39:I[579957,["/_next/static/immutable/chunks/28gclq-nnsct4.js","/_next/static/immutable/chunks/2h6q9chbu6l4i.js","/_next/static/immutable/chunks/0jisgogc95b7q.js","/_next/static/immutable/chunks/3w0zo1ocl4qzi.js","/_next/static/immutable/chunks/01ynk-xsc23nt.js","/_next/static/immutable/chunks/2-zvh3y1we0zs.js","/_next/static/immutable/chunks/3u8lbef_nf0x_.js","/_next/static/immutable/chunks/0-o6odzfifp2j.js","/_next/static/immutable/chunks/3dng7hpyv2tg9.js","/_next/static/immutable/chunks/2jt8myuz3gyi5.js","/_next/static/immutable/chunks/3yq1q1y0hwro9.js","/_next/static/immutable/chunks/2qsalxcax8djn.js","/_next/static/immutable/chunks/1v6asv4kifz5j.js","/_next/static/immutable/chunks/0yeyvsdwunrq-.js","/_next/static/immutable/chunks/3zxcxg9w37nab.js","/_next/static/immutable/chunks/162zdvxwasnvt.js","/_next/static/immutable/chunks/3me8s0j89ymk-.js","/_next/static/immutable/chunks/0e7tc4a1-s3mb.js","/_next/static/immutable/chunks/282pjikg1ns5m.js","/_next/static/immutable/chunks/2yt-ta3ybuunm.js","/_next/static/immutable/chunks/2276aqw3qm8ry.js","/_next/static/immutable/chunks/0hzzrrntihgne.js"],"ComparisonFeed"] 3a:T6ef,Influencer photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a beautiful 24-year-old lifestyle influencer with long copper-red hair, in a fitted grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, glowing skin with light freckles, soft natural makeup, a confident smile, hair a little messy from the wind. 02. A candid night photo taken on a phone: a stylish young Korean woman with a slim figure, long dark hair and a cropped puffer jacket, laughing as she holds a fish cake skewer at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur. 03. A close-up portrait of a gorgeous woman in her late 20s with model-like features, wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, flawless but real skin texture, natural makeup. 04. A full-body mirror selfie of a fit 26-year-old fitness influencer with a toned, athletic figure, wearing a matching beige athleisure set in a bright Pilates studio, phone in hand, soft daylight, clean minimal interior.3b:T6ef,Influencer photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a beautiful 24-year-old lifestyle influencer with long copper-red hair, in a fitted grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, glowing skin with light freckles, soft natural makeup, a confident smile, hair a little messy from the wind. 02. A candid night photo taken on a phone: a stylish young Korean woman with a slim figure, long dark hair and a cropped puffer jacket, laughing as she holds a fish cake skewer at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur. 03. A close-up portrait of a gorgeous woman in her late 20s with model-like features, wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, flawless but real skin texture, natural makeup. 04. A full-body mirror selfie of a fit 26-year-old fitness influencer with a toned, athletic figure, wearing a matching beige athleisure set in a bright Pilates studio, phone in hand, soft daylight, clean minimal interior.3c:T6ef,Influencer photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a beautiful 24-year-old lifestyle influencer with long copper-red hair, in a fitted grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, glowing skin with light freckles, soft natural makeup, a confident smile, hair a little messy from the wind. 02. A candid night photo taken on a phone: a stylish young Korean woman with a slim figure, long dark hair and a cropped puffer jacket, laughing as she holds a fish cake skewer at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur. 03. A close-up portrait of a gorgeous woman in her late 20s with model-like features, wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, flawless but real skin texture, natural makeup. 04. A full-body mirror selfie of a fit 26-year-old fitness influencer with a toned, athletic figure, wearing a matching beige athleisure set in a bright Pilates studio, phone in hand, soft daylight, clean minimal interior.3d:T6f4,Influencer photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a beautiful 24-year-old lifestyle influencer with long copper-red hair, in a fitted grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, glowing skin with light freckles, soft natural makeup, a confident smile, hair a little messy from the wind. 02. A candid night photo taken on a phone: a stylish young Korean woman with a slim figure, long dark hair and a cropped puffer jacket, laughing as she holds a fish cake skewer at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur. 03. A close-up portrait of a gorgeous woman in her late 20s with model-like features, wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, flawless but real skin texture, natural makeup. 04. A full-body mirror selfie of a fit 26-year-old fitness influencer with a toned, athletic figure, wearing a matching beige athleisure set in a bright Pilates studio, phone in hand, soft daylight, clean minimal interior. · A3e:T6f4,Influencer photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a beautiful 24-year-old lifestyle influencer with long copper-red hair, in a fitted grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, glowing skin with light freckles, soft natural makeup, a confident smile, hair a little messy from the wind. 02. A candid night photo taken on a phone: a stylish young Korean woman with a slim figure, long dark hair and a cropped puffer jacket, laughing as she holds a fish cake skewer at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur. 03. A close-up portrait of a gorgeous woman in her late 20s with model-like features, wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, flawless but real skin texture, natural makeup. 