2747648f09dc0a8e168cb51a3374179e7e2e7a468677ee903986391bffc02bb3"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_7KS4JZ08KC0Z93H4SKT9HY5FB8","title":"Build a real-time, photoreal 3D black hole in the browser (single HTML page, WebGL shaders, no external assets or libraries). Ray-traced gravitational lensing that bends the starfield and the Milky Way behind it, a blazing accretion disk with Doppler beaming (one side brighter and bluer), the Einstein ring and the photon ring, plus a glowing relativistic jet. The camera slowly orbits on its own; drag to orbit, scroll to fall toward the event horizon. Sliders for mass, disk temperature, spin and camera distance; a cinematic bloom and film grain. 60 fps. It should look unreal the moment it loads. · C","preview":{"id":"ast_0B62FVZA1H1DPHQKZN3KQ1RTYJ","source_key":null,"source_order":0,"source_path":"publications/tsk_05C366TXKP2951E0D95GBQJNBW/out_7KS4JZ08KC0Z93H4SKT9HY5FB8/index.html","sha256":"2a3417f7c2847859980170c995bcfb8deec1881f495ed0593787c6d62c04676f","mime_type":"text/html","kind":"document","byte_size":31519,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"8421e021b4163b145403286f5e1ead7a","source_content_type":null,"url":"/api/v1/media/assets/ast_0B62FVZA1H1DPHQKZN3KQ1RTYJ/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/2a/2a3417f7c2847859980170c995bcfb8deec1881f495ed0593787c6d62c04676f/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=f8503b75c5479cf160793e2f30c63477a7d3b408268eabf3e557e99091cff0ce&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/2a/2a3417f7c2847859980170c995bcfb8deec1881f495ed0593787c6d62c04676f/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=cfd1e261b8225831c45af8ff5adb5ac644127401d15d1ebfe9b7eeb29c856f77"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_3CANYP14HVK78VP45CWKH18NZY","title":"Build a real-time, photoreal 3D black hole in the browser (single HTML page, WebGL shaders, no external assets or libraries). Ray-traced gravitational lensing that bends the starfield and the Milky Way behind it, a blazing accretion disk with Doppler beaming (one side brighter and bluer), the Einstein ring and the photon ring, plus a glowing relativistic jet. The camera slowly orbits on its own; drag to orbit, scroll to fall toward the event horizon. Sliders for mass, disk temperature, spin and camera distance; a cinematic bloom and film grain. 60 fps. It should look unreal the moment it loads. · D","preview":{"id":"ast_47AS5MC8Z6F4KAAY6ZP925HCTX","source_key":null,"source_order":0,"source_path":"publications/tsk_05C366TXKP2951E0D95GBQJNBW/out_3CANYP14HVK78VP45CWKH18NZY/index.html","sha256":"43ea45858b5acffea237648c5286d5e38b6646776e42be9ea35a1c6bdd527b27","mime_type":"text/html","kind":"document","byte_size":29974,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"d11fd63fa215ab0c83ce189adda72ea4","source_content_type":null,"url":"/api/v1/media/assets/ast_47AS5MC8Z6F4KAAY6ZP925HCTX/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/43/43ea45858b5acffea237648c5286d5e38b6646776e42be9ea35a1c6bdd527b27/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=82b2520b7f0b22cd6cb4df86eae3a8cbe3286cd2b96220074ed43c29258f2406&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/43/43ea45858b5acffea237648c5286d5e38b6646776e42be9ea35a1c6bdd527b27/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=b3dfb8b6eb1e13bac202ebc52ddbba6a81e7d44e1c1b5ea36b86bb03ce743e50"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-30T04:35:15.135072Z"},{"id":"tsk_6JF67A86BQCCRB64QS94QAY36D","comparisonId":"cmp_13KXH34PWX4XW517A7H7JY8002","title":"Build an interactive 3D jelly gummy bear in the browser that I can grab, squish, stretch and fling with my mouse or finger. Use real soft-body physics so it wobbles, jiggles and slowly settles, and keeps its volume when squashed. Make it look edible: translucent, glossy, light glowing through it, a soft shadow on a clean studio backdrop. Add a few toys: drop it from above, poke it, switch flavours (colours), and a firmness slider. Make it feel deeply satisfying to play with. Deliver one working page, no prerecorded video.","category":"Website","summary":"Build an interactive 3D jelly gummy bear in the browser that I can grab, squish, stretch and fling with my mouse or finger. Use real soft-body physics so it wobbles, jiggles and slowly settles, and keeps its volume when squashed. Make it look edible: translucent, glossy, light glowing through it, a soft shadow on a clean studio backdrop. Add a few toys: drop it from above, poke it, switch flavours (colours), and a firmness slider. Make it feel deeply satisfying to play with. Deliver one working page, no prerecorded video.","prompt":"Build an interactive 3D jelly gummy bear in the browser that I can grab, squish, stretch and fling with my mouse or finger. Use real soft-body physics so it wobbles, jiggles and slowly settles, and keeps its volume when squashed. Make it look edible: translucent, glossy, light glowing through it, a soft shadow on a clean studio backdrop. Add a few toys: drop it from above, poke it, switch flavours (colours), and a firmness slider. Make it feel deeply satisfying to play with. Deliver one working page, no prerecorded video.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_4NTJMR87VH3EACC3DDDM170SRH","title":"Build an interactive 3D jelly gummy bear in the browser that I can grab, squish, stretch and fling with my mouse or finger. Use real soft-body physics so it wobbles, jiggles and slowly settles, and keeps its volume when squashed. Make it look edible: translucent, glossy, light glowing through it, a soft shadow on a clean studio backdrop. Add a few toys: drop it from above, poke it, switch flavours (colours), and a firmness slider. Make it feel deeply satisfying to play with. Deliver one working page, no prerecorded video. · A","preview":{"id":"ast_2C44A074C8FY8Y97XXGSBCMG10","source_key":null,"source_order":0,"source_path":"publications/tsk_6JF67A86BQCCRB64QS94QAY36D/out_4NTJMR87VH3EACC3DDDM170SRH/index.html","sha256":"6f4859323e2d27c07ac776ff6be539628a8e4b994db93f40a901b7ce60ca2869","mime_type":"text/html","kind":"document","byte_size":793839,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"dd764d44d6282580cc84b9d441bcb82e","source_content_type":null,"url":"/api/v1/media/assets/ast_2C44A074C8FY8Y97XXGSBCMG10/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/6f/6f4859323e2d27c07ac776ff6be539628a8e4b994db93f40a901b7ce60ca2869/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=765ff1f0735f46da5b9ea3e2319bfa0341654bb8ca58223b1c07fcd315fe1247&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/6f/6f4859323e2d27c07ac776ff6be539628a8e4b994db93f40a901b7ce60ca2869/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=e080e3b18547fad5a8ab0430682eba5d34bbb73f4a8512f3b5de625cbcc8434a"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_05ZX0M03R44PKDH7AVGRM75ARV","title":"Build an interactive 3D jelly gummy bear in the browser that I can grab, squish, stretch and fling with my mouse or finger. Use real soft-body physics so it wobbles, jiggles and slowly settles, and keeps its volume when squashed. Make it look edible: translucent, glossy, light glowing through it, a soft shadow on a clean studio backdrop. Add a few toys: drop it from above, poke it, switch flavours (colours), and a firmness slider. Make it feel deeply satisfying to play with. Deliver one working page, no prerecorded video. · B","preview":{"id":"ast_23W6PW1DJ5NFQYTR2DHD6G7Z76","source_key":null,"source_order":0,"source_path":"publications/tsk_6JF67A86BQCCRB64QS94QAY36D/out_05ZX0M03R44PKDH7AVGRM75ARV/index.html","sha256":"98067a265fd2b229f00f79d057ed7b9d7fdda7d0fde2fd7a7b8a5cadd6f896ff","mime_type":"text/html","kind":"document","byte_size":3374,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"5d052625e9c2f1ea6ed0030d441268ad","source_content_type":null,"url":"/api/v1/media/assets/ast_23W6PW1DJ5NFQYTR2DHD6G7Z76/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/98/98067a265fd2b229f00f79d057ed7b9d7fdda7d0fde2fd7a7b8a5cadd6f896ff/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=9d8f5ebb3868bb5640954a870ad91e38ae6f6442522cfdb463a8cb749f410e64&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/98/98067a265fd2b229f00f79d057ed7b9d7fdda7d0fde2fd7a7b8a5cadd6f896ff/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=8575c5d3159cc44566e9c5a9769ebf9918825dc6944cc586071e7a8e3afc7c02"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-30T08:13:20.026528Z"},{"id":"tsk_7GTMYWQXQ8586GN1WGMB9TFZ7Y","comparisonId":"cmp_4DF2TCZ9Y2B4M7AMZX92P4MPN9","title":"Make an 8-second vertical (9:16) dreamcore video for Instagram Reels. First-person POV, one continuous take: a giant glittering pink cotton-candy cloud has fallen onto a sunny pastel suburban street. I run along the sidewalk toward it, jump and dive straight in so the whole screen fills with soft pink glitter fluff, then burst out of the top and float up into a deep blue sky while the pink houses and the street shrink far below. My hands or feet are visible at the start. Wide-angle, handheld, weightless and joyful. Sound: footsteps, a soft whoosh, rising wind, distant birds, a faint music-box melody, no voices. Deliver one finished mp4.","category":"Video","summary":"Make an 8-second vertical (9:16) dreamcore video for Instagram Reels. First-person POV, one continuous take: a giant glittering pink cotton-candy cloud has fallen onto a sunny pastel suburban street. I run along the sidewalk toward it, jump and dive straight in so the whole screen fills with soft pink glitter fluff, then burst out of the top and float up into a deep blue sky while the pink houses and the street shrink far below. My hands or feet are visible at the start. Wide-angle, handheld, weightless and joyful. Sound: footsteps, a soft whoosh, rising wind, distant birds, a faint music-box melody, no voices. Deliver one finished mp4.","prompt":"Make an 8-second vertical (9:16) dreamcore video for Instagram Reels. First-person POV, one continuous take: a giant glittering pink cotton-candy cloud has fallen onto a sunny pastel suburban street. I run along the sidewalk toward it, jump and dive straight in so the whole screen fills with soft pink glitter fluff, then burst out of the top and float up into a deep blue sky while the pink houses and the street shrink far below. My hands or feet are visible at the start. Wide-angle, handheld, weightless and joyful. Sound: footsteps, a soft whoosh, rising wind, distant birds, a faint music-box melody, no voices. Deliver one finished mp4.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_3XHQMJDDYWX1JN04Y826AAH0BN","title":"Make an 8-second vertical (9:16) dreamcore video for Instagram Reels. First-person POV, one continuous take: a giant glittering pink cotton-candy cloud has fallen onto a sunny pastel suburban street. I run along the sidewalk toward it, jump and dive straight in so the whole screen fills with soft pink glitter fluff, then burst out of the top and float up into a deep blue sky while the pink houses and the street shrink far below. My hands or feet are visible at the start. Wide-angle, handheld, weightless and joyful. Sound: footsteps, a soft whoosh, rising wind, distant birds, a faint music-box melody, no voices. 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An original, impossibly cute round blob creature with big sparkly eyes and rosy cheeks lives inside a pastel egg-shaped toy. It idles, blinks, bounces and wobbles on its own, and reacts to everything: feed it and it munches while hearts pop out, play with it and it does a happy spin, pet it on click and it giggles and blushes, turn the lights off and it curls up asleep with little Zzz. Hunger, happiness and energy meters, tiny sound effects, and it grows into a new form after a few minutes. It should feel adorable the moment it loads.","category":"Website","summary":"Build a Tamagotchi-style virtual pet in the browser (single HTML page, no external assets). An original, impossibly cute round blob creature with big sparkly eyes and rosy cheeks lives inside a pastel egg-shaped toy. 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Hunger, happiness and energy meters, tiny sound effects, and it grows into a new form after a few minutes. It should feel adorable the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_6XWH7G3T6TS694A1YY125ZH1W8","title":"Build a Tamagotchi-style virtual pet in the browser (single HTML page, no external assets). An original, impossibly cute round blob creature with big sparkly eyes and rosy cheeks lives inside a pastel egg-shaped toy. It idles, blinks, bounces and wobbles on its own, and reacts to everything: feed it and it munches while hearts pop out, play with it and it does a happy spin, pet it on click and it giggles and blushes, turn the lights off and it curls up asleep with little Zzz. Hunger, happiness and energy meters, tiny sound effects, and it grows into a new form after a few minutes. 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Halloween night, a cozy candle-lit apartment hallway with paper bats on the walls. Two tiny kittens stand on their hind legs on a doormat: one in a little pumpkin costume, one wearing a tiny witch hat. Each holds a mini jack-o'-lantern candy bucket. The door opens and a hand drops a big pile of candy into the pumpkin kitten's bucket, but only one single candy into the witch kitten's bucket. The witch kitten looks down at it, stares into the camera in total betrayal, then slowly paws a candy out of its sibling's bucket. Photoreal, warm soft lighting, handheld phone feel, no text. It should feel adorable the moment it starts. · D","preview":{"id":"ast_1ANPKCKKW1PGV5P85GP2JRT41F","source_key":null,"source_order":0,"source_path":"publications/tsk_4PC4BHP09NP253A4SPS7ZFMMN4/out_0XD6MG50SMMD8D2EBAJMS9GQZB/output.mp4","sha256":"a332050fe6569e6deaf7b82c3d86b3e0809f2110f71ea6a7ee4a274401aec0d7","mime_type":"video/mp4","kind":"video","byte_size":6951140,"width":720,"height":1280,"duration":10.101,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"bbb7bfad529beca614bdd79698f7514d","source_content_type":null,"url":"/api/v1/media/assets/ast_1ANPKCKKW1PGV5P85GP2JRT41F/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a3/a332050fe6569e6deaf7b82c3d86b3e0809f2110f71ea6a7ee4a274401aec0d7/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=0ee8288e7da7d6ee699e8719e069d8b6c062fdb91733ac5774deb0ca62b866e1&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a3/a332050fe6569e6deaf7b82c3d86b3e0809f2110f71ea6a7ee4a274401aec0d7/thumb-v3?expires=1793627080&type=video%2Fmp4&sig=369df39beaaf73843b0a3ca9bfc15295252a111cef7e7cb847669c4a1e0666cb"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-28T07:10:48.253444Z"},{"id":"tsk_7FSWV3JQ0DJDMB4DH8P2F396SK","comparisonId":"cmp_76KP8969VQM3B38Y52FVAC7H5D","title":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown.","category":"Other","summary":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown.","prompt":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_5NT109NYN7YKKF8CD2T4X7MGY6","title":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown. · A","preview":{"id":"ast_2WC8BB5DR55YKH34NSSSYNRXQ6","source_key":null,"source_order":0,"source_path":"publications/tsk_7FSWV3JQ0DJDMB4DH8P2F396SK/out_5NT109NYN7YKKF8CD2T4X7MGY6/output.mp4","sha256":"6685e827af63b91afa2e4a5891c278f4ab6765f3b9e94d4557c569f02cfccd19","mime_type":"video/mp4","kind":"video","byte_size":17997546,"width":1080,"height":1920,"duration":30,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"6164e08f7320acbe0cecc2e57c1e6376","source_content_type":null,"url":"/api/v1/media/assets/ast_2WC8BB5DR55YKH34NSSSYNRXQ6/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/66/6685e827af63b91afa2e4a5891c278f4ab6765f3b9e94d4557c569f02cfccd19/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=71228bdd9c6bc62f087480afb6393653f250ddf23afe8d6753ded8d3a460ff23&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/66/6685e827af63b91afa2e4a5891c278f4ab6765f3b9e94d4557c569f02cfccd19/thumb-v3?expires=1793627080&type=video%2Fmp4&sig=3170daf08e0fdd488fe09da62ccff438bf95288f7f4fd19f7988dad2fceebcfe"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_02WYSDVFWYARQFHFV4ZMC7B45C","title":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown. · B","preview":{"id":"ast_15KY2SJB1PWE91WB3GJT5YTQ1Q","source_key":null,"source_order":0,"source_path":"publications/tsk_7FSWV3JQ0DJDMB4DH8P2F396SK/out_02WYSDVFWYARQFHFV4ZMC7B45C/output.md","sha256":"0403e9da8f2f3d515008d1f97e357331f4991eec82537689b80d7bfeacff9b64","mime_type":"text/markdown","kind":"document","byte_size":5553,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"7fdb0ee3f4e8d5e2bf100413069ab647","source_content_type":null,"url":"/api/v1/media/assets/ast_15KY2SJB1PWE91WB3GJT5YTQ1Q/content","thumbnail_url":null,"preview_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_35KKJ43F5AC54AD1KMWG921EWP","title":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown. · C","preview":{"id":"ast_4TKY785QV20HHGMP2YDFZD7HC0","source_key":null,"source_order":0,"source_path":"publications/tsk_7FSWV3JQ0DJDMB4DH8P2F396SK/out_35KKJ43F5AC54AD1KMWG921EWP/output.mp4","sha256":"3d38c39c022bc37feac646b742b1be75521fbd5484887513054d85f1b6f11b34","mime_type":"video/mp4","kind":"video","byte_size":19732262,"width":1080,"height":1920,"duration":30.167,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"ebb34fdc9c30fe5c19c1540f0bc45268","source_content_type":null,"url":"/api/v1/media/assets/ast_4TKY785QV20HHGMP2YDFZD7HC0/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/3d/3d38c39c022bc37feac646b742b1be75521fbd5484887513054d85f1b6f11b34/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=cfac65051912530eff38dddb93ffb7c4bbe10fd9ed6f90b7e30957cc2a8cb3be&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/3d/3d38c39c022bc37feac646b742b1be75521fbd5484887513054d85f1b6f11b34/thumb-v3?expires=1793627080&type=video%2Fmp4&sig=44216da7f0747c4cf9f97842dbb16bf03400081a4057247e5c064de5489e5ad5"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_2SWV1PYH3FNGMPAW2TB6XNDYG8","title":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown. · D","preview":{"id":"ast_2WF21BFR66MJJW2H87RXKG1ZPB","source_key":null,"source_order":0,"source_path":"publications/tsk_7FSWV3JQ0DJDMB4DH8P2F396SK/out_2SWV1PYH3FNGMPAW2TB6XNDYG8/output.mp4","sha256":"aac1f03c86b5543d428653528f780a26b60ba2edb132de7290fbe44b78c57f49","mime_type":"video/mp4","kind":"video","byte_size":24566955,"width":1080,"height":1920,"duration":30,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"7d33fc710d9a1d2dd10cbac5594c9b0e","source_content_type":null,"url":"/api/v1/media/assets/ast_2WF21BFR66MJJW2H87RXKG1ZPB/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/aa/aac1f03c86b5543d428653528f780a26b60ba2edb132de7290fbe44b78c57f49/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=facab681bb0b7cb038db1f55c38a684ef6af56b97d44b4ce7d2c2f4593fcba02&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/aa/aac1f03c86b5543d428653528f780a26b60ba2edb132de7290fbe44b78c57f49/thumb-v3?expires=1793627080&type=video%2Fmp4&sig=9fcac93c9e76de318202912cbbf7238fe73da3efe8adc8628dd03cf9638e22b6"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_0B6QBZ1HE8D7DBYK4N7JC208JK","title":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown. · E","preview":{"id":"ast_0HXHC6K5X273KCF59EC4DFV0XN","source_key":null,"source_order":0,"source_path":"publications/tsk_7FSWV3JQ0DJDMB4DH8P2F396SK/out_0B6QBZ1HE8D7DBYK4N7JC208JK/output.mp4","sha256":"4f589c5157239f77535882b6847aea9c4619206e123f937ed2f6dc6c6f383480","mime_type":"video/mp4","kind":"video","byte_size":22553369,"width":1080,"height":1920,"duration":30,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"5b00b983555c1b2a118a18ef6f0eae9a","source_content_type":null,"url":"/api/v1/media/assets/ast_0HXHC6K5X273KCF59EC4DFV0XN/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4f/4f589c5157239f77535882b6847aea9c4619206e123f937ed2f6dc6c6f383480/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=952451f050793c2c526774c88e64ca581d7b7e335fb252e422c729652481be67&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4f/4f589c5157239f77535882b6847aea9c4619206e123f937ed2f6dc6c6f383480/thumb-v3?expires=1793627080&type=video%2Fmp4&sig=2d0dce69fbb9d7c176d38035168f8f231eca49fd0b3d374809a051bc4d1cb954"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-28T14:19:36.843119Z"},{"id":"tsk_645AY09E74H79MFS4H6P9SPCPP","comparisonId":"cmp_3506TCQKEZMDA71D7YX275V1JE","title":"Make a 2 player Fifa game in the browser where I can play against my friend online (kind of like online chess) by sharing a link. Every major team should be its best ever nostalgic team (e.g. Man Utd 0708 with Ronaldo, Real Madrid the 1st Galacticos, etc). Should be able to pick teams, actual gameplay, etc.","category":"Website","summary":"Make a 2 player Fifa game in the browser where I can play against my friend online (kind of like online chess) by sharing a link. Every major team should be its best ever nostalgic team (e.g. Man Utd 0708 with Ronaldo, Real Madrid the 1st Galacticos, etc). Should be able to pick teams, actual gameplay, etc.","prompt":"Make a 2 player Fifa game in the browser where I can play against my friend online (kind of like online chess) by sharing a link. Every major team should be its best ever nostalgic team (e.g. Man Utd 0708 with Ronaldo, Real Madrid the 1st Galacticos, etc). Should be able to pick teams, actual gameplay, etc.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_0KDQTC72NH4ED61162N054AQRQ","title":"Make a 2 player Fifa game in the browser where I can play against my friend online (kind of like online chess) by sharing a link. Every major team should be its best ever nostalgic team (e.g. Man Utd 0708 with Ronaldo, Real Madrid the 1st Galacticos, etc). Should be able to pick teams, actual gameplay, etc. · A","preview":{"id":"ast_4DJ4HMG4CXDTTJ0Y73RGW7YX27","source_key":null,"source_order":0,"source_path":"publications/tsk_645AY09E74H79MFS4H6P9SPCPP/out_0KDQTC72NH4ED61162N054AQRQ/index.html","sha256":"e9d6f3536fda39c8788d653ddb39cfa58cb4b1d9462691864a4aceb9d59f9de9","mime_type":"text/html","kind":"document","byte_size":25421,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"77be196fe530ef06018580ab066e1d6f","source_content_type":null,"url":"/api/v1/media/assets/ast_4DJ4HMG4CXDTTJ0Y73RGW7YX27/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/e9/e9d6f3536fda39c8788d653ddb39cfa58cb4b1d9462691864a4aceb9d59f9de9/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=6639380f9b542364af5aee1452a2c183f6aa6e9b782e0e207f428ce757bfa681&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/e9/e9d6f3536fda39c8788d653ddb39cfa58cb4b1d9462691864a4aceb9d59f9de9/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=e2a95575fa47880c4a8bf5068459503973cafc080808d781a0ce3081ce53fb2e"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_24D8ZFD9FT4V393D9QX5A5T77S","title":"Make a 2 player Fifa game in the browser where I can play against my friend online (kind of like online chess) by sharing a link. Every major team should be its best ever nostalgic team (e.g. Man Utd 0708 with Ronaldo, Real Madrid the 1st Galacticos, etc). 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A neon stadium with curved walls you can drive up, a giant bouncing ball and two glowing goals; a 2v2 match where you and an AI teammate face two AI rivals that chase the ball, rotate and defend; jump, double-jump flips and a boost meter that refills from boost pads; goal explosions with a slow-mo moment, a scoreboard and a 2-minute match clock. WASD or arrows to drive, Space to jump, Shift to boost. It should feel fast and chaotic the moment it loads.","category":"Website","summary":"Build a playable Rocket League-style car soccer game in the browser (Three.js, single page, no external assets). A neon stadium with curved walls you can drive up, a giant bouncing ball and two glowing goals; a 2v2 match where you and an AI teammate face two AI rivals that chase the ball, rotate and defend; jump, double-jump flips and a boost meter that refills from boost pads; goal explosions with a slow-mo moment, a scoreboard and a 2-minute match clock. WASD or arrows to drive, Space to jump, Shift to boost. It should feel fast and chaotic the moment it loads.","prompt":"Build a playable Rocket League-style car soccer game in the browser (Three.js, single page, no external assets). A neon stadium with curved walls you can drive up, a giant bouncing ball and two glowing goals; a 2v2 match where you and an AI teammate face two AI rivals that chase the ball, rotate and defend; jump, double-jump flips and a boost meter that refills from boost pads; goal explosions with a slow-mo moment, a scoreboard and a 2-minute match clock. WASD or arrows to drive, Space to jump, Shift to boost. It should feel fast and chaotic the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_3XTZZ1WS5ZA1D6AV5C77NTW8K0","title":"Build a playable Rocket League-style car soccer game in the browser (Three.js, single page, no external assets). A neon stadium with curved walls you can drive up, a giant bouncing ball and two glowing goals; a 2v2 match where you and an AI teammate face two AI rivals that chase the ball, rotate and defend; jump, double-jump flips and a boost meter that refills from boost pads; goal explosions with a slow-mo moment, a scoreboard and a 2-minute match clock. WASD or arrows to drive, Space to jump, Shift to boost. 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A neon stadium with curved walls you can drive up, a giant bouncing ball and two glowing goals; a 2v2 match where you and an AI teammate face two AI rivals that chase the ball, rotate and defend; jump, double-jump flips and a boost meter that refills from boost pads; goal explosions with a slow-mo moment, a scoreboard and a 2-minute match clock. WASD or arrows to drive, Space to jump, Shift to boost. 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The cursor is a cartoon white-glove hand. When the cursor touches the button and moves away, thick sticky black goo strands stretch from the button to the hand like melted tar or spider web, sag and wobble with real physics, thin out the further you pull, then snap and drip back into the button. Pressing and dragging should pull even more strands. Soft studio shadows, realistic glossy highlights on the button. One HTML file, no external assets. It should feel satisfying the moment it loads.","category":"Website","summary":"Build a single-page web toy: a glossy black 3D pill button that says \"let's collaborate\" sits in the middle of a clean white studio page. The cursor is a cartoon white-glove hand. When the cursor touches the button and moves away, thick sticky black goo strands stretch from the button to the hand like melted tar or spider web, sag and wobble with real physics, thin out the further you pull, then snap and drip back into the button. Pressing and dragging should pull even more strands. Soft studio shadows, realistic glossy highlights on the button. One HTML file, no external assets. It should feel satisfying the moment it loads.","prompt":"Build a single-page web toy: a glossy black 3D pill button that says \"let's collaborate\" sits in the middle of a clean white studio page. The cursor is a cartoon white-glove hand. When the cursor touches the button and moves away, thick sticky black goo strands stretch from the button to the hand like melted tar or spider web, sag and wobble with real physics, thin out the further you pull, then snap and drip back into the button. Pressing and dragging should pull even more strands. Soft studio shadows, realistic glossy highlights on the button. One HTML file, no external assets. It should feel satisfying the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_74VEEYS282WBCHN84ETGR0YAA5","title":"Build a single-page web toy: a glossy black 3D pill button that says \"let's collaborate\" sits in the middle of a clean white studio page. The cursor is a cartoon white-glove hand. When the cursor touches the button and moves away, thick sticky black goo strands stretch from the button to the hand like melted tar or spider web, sag and wobble with real physics, thin out the further you pull, then snap and drip back into the button. Pressing and dragging should pull even more strands. Soft studio shadows, realistic glossy highlights on the button. One HTML file, no external assets. It should feel satisfying the moment it loads. · A","preview":{"id":"ast_12Q397T4TZ33BVPHDECV5VKA9Z","source_key":null,"source_order":0,"source_path":"publications/tsk_7G4MXQYMZH1QHH6SHZZAFAAPMY/out_74VEEYS282WBCHN84ETGR0YAA5/index.html","sha256":"487414654b5f8199f6117ca442799e302957c8926316ce4ca10394f7b0122bac","mime_type":"text/html","kind":"document","byte_size":28494,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"23e5cce24bbc89286b1fd8447b5688dc","source_content_type":null,"url":"/api/v1/media/assets/ast_12Q397T4TZ33BVPHDECV5VKA9Z/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/48/487414654b5f8199f6117ca442799e302957c8926316ce4ca10394f7b0122bac/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=d70803f10215ca12a4f195313a61ae7eebd4b7cca16bf9498775297c88929e77&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/48/487414654b5f8199f6117ca442799e302957c8926316ce4ca10394f7b0122bac/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=5511eff291e0315b04ed819324460de6afbbe682480daed912e44ba355d77204"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_5SMP5NW4KJKQE4QEH1DSPAHXPA","title":"Build a single-page web toy: a glossy black 3D pill button that says \"let's collaborate\" sits in the middle of a clean white studio page. The cursor is a cartoon white-glove hand. When the cursor touches the button and moves away, thick sticky black goo strands stretch from the button to the hand like melted tar or spider web, sag and wobble with real physics, thin out