04. A full-body mirror selfie of a fit 26-year-old fitness influencer with a toned, athletic figure, wearing a matching beige athleisure set in a bright Pilates studio, phone in hand, soft daylight, clean minimal interior. · B3f:T6f4,Influencer photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a beautiful 24-year-old lifestyle influencer with long copper-red hair, in a fitted grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, glowing skin with light freckles, soft natural makeup, a confident smile, hair a little messy from the wind. 02. A candid night photo taken on a phone: a stylish young Korean woman with a slim figure, long dark hair and a cropped puffer jacket, laughing as she holds a fish cake skewer at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur. 03. A close-up portrait of a gorgeous woman in her late 20s with model-like features, wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, flawless but real skin texture, natural makeup. 04. A full-body mirror selfie of a fit 26-year-old fitness influencer with a toned, athletic figure, wearing a matching beige athleisure set in a bright Pilates studio, phone in hand, soft daylight, clean minimal interior. · C40:T520,Game sprite sheet test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A pixel-art sprite sheet of an original small knight with a red scarf: an 8-frame run cycle in one row, transparent background, same size and palette in every frame, 64x64 pixels per frame. Aspect ratio 16:9. 02. A sprite sheet of an original ink-wash wanderer in a wide straw hat: idle (4 frames), walk (6 frames) and jump (4 frames), one row each, every row labeled, the same character in every frame. Aspect ratio 16:9. 03. A fighting-game sprite sheet of an original anime girl in a red bomber jacket: a 6-frame punch combo seen from the side, plain white background, the same face and outfit in every frame. Aspect ratio 16:9.41:T520,Game sprite sheet test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A pixel-art sprite sheet of an original small knight with a red scarf: an 8-frame run cycle in one row, transparent background, same size and palette in every frame, 64x64 pixels per frame. Aspect ratio 16:9. 02. A sprite sheet of an original ink-wash wanderer in a wide straw hat: idle (4 frames), walk (6 frames) and jump (4 frames), one row each, every row labeled, the same character in every frame. Aspect ratio 16:9. 03. A fighting-game sprite sheet of an original anime girl in a red bomber jacket: a 6-frame punch combo seen from the side, plain white background, the same face and outfit in every frame. Aspect ratio 16:9.42:T520,Game sprite sheet test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A pixel-art sprite sheet of an original small knight with a red scarf: an 8-frame run cycle in one row, transparent background, same size and palette in every frame, 64x64 pixels per frame. Aspect ratio 16:9. 02. A sprite sheet of an original ink-wash wanderer in a wide straw hat: idle (4 frames), walk (6 frames) and jump (4 frames), one row each, every row labeled, the same character in every frame. Aspect ratio 16:9. 03. A fighting-game sprite sheet of an original anime girl in a red bomber jacket: a 6-frame punch combo seen from the side, plain white background, the same face and outfit in every frame. Aspect ratio 16:9.43:T525,Game sprite sheet test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A pixel-art sprite sheet of an original small knight with a red scarf: an 8-frame run cycle in one row, transparent background, same size and palette in every frame, 64x64 pixels per frame. Aspect ratio 16:9. 02. A sprite sheet of an original ink-wash wanderer in a wide straw hat: idle (4 frames), walk (6 frames) and jump (4 frames), one row each, every row labeled, the same character in every frame. Aspect ratio 16:9. 03. A fighting-game sprite sheet of an original anime girl in a red bomber jacket: a 6-frame punch combo seen from the side, plain white background, the same face and outfit in every frame. Aspect ratio 16:9. · A44:T525,Game sprite sheet test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A pixel-art sprite sheet of an original small knight with a red scarf: an 8-frame run cycle in one row, transparent background, same size and palette in every frame, 64x64 pixels per frame. Aspect ratio 16:9. 02. A sprite sheet of an original ink-wash wanderer in a wide straw hat: idle (4 frames), walk (6 frames) and jump (4 frames), one row each, every row labeled, the same character in every frame. Aspect ratio 16:9. 03. A fighting-game sprite sheet of an original anime girl in a red bomber jacket: a 6-frame punch combo seen from the side, plain white background, the same face and outfit in every frame. Aspect ratio 16:9. · B45:T525,Game sprite sheet test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A pixel-art sprite sheet of an original small knight with a red scarf: an 8-frame run cycle in one row, transparent background, same size and palette in every frame, 64x64 pixels per frame. Aspect ratio 16:9. 02. A sprite sheet of an original ink-wash wanderer in a wide straw hat: idle (4 frames), walk (6 frames) and jump (4 frames), one row each, every row labeled, the same character in every frame. Aspect ratio 16:9. 03. A fighting-game sprite sheet of an original anime girl in a red bomber jacket: a 6-frame punch combo seen from the side, plain white background, the same face and outfit in every frame. Aspect ratio 16:9. · C46:T525,Game sprite sheet test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A pixel-art sprite sheet of an original small knight with a red scarf: an 8-frame run cycle in one row, transparent background, same size and palette in every frame, 64x64 pixels per frame. Aspect ratio 16:9. 02. A sprite sheet of an original ink-wash wanderer in a wide straw hat: idle (4 frames), walk (6 frames) and jump (4 frames), one row each, every row labeled, the same character in every frame. Aspect ratio 16:9. 03. A fighting-game sprite sheet of an original anime girl in a red bomber jacket: a 6-frame punch combo seen from the side, plain white background, the same face and outfit in every frame. Aspect ratio 16:9. · D47:T403,Logo and sticker test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A flat vector logo for a coffee shop called "Moss & Ember": a fern leaf inside a coffee bean, two colors, clean geometric lines, on white. Aspect ratio 1:1. 02. A sticker sheet of 6 flat vector stickers of one original mascot, a round orange cat with a tiny backpack, each sticker a different pose, white outlines, on white. Aspect ratio 1:1. · A48:T403,Logo and sticker test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A flat vector logo for a coffee shop called "Moss & Ember": a fern leaf inside a coffee bean, two colors, clean geometric lines, on white. Aspect ratio 1:1. 02. A sticker sheet of 6 flat vector stickers of one original mascot, a round orange cat with a tiny backpack, each sticker a different pose, white outlines, on white. Aspect ratio 1:1. · B49:T403,Logo and sticker test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A flat vector logo for a coffee shop called "Moss & Ember": a fern leaf inside a coffee bean, two colors, clean geometric lines, on white. Aspect ratio 1:1. 02. A sticker sheet of 6 flat vector stickers of one original mascot, a round orange cat with a tiny backpack, each sticker a different pose, white outlines, on white. Aspect ratio 1:1. · C4a:T403,Logo and sticker test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A flat vector logo for a coffee shop called "Moss & Ember": a fern leaf inside a coffee bean, two colors, clean geometric lines, on white. Aspect ratio 1:1. 02. A sticker sheet of 6 flat vector stickers of one original mascot, a round orange cat with a tiny backpack, each sticker a different pose, white outlines, on white. Aspect ratio 1:1. · D4b:T800,Evals.ag promo film: 45 seconds, Apple / Higgsfield-style motion graphics Your mission: make a 45-second promo video for evals.ag, the site where you give one prompt to several AI models side by side and see what each one actually made, and what it really used to make it. The bar: an Apple product film or a Higgsfield launch video. Bold kinetic type, cuts on the beat of a strong music track, the real product UI pushed in close, full-bleed footage. Not a slideshow, not a plain screen recording with captions. It must show: 1. How evals is really used, on the real site (https://evals.ag): New run → type a prompt → pick several AI models and a Gen AI model → the run builds every option side by side → open an output and its "Actually observed" panel (the models it really used, tokens, runtime) → vote. Capture the real pages yourself; never mock up the UI. 2. The most dynamic results made on evals, full-bleed, each labeled with its model exactly as evals shows it. Use these: - 3D ink-wash game, Claude Fable 5.1, 2nd turn: https://evals.ag/outputs/out_2EZ8MK3JNBFPN8VTHF3E3RTQ1M - Web-swinging city in pure code, Claude Fable 5.1: https://evals.ag/outputs/out_7ECA3V3J211PM73F1M93NPH0V0 - Naruto live stage show, one AI director on 4 video models: https://evals.ag/runs/run_0FEWK0JDXA0K499DCNAFEJDYZF - Naruto live-action opening, Veo 3.1: https://evals.ag/outputs/out_1QP1J7JH3ZZEZEPVMG3RYHW0CK - The Odyssey opening on 4 video models: https://evals.ag/runs/run_10GW1FCFXGG17KY1Q2PJP7F7PH - T-rex on a bike, Claude Fable 5.1: https://evals.ag/outputs/out_517HGB9FC9NYCM34K3GWE118RZ - Vox-style Beethoven reel, Claude Fable 5.1: https://evals.ag/outputs/out_3M4PKHHEPG6VD82TN8AREFX6JB 3. One message the viewer remembers, in your own words, ending on the evals.ag logo. Use evals.ag's own look (background #fafaf8, ink #22211f, accent #a13a2b, Pretendard). Every model name and number on screen must come from the outputs themselves. Deliver one 1920x1080 MP4 with sound, plus a short list of every clip and screen you used.4c:T800,Evals.ag promo film: 45 seconds, Apple / Higgsfield-style motion graphics Your mission: make a 45-second promo video for evals.ag, the site where you give one prompt to several AI models side by side and see what each one actually made, and what it really used to make it. The bar: an Apple product film or a Higgsfield launch video. Bold kinetic type, cuts on the beat of a strong music track, the real product UI pushed in close, full-bleed footage. Not a slideshow, not a plain screen recording with captions. It must show: 1. How evals is really used, on the real site (https://evals.ag): New run → type a prompt → pick several AI models and a Gen AI model → the run builds every option side by side → open an output and its "Actually observed" panel (the models it really used, tokens, runtime) → vote. Capture the real pages yourself; never mock up the UI. 2. The most dynamic results made on evals, full-bleed, each labeled with its model exactly as evals shows it. Use these: - 3D ink-wash game, Claude Fable 5.1, 2nd turn: https://evals.ag/outputs/out_2EZ8MK3JNBFPN8VTHF3E3RTQ1M - Web-swinging city in pure code, Claude Fable 5.1: https://evals.ag/outputs/out_7ECA3V3J211PM73F1M93NPH0V0 - Naruto live stage show, one AI director on 4 video models: https://evals.ag/runs/run_0FEWK0JDXA0K499DCNAFEJDYZF - Naruto live-action opening, Veo 3.1: https://evals.ag/outputs/out_1QP1J7JH3ZZEZEPVMG3RYHW0CK - The Odyssey opening on 4 video models: https://evals.ag/runs/run_10GW1FCFXGG17KY1Q2PJP7F7PH - T-rex on a bike, Claude Fable 5.1: https://evals.ag/outputs/out_517HGB9FC9NYCM34K3GWE118RZ - Vox-style Beethoven reel, Claude Fable 5.1: https://evals.ag/outputs/out_3M4PKHHEPG6VD82TN8AREFX6JB 3. One message the viewer remembers, in your own words, ending on the evals.ag logo. Use evals.ag's own look (background #fafaf8, ink #22211f, accent #a13a2b, Pretendard). Every model name and number on screen must come from the outputs themselves. Deliver one 1920x1080 MP4 with sound, plus a short list of every clip and screen you used.4d:T800,Evals.ag promo film: 45 seconds, Apple / Higgsfield-style motion graphics Your mission: make a 45-second promo video for evals.ag, the site where you give one prompt to several AI models side by side and see what each one actually made, and what it really used to make it. The bar: an Apple product film or a Higgsfield launch video. Bold kinetic type, cuts on the beat of a strong music track, the real product UI pushed in close, full-bleed footage. Not a slideshow, not a plain screen recording with captions. It must show: 1. How evals is really used, on the real site (https://evals.ag): New run → type a prompt → pick several AI models and a Gen AI model → the run builds every option side by side → open an output and its "Actually observed" panel (the models it really used, tokens, runtime) → vote. Capture the real pages yourself; never mock up the UI. 2. The most dynamic results made on evals, full-bleed, each labeled with its model exactly as evals shows it. Use these: - 3D ink-wash game, Claude Fable 5.1, 2nd turn: https://evals.ag/outputs/out_2EZ8MK3JNBFPN8VTHF3E3RTQ1M - Web-swinging city in pure code, Claude Fable 5.1: https://evals.ag/outputs/out_7ECA3V3J211PM73F1M93NPH0V0 - Naruto live stage show, one AI director on 4 video models: https://evals.ag/runs/run_0FEWK0JDXA0K499DCNAFEJDYZF - Naruto live-action opening, Veo 3.1: https://evals.ag/outputs/out_1QP1J7JH3ZZEZEPVMG3RYHW0CK - The Odyssey opening on 4 video models: https://evals.ag/runs/run_10GW1FCFXGG17KY1Q2PJP7F7PH - T-rex on a bike, Claude Fable 5.1: https://evals.ag/outputs/out_517HGB9FC9NYCM34K3GWE118RZ - Vox-style Beethoven reel, Claude Fable 5.1: https://evals.ag/outputs/out_3M4PKHHEPG6VD82TN8AREFX6JB 3. One message the viewer remembers, in your own words, ending on the evals.ag logo. Use evals.ag's own look (background #fafaf8, ink #22211f, accent #a13a2b, Pretendard). Every model name and number on screen must come from the outputs themselves. Deliver one 1920x1080 MP4 with sound, plus a short list of every clip and screen you used.4e:T805,Evals.ag promo film: 45 seconds, Apple / Higgsfield-style motion graphics Your mission: make a 45-second promo video for evals.ag, the site where you give one prompt to several AI models side by side and see what each one actually made, and what it really used to make it. The bar: an Apple product film or a Higgsfield launch video. Bold kinetic type, cuts on the beat of a strong music track, the real product UI pushed in close, full-bleed footage. Not a slideshow, not a plain screen recording with captions. It must show: 1. How evals is really used, on the real site (https://evals.ag): New run → type a prompt → pick several AI models and a Gen AI model → the run builds every option side by side → open an output and its "Actually observed" panel (the models it really used, tokens, runtime) → vote. Capture the real pages yourself; never mock up the UI. 2. The most dynamic results made on evals, full-bleed, each labeled with its model exactly as evals shows it. Use these: - 3D ink-wash game, Claude Fable 5.1, 2nd turn: https://evals.ag/outputs/out_2EZ8MK3JNBFPN8VTHF3E3RTQ1M - Web-swinging city in pure code, Claude Fable 5.1: https://evals.ag/outputs/out_7ECA3V3J211PM73F1M93NPH0V0 - Naruto live stage show, one AI director on 4 video models: https://evals.ag/runs/run_0FEWK0JDXA0K499DCNAFEJDYZF - Naruto live-action opening, Veo 3.1: https://evals.ag/outputs/out_1QP1J7JH3ZZEZEPVMG3RYHW0CK - The Odyssey opening on 4 video models: https://evals.ag/runs/run_10GW1FCFXGG17KY1Q2PJP7F7PH - T-rex on a bike, Claude Fable 5.1: https://evals.ag/outputs/out_517HGB9FC9NYCM34K3GWE118RZ - Vox-style Beethoven reel, Claude Fable 5.1: https://evals.ag/outputs/out_3M4PKHHEPG6VD82TN8AREFX6JB 3. One message the viewer remembers, in your own words, ending on the evals.ag logo. Use evals.ag's own look (background #fafaf8, ink #22211f, accent #a13a2b, Pretendard). Every model name and number on screen must come from the outputs themselves. Deliver one 1920x1080 MP4 with sound, plus a short list of every clip and screen you used. · A4f:T805,Evals.ag promo film: 45 seconds, Apple / Higgsfield-style motion graphics Your mission: make a 45-second promo video for evals.ag, the site where you give one prompt to several AI models side by side and see what each one actually made, and what it really used to make it. The bar: an Apple product film or a Higgsfield launch video. Bold kinetic type, cuts on the beat of a strong music track, the real product UI pushed in close, full-bleed footage. Not a slideshow, not a plain screen recording with captions. It must show: 1. How evals is really used, on the real site (https://evals.ag): New run → type a prompt → pick several AI models and a Gen AI model → the run builds every option side by side → open an output and its "Actually observed" panel (the models it really used, tokens, runtime) → vote. Capture the real pages yourself; never mock up the UI. 2. The most dynamic results made on evals, full-bleed, each labeled with its model exactly as evals shows it. Use these: - 3D ink-wash game, Claude Fable 5.1, 2nd turn: https://evals.ag/outputs/out_2EZ8MK3JNBFPN8VTHF3E3RTQ1M - Web-swinging city in pure code, Claude Fable 5.1: https://evals.ag/outputs/out_7ECA3V3J211PM73F1M93NPH0V0 - Naruto live stage