the further you pull, then snap and drip back into the button. Pressing and dragging should pull even more strands. Soft studio shadows, realistic glossy highlights on the button. One HTML file, no external assets. It should feel satisfying the moment it loads. · B","preview":{"id":"ast_4SRNYTHT0JZPTTC2P1220VVMFD","source_key":null,"source_order":0,"source_path":"publications/tsk_7G4MXQYMZH1QHH6SHZZAFAAPMY/out_5SMP5NW4KJKQE4QEH1DSPAHXPA/index.html","sha256":"fc674935ab76ae7b98f40b42a62bb91abdb76173557b9b8a011864616757f436","mime_type":"text/html","kind":"document","byte_size":32827,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"45a00e2c30f2e30ea4e654e7f67f3728","source_content_type":null,"url":"/api/v1/media/assets/ast_4SRNYTHT0JZPTTC2P1220VVMFD/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/fc/fc674935ab76ae7b98f40b42a62bb91abdb76173557b9b8a011864616757f436/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=ddb3be6e473298a4599e974ae66efbd56d489513711c7afeaee2107c8cc8e5df&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/fc/fc674935ab76ae7b98f40b42a62bb91abdb76173557b9b8a011864616757f436/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=f46093526305677430dd18e82542a95c257980057ada127d24e45ec5472e8cd5"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-23T05:42:03.601082Z"},{"id":"tsk_5MRT7X8PYMDFG5EXGVVP8NB0EY","comparisonId":"cmp_42C77ZWZ1F3MFR6BJ0MG8A10FT","title":"Build a single-file HTML shooting game called \"Acorn Squad\": a cartoon squirrel defends its oak tree by throwing acorns at waves of enemies (beetles, crows and a boss raccoon). Move with arrow keys or WASD, aim with the mouse and click (or hold Space) to throw; on phones use a virtual joystick and a fire button. Acorns fly in an arc and bounce once. Draw everything in code with canvas (no external images), with hit flashes, small particle bursts and screen shake. Add waves that get harder, a health bar, a power-up that throws three acorns at once, a score with a best score saved in localStorage, and a game-over screen with a restart button. Make it feel good on both desktop and phone.","category":"Website","summary":"Build a single-file HTML shooting game called \"Acorn Squad\": a cartoon squirrel defends its oak tree by throwing acorns at waves of enemies (beetles, crows and a boss raccoon). Move with arrow keys or WASD, aim with the mouse and click (or hold Space) to throw; on phones use a virtual joystick and a fire button. Acorns fly in an arc and bounce once. Draw everything in code with canvas (no external images), with hit flashes, small particle bursts and screen shake. Add waves that get harder, a health bar, a power-up that throws three acorns at once, a score with a best score saved in localStorage, and a game-over screen with a restart button. Make it feel good on both desktop and phone.","prompt":"Build a single-file HTML shooting game called \"Acorn Squad\": a cartoon squirrel defends its oak tree by throwing acorns at waves of enemies (beetles, crows and a boss raccoon). Move with arrow keys or WASD, aim with the mouse and click (or hold Space) to throw; on phones use a virtual joystick and a fire button. Acorns fly in an arc and bounce once. Draw everything in code with canvas (no external images), with hit flashes, small particle bursts and screen shake. Add waves that get harder, a health bar, a power-up that throws three acorns at once, a score with a best score saved in localStorage, and a game-over screen with a restart button. Make it feel good on both desktop and phone.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_2BGWJ9S7JENTTJP1743CT0BRYE","title":"Build a single-file HTML shooting game called \"Acorn Squad\": a cartoon squirrel defends its oak tree by throwing acorns at waves of enemies (beetles, crows and a boss raccoon). Move with arrow keys or WASD, aim with the mouse and click (or hold Space) to throw; on phones use a virtual joystick and a fire button. Acorns fly in an arc and bounce once. Draw everything in code with canvas (no external images), with hit flashes, small particle bursts and screen shake. Add waves that get harder, a health bar, a power-up that throws three acorns at once, a score with a best score saved in localStorage, and a game-over screen with a restart button. 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Single HTML file; Three.js from a CDN is fine, no other external assets. Real soft-body feel: the body wobbles at speed, squishes on landings and jiggles when it hits walls. Drive with arrow keys or WASD, Space to jump, in a small arena with ramps and walls to bounce off. Glossy, translucent jelly look with good lighting. It should feel fun the moment it loads.","category":"Website","summary":"Build an interactive 3D browser sim of a Tesla Roadster made of jelly. Single HTML file; Three.js from a CDN is fine, no other external assets. Real soft-body feel: the body wobbles at speed, squishes on landings and jiggles when it hits walls. Drive with arrow keys or WASD, Space to jump, in a small arena with ramps and walls to bounce off. Glossy, translucent jelly look with good lighting. It should feel fun the moment it loads.","prompt":"Build an interactive 3D browser sim of a Tesla Roadster made of jelly. Single HTML file; Three.js from a CDN is fine, no other external assets. Real soft-body feel: the body wobbles at speed, squishes on landings and jiggles when it hits walls. Drive with arrow keys or WASD, Space to jump, in a small arena with ramps and walls to bounce off. Glossy, translucent jelly look with good lighting. It should feel fun the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_06CYQD23Y73XMEGAJ33X53P6KC","title":"Build an interactive 3D browser sim of a Tesla Roadster made of jelly. Single HTML file; Three.js from a CDN is fine, no other external assets. Real soft-body feel: the body wobbles at speed, squishes on landings and jiggles when it hits walls. Drive with arrow keys or WASD, Space to jump, in a small arena with ramps and walls to bounce off. Glossy, translucent jelly look with good lighting. 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Motion must be speedy. Fonts and color, style should all feel like the consistent brand. \n\nAnother day. Another model.\nIt's hard to keep up.\nAnd honestly—should you even care?\nWill it make better designs? Better videos? Better games?\n\nFind your best setup on Evals.\nGive different AI setups the same task, in a sandbox.\nChange the model. Add a skill. Give it Blender.\nThen compare what they actually make.\n\nConnect your ChatGPT, Claude, and Higgsfield accounts. Use the subscriptions you already pay for.\n\nPick the result you'd actually use. Keep working on it.\nOr explore what others made, see how they got there, and try it yourself.","category":"Video","summary":"Create a viral launch demo video for https://evals.ag/ with the following script. Motion must be speedy. Fonts and color, style should all feel like the consistent brand. \n\nAnother day. Another model.\nIt's hard to keep up.\nAnd honestly—should you even care?\nWill it make better designs? Better videos? Better games?\n\nFind your best setup on Evals.\nGive different AI setups the same task, in a sandbox.\nChange the model. Add a skill. Give it Blender.\nThen compare what they actually make.\n\nConnect your ChatGPT, Claude, and Higgsfield accounts. Use the subscriptions you already pay for.\n\nPick the result you'd actually use. Keep working on it.\nOr explore what others made, see how they got there, and try it yourself.","prompt":"Create a viral launch demo video for https://evals.ag/ with the following script. Motion must be speedy. Fonts and color, style should all feel like the consistent brand. \n\nAnother day. Another model.\nIt's hard to keep up.\nAnd honestly—should you even care?\nWill it make better designs? Better videos? Better games?\n\nFind your best setup on Evals.\nGive different AI setups the same task, in a sandbox.\nChange the model. Add a skill. Give it Blender.\nThen compare what they actually make.\n\nConnect your ChatGPT, Claude, and Higgsfield accounts. Use the subscriptions you already pay for.\n\nPick the result you'd actually use. Keep working on it.\nOr explore what others made, see how they got there, and try it yourself.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_5YDKJ4NEP4XYC6GQQR1NY0N408","title":"Create a viral launch demo video for https://evals.ag/ with the following script. Motion must be speedy. Fonts and color, style should all feel like the consistent brand. \n\nAnother day. Another model.\nIt's hard to keep up.\nAnd honestly—should you even care?\nWill it make better designs? Better videos? Better games?\n\nFind your best setup on Evals.\nGive different AI setups the same task, in a sandbox.\nChange the model. Add a skill. Give it Blender.\nThen compare what they actually make.\n\nConnect your ChatGPT, Claude, and Higgsfield accounts. Use the subscriptions you already pay for.\n\nPick the result you'd actually use. 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Move with arrow keys or WASD, aim with the mouse and click (or hold Space) to throw; on phones use a virtual joystick and a fire button. Acorns fly in an arc and bounce once. Draw everything in code with canvas (no external images), with hit flashes, small particle bursts and screen shake. Add waves that get harder, a health bar, a power-up that throws three acorns at once, a score with a best score saved in localStorage, and a game-over screen with a restart button. Make it feel good on both desktop and phone.","category":"Website","summary":"Build a single-file HTML shooting game called \"Acorn Squad\": a cartoon squirrel defends its oak tree by throwing acorns at waves of enemies (beetles, crows and a boss raccoon). Move with arrow keys or WASD, aim with the mouse and click (or hold Space) to throw; on phones use a virtual joystick and a fire button. Acorns fly in an arc and bounce once. Draw everything in code with canvas (no external images), with hit flashes, small particle bursts and screen shake. Add waves that get harder, a health bar, a power-up that throws three acorns at once, a score with a best score saved in localStorage, and a game-over screen with a restart button. Make it feel good on both desktop and phone.","prompt":"Build a single-file HTML shooting game called \"Acorn Squad\": a cartoon squirrel defends its oak tree by throwing acorns at waves of enemies (beetles, crows and a boss raccoon). Move with arrow keys or WASD, aim with the mouse and click (or hold Space) to throw; on phones use a virtual joystick and a fire button. Acorns fly in an arc and bounce once. Draw everything in code with canvas (no external images), with hit flashes, small particle bursts and screen shake. Add waves that get harder, a health bar, a power-up that throws three acorns at once, a score with a best score saved in localStorage, and a game-over screen with a restart button. Make it feel good on both desktop and phone.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_7RVG43SDVD3F2487YQ5KA6PBJF","title":"Build a single-file HTML shooting game called \"Acorn Squad\": a cartoon squirrel defends its oak tree by throwing acorns at waves of enemies (beetles, crows and a boss raccoon). Move with arrow keys or WASD, aim with the mouse and click (or hold Space) to throw; on phones use a virtual joystick and a fire button. Acorns fly in an arc and bounce once. Draw everything in code with canvas (no external images), with hit flashes, small particle bursts and screen shake. 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A glossy, translucent water balloon rests on a soft studio backdrop. Grab it with the mouse or a finger and drag: it stretches, squishes and wobbles with believable soft-body physics while the water inside sloshes. Pull too far and it bursts in a satisfying splash of droplets, then a fresh balloon drops in. Make the material feel real: thin latex sheen, refraction, caustic highlights, soft contact shadow. Add a small control panel for balloon color and water amount. It should look like a premium product page, not a tech demo.","category":"Website","summary":"Build a single-page interactive 3D water balloon toy in the browser (Three.js/WebGL). A glossy, translucent water balloon rests on a soft studio backdrop. Grab it with the mouse or a finger and drag: it stretches, squishes and wobbles with believable soft-body physics while the water inside sloshes. Pull too far and it bursts in a satisfying splash of droplets, then a fresh balloon drops in. 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It should look like a premium product page, not a tech demo.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_56HPA67702W83KY84WJHZTRJTK","title":"Build a single-page interactive 3D water balloon toy in the browser (Three.js/WebGL). A glossy, translucent water balloon rests on a soft studio backdrop. Grab it with the mouse or a finger and drag: it stretches, squishes and wobbles with believable soft-body physics while the water inside sloshes. Pull too far and it bursts in a satisfying splash of droplets, then a fresh balloon drops in. Make the material feel real: thin latex sheen, refraction, caustic highlights, soft contact shadow. Add a small control panel for balloon color and water amount. 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Do the real work in Blender itself (install it if needed and drive it headless with Python/bpy): model the scene, shade Suzanne with a striking material, light it like a studio product shot, set up the camera with depth of field, and render with Cycles. Deliver a 1920x1080 PNG hero still and an 8-second 1080p MP4 turntable of Suzanne spinning. Make it gorgeous from the first frame.","category":"Other","summary":"Use Blender to make a hero render of Suzanne, the Blender monkey, good enough for Blender's own homepage. Do the real work in Blender itself (install it if needed and drive it headless with Python/bpy): model the scene, shade Suzanne with a striking material, light it like a studio product shot, set up the camera with depth of field, and render with Cycles. Deliver a 1920x1080 PNG hero still and an 8-second 1080p MP4 turntable of Suzanne spinning. 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Do the real work in Blender itself (install it if needed and drive it headless with Python/bpy): model the scene, shade Suzanne with a striking material, light it like a studio product shot, set up the camera with depth of field, and render with Cycles. Deliver a 1920x1080 PNG hero still and an 8-second 1080p MP4 turntable of Suzanne spinning. 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Make it gorgeous from the first frame. · B","preview":{"id":"ast_33V1VQWS1G9CR8HYH0RQFC5SWQ","source_key":null,"source_order":0,"source_path":"publications/tsk_7PMVHJTVPSE6B6EMFV8J2APGMX/out_1NBJ1HSNSBCXVSPFBMFEG66VY9/preview.png","sha256":"d578a54d37ff9167472e15a8d172d8d31395e8304e9d8ea1fa3d7cb15de84851","mime_type":"image/png","kind":"image","byte_size":1826769,"width":1920,"height":1080,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"26e5a86eafe5e80d0652bb76b49441a3","source_content_type":null,"url":"/api/v1/media/assets/ast_33V1VQWS1G9CR8HYH0RQFC5SWQ/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/d5/d578a54d37ff9167472e15a8d172d8d31395e8304e9d8ea1fa3d7cb15de84851?expires=1793627080&type=image%2Fpng&sig=7ed0d8a0a27a6d88c5c41a0c7d8b9525e17c0e5057cf5fb1043a6e95eb1f51fb&tile=2","preview_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-10T10:31:50.425345Z"},{"id":"tsk_0DWM7F985GSX8J650EG5SGH4ND","comparisonId":"cmp_2BDK9SS1PRK9SKP4K8DREST6F4","title":"Build Blender in the browser. A working 3D modeling and animation app (Three.js), single page, that looks and feels like Blender: dark Blender-style UI with top menu bar, left toolbar, 3D viewport with grid and axis gizmo, Outliner and Properties panels on the right, and a timeline at the bottom. Orbit, pan and zoom with the mouse, numpad-style view buttons. Add > Mesh menu with cube, UV sphere, cylinder, cone, torus and a Suzanne-like monkey head. Click to select with orange outline, G/R/S hotkeys and a transform gizmo to move, rotate and scale, X to delete, Shift+D to duplicate. Properties panel edits transform values and material (base color, roughness, metallic, emission). Insert keyframes with I, scrub the timeline and press play to animate. A Render button (F12) opens a render window with soft shadows and nice lighting. Start with a default scene: cube, camera and light. It should feel like the real thing the moment it loads.","category":"Website","summary":"Build Blender in the browser. A working 3D modeling and animation app (Three.js), single page, that looks and feels like Blender: dark Blender-style UI with top menu bar, left toolbar, 3D viewport with grid and axis gizmo, Outliner and Properties panels on the right, and a timeline at the bottom. Orbit, pan and zoom with the mouse, numpad-style view buttons. Add > Mesh menu with cube, UV sphere, cylinder, cone, torus and a Suzanne-like monkey head. Click to select with orange outline, G/R/S hotkeys and a transform gizmo to move, rotate and scale, X to delete, Shift+D to duplicate. Properties panel edits transform values and material (base color, roughness, metallic, emission). Insert keyframes with I, scrub the timeline and press play to animate. A Render button (F12) opens a render window with soft shadows and nice lighting. Start with a default scene: cube, camera and light. It should feel like the real thing the moment it loads.","prompt":"Build Blender in the browser. A working 3D modeling and animation app (Three.js), single page, that looks and feels like Blender: dark Blender-style UI with top menu bar, left toolbar, 3D viewport with grid and axis gizmo, Outliner and Properties panels on the right, and a timeline at the bottom. Orbit, pan and zoom with the mouse, numpad-style view buttons. Add > Mesh menu with cube, UV sphere, cylinder, cone, torus and a Suzanne-like monkey head. Click to select with orange outline, G/R/S hotkeys and a transform gizmo to move, rotate and scale, X to delete, Shift+D to duplicate. Properties panel edits transform values and material (base color, roughness, metallic, emission). Insert keyframes with I, scrub the timeline and press play to animate. A Render button (F12) opens a render window with soft shadows and nice lighting. Start with a default scene: cube, camera and light. It should feel like the real thing the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_4C7S3ZFBX35N49YE3AKNP55ETW","title":"Build Blender in the browser. A working 3D modeling and animation app (Three.js), single page, that looks and feels like Blender: dark Blender-style UI with top menu bar, left toolbar, 3D viewport with grid and axis gizmo, Outliner and Properties panels on the right, and a timeline at the bottom. Orbit, pan and zoom with the mouse, numpad-style view buttons. Add > Mesh menu with cube, UV sphere, cylinder, cone, torus and a Suzanne-like monkey head. Click to select with orange outline, G/R/S hotkeys and a transform gizmo to move, rotate and scale, X to delete, Shift+D to duplicate. Properties panel edits transform values and material (base color, roughness, metallic, emission). Insert keyframes with I, scrub the timeline and press play to animate. 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A working 3D modeling and animation app (Three.js), single page, that looks and feels like Blender: dark Blender-style UI with top menu bar, left toolbar, 3D viewport with grid and axis gizmo, Outliner and Properties panels on the right, and a timeline at the bottom. Orbit, pan and zoom with the mouse, numpad-style view buttons. Add > Mesh menu with cube, UV sphere, cylinder, cone, torus and a Suzanne-like monkey head. Click to select with orange outline, G/R/S hotkeys and a transform gizmo to move, rotate and scale, X to delete, Shift+D to duplicate. Properties panel edits transform values and material (base color, roughness, metallic, emission). Insert keyframes with I, scrub the timeline and press play to animate. A Render button (F12) opens a render window with soft shadows and nice lighting. Start with a default scene: cube, camera and light. 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Single page, no external assets: draw every sprite, tile and background with code. Run and jump with variable jump height, smooth side-scrolling camera, question blocks that pop coins and a mushroom power-up, breakable bricks, Goombas you can stomp, pipes, pits, and a flagpole finish. HUD with score, coins, world and timer, plus title and game-over screens. It should feel tight and fun the moment it loads.","category":"Website","summary":"Build a playable Super Mario Bros-style 2D platformer in the browser, recreating World 1-1. Single page, no external assets: draw every sprite, tile and background with code. Run and jump with variable jump height, smooth side-scrolling camera, question blocks that pop coins and a mushroom power-up, breakable bricks, Goombas you can stomp, pipes, pits, and a flagpole finish. HUD with score, coins, world and timer, plus title and game-over screens. It should feel tight and fun the moment it loads.","prompt":"Build a playable Super Mario Bros-style 2D platformer in the browser, recreating World 1-1. Single page, no external assets: draw every sprite, tile and background with code. Run and jump with variable jump height, smooth side-scrolling camera, question blocks that pop coins and a mushroom power-up, breakable bricks, Goombas you can stomp, pipes, pits, and a flagpole finish. HUD with score, coins, world and timer, plus title and game-over screens. It should feel tight and fun the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_26YEC3FXPG7EVAVFKEFQ9AW8CK","title":"Build a playable Super Mario Bros-style 2D platformer in the browser, recreating World 1-1. Single page, no external assets: draw every sprite, tile and background with code. 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Single page, no external assets: draw every sprite, tile and background with code. Run and jump with variable jump height, smooth side-scrolling camera, question blocks that pop coins and a mushroom power-up, breakable bricks, Goombas you can stomp, pipes, pits, and a flagpole finish. HUD with score, coins, world and timer, plus title and game-over screens. 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Show a grove of trees whose leaves transition from green through gold, orange and red, then fall with believable wind and accumulate on the ground. Include season progression and wind controls, pause/reset, and a beautiful coherent composition. Deliver a working HTML artifact, not just an explanation.\n\nSource inspiration: https://x.com/claudeai/status/2104674987164782598 (Sonnet 5 vs Sonnet 5.5 fall foliage simulator; observed 687K views, 7.8K likes on 2026-10-01). This is an adapted reproduction brief based on the public post description, not the original verbatim prompt. The current comparison uses the models selected in Evals; do not claim to reproduce the original model versions.","category":"Website","summary":"Create an interactive fall foliage simulator as a polished browser experience. Show a grove of trees whose leaves transition from green through gold, orange and red, then fall with believable wind and accumulate on the ground. Include season progression and wind controls, pause/reset, and a beautiful coherent composition. Deliver a working HTML artifact, not just an explanation.\n\nSource inspiration: https://x.com/claudeai/status/2104674987164782598 (Sonnet 5 vs Sonnet 5.5 fall foliage simulator; observed 687K views, 7.8K likes on 2026-10-01). This is an adapted reproduction brief based on the public post description, not the original verbatim prompt. The current comparison uses the models selected in Evals; do not claim to reproduce the original model versions.","prompt":"Create an interactive fall foliage simulator as a polished browser experience. Show a grove of trees whose leaves transition from green through gold, orange and red, then fall with believable wind and accumulate on the ground. Include season progression and wind controls, pause/reset, and a beautiful coherent composition. Deliver a working HTML artifact, not just an explanation.\n\nSource inspiration: https://x.com/claudeai/status/2104674987164782598 (Sonnet 5 vs Sonnet 5.5 fall foliage simulator; observed 687K views, 7.8K likes on 2026-10-01). This is an adapted reproduction brief based on the public post description, not the original verbatim prompt. The current comparison uses the models selected in Evals; do not claim to reproduce the original model versions.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_5Z3DTA17V23XDDF9MSWXQ35MRE","title":"Create an interactive fall foliage simulator as a polished browser experience. Show a grove of trees whose leaves transition from green through gold, orange and red, then fall with believable wind and accumulate on the ground. Include season progression and wind controls, pause/reset, and a beautiful coherent composition. Deliver a working HTML artifact, not just an explanation.\n\nSource inspiration: https://x.com/claudeai/status/2104674987164782598 (Sonnet 5 vs Sonnet 5.5 fall foliage simulator; observed 687K views, 7.8K likes on 2026-10-01). This is an adapted reproduction brief based on the public post description, not the original verbatim prompt. The current comparison uses the models selected in Evals; do not claim to reproduce the original model versions. · A","preview":{"id":"ast_6J8PQ2S3B5ZGH8JYC3T4V8B4ZV","source_key":null,"source_order":0,"source_path":"publications/tsk_1EVTCQFCWGZA0MV2RBT9ATCZ78/out_5Z3DTA17V23XDDF9MSWXQ35MRE/index.html","sha256":"dffde77c924f980c21364f7240d16c8da22346c05cdb632c30b7d32cc4870127","mime_type":"text/html","kind":"document","byte_size":47625,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"55c0fc0a86098b565b1d08fdf37ea0a5","source_content_type":null,"url":"/api/v1/media/assets/ast_6J8PQ2S3B5ZGH8JYC3T4V8B4ZV/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/df/dffde77c924f980c21364f7240d16c8da22346c05cdb632c30b7d32cc4870127/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=fad07f6e9b7b3ddcdc41af3b68e12bd1d6f5d88ef1407825b194c6efeb3843c2&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/df/dffde77c924f980c21364f7240d16c8da22346c05cdb632c30b7d32cc4870127/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=bcdadece6f8036142f7327be5b6cf8570797a74f1a61081dec3853f26808aa43"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_1QZT5AGBENDQWSQYCC7FFGEWZW","title":"Create an interactive fall foliage simulator as a polished browser experience. Show a grove of trees whose leaves transition from green through gold, orange and red, then fall with believable wind and accumulate on the ground. Include season progression and wind controls, pause/reset, and a beautiful coherent composition. Deliver a working HTML artifact, not just an explanation.\n\nSource inspiration: https://x.com/claudeai/status/2104674987164782598 (Sonnet 5 vs Sonnet 5.5 fall foliage simulator; observed 687K views, 7.8K likes on 2026-10-01). This is an adapted reproduction brief based on the public post description, not the original verbatim prompt. The current comparison uses the models selected in Evals; do not claim to reproduce the original model versions. · B","preview":{"id":"ast_5ER3TKKXMEHTGF7SQJBZKH6NFS","source_key":null,"source_order":0,"source_path":"publications/tsk_1EVTCQFCWGZA0MV2RBT9ATCZ78/out_1QZT5AGBENDQWSQYCC7FFGEWZW/index.html","sha256":"397acac9c1405c53b8f9a88a3a74eb5fbdecb8304a5150a98245653ae9de48d4","mime_type":"text/html","kind":"document","byte_size":129769,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"d950bb28f81b411e2af4c4789c755f82","source_content_type":null,"url":"/api/v1/media/assets/ast_5ER3TKKXMEHTGF7SQJBZKH6NFS/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/39/397acac9c1405c53b8f9a88a3a74eb5fbdecb8304a5150a98245653ae9de48d4/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=e48f1aefb9153bfecfed6282c21680826a957ea47ebdd19d594a978d1fbf2ab0&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/39/397acac9c1405c53b8f9a88a3a74eb5fbdecb8304a5150a98245653ae9de48d4/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=ed0df56799fd2fb5893c1513c5262da8b1afc61e7d8c25c609db49b64bba65b2"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T02:52:41.722455Z"},{"id":"tsk_138JE37BEW132D1Z8XMEAPD5DF","comparisonId":"cmp_7FFD4SNDJRS0H5HAQM0VY49WK8","title":"Build an interactive educational 3D jet engine in the browser. Include cutaway and x-ray views, animated airflow and rotating fan/compressor/turbine stages, clear labels, an exploded view and orbit controls. Explain the airflow visually and mark simplifications. Deliver the working browser artifact.\n\nSource: https://x.com/YouWareAI/status/2101271938706685991 (80K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","category":"Website","summary":"Build an interactive educational 3D jet engine in the browser. Include cutaway and x-ray views, animated airflow and rotating fan/compressor/turbine stages, clear labels, an exploded view and orbit controls. Explain the airflow visually and mark simplifications. Deliver the working browser artifact.\n\nSource: https://x.com/YouWareAI/status/2101271938706685991 (80K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","prompt":"Build an interactive educational 3D jet engine in the browser. Include cutaway and x-ray views, animated airflow and rotating fan/compressor/turbine stages, clear labels, an exploded view and orbit controls. Explain the airflow visually and mark simplifications. Deliver the working browser artifact.