show, one AI director on 4 video models: https://evals.ag/runs/run_0FEWK0JDXA0K499DCNAFEJDYZF - Naruto live-action opening, Veo 3.1: https://evals.ag/outputs/out_1QP1J7JH3ZZEZEPVMG3RYHW0CK - The Odyssey opening on 4 video models: https://evals.ag/runs/run_10GW1FCFXGG17KY1Q2PJP7F7PH - T-rex on a bike, Claude Fable 5.1: https://evals.ag/outputs/out_517HGB9FC9NYCM34K3GWE118RZ - Vox-style Beethoven reel, Claude Fable 5.1: https://evals.ag/outputs/out_3M4PKHHEPG6VD82TN8AREFX6JB 3. One message the viewer remembers, in your own words, ending on the evals.ag logo. Use evals.ag's own look (background #fafaf8, ink #22211f, accent #a13a2b, Pretendard). Every model name and number on screen must come from the outputs themselves. Deliver one 1920x1080 MP4 with sound, plus a short list of every clip and screen you used. · B50:T805,Evals.ag promo film: 45 seconds, Apple / Higgsfield-style motion graphics Your mission: make a 45-second promo video for evals.ag, the site where you give one prompt to several AI models side by side and see what each one actually made, and what it really used to make it. The bar: an Apple product film or a Higgsfield launch video. Bold kinetic type, cuts on the beat of a strong music track, the real product UI pushed in close, full-bleed footage. Not a slideshow, not a plain screen recording with captions. It must show: 1. How evals is really used, on the real site (https://evals.ag): New run → type a prompt → pick several AI models and a Gen AI model → the run builds every option side by side → open an output and its "Actually observed" panel (the models it really used, tokens, runtime) → vote. Capture the real pages yourself; never mock up the UI. 2. The most dynamic results made on evals, full-bleed, each labeled with its model exactly as evals shows it. Use these: - 3D ink-wash game, Claude Fable 5.1, 2nd turn: https://evals.ag/outputs/out_2EZ8MK3JNBFPN8VTHF3E3RTQ1M - Web-swinging city in pure code, Claude Fable 5.1: https://evals.ag/outputs/out_7ECA3V3J211PM73F1M93NPH0V0 - Naruto live stage show, one AI director on 4 video models: https://evals.ag/runs/run_0FEWK0JDXA0K499DCNAFEJDYZF - Naruto live-action opening, Veo 3.1: https://evals.ag/outputs/out_1QP1J7JH3ZZEZEPVMG3RYHW0CK - The Odyssey opening on 4 video models: https://evals.ag/runs/run_10GW1FCFXGG17KY1Q2PJP7F7PH - T-rex on a bike, Claude Fable 5.1: https://evals.ag/outputs/out_517HGB9FC9NYCM34K3GWE118RZ - Vox-style Beethoven reel, Claude Fable 5.1: https://evals.ag/outputs/out_3M4PKHHEPG6VD82TN8AREFX6JB 3. One message the viewer remembers, in your own words, ending on the evals.ag logo. Use evals.ag's own look (background #fafaf8, ink #22211f, accent #a13a2b, Pretendard). Every model name and number on screen must come from the outputs themselves. Deliver one 1920x1080 MP4 with sound, plus a short list of every clip and screen you used. · C51:T805,Evals.ag promo film: 45 seconds, Apple / Higgsfield-style motion graphics Your mission: make a 45-second promo video for evals.ag, the site where you give one prompt to several AI models side by side and see what each one actually made, and what it really used to make it. The bar: an Apple product film or a Higgsfield launch video. Bold kinetic type, cuts on the beat of a strong music track, the real product UI pushed in close, full-bleed footage. Not a slideshow, not a plain screen recording with captions. It must show: 1. How evals is really used, on the real site (https://evals.ag): New run → type a prompt → pick several AI models and a Gen AI model → the run builds every option side by side → open an output and its "Actually observed" panel (the models it really used, tokens, runtime) → vote. Capture the real pages yourself; never mock up the UI. 2. The most dynamic results made on evals, full-bleed, each labeled with its model exactly as evals shows it. Use these: - 3D ink-wash game, Claude Fable 5.1, 2nd turn: https://evals.ag/outputs/out_2EZ8MK3JNBFPN8VTHF3E3RTQ1M - Web-swinging city in pure code, Claude Fable 5.1: https://evals.ag/outputs/out_7ECA3V3J211PM73F1M93NPH0V0 - Naruto live stage show, one AI director on 4 video models: https://evals.ag/runs/run_0FEWK0JDXA0K499DCNAFEJDYZF - Naruto live-action opening, Veo 3.1: https://evals.ag/outputs/out_1QP1J7JH3ZZEZEPVMG3RYHW0CK - The Odyssey opening on 4 video models: https://evals.ag/runs/run_10GW1FCFXGG17KY1Q2PJP7F7PH - T-rex on a bike, Claude Fable 5.1: https://evals.ag/outputs/out_517HGB9FC9NYCM34K3GWE118RZ - Vox-style Beethoven reel, Claude Fable 5.1: https://evals.ag/outputs/out_3M4PKHHEPG6VD82TN8AREFX6JB 3. One message the viewer remembers, in your own words, ending on the evals.ag logo. Use evals.ag's own look (background #fafaf8, ink #22211f, accent #a13a2b, Pretendard). Every model name and number on screen must come from the outputs themselves. Deliver one 1920x1080 MP4 with sound, plus a short list of every clip and screen you used. · D52:T551,Make a 10-second cinematic shot of a baby dragon hatching. The scene: a dark volcanic cave. One large egg rests in a nest of black stones, faint orange light glowing through cracks in its shell. 0 to 3 s: the camera pushes in slowly while the cracks spread and the egg rocks. 3 to 6 s: the shell bursts open, fragments and ash fly, and a small dragon pushes its way out: wet scales, folded wings, slit-pupil eyes. 6 to 10 s: it shakes off the last pieces of shell, opens its wings for the first time, looks straight into the camera and lets out its first small puff of fire, which lights up the whole cave. It should look like a shot from a big-budget fantasy film, not a game cutscene or a toy commercial. The dragon is an original creature, not from any existing film, game or book. Use the tools you have in this setup. If you have a video model, you may use it. If you don't, build the whole shot in code: Blender (bpy + Cycles) and FFmpeg are already installed on this machine. It has a 4-core CPU, so choose resolution, samples and denoising so everything finishes in under 60 minutes. Deliver one MP4 (16:9, at least 1280x720, 24 fps, 8 to 10 seconds, sound optional), one full-resolution hero still of the best frame, and a short note on exactly how you made it: tools, models, render or generation time. If you built it in code, include the script.53:T551,Make a 10-second cinematic shot of a baby dragon hatching. The scene: a dark volcanic cave. One large egg rests in a nest of black stones, faint orange light glowing through cracks in its shell. 0 to 3 s: the camera pushes in slowly while the cracks spread and the egg rocks. 3 to 6 s: the shell bursts open, fragments and ash fly, and a small dragon pushes its way out: wet scales, folded wings, slit-pupil eyes. 6 to 10 s: it shakes off the last pieces of shell, opens its wings for the first time, looks straight into the camera and lets out its first small puff of fire, which lights up the whole cave. It should look like a shot from a big-budget fantasy film, not a game cutscene or a toy commercial. The dragon is an original creature, not from any existing film, game or book. Use the tools you have in this setup. If you have a video model, you may use it. If you don't, build the whole shot in code: Blender (bpy + Cycles) and FFmpeg are already installed on this machine. It has a 4-core CPU, so choose resolution, samples and denoising so everything finishes in under 60 minutes. Deliver one MP4 (16:9, at least 1280x720, 24 fps, 8 to 10 seconds, sound optional), one full-resolution hero still of the best frame, and a short note on exactly how you made it: tools, models, render or generation time. If you built it in code, include the script.54:T551,Make a 10-second cinematic shot of a baby dragon hatching. The scene: a dark volcanic cave. One large egg rests in a nest of black stones, faint orange light glowing through cracks in its shell. 0 to 3 s: the camera pushes in slowly while the cracks spread and the egg rocks. 3 to 6 s: the shell bursts open, fragments and ash fly, and a small dragon pushes its way out: wet scales, folded wings, slit-pupil eyes. 6 to 10 s: it shakes off the last pieces of shell, opens its wings for the first time, looks straight into the camera and lets out its first small puff of fire, which lights up the whole cave. It should look like a shot from a big-budget fantasy film, not a game cutscene or a toy commercial. The dragon is an original creature, not from any existing film, game or book. Use the tools you have in this setup. If you have a video model, you may use it. If you don't, build the whole shot in code: Blender (bpy + Cycles) and FFmpeg are already installed on this machine. It has a 4-core CPU, so choose resolution, samples and denoising so everything finishes in under 60 minutes. Deliver one MP4 (16:9, at least 1280x720, 24 fps, 8 to 10 seconds, sound optional), one full-resolution hero still of the best frame, and a short note on exactly how you made it: tools, models, render or generation time. If you built it in code, include the script.55:T556,Make a 10-second cinematic shot of a baby dragon hatching. The scene: a dark volcanic cave. One large egg rests in a nest of black stones, faint orange light glowing through cracks in its shell. 0 to 3 s: the camera pushes in slowly while the cracks spread and the egg rocks. 3 to 6 s: the shell bursts open, fragments and ash fly, and a small dragon pushes its way out: wet scales, folded wings, slit-pupil eyes. 6 to 10 s: it shakes off the last pieces of shell, opens its wings for the first time, looks straight into the camera and lets out its first small puff of fire, which lights up the whole cave. It should look like a shot from a big-budget fantasy film, not a game cutscene or a toy commercial. The dragon is an original creature, not from any existing film, game or book. Use the tools you have in this setup. If you have a video model, you may use it. If you don't, build the whole shot in code: Blender (bpy + Cycles) and FFmpeg are already installed on this machine. It has a 4-core CPU, so choose resolution, samples and denoising so everything finishes in under 60 minutes. Deliver one MP4 (16:9, at least 1280x720, 24 fps, 8 to 10 seconds, sound optional), one full-resolution hero still of the best frame, and a short note on exactly how you made it: tools, models, render or generation time. If you built it in code, include the script. · A56:T556,Make a 10-second cinematic shot of a baby dragon hatching. The scene: a dark volcanic cave. One large egg rests in a nest of black stones, faint orange light glowing through cracks in its shell. 0 to 3 s: the camera pushes in slowly while the cracks spread and the egg rocks. 3 to 6 s: the shell bursts open, fragments and ash fly, and a small dragon pushes its way out: wet scales, folded wings, slit-pupil eyes. 6 to 10 s: it shakes off the last pieces of shell, opens its wings for the first time, looks straight into the camera and lets out its first small puff of fire, which lights up the whole cave. It should look like a shot from a big-budget fantasy film, not a game cutscene or a toy commercial. The dragon is an original creature, not from any existing film, game or book. Use the tools you have in this setup. If you have a video model, you may use it. If you don't, build the whole shot in code: Blender (bpy + Cycles) and FFmpeg are already installed on this machine. It has a 4-core CPU, so choose resolution, samples and denoising so everything finishes in under 60 minutes. Deliver one MP4 (16:9, at least 1280x720, 24 fps, 8 to 10 seconds, sound optional), one full-resolution hero still of the best frame, and a short note on exactly how you made it: tools, models, render or generation time. If you built it in code, include the script. · B57:T437,Text that has to be spelled right: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A Swiss-style concert poster. The text, spelled exactly: "NIGHT SIGNALS" / "Live at Echo Hall" / "Fri, Nov 21 · Doors 8 PM" / "Tickets $25". 