\n\nSource: https://x.com/YouWareAI/status/2101271938706685991 (80K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_7KG2DRW48CJAX4E4XEVDR4KCK5","title":"Build an interactive educational 3D jet engine in the browser. Include cutaway and x-ray views, animated airflow and rotating fan/compressor/turbine stages, clear labels, an exploded view and orbit controls. Explain the airflow visually and mark simplifications. Deliver the working browser artifact.\n\nSource: https://x.com/YouWareAI/status/2101271938706685991 (80K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals. · A","preview":{"id":"ast_6VEBW94T8D64DG81RFJHV8NG2C","source_key":null,"source_order":0,"source_path":"publications/tsk_138JE37BEW132D1Z8XMEAPD5DF/out_7KG2DRW48CJAX4E4XEVDR4KCK5/index.html","sha256":"7114cb1576f0cfabadb0e01b89253c5ef5eaf4e587f49601dd0de2aa6f180ce8","mime_type":"text/html","kind":"document","byte_size":3511,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"6aeb2eb822e00bb9fdec054e0262d63a","source_content_type":null,"url":"/api/v1/media/assets/ast_6VEBW94T8D64DG81RFJHV8NG2C/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/71/7114cb1576f0cfabadb0e01b89253c5ef5eaf4e587f49601dd0de2aa6f180ce8/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=153b6d4ed595bbeb4f39ddaf7147231ba5061cd5c7e45e9ed3cd4df87f544d89&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/71/7114cb1576f0cfabadb0e01b89253c5ef5eaf4e587f49601dd0de2aa6f180ce8/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=076b5cb93af6d3231fc5fa7c22c9e037aee30879d09071acc7b63623d8166c1c"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_7ZEE5TGTE3DK00F3AZ5ADDFG09","title":"Build an interactive educational 3D jet engine in the browser. Include cutaway and x-ray views, animated airflow and rotating fan/compressor/turbine stages, clear labels, an exploded view and orbit controls. Explain the airflow visually and mark simplifications. Deliver the working browser artifact.\n\nSource: https://x.com/YouWareAI/status/2101271938706685991 (80K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals. · B","preview":{"id":"ast_21TJG4TB1D934Q763XSMFB9KYS","source_key":null,"source_order":0,"source_path":"publications/tsk_138JE37BEW132D1Z8XMEAPD5DF/out_7ZEE5TGTE3DK00F3AZ5ADDFG09/index.html","sha256":"0cd2c9e2684305c33cc35cab3f09e350736f3915170ae18792bd386895b3ab84","mime_type":"text/html","kind":"document","byte_size":640865,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"13ab64d69fed237221fcf4ef1d6912f0","source_content_type":null,"url":"/api/v1/media/assets/ast_21TJG4TB1D934Q763XSMFB9KYS/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/0c/0cd2c9e2684305c33cc35cab3f09e350736f3915170ae18792bd386895b3ab84/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=0e0c47cbddc7c7a9f285187ea8890d6e16fa748f4898a9a1df3255a50af35cfb&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/0c/0cd2c9e2684305c33cc35cab3f09e350736f3915170ae18792bd386895b3ab84/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=c53fb0d1496f396706a1888973f62b1707e5250d02c7d76ba046d72f2530e05d"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T03:50:05.784492Z"},{"id":"tsk_19M0XFN5J0ZM0JPGYG2TP2QHWN","comparisonId":"cmp_7973JVCCP6ASZCVN24SCBF2BB6","title":"Make me a 15-second trailer for an F1 movie starring Ariana Grande","category":"Video","summary":"Make me a 15-second trailer for an F1 movie starring Ariana Grande","prompt":"Make me a 15-second trailer for an F1 movie starring Ariana Grande","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_20REJDYZ987VXY932GXA400GC6","title":"Make me a 15-second trailer for an F1 movie starring Ariana Grande · A","preview":{"id":"ast_420283CQ9AEQ4GEVGJH24ZMF25","source_key":null,"source_order":0,"source_path":"publications/tsk_19M0XFN5J0ZM0JPGYG2TP2QHWN/out_20REJDYZ987VXY932GXA400GC6/output.mp4","sha256":"b74989e738fc3694ed0fd83f25482e04e45ea4a15344c47d7a80c898140bc997","mime_type":"video/mp4","kind":"video","byte_size":11804189,"width":1920,"height":1080,"duration":15,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"298f79dd9ebf2a5f7c57114943d92569","source_content_type":null,"url":"/api/v1/media/assets/ast_420283CQ9AEQ4GEVGJH24ZMF25/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/b7/b74989e738fc3694ed0fd83f25482e04e45ea4a15344c47d7a80c898140bc997/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=b0912050929eeed493053185f9cf76a7dd790eac6e1a0e381050f8c257bb66ba&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/b7/b74989e738fc3694ed0fd83f25482e04e45ea4a15344c47d7a80c898140bc997/thumb-v3?expires=1793627080&type=video%2Fmp4&sig=d4d6f9970c9da9ffc592516a9146b616bf8299d6ad66fd5606cd307ef9e1b4f2"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_4BKEYX0G9P977CC9SV8CM8DT3G","title":"Make me a 15-second trailer for an F1 movie starring Ariana Grande · B","preview":{"id":"ast_50STSYVH1GYVSKPTTTEMVYWX38","source_key":null,"source_order":0,"source_path":"publications/tsk_19M0XFN5J0ZM0JPGYG2TP2QHWN/out_4BKEYX0G9P977CC9SV8CM8DT3G/output.mp4","sha256":"89e14b7811750b1cb2c73e4ccea321f68741b01cc9f59efc499eb32801fa529f","mime_type":"video/mp4","kind":"video","byte_size":12747188,"width":1920,"height":1080,"duration":15,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"46f845d574bd0246ddaebb58906c2deb","source_content_type":null,"url":"/api/v1/media/assets/ast_50STSYVH1GYVSKPTTTEMVYWX38/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/89/89e14b7811750b1cb2c73e4ccea321f68741b01cc9f59efc499eb32801fa529f/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=6c936e4542a52f69fb8c2c8e781d6bbc44e15d3a2692d69f3b705273a126512b&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/89/89e14b7811750b1cb2c73e4ccea321f68741b01cc9f59efc499eb32801fa529f/thumb-v3?expires=1793627080&type=video%2Fmp4&sig=7e3e14e4efff71774ed098a8105116ca652259f82ccdf11e3398d0300d70983d"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T06:29:17.347292Z"},{"id":"tsk_1EK39BN4DZEMXQ1FJ4ZEPHZWA9","comparisonId":"cmp_4SEBN1RJR816FNEVFGDCNEKEF6","title":"Create the Eiffel Tower and its surroundings in Paris as a detailed interactive 3D browser scene. Show recognizable lattice structure, all platforms, Champ de Mars paths and greenery, neighboring Parisian buildings, atmospheric lighting and orbit controls. Deliver a working browser artifact.\n\nSource: https://x.com/EnvolDev/status/2103535619603567054 (66K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","category":"Website","summary":"Create the Eiffel Tower and its surroundings in Paris as a detailed interactive 3D browser scene. Show recognizable lattice structure, all platforms, Champ de Mars paths and greenery, neighboring Parisian buildings, atmospheric lighting and orbit controls. Deliver a working browser artifact.\n\nSource: https://x.com/EnvolDev/status/2103535619603567054 (66K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","prompt":"Create the Eiffel Tower and its surroundings in Paris as a detailed interactive 3D browser scene. Show recognizable lattice structure, all platforms, Champ de Mars paths and greenery, neighboring Parisian buildings, atmospheric lighting and orbit controls. Deliver a working browser artifact.\n\nSource: https://x.com/EnvolDev/status/2103535619603567054 (66K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_2RMBB178YQEKE3YG2E8A6YJBV3","title":"Create the Eiffel Tower and its surroundings in Paris as a detailed interactive 3D browser scene. Show recognizable lattice structure, all platforms, Champ de Mars paths and greenery, neighboring Parisian buildings, atmospheric lighting and orbit controls. Deliver a working browser artifact.\n\nSource: https://x.com/EnvolDev/status/2103535619603567054 (66K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals. · A","preview":{"id":"ast_3W45HW35Z9PQAE31YXK45ATNG3","source_key":null,"source_order":0,"source_path":"publications/tsk_1EK39BN4DZEMXQ1FJ4ZEPHZWA9/out_2RMBB178YQEKE3YG2E8A6YJBV3/index.html","sha256":"c01480d8c2a91b3c14206a811c8a725c3a34bbbed7447febff2cdaeb5ed74f1b","mime_type":"text/html","kind":"document","byte_size":591297,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"f96bbe39456499864de632735c520d28","source_content_type":null,"url":"/api/v1/media/assets/ast_3W45HW35Z9PQAE31YXK45ATNG3/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/c0/c01480d8c2a91b3c14206a811c8a725c3a34bbbed7447febff2cdaeb5ed74f1b/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=7ebb63b621458b15dfa00533d899d55cf249569bdbe90e7ba4ac3a455eee914f&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/c0/c01480d8c2a91b3c14206a811c8a725c3a34bbbed7447febff2cdaeb5ed74f1b/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=7ed8d0679dd2aecf4dd5bf2287fb9a7e2077464f54a9af1b4820e83b9fbe052f"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_1059HRRFZH3T8S77KPM7KFWFF2","title":"Create the Eiffel Tower and its surroundings in Paris as a detailed interactive 3D browser scene. Show recognizable lattice structure, all platforms, Champ de Mars paths and greenery, neighboring Parisian buildings, atmospheric lighting and orbit controls. Deliver a working browser artifact.\n\nSource: https://x.com/EnvolDev/status/2103535619603567054 (66K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals. · 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a advertisment which can upload to instgram reels.","category":"Video","summary":"make a advertisment which can upload to instgram reels.","prompt":"make a advertisment which can upload to instgram 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a advertisment which can upload to instgram reels. · B","preview":{"id":"ast_41ENFKC863GEAS5K5YN1G792KC","source_key":null,"source_order":0,"source_path":"publications/tsk_65S9X3T6PCAJ4244S9EBRKC1E6/out_36RY5BB61TBMKC2ZZVST6TVT7C/output.mp4","sha256":"a94ba0fd066a121f79201cfd763e06ec83f56416a44c64dbc7f525f98708d93e","mime_type":"video/mp4","kind":"video","byte_size":2235432,"width":1080,"height":1920,"duration":15,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"a1e0cd0ac8eb10501acc387161d7ee5e","source_content_type":null,"url":"/api/v1/media/assets/ast_41ENFKC863GEAS5K5YN1G792KC/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a9/a94ba0fd066a121f79201cfd763e06ec83f56416a44c64dbc7f525f98708d93e/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=71b3d6886c3cdf950091157418ca373c9ac72b39744f6dcc484dd6b4f457649f&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a9/a94ba0fd066a121f79201cfd763e06ec83f56416a44c64dbc7f525f98708d93e/thumb-v3?expires=1793627080&type=video%2Fmp4&sig=fca62c71f79c0ad5044af4ce4d70e7de011fbe784ca8b94c7e4264c8cb01221e"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-09-30T21:08:03.361588Z"},{"id":"tsk_7HP10P1AEMDVMC1EEGZZH2CBWV","comparisonId":"cmp_59PG7K3CPMTRH8GWM4JPZF51TV","title":"Create a detailed visual 3D presentation of an AH-64E Apache Guardian in Indian Air Force livery. Emphasize its recognizable silhouette, cockpit, rotor geometry, materials and dramatic lighting. Add orbit controls and rotor animation in a working browser artifact. This is a visual modeling exercise.\n\nSource: https://x.com/srikanthvaluri/status/2100935811059593547 (39K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","category":"Website","summary":"Create a detailed visual 3D presentation of an AH-64E Apache Guardian in Indian Air Force livery. Emphasize its recognizable silhouette, cockpit, rotor geometry, materials and dramatic lighting. Add orbit controls and rotor animation in a working browser artifact. This is a visual modeling exercise.\n\nSource: https://x.com/srikanthvaluri/status/2100935811059593547 (39K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","prompt":"Create a detailed visual 3D presentation of an AH-64E Apache Guardian in Indian Air Force livery. Emphasize its recognizable silhouette, cockpit, rotor geometry, materials and dramatic lighting. Add orbit controls and rotor animation in a working browser artifact. This is a visual modeling exercise.\n\nSource: https://x.com/srikanthvaluri/status/2100935811059593547 (39K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_46W2YZEG863MNTJARHZP9KCFBS","title":"Create a detailed visual 3D presentation of an AH-64E Apache Guardian in Indian Air Force livery. Emphasize its recognizable silhouette, cockpit, rotor geometry, materials and dramatic lighting. Add orbit controls and rotor animation in a working browser artifact. This is a visual modeling exercise.\n\nSource: https://x.com/srikanthvaluri/status/2100935811059593547 (39K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. 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Emphasize its recognizable silhouette, cockpit, rotor geometry, materials and dramatic lighting. Add orbit controls and rotor animation in a working browser artifact. This is a visual modeling exercise.\n\nSource: https://x.com/srikanthvaluri/status/2100935811059593547 (39K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals. · B","preview":{"id":"ast_0ZKE5D4J0SZKJ4S74YERQR1V3H","source_key":null,"source_order":0,"source_path":"publications/tsk_7HP10P1AEMDVMC1EEGZZH2CBWV/out_0E4QCQC31MTP1QW902EWDTDHAE/index.html","sha256":"df1062af7897b62e59f0e0618ec3d8f5c67e3bc7bef2bc651d29f5513d4228bb","mime_type":"text/html","kind":"document","byte_size":641433,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"740c1899466583e4e3a757c0c48a6217","source_content_type":null,"url":"/api/v1/media/assets/ast_0ZKE5D4J0SZKJ4S74YERQR1V3H/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/df/df1062af7897b62e59f0e0618ec3d8f5c67e3bc7bef2bc651d29f5513d4228bb/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=29764adc580ad45683934c501bd90a8921351bf277cbb46233df8281c0ed1832&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/df/df1062af7897b62e59f0e0618ec3d8f5c67e3bc7bef2bc651d29f5513d4228bb/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=b8a3a4b82f490d8f4a03402c44139f1378b035d6f38ae01fd63c1500b41d6894"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T03:58:55.780990Z"},{"id":"tsk_68TAV6A0NSB2DQN3QQ3K6SNFY8","comparisonId":"cmp_4C224NVPA2XC1AADJ0SCB1MARZ","title":"Create an interactive 3D gummy dice experience in the browser: colorful translucent dice with rounded edges, correctly arranged pips, glossy highlights, and soft stretchy jelly deformation as they drop, bounce and settle. Add a Roll button and appealing studio lighting. Deliver the working browser artifact.\n\nSource: https://x.com/vib3coded/status/2104828270789492913 (30K views, 559 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","category":"Website","summary":"Create an interactive 3D gummy dice experience in the browser: colorful translucent dice with rounded edges, correctly arranged pips, glossy highlights, and soft stretchy jelly deformation as they drop, bounce and settle. Add a Roll button and appealing studio lighting. Deliver the working browser artifact.\n\nSource: https://x.com/vib3coded/status/2104828270789492913 (30K views, 559 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","prompt":"Create an interactive 3D gummy dice experience in the browser: colorful translucent dice with rounded edges, correctly arranged pips, glossy highlights, and soft stretchy jelly deformation as they drop, bounce and settle. Add a Roll button and appealing studio lighting. Deliver the working browser artifact.