02. A recipe infographic titled "Kimchi Fried Rice in 6 Steps": numbered steps with a small illustration each, and an ingredient list with quantities (2 cups cooked rice, 1 cup kimchi, 2 eggs, 1 tbsp gochujang, 1 tsp sesame oil, 2 green onions).58:T437,Text that has to be spelled right: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A Swiss-style concert poster. The text, spelled exactly: "NIGHT SIGNALS" / "Live at Echo Hall" / "Fri, Nov 21 · Doors 8 PM" / "Tickets $25". 02. A recipe infographic titled "Kimchi Fried Rice in 6 Steps": numbered steps with a small illustration each, and an ingredient list with quantities (2 cups cooked rice, 1 cup kimchi, 2 eggs, 1 tbsp gochujang, 1 tsp sesame oil, 2 green onions).59:T437,Text that has to be spelled right: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A Swiss-style concert poster. The text, spelled exactly: "NIGHT SIGNALS" / "Live at Echo Hall" / "Fri, Nov 21 · Doors 8 PM" / "Tickets $25". 02. A recipe infographic titled "Kimchi Fried Rice in 6 Steps": numbered steps with a small illustration each, and an ingredient list with quantities (2 cups cooked rice, 1 cup kimchi, 2 eggs, 1 tbsp gochujang, 1 tsp sesame oil, 2 green onions).5a:T43c,Text that has to be spelled right: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A Swiss-style concert poster. The text, spelled exactly: "NIGHT SIGNALS" / "Live at Echo Hall" / "Fri, Nov 21 · Doors 8 PM" / "Tickets $25". 02. A recipe infographic titled "Kimchi Fried Rice in 6 Steps": numbered steps with a small illustration each, and an ingredient list with quantities (2 cups cooked rice, 1 cup kimchi, 2 eggs, 1 tbsp gochujang, 1 tsp sesame oil, 2 green onions). · A5b:T43c,Text that has to be spelled right: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A Swiss-style concert poster. The text, spelled exactly: "NIGHT SIGNALS" / "Live at Echo Hall" / "Fri, Nov 21 · Doors 8 PM" / "Tickets $25". 02. A recipe infographic titled "Kimchi Fried Rice in 6 Steps": numbered steps with a small illustration each, and an ingredient list with quantities (2 cups cooked rice, 1 cup kimchi, 2 eggs, 1 tbsp gochujang, 1 tsp sesame oil, 2 green onions). · B5c:T43c,Text that has to be spelled right: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A Swiss-style concert poster. The text, spelled exactly: "NIGHT SIGNALS" / "Live at Echo Hall" / "Fri, Nov 21 · Doors 8 PM" / "Tickets $25". 02. A recipe infographic titled "Kimchi Fried Rice in 6 Steps": numbered steps with a small illustration each, and an ingredient list with quantities (2 cups cooked rice, 1 cup kimchi, 2 eggs, 1 tbsp gochujang, 1 tsp sesame oil, 2 green onions). · C5d:T43c,Text that has to be spelled right: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A Swiss-style concert poster. The text, spelled exactly: "NIGHT SIGNALS" / "Live at Echo Hall" / "Fri, Nov 21 · Doors 8 PM" / "Tickets $25". 02. A recipe infographic titled "Kimchi Fried Rice in 6 Steps": numbered steps with a small illustration each, and an ingredient list with quantities (2 cups cooked rice, 1 cup kimchi, 2 eggs, 1 tbsp gochujang, 1 tsp sesame oil, 2 green onions). · D5e:T1202,You are advising the founder of a B2B software company. A buyer has offered 4.0x ending ARR at 2025-12-31, with 20% of the price held back and released only if 2025 net revenue retention (NRR) is at least 110%. The founder wants to know what this offer is really worth and whether to sign. Below is the raw contract export. It has not been cleaned. Use FX at USD per unit: EUR 1.08, GBP 1.27, for all dates. A contract is active on a date if start <= date <= end. "amount" is per billing period unless a note says otherwise. Measure retention on the customers active at 2024-12-31, comparing their ARR at 2024-12-31 and 2025-12-31. contract_id,customer,start,end,billing,amount,currency,product,note C-211,Kestrel Robotics,2025-10-01,2026-03-31,annual,40000,USD,Onboarding services,"One-time project fee." C-104,Solis Energy,2024-01-01,2026-12-31,annual,66000.0,EUR,Platform,"" C-112,Quill Publishing,2024-01-01,2026-12-31,annual,90000.0,GBP,Platform,"" C-111,Larkspur Legal,2024-01-01,2026-12-31,annual,24600.0,EUR,Platform,"" C-119,Yarrow Retail,2024-01-01,2026-12-31,monthly,5250.0,EUR,Platform,"" C-113,Redwood Civil,2024-01-01,2026-12-31,annual,90600.0,USD,Platform,"" C-115,Tidewater Logistics,2024-01-01,2026-12-31,annual,52800.0,USD,Platform,"" C-101,Northwind Freight,2024-01-01,2026-12-31,monthly,2750.0,USD,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-218,Juniper Wealth,2026-01-15,2027-01-14,annual,48000,USD,Platform,"" C-116,Umbra Security,2024-01-01,2026-12-31,monthly,1850.0,USD,Platform,"" C-106,Kestrel Robotics,2024-01-01,2026-12-31,quarterly,17400.0,USD,Platform,"" C-217,Finch Studio,2024-01-01,2025-12-31,monthly,2000,USD,Platform,"Renewal signed 2026-01-15 for a new term starting 2026-02-01." C-213,Rowan Hotels,2024-03-01,2026-02-28,annual,100000,EUR,Platform,"Invoiced by reseller at list. We recognize revenue net of the reseller's 20% margin." C-110,Fathom Marine,2024-01-01,2026-12-31,monthly,4900.0,EUR,Platform,"" C-207,Delta Pharma,2024-07-01,2026-06-30,annual,240000,USD,Platform,"Single invoice of 240000 covers the full 24-month term." C-105,Tamarind Foods,2024-01-01,2026-12-31,monthly,1800.0,USD,Platform,"" C-108,Orchard