\n\nSource: https://x.com/vib3coded/status/2104828270789492913 (30K views, 559 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_25C8JYT26MX87K5F3ES84J238T","title":"Create an interactive 3D gummy dice experience in the browser: colorful translucent dice with rounded edges, correctly arranged pips, glossy highlights, and soft stretchy jelly deformation as they drop, bounce and settle. Add a Roll button and appealing studio lighting. Deliver the working browser artifact.\n\nSource: https://x.com/vib3coded/status/2104828270789492913 (30K views, 559 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. 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Add a Roll button and appealing studio lighting. Deliver the working browser artifact.\n\nSource: https://x.com/vib3coded/status/2104828270789492913 (30K views, 559 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · B","preview":{"id":"ast_3G610XR8D58S7Y7FKR7ZQ1QPDE","source_key":null,"source_order":0,"source_path":"publications/tsk_68TAV6A0NSB2DQN3QQ3K6SNFY8/out_0RZ06BR6R0TBMYK4WB1PYJH8WJ/index.html","sha256":"4bd781a7fbab60aa44864c27aac5bb1347caf85085121c42027673e23b540812","mime_type":"text/html","kind":"document","byte_size":623724,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"8cead7cf52d740b47a8cfaa3d7371a11","source_content_type":null,"url":"/api/v1/media/assets/ast_3G610XR8D58S7Y7FKR7ZQ1QPDE/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4b/4bd781a7fbab60aa44864c27aac5bb1347caf85085121c42027673e23b540812/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=ba0b50ea5cc3588ee676a2f6a723a4028d2eb6717d6e4210e76a479909345dfe&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4b/4bd781a7fbab60aa44864c27aac5bb1347caf85085121c42027673e23b540812/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=9e30c03524cd03ed38f518e125c70be4c526f28478ed61b2b433db183b40869c"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T02:55:29.139962Z"},{"id":"tsk_2HYAE0KC03XWQFG8YC1PVV30SN","comparisonId":"cmp_52N2JM6MMZXX3QTEFD1R38JNG5","title":"Build a playable futuristic anti-gravity racing game inspired by the F-Zero-style racing demo in the source post. Create an original hovering vehicle, a twisting elevated track, boost, steering, lap timing and restart with a strong sense of speed. Deliver a browser-playable artifact. This adaptation targets the browser instead of the original Unreal environment.\n\nSource: https://x.com/ForwardEditor/status/2104633533981491575 (9.3K views, 128 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","category":"Website","summary":"Build a playable futuristic anti-gravity racing game inspired by the F-Zero-style racing demo in the source post. Create an original hovering vehicle, a twisting elevated track, boost, steering, lap timing and restart with a strong sense of speed. Deliver a browser-playable artifact. This adaptation targets the browser instead of the original Unreal environment.\n\nSource: https://x.com/ForwardEditor/status/2104633533981491575 (9.3K views, 128 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","prompt":"Build a playable futuristic anti-gravity racing game inspired by the F-Zero-style racing demo in the source post. Create an original hovering vehicle, a twisting elevated track, boost, steering, lap timing and restart with a strong sense of speed. Deliver a browser-playable artifact. This adaptation targets the browser instead of the original Unreal environment.\n\nSource: https://x.com/ForwardEditor/status/2104633533981491575 (9.3K views, 128 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_5MQWN8AKTZ3ANC34BB95KNEECN","title":"Build a playable futuristic anti-gravity racing game inspired by the F-Zero-style racing demo in the source post. Create an original hovering vehicle, a twisting elevated track, boost, steering, lap timing and restart with a strong sense of speed. Deliver a browser-playable artifact. This adaptation targets the browser instead of the original Unreal environment.\n\nSource: https://x.com/ForwardEditor/status/2104633533981491575 (9.3K views, 128 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · A","preview":{"id":"ast_1H3263MG4REVXF0HKAF9BQ85ND","source_key":null,"source_order":0,"source_path":"publications/tsk_2HYAE0KC03XWQFG8YC1PVV30SN/out_5MQWN8AKTZ3ANC34BB95KNEECN/index.html","sha256":"b7037ed1f2b6c86aa3353fc9ef6b6bc4c41d0f2d3d0bfb679462f894988a4086","mime_type":"text/html","kind":"document","byte_size":609612,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"f6c5fa29402e804d80ce6ae832c7c59e","source_content_type":null,"url":"/api/v1/media/assets/ast_1H3263MG4REVXF0HKAF9BQ85ND/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/b7/b7037ed1f2b6c86aa3353fc9ef6b6bc4c41d0f2d3d0bfb679462f894988a4086/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=c68346694fb8569640fcd16aa3b64075ad41f3f720116c0e1cf6d5dba4fa71f7&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/b7/b7037ed1f2b6c86aa3353fc9ef6b6bc4c41d0f2d3d0bfb679462f894988a4086/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=cad7b8a78e24e10e59a1ddcb2392ea6f82c5ec66e65633f1c1608fb598213538"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_4B10EB7V1QDJN694NFAGQM7XJF","title":"Build a playable futuristic anti-gravity racing game inspired by the F-Zero-style racing demo in the source post. Create an original hovering vehicle, a twisting elevated track, boost, steering, lap timing and restart with a strong sense of speed. Deliver a browser-playable artifact. This adaptation targets the browser instead of the original Unreal environment.\n\nSource: https://x.com/ForwardEditor/status/2104633533981491575 (9.3K views, 128 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · B","preview":{"id":"ast_57E3BQH40AKNGYVNS1VB7B2B0Z","source_key":null,"source_order":0,"source_path":"publications/tsk_2HYAE0KC03XWQFG8YC1PVV30SN/out_4B10EB7V1QDJN694NFAGQM7XJF/index.html","sha256":"6f4a1a192446cd80ff0ddaa736079ca7a92396565f7cc7ce5cb13321e50f3942","mime_type":"text/html","kind":"document","byte_size":652907,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"53509a0e9809fb2d5f3bf8dff5e7002b","source_content_type":null,"url":"/api/v1/media/assets/ast_57E3BQH40AKNGYVNS1VB7B2B0Z/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/6f/6f4a1a192446cd80ff0ddaa736079ca7a92396565f7cc7ce5cb13321e50f3942/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=14bc1cacab3385ef75ba46ce3ee946adf62cbe8fb2999ef16a330e359b0623ca&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/6f/6f4a1a192446cd80ff0ddaa736079ca7a92396565f7cc7ce5cb13321e50f3942/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=0ec27362ed3e52059cc2f824dd2a16d9e4092cd4eea8327aa2a97afaf7bcb6c1"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T02:56:48.558589Z"},{"id":"tsk_02HSZGQDJKTKKNXY4W8857T6Z7","comparisonId":"cmp_5QEY3F2ND0VH73XCKVZ1Y92SSJ","title":"Build a polished playable Sonic-style 3D platform game for the browser. Include a fast character, rings to collect, ramps, jumping, hazards, checkpoints, score and restart. Make speed and platforming feel satisfying. Deliver a working browser artifact. Adapt the source Godot task to the browser.\n\nSource: https://x.com/AiBattle_/status/2095994051354919049 (1.5M views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","category":"Website","summary":"Build a polished playable Sonic-style 3D platform game for the browser. Include a fast character, rings to collect, ramps, jumping, hazards, checkpoints, score and restart. Make speed and platforming feel satisfying. Deliver a working browser artifact. Adapt the source Godot task to the browser.\n\nSource: https://x.com/AiBattle_/status/2095994051354919049 (1.5M views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","prompt":"Build a polished playable Sonic-style 3D platform game for the browser. Include a fast character, rings to collect, ramps, jumping, hazards, checkpoints, score and restart. Make speed and platforming feel satisfying. Deliver a working browser artifact. Adapt the source Godot task to the browser.\n\nSource: https://x.com/AiBattle_/status/2095994051354919049 (1.5M views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_5MJK9A985Z1744ED48HHR6YX1T","title":"Build a polished playable Sonic-style 3D platform game for the browser. Include a fast character, rings to collect, ramps, jumping, hazards, checkpoints, score and restart. Make speed and platforming feel satisfying. Deliver a working browser artifact. Adapt the source Godot task to the browser.\n\nSource: https://x.com/AiBattle_/status/2095994051354919049 (1.5M views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals. · A","preview":{"id":"ast_0KDG73CK270JKA9V8V9KYXFDRZ","source_key":null,"source_order":0,"source_path":"publications/tsk_02HSZGQDJKTKKNXY4W8857T6Z7/out_5MJK9A985Z1744ED48HHR6YX1T/index.html","sha256":"3026218e1589f30b14cb0f52a4caf4b56a61d94c731204911ae61a7ce4d51db4","mime_type":"text/html","kind":"document","byte_size":648108,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"252bf64f46ba7c0738c8a15bad056017","source_content_type":null,"url":"/api/v1/media/assets/ast_0KDG73CK270JKA9V8V9KYXFDRZ/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/30/3026218e1589f30b14cb0f52a4caf4b56a61d94c731204911ae61a7ce4d51db4/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=873872cfccbc9faafd9a0019dbde0f2a981f7a6d0415da6f8a6fe67c94ef3fb4&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/30/3026218e1589f30b14cb0f52a4caf4b56a61d94c731204911ae61a7ce4d51db4/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=932f576245168485645f22c4230b430e3f7171b97380b465578c86a8a893905c"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_5E8ZZN4RZ2SPZ3T2D2Z4CYGMZG","title":"Build a polished playable Sonic-style 3D platform game for the browser. Include a fast character, rings to collect, ramps, jumping, hazards, checkpoints, score and restart. Make speed and platforming feel satisfying. Deliver a working browser artifact. Adapt the source Godot task to the browser.\n\nSource: https://x.com/AiBattle_/status/2095994051354919049 (1.5M views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals. · 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a visually engaging animated history of dinosaurs in under one minute using JavaScript. Cover their emergence in the Triassic, the Jurassic giants, Cretaceous diversity, and the end-Cretaceous extinction, with clear English labels, a timeline, recognizable moving dinosaurs and smooth scene transitions. Deliver a playable HTML artifact with play/pause and replay controls.\n\nSource: https://x.com/claudeai/status/2104674993212702803 (273K views, 684 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","category":"Website","summary":"Create a visually engaging animated history of dinosaurs in under one minute using JavaScript. Cover their emergence in the Triassic, the Jurassic giants, Cretaceous diversity, and the end-Cretaceous extinction, with clear English labels, a timeline, recognizable moving dinosaurs and smooth scene transitions. Deliver a playable HTML artifact with play/pause and replay controls.\n\nSource: https://x.com/claudeai/status/2104674993212702803 (273K views, 684 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","prompt":"Create a visually engaging animated history of dinosaurs in under one minute using JavaScript. Cover their emergence in the Triassic, the Jurassic giants, Cretaceous diversity, and the end-Cretaceous extinction, with clear English labels, a timeline, recognizable moving dinosaurs and smooth scene transitions. Deliver a playable HTML artifact with play/pause and replay controls.\n\nSource: https://x.com/claudeai/status/2104674993212702803 (273K views, 684 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_765JPDZ592CDDBDX45C89NBFZ7","title":"Create a visually engaging animated history of dinosaurs in under one minute using JavaScript. Cover their emergence in the Triassic, the Jurassic giants, Cretaceous diversity, and the end-Cretaceous extinction, with clear English labels, a timeline, recognizable moving dinosaurs and smooth scene transitions. Deliver a playable HTML artifact with play/pause and replay controls.\n\nSource: https://x.com/claudeai/status/2104674993212702803 (273K views, 684 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · A","preview":{"id":"ast_7DXPR8ER4ERZYR3Y84X42YAY8H","source_key":null,"source_order":0,"source_path":"publications/tsk_3VRTTR1WATRBT61JNY04B52QYE/out_765JPDZ592CDDBDX45C89NBFZ7/index.html","sha256":"96a5ef9af5c364508c8b48856eda652768a18184028002095d53bf01c78225a8","mime_type":"text/html","kind":"document","byte_size":55480,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"cd496540e2345449fecaf9e9ed3985c5","source_content_type":null,"url":"/api/v1/media/assets/ast_7DXPR8ER4ERZYR3Y84X42YAY8H/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/96/96a5ef9af5c364508c8b48856eda652768a18184028002095d53bf01c78225a8/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=c19288a5a9db124821e4dfdf0b0a3e2269084524cd898f145e6c212ae051a6c8&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/96/96a5ef9af5c364508c8b48856eda652768a18184028002095d53bf01c78225a8/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=ccde0d2fa9ec1b5016a429ee8ab5bd7be32ba4f9c2b760fd748db10bf781635a"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_0R9DP03K292Z8NR0W9FGG2EVK4","title":"Create a visually engaging animated history of dinosaurs in under one minute using JavaScript. Cover their emergence in the Triassic, the Jurassic giants, Cretaceous diversity, and the end-Cretaceous extinction, with clear English labels, a timeline, recognizable moving dinosaurs and smooth scene transitions. Deliver a playable HTML artifact with play/pause and replay controls.\n\nSource: https://x.com/claudeai/status/2104674993212702803 (273K views, 684 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · B","preview":{"id":"ast_5VXF2ZNS73ZNVW22YA9SCY3JHM","source_key":null,"source_order":0,"source_path":"publications/tsk_3VRTTR1WATRBT61JNY04B52QYE/out_0R9DP03K292Z8NR0W9FGG2EVK4/index.html","sha256":"9bfd5f6b846d45473724ed9770d5d1a8c8ef597bc75bce74293b785c57d96f1f","mime_type":"text/html","kind":"document","byte_size":18346,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"2372271cb7c3486b9c3e26f21dc142d1","source_content_type":null,"url":"/api/v1/media/assets/ast_5VXF2ZNS73ZNVW22YA9SCY3JHM/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/9b/9bfd5f6b846d45473724ed9770d5d1a8c8ef597bc75bce74293b785c57d96f1f/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=73c25e66fddaa7d539c343c041bde0df68e91b7a1e6717311a4b728623a06ac5&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/9b/9bfd5f6b846d45473724ed9770d5d1a8c8ef597bc75bce74293b785c57d96f1f/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=4b40247b1ef34949156d406b86f360a99f05361e996f6a499c62e67d938bae72"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T02:50:54.558619Z"},{"id":"tsk_6YSFNRSBYNP47V24E8TEC67J2F","comparisonId":"cmp_1JXXYC1HEZZQMHV8Y37KRCFC1Q","title":"Create a playable 3D high-speed ride through a cyberpunk city in the browser. Include neon architecture, a convincing sense of speed, a controllable vehicle, obstacles, collision feedback, a score and restart. Support keyboard and visible touch controls, and deliver the working browser artifact.\n\nSource: https://x.com/higgsfield_ai/status/2105087030464245944 (37K views, 247 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","category":"Website","summary":"Create a playable 3D high-speed ride through a cyberpunk city in the browser. Include neon architecture, a convincing sense of speed, a controllable vehicle, obstacles, collision feedback, a score and restart. Support keyboard and visible touch controls, and deliver the working browser artifact.\n\nSource: https://x.com/higgsfield_ai/status/2105087030464245944 (37K views, 247 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","prompt":"Create a playable 3D high-speed ride through a cyberpunk city in the browser. Include neon architecture, a convincing sense of speed, a controllable vehicle, obstacles, collision feedback, a score and restart. Support keyboard and visible touch controls, and deliver the working browser artifact.\n\nSource: https://x.com/higgsfield_ai/status/2105087030464245944 (37K views, 247 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_3EXM9YNGJ72FPVVS64G3Q8ZFG7","title":"Create a playable 3D high-speed ride through a cyberpunk city in the browser. Include neon architecture, a convincing sense of speed, a controllable vehicle, obstacles, collision feedback, a score and restart. Support keyboard and visible touch controls, and deliver the working browser artifact.\n\nSource: https://x.com/higgsfield_ai/status/2105087030464245944 (37K views, 247 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · A","preview":{"id":"ast_5V13YX1SWZGQYCA1W6EVBF6MQK","source_key":null,"source_order":0,"source_path":"publications/tsk_6YSFNRSBYNP47V24E8TEC67J2F/out_3EXM9YNGJ72FPVVS64G3Q8ZFG7/index.html","sha256":"a3b0cb611fe32f072078436085860568d9b09d3b1d2dc1e3594fbbcac929834c","mime_type":"text/html","kind":"document","byte_size":650607,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"2524a6a3cb8ca3a6f9cbbefc767e617e","source_content_type":null,"url":"/api/v1/media/assets/ast_5V13YX1SWZGQYCA1W6EVBF6MQK/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a3/a3b0cb611fe32f072078436085860568d9b09d3b1d2dc1e3594fbbcac929834c/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=6f87ccf9c9dc1af78202f2701274e3debd1cfc60e4181069a45087d6121e7dfd&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a3/a3b0cb611fe32f072078436085860568d9b09d3b1d2dc1e3594fbbcac929834c/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=8edfe727f55fa2b958a5481031e98d211e5f63da3c081dc1ff335758962166f7"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_4STFV31H9R6B8BP7RX8HEQNRMX","title":"Create a playable 3D high-speed ride through a cyberpunk city in the browser. Include neon architecture, a convincing sense of speed, a controllable vehicle, obstacles, collision feedback, a score and restart. Support keyboard and visible touch controls, and deliver the working browser artifact.\n\nSource: https://x.com/higgsfield_ai/status/2105087030464245944 (37K views, 247 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · B","preview":{"id":"ast_5XMSPTPWBSRH5RR2FS9WB7HAXC","source_key":null,"source_order":0,"source_path":"publications/tsk_6YSFNRSBYNP47V24E8TEC67J2F/out_4STFV31H9R6B8BP7RX8HEQNRMX/index.html","sha256":"a15531964e88c5d50f641c973ea98323b93bcf2772020b65b4221dbf43b31243","mime_type":"text/html","kind":"document","byte_size":596289,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"e6f3ced1b17c65d4dd74343540c07b01","source_content_type":null,"url":"/api/v1/media/assets/ast_5XMSPTPWBSRH5RR2FS9WB7HAXC/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a1/a15531964e88c5d50f641c973ea98323b93bcf2772020b65b4221dbf43b31243/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=dab5d1c9bceea519a186436c2abab0dded7cef0c7b57d43c2a477872bb996eee&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a1/a15531964e88c5d50f641c973ea98323b93bcf2772020b65b4221dbf43b31243/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=d9ec1bce0e3e04c4017c1af27055005c255273546241434a76b95389de9fab86"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T02:58:40.209289Z"},{"id":"tsk_5PN5QHK1W2R2V7SBWCGNFJ0Y7G","comparisonId":"cmp_7QX5TFC7VHN0WS2EVTWM3P14WH","title":"Create a cinematic luxury car rental website with a striking premium hero, beautifully presented vehicle collection, subtle motion, refined typography, and a functional booking interaction with dates, vehicle choice and a clear price summary. Make the layout responsive and accessible. Use fictional branding and demo pricing. Deliver a working browser artifact.\n\nSource: https://x.com/viktoroddy/status/2105226806492283286 (25K views, 404 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","category":"Website","summary":"Create a cinematic luxury car rental website with a striking premium hero, beautifully presented vehicle collection, subtle motion, refined typography, and a functional booking interaction with dates, vehicle choice and a clear price summary. Make the layout responsive and accessible. Use fictional branding and demo pricing. Deliver a working browser artifact.\n\nSource: https://x.com/viktoroddy/status/2105226806492283286 (25K views, 404 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","prompt":"Create a cinematic luxury car rental website with a striking premium hero, beautifully presented vehicle collection, subtle motion, refined typography, and a functional booking interaction with dates, vehicle choice and a clear price summary. Make the layout responsive and accessible. Use fictional branding and demo pricing. Deliver a working browser artifact.\n\nSource: https://x.com/viktoroddy/status/2105226806492283286 (25K views, 404 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_6XSSV1FYZZVTZ2T8787NY4WQGB","title":"Create a cinematic luxury car rental website with a striking premium hero, beautifully presented vehicle collection, subtle motion, refined typography, and a functional booking interaction with dates, vehicle choice and a clear price summary. Make the layout responsive and accessible. Use fictional branding and demo pricing. Deliver a working browser artifact.\n\nSource: https://x.com/viktoroddy/status/2105226806492283286 (25K views, 404 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · A","preview":{"id":"ast_49JFPFHNVWMYVX4HVDTMGHNQJ7","source_key":null,"source_order":0,"source_path":"publications/tsk_5PN5QHK1W2R2V7SBWCGNFJ0Y7G/out_6XSSV1FYZZVTZ2T8787NY4WQGB/index.html","sha256":"7511b7002a96f48b53e10b70f447b88d49ba960e1ab5421fa44eb4b8a651b863","mime_type":"text/html","kind":"document","byte_size":57774,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"8491877cd81a75b4175c5efec81339be","source_content_type":null,"url":"/api/v1/media/assets/ast_49JFPFHNVWMYVX4HVDTMGHNQJ7/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/75/7511b7002a96f48b53e10b70f447b88d49ba960e1ab5421fa44eb4b8a651b863/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=a160dd4adf1880d9e120fc61e34657011e184dd9187c3f0a68bee84187b8d521&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/75/7511b7002a96f48b53e10b70f447b88d49ba960e1ab5421fa44eb4b8a651b863/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=0e2409be01f25fe7d07b4234b68b408f3717e6f59178d4295ec0a88e2decc9a4"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_3ER1G6Y3GA6CXTRBTT6MRKGHA2","title":"Create a cinematic luxury car rental website with a striking premium hero, beautifully presented vehicle collection, subtle motion, refined typography, and a functional booking interaction with dates, vehicle choice and a clear price summary. Make the layout responsive and accessible. Use fictional branding and demo pricing. Deliver a working browser artifact.\n\nSource: https://x.com/viktoroddy/status/2105226806492283286 (25K views, 404 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · B","preview":{"id":"ast_45YF0263K6N2BNT0VV5K6QW445","source_key":null,"source_order":0,"source_path":"publications/tsk_5PN5QHK1W2R2V7SBWCGNFJ0Y7G/out_3ER1G6Y3GA6CXTRBTT6MRKGHA2/index.html","sha256":"8489b52f99109a87e60d5add9f264dc4f29eed367a0aa395b3365460e35b4f62","mime_type":"text/html","kind":"document","byte_size":9426,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"aac7afb318dd23b0636eb8be052123dd","source_content_type":null,"url":"/api/v1/media/assets/ast_45YF0263K6N2BNT0VV5K6QW445/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/84/8489b52f99109a87e60d5add9f264dc4f29eed367a0aa395b3365460e35b4f62/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=36733c2bc960562e5207c426bb71cd8124007dd01abe1222c6cca9ee5df3113b&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/84/8489b52f99109a87e60d5add9f264dc4f29eed367a0aa395b3365460e35b4f62/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=7193e26ab934ea34440d06cdf0b2f588331b2fc4bb0652e9a0fd089f2e8015b2"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T02:45:22.009115Z"},{"id":"tsk_0CWGPF9HX7NT18DFVRDY05AF4W","comparisonId":"cmp_0F3FYM8FGMXVE1S8JV0YS5JQA1","title":"Create a 20-second concept launch video for ChatGPT-6 Sol and Luna. Use only these model names as factual copy; invent no performance, pricing or availability claims. Build a polished motion-design treatment with expressive typography, contrasting visual identities, elegant transitions and a final two-model lockup. Label it an unofficial concept. Deliver a playable animation and MP4 if available.\n\nSource: https://x.com/israelfemiojo/status/2102642002613481939 (196K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","category":"Website","summary":"Create a 20-second concept launch video for ChatGPT-6 Sol and Luna. Use only these model names as factual copy; invent no performance, pricing or availability claims. Build a polished motion-design treatment with expressive typography, contrasting visual identities, elegant transitions and a final two-model lockup. Label it an unofficial concept. Deliver a playable animation and MP4 if available.\n\nSource: https://x.com/israelfemiojo/status/2102642002613481939 (196K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","prompt":"Create a 20-second concept launch video for ChatGPT-6 Sol and Luna. Use only these model names as factual copy; invent no performance, pricing or availability claims. Build a polished motion-design treatment with expressive typography, contrasting visual identities, elegant transitions and a final two-model lockup. Label it an unofficial concept. Deliver a playable animation and MP4 if available.\n\nSource: https://x.com/israelfemiojo/status/2102642002613481939 (196K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_69DE3ME1GAJ1SZN43E2EZFM1SX","title":"Create a 20-second concept launch video for ChatGPT-6 Sol and Luna. Use only these model names as factual copy; invent no performance, pricing or availability claims. Build a polished motion-design treatment with expressive typography, contrasting visual identities, elegant transitions and a final two-model lockup. Label it an unofficial concept. Deliver a playable animation and MP4 if available.\n\nSource: https://x.com/israelfemiojo/status/2102642002613481939 (196K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. 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오리지널로 광고 만들어줘. 빨간 통에 콧수염 아저씨 그려진 그거.\n통이 길쭉하고 칩이 안장처럼 휘어서 착착 쌓이는 게 이 제품의 전부야. 그 형태가 살아야 해.\n사람이 먹는 장면은 빼줘. 제품만으로 15초를 끌고 가는 걸 보고 싶어.\n뚜껑 여는 순간은 꼭 들어가야 해. 다들 그 소리랑 장면으로 기억하니까.\n9:16 세로 15초. 소리 꺼도 이해되게. · B","preview":{"id":"ast_0XKSD5PDKTP1GDFFK9HPG2ZHWF","source_key":null,"source_order":0,"source_path":"publications/tsk_5SEVE8FMPZDAVV3MP5W78X6BEQ/out_0KADHVKW19GMCD00YN5M6TRVRE/output.mp4","sha256":"84ebbf27d139a52d09284f221917aa33d9dc88a606f790596013d36769c1c196","mime_type":"video/mp4","kind":"video","byte_size":9929844,"width":1080,"height":1920,"duration":15.093,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"897ae30e7a6bac1ca10f986895a4fe90","source_content_type":null,"url":"/api/v1/media/assets/ast_0XKSD5PDKTP1GDFFK9HPG2ZHWF/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/84/84ebbf27d139a52d09284f221917aa33d9dc88a606f790596013d36769c1c196/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=f94f5ff988a3e152d0512d0a0fcbd533e0e8abaf16a4720057e38b840d069790&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/84/84ebbf27d139a52d09284f221917aa33d9dc88a606f790596013d36769c1c196/thumb-v3?expires=1793627080&type=video%2Fmp4&sig=4f182ee01397d20e712d18ef5662562cb6c81e63737b8f8f0ff38e2641b08b58"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-09-29T06:54:45.131400Z"},{"id":"tsk_64QZ671199TP5ASJF3QDS5VZ5R","comparisonId":"cmp_3X7S59BYCYNDKWQKP5Y8A2EYQ0","title":"I post office-humour memes and I want one with a hamster who has a job.\n10 seconds, vertical 9:16. No dialogue — it has to be funny with the sound off.\nA round, soft hamster in a shirt slightly too big for it, at a desk built to its size:\na monitor, a keyboard it has to walk across, a mug it holds with both paws.\nThe joke is that it is taking the job completely seriously and the job is winning.\nBeat one: it types fast, very pleased with itself. Beat two: notifications pile up on\nthe screen. Beat three: it stares straight down the lens, dead-eyed, cheeks full.\nThen it drinks from the mug like nothing happened.\nKeep it the same hamster the whole way through — same colour, same shirt, same desk.\nLighting like a real office, not a cartoon: grey daylight, a monitor glow on the fur.\nSound is keyboard clatter, a notification ping stack, one long sigh.\nGive me the finished mp4, a cover frame, and the prompts you used per shot.","category":"Video","summary":"I post office-humour memes and I want one with a hamster who has a job.\n10 seconds, vertical 9:16. No dialogue — it has to be funny with the sound off.\nA round, soft hamster in a shirt slightly too big for it, at a desk built to its size:\na monitor, a keyboard it has to walk across, a mug it holds with both paws.\nThe joke is that it is taking the job completely seriously and the job is winning.\nBeat one: it types fast, very pleased with itself. Beat two: notifications pile up on\nthe screen. Beat three: it stares straight down the lens, dead-eyed, cheeks full.\nThen it drinks from the mug like nothing happened.\nKeep it the same hamster the whole way through — same colour, same shirt, same desk.\nLighting like a real office, not a cartoon: grey daylight, a monitor glow on the fur.\nSound is keyboard clatter, a notification ping stack, one long sigh.\nGive me the finished mp4, a cover frame, and the prompts you used per shot.","prompt":"I post office-humour memes and I want one with a hamster who has a job.\n10 seconds, vertical 9:16. No dialogue — it has to be funny with the sound off.\nA round, soft hamster in a shirt slightly too big for it, at a desk built to its size:\na monitor, a keyboard it has to walk across, a mug it holds with both paws.\nThe joke is that it is taking the job completely seriously and the job is winning.\nBeat one: it types fast, very pleased with itself. Beat two: notifications pile up on\nthe screen. Beat three: it stares straight down the lens, dead-eyed, cheeks full.\nThen it drinks from the mug like nothing happened.\nKeep it the same hamster the whole way through — same colour, same shirt, same desk.\nLighting like a real office, not a cartoon: grey daylight, a monitor glow on the fur.\nSound is keyboard clatter, a notification ping stack, one long sigh.\nGive me the finished mp4, a cover frame, and the prompts you used per shot.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_51H70KQTNWJKT1RY2DF0W724JV","title":"I post office-humour memes and I want one with a hamster who has a job.\n10 seconds, vertical 9:16. No dialogue — it has to be funny with the sound off.\nA round, soft hamster in a shirt slightly too big for it, at a desk built to its size:\na monitor, a keyboard it has to walk across, a mug it holds with both paws.\nThe joke is that it is taking the job completely seriously and the job is winning.\nBeat one: it types fast, very pleased with itself. Beat two: notifications pile up on\nthe screen. Beat three: it stares straight down the lens, dead-eyed, cheeks full.\nThen it drinks from the mug like nothing happened.\nKeep it the same hamster the whole way through — same colour, same shirt, same desk.\nLighting like a real office, not a cartoon: grey daylight, a monitor glow on the fur.\nSound is keyboard clatter, a notification ping stack, one long sigh.\nGive me the finished mp4, a cover frame, and the prompts you used per shot. · A","preview":{"id":"ast_0B2MS1JDNHNFZMM9XYN363AT29","source_key":null,"source_order":0,"source_path":"publications/tsk_64QZ671199TP5ASJF3QDS5VZ5R/out_51H70KQTNWJKT1RY2DF0W724JV/output.mp4","sha256":"5ef37b5f3ffb971135a54ac1f2678a846795c8f92e56be855eded9fd0e998d38","mime_type":"video/mp4","kind":"video","byte_size":4505333,"width":1080,"height":1920,"duration":10,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"cecd070829e772a88a610d4096091806","source_content_type":null,"url":"/api/v1/media/assets/ast_0B2MS1JDNHNFZMM9XYN363AT29/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/5e/5ef37b5f3ffb971135a54ac1f2678a846795c8f92e56be855eded9fd0e998d38/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=27a2ed56ebb4e78fc419c8b2b1c6c3e8a33922e45c2b17f2c6a28d9bfc485ced&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/5e/5ef37b5f3ffb971135a54ac1f2678a846795c8f92e56be855eded9fd0e998d38/thumb-v3?expires=1793627080&type=video%2Fmp4&sig=aac3f2173c63a8ed8327f44bb5e2681b9a01854a158c8f1fc0d7e7cc60d1adae"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_2688601E9WW9T0W7R2K83F9Q5Y","title":"I post office-humour memes and I want one with a hamster who has a job.\n10 seconds, vertical 9:16. No dialogue — it has to be funny with the sound off.\nA round, soft hamster in a shirt slightly too big for it, at a desk built to its size:\na monitor, a keyboard it has to walk across, a mug it holds with both paws.\nThe joke is that it is taking the job completely seriously and the job is winning.\nBeat one: it types fast, very pleased with itself. Beat two: notifications pile up on\nthe screen. Beat three: it stares straight down the lens, dead-eyed, cheeks full.\nThen it drinks from the mug like nothing happened.\nKeep it the same hamster the whole way through — same colour, same shirt, same desk.\nLighting like a real office, not a cartoon: grey daylight, a monitor glow on the fur.\nSound is keyboard clatter, a notification ping stack, one long sigh.\nGive me the finished mp4, a cover frame, and the prompts you used per shot. · B","preview":{"id":"ast_5MYG9QBJ3FYYVGP0GWJQTT0WD9","source_key":null,"source_order":0,"source_path":"publications/tsk_64QZ671199TP5ASJF3QDS5VZ5R/out_2688601E9WW9T0W7R2K83F9Q5Y/output.mp4","sha256":"21faf5edc7876ef03b23d7969bf7324856a3c441403609b62059b9d67092ed87","mime_type":"video/mp4","kind":"video","byte_size":6013617,"width":1080,"height":1920,"duration":10,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"5fda576a704d18e6d23f418d646ffed5","source_content_type":null,"url":"/api/v1/media/assets/ast_5MYG9QBJ3FYYVGP0GWJQTT0WD9/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/21/21faf5edc7876ef03b23d7969bf7324856a3c441403609b62059b9d67092ed87/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=e9fdbd04a886186858b8ac96a96c45a09a781bfd3f2abcf3e7d2ed8831f266f7&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/21/21faf5edc7876ef03b23d7969bf7324856a3c441403609b62059b9d67092ed87/thumb-v3?expires=1793627080&type=video%2Fmp4&sig=324ecbac2ba4994a58b2e36dd202844b30211dd64a82f973e2daaf348351712f"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-09-29T09:11:30.822106Z"},{"id":"tsk_1NMJJ4KEZHE189SFFMBC3VF0SV","comparisonId":"cmp_4NB116NJVTYRSEQG97MRVR3Z9V","title":"Build an interactive cake-making game website where I can bake and decorate my own cake step by step. The UI should feel cute and playful, but the cake itself should look as realistic as possible, with lifelike textures for sponge, cream, and toppings.","category":"App","summary":"Build an interactive cake-making game website where I can bake and decorate my own cake step by step. The UI should feel cute and playful, but the cake itself should look as realistic as possible, with lifelike textures for sponge, cream, and toppings.","prompt":"Build an interactive cake-making game website where I can bake and decorate my own cake step by step. The UI should feel cute and playful, but the cake itself should look as realistic as possible, with lifelike textures for sponge, cream, and toppings.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_5TWY74XXZJS2JMM2Y8WRJ1T57P","title":"Build an interactive cake-making game website where I can bake and decorate my own cake step by step. The UI should feel cute and playful, but the cake itself should look as realistic as possible, with lifelike textures for sponge, cream, and toppings. · A","preview":{"id":"ast_67MWF324YQEE9XVWCRPTE2W2QN","source_key":null,"source_order":0,"source_path":"publications/tsk_1NMJJ4KEZHE189SFFMBC3VF0SV/out_5TWY74XXZJS2JMM2Y8WRJ1T57P/index.html","sha256":"9e9478ade1491007f174ed36f5724a6462afcf47789b0d6d20f5442c371d2fa8","mime_type":"text/html","kind":"document","byte_size":3310,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"1d441ddcdeeb7d35471095fd7adf8382","source_content_type":null,"url":"/api/v1/media/assets/ast_67MWF324YQEE9XVWCRPTE2W2QN/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/9e/9e9478ade1491007f174ed36f5724a6462afcf47789b0d6d20f5442c371d2fa8/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=148ecc1b895f1d3b60ce9e34e0949cd7b26aaf6c2ad24d83b6d9802f636ee26f&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/9e/9e9478ade1491007f174ed36f5724a6462afcf47789b0d6d20f5442c371d2fa8/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=29c4a4b207890eb0e6ef693aff881b6f2064bf816b9feecc7fd3b357ae0d66bf"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_7Q07AKBPT7EBTVNY1Q9AQ4WJ9J","title":"Build an interactive cake-making game website where I can bake and decorate my own cake step by step. The UI should feel cute and playful, but the cake itself should look as realistic as possible, with lifelike textures for sponge, cream, and toppings. · B","preview":{"id":"ast_01RVTTJZGGYW70156D6P2ZJQC2","source_key":null,"source_order":0,"source_path":"publications/tsk_1NMJJ4KEZHE189SFFMBC3VF0SV/out_7Q07AKBPT7EBTVNY1Q9AQ4WJ9J/index.html","sha256":"70a662e3b938df1139e750ace48ce1533cd3ecc96bb394416a5d8a47c7591952","mime_type":"text/html","kind":"document","byte_size":3779,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"efe64442db3ba0b1d8413fb0ba511ace","source_content_type":null,"url":"/api/v1/media/assets/ast_01RVTTJZGGYW70156D6P2ZJQC2/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/70/70a662e3b938df1139e750ace48ce1533cd3ecc96bb394416a5d8a47c7591952/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=6ac8f3db724de0d2a48ea6c4f7700c9f406d014a98a4d6489cdc59735c9665da&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/70/70a662e3b938df1139e750ace48ce1533cd3ecc96bb394416a5d8a47c7591952/page-motion-v4.mp4?expires=1793627080&type=video%2Fmp4&sig=6335898021a24ba5e51d850bbe90f7970a5f588f0f60e6de23716ec8dfdda3d3"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-09-29T06:54:45.426603Z"},{"id":"tsk_01YQC9PGXBFQAHJ0VN1FTGSBPN","comparisonId":"cmp_5KMD85NF27Q1AJAB60HEX0J3V3","title":"I want a piece for the top of my feed that feels like a dream you half remember —\ndreamcore, but on the soft storybook side, not the horror side.\n10 seconds, vertical 9:16, no people's faces, no text on screen.\nOne continuous drift through three or four places that shouldn't connect but do:\na bedroom where the wallpaper is sky, a corridor of doors lit by paper lanterns,\na field of grass under two moons, a staircase going into shallow water.\nEverything slightly too still, everything slightly too bright at the edges.\nColours washed and pastel — faded pink, pale green, milk blue — with the grain and\nsoft halo of old film or a VHS tape.\nThe camera never cuts. It floats forward, and the next place is already there when\nthe last one fades.\nOne small living thing moves in each place: a moth, a curtain, ripples, a paper boat.\nSound is a muffled music-box tone and room tone, nothing sharp.\nGive me the finished mp4, a cover frame, and the prompts you used per shot.","category":"Video","summary":"I want a piece for the top of my feed that feels like a dream you half remember —\ndreamcore, but on the soft storybook side, not the horror side.\n10 seconds, vertical 9:16, no people's faces, no text on screen.\nOne continuous drift through three or four places that shouldn't connect but do:\na bedroom where the wallpaper is sky, a corridor of doors lit by paper lanterns,\na field of grass under two moons, a staircase going into shallow water.\nEverything slightly too still, everything slightly too bright at the edges.\nColours washed and pastel — faded pink, pale green, milk blue — with the grain and\nsoft halo of old film or a VHS tape.\nThe camera never cuts. It floats forward, and the next place is already there when\nthe last one fades.\nOne small living thing moves in each place: a moth, a curtain, ripples, a paper boat.\nSound is a muffled music-box tone and room tone, nothing sharp.\nGive me the finished mp4, a cover frame, and the prompts you used per shot.","prompt":"I want a piece for the top of my feed that feels like a dream you half remember —\ndreamcore, but on the soft storybook side, not the horror side.\n10 seconds, vertical 9:16, no people's faces, no text on screen.\nOne continuous drift through three or four places that shouldn't connect but do:\na bedroom where the wallpaper is sky, a corridor of doors lit by paper lanterns,\na field of grass under two moons, a staircase going into shallow water.\nEverything slightly too still, everything slightly too bright at the edges.\nColours washed and pastel — faded pink, pale green, milk blue — with the grain and\nsoft halo of old film or a VHS tape.\nThe camera never cuts. It floats forward, and the next place is already there when\nthe last one fades.\nOne small living thing moves in each place: a moth, a curtain, ripples, a paper boat.\nSound is a muffled music-box tone and room tone, nothing sharp.\nGive me the finished mp4, a cover frame, and the prompts you used per shot.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_2MASKCZMJPKD6396ZNWRJ058A4","title":"I want a piece for the top of my feed that feels like a dream you half remember —\ndreamcore, but on the soft storybook side, not the horror side.\n10 seconds, vertical 9:16, no people's faces, no text on screen.\nOne continuous drift through three or four places that shouldn't connect but do:\na bedroom where the wallpaper is sky, a corridor of doors lit by paper lanterns,\na field of grass under two moons, a staircase going into shallow water.\nEverything slightly too still, everything slightly too bright at the edges.\nColours washed and pastel — faded pink, pale green, milk blue — with the grain and\nsoft halo of old film or a VHS tape.\nThe camera never cuts. It floats forward, and the next place is already there when\nthe last one fades.\nOne small living thing moves in each place: a moth, a curtain, ripples, a paper boat.\nSound is a muffled music-box tone and room tone, nothing sharp.\nGive me the finished mp4, a cover frame, and the prompts you used per shot. · A","preview":{"id":"ast_2B7JZH89Y5N3ZJJSN0QWBQQBKD","source_key":null,"source_order":0,"source_path":"publications/tsk_01YQC9PGXBFQAHJ0VN1FTGSBPN/out_2MASKCZMJPKD6396ZNWRJ058A4/output.mp4","sha256":"67bb286ebffa159276d48de34959b8a6bf5dbe153c3aca1283b0e99d8e477724","mime_type":"video/mp4","kind":"video","byte_size":11542314,"width":1080,"height":1920,"duration":10,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"a45d56a6f18fe064d97c0f30725d5a3b","source_content_type":null,"url":"/api/v1/media/assets/ast_2B7JZH89Y5N3ZJJSN0QWBQQBKD/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/67/67bb286ebffa159276d48de34959b8a6bf5dbe153c3aca1283b0e99d8e477724/share-still-v3.jpg?expires=1793627080&type=image%2Fjpeg&sig=b9a1c9c13df46ec5097adf94836ca27a51abf98de8dc3a19737a535f3aebb306&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/67/67bb286ebffa159276d48de34959b8a6bf5dbe153c3aca1283b0e99d8e477724/thumb-v3?expires=1793627080&type=video%2Fmp4&sig=755a3882edfe178c69243303b96247b3769aba6b94787a051aee2abb69c46bdb"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_5215N32KJ2KSCNWVKXZP5A4GAR","title":"I want a piece for the top of my feed that feels like a dream you half remember —\ndreamcore, but on the soft storybook side, not the horror side.\n10 seconds, vertical 9:16, no people's faces, no text on screen.\nOne continuous drift through three or four places that shouldn't connect but do:\na bedroom where the wallpaper is sky, a corridor of doors lit by paper lanterns,\na field of grass under two moons, a staircase going into shallow water.\nEverything slightly too still, everything slightly too bright at the edges.\nColours washed and pastel — faded pink, pale green, milk blue — with the grain and\nsoft halo of old film or a VHS tape.\nThe camera never cuts. 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Basically, I want a trendy, cute anime girl as a 2D character, and I want to throw her into some intense battles. 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