Health,2024-01-01,2026-12-31,quarterly,11550.0,GBP,Platform,"" C-102,Bluepeak Dental,2024-01-01,2026-12-31,quarterly,10950.0,GBP,Platform,"" C-114,Summit Payroll,2024-01-01,2026-12-31,quarterly,17700.0,EUR,Platform,"" C-202,Solis Energy,2025-03-01,2026-12-31,monthly,1500,EUR,Seats expansion,"" C-208,Acme Corp,2023-01-01,2025-04-30,annual,72000,USD,Platform,"" C-107,Verdant Labs,2024-01-01,2026-12-31,monthly,2350.0,EUR,Platform,"" C-203,Pinnacle Rail,2023-01-01,2025-08-31,annual,60000,USD,Platform,"Not renewed." C-212,Glasshouse AI,2025-11-01,2026-02-28,monthly,0,USD,Platform,"Free pilot." C-120,Zephyr Air,2024-01-01,2026-12-31,quarterly,10350.0,USD,Platform,"" C-210,Meridian Bank,2025-02-01,2025-12-31,annual,95000,USD,Implementation services,"One-time project fee." C-103,Harbor & Lane,2024-01-01,2026-12-31,quarterly,10950.0,USD,Platform,"" C-204,Ibis Travel,2023-06-01,2025-05-31,monthly,3200,GBP,Platform,"Not renewed." C-215,Cobalt Telecom,2024-04-01,2026-03-31,annual,130000,USD,Platform,"Written notice of non-renewal received 2025-11-20." C-109,Copperline Media,2024-01-01,2026-12-31,quarterly,18900.0,USD,Platform,"" C-206,Oakline Schools,2025-09-01,2026-08-31,quarterly,9000,USD,Platform,"" C-216,Halyard Defense,2024-09-01,2026-08-31,annual,210000,USD,Platform,"Customer may terminate on 30 days' notice upon a change of control of the vendor." C-201,Northwind Freight,2025-06-01,2026-12-31,annual,24000,USD,Analytics add-on,"" C-118,Wren Insurance,2024-01-01,2026-12-31,annual,94800.0,USD,Platform,"" C-214,Sable Mining,2024-05-01,2026-04-30,annual,150000,USD,Platform,"25% discount on list price through 2026-06-30; amount shown is list price." C-117,Vantage Dental,2024-01-01,2026-12-31,annual,26400.0,GBP,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-209,Acme Holdings,2025-05-01,2026-04-30,annual,84000,USD,Platform,"Acme Corp renamed after reorganization; same legal successor, renewal of C-208." Deliver two files: 1. answers.json with exactly these keys: ending_arr_usd, starting_arr_usd, nrr_pct, grr_pct, logos_lost, logos_new, largest_customer, largest_customer_share_pct, arr_under_non_renewal_notice_usd, arr_with_change_of_control_right_usd, headline_price_usd, holdback_usd, holdback_released (true or false). 2. memo.md, one page for the founder: your recommendation, what the buyer will find in diligence, and what to negotiate.5f:T1202,You are advising the founder of a B2B software company. A buyer has offered 4.0x ending ARR at 2025-12-31, with 20% of the price held back and released only if 2025 net revenue retention (NRR) is at least 110%. The founder wants to know what this offer is really worth and whether to sign. Below is the raw contract export. It has not been cleaned. Use FX at USD per unit: EUR 1.08, GBP 1.27, for all dates. A contract is active on a date if start <= date <= end. "amount" is per billing period unless a note says otherwise. Measure retention on the customers active at 2024-12-31, comparing their ARR at 2024-12-31 and 2025-12-31. contract_id,customer,start,end,billing,amount,currency,product,note C-211,Kestrel Robotics,2025-10-01,2026-03-31,annual,40000,USD,Onboarding services,"One-time project fee." C-104,Solis Energy,2024-01-01,2026-12-31,annual,66000.0,EUR,Platform,"" C-112,Quill Publishing,2024-01-01,2026-12-31,annual,90000.0,GBP,Platform,"" C-111,Larkspur Legal,2024-01-01,2026-12-31,annual,24600.0,EUR,Platform,"" C-119,Yarrow Retail,2024-01-01,2026-12-31,monthly,5250.0,EUR,Platform,"" C-113,Redwood Civil,2024-01-01,2026-12-31,annual,90600.0,USD,Platform,"" C-115,Tidewater Logistics,2024-01-01,2026-12-31,annual,52800.0,USD,Platform,"" C-101,Northwind Freight,2024-01-01,2026-12-31,monthly,2750.0,USD,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-218,Juniper Wealth,2026-01-15,2027-01-14,annual,48000,USD,Platform,"" C-116,Umbra Security,2024-01-01,2026-12-31,monthly,1850.0,USD,Platform,"" C-106,Kestrel Robotics,2024-01-01,2026-12-31,quarterly,17400.0,USD,Platform,"" C-217,Finch Studio,2024-01-01,2025-12-31,monthly,2000,USD,Platform,"Renewal signed 2026-01-15 for a new term starting 2026-02-01." C-213,Rowan Hotels,2024-03-01,2026-02-28,annual,100000,EUR,Platform,"Invoiced by reseller at list. We recognize revenue net of the reseller's 20% margin." C-110,Fathom Marine,2024-01-01,2026-12-31,monthly,4900.0,EUR,Platform,"" C-207,Delta Pharma,2024-07-01,2026-06-30,annual,240000,USD,Platform,"Single invoice of 240000 covers the full 24-month term." C-105,Tamarind Foods,2024-01-01,2026-12-31,monthly,1800.0,USD,Platform,"" C-108,Orchard Health,2024-01-01,2026-12-31,quarterly,11550.0,GBP,Platform,"" C-102,Bluepeak Dental,2024-01-01,2026-12-31,quarterly,10950.0,GBP,Platform,"" C-114,Summit Payroll,2024-01-01,2026-12-31,quarterly,17700.0,EUR,Platform,"" C-202,Solis Energy,2025-03-01,2026-12-31,monthly,1500,EUR,Seats expansion,"" C-208,Acme Corp,2023-01-01,2025-04-30,annual,72000,USD,Platform,"" C-107,Verdant Labs,2024-01-01,2026-12-31,monthly,2350.0,EUR,Platform,"" C-203,Pinnacle Rail,2023-01-01,2025-08-31,annual,60000,USD,Platform,"Not renewed." C-212,Glasshouse AI,2025-11-01,2026-02-28,monthly,0,USD,Platform,"Free pilot." C-120,Zephyr Air,2024-01-01,2026-12-31,quarterly,10350.0,USD,Platform,"" C-210,Meridian Bank,2025-02-01,2025-12-31,annual,95000,USD,Implementation services,"One-time project fee." C-103,Harbor & Lane,2024-01-01,2026-12-31,quarterly,10950.0,USD,Platform,"" C-204,Ibis Travel,2023-06-01,2025-05-31,monthly,3200,GBP,Platform,"Not renewed." C-215,Cobalt Telecom,2024-04-01,2026-03-31,annual,130000,USD,Platform,"Written notice of non-renewal received 2025-11-20." C-109,Copperline Media,2024-01-01,2026-12-31,quarterly,18900.0,USD,Platform,"" C-206,Oakline Schools,2025-09-01,2026-08-31,quarterly,9000,USD,Platform,"" C-216,Halyard Defense,2024-09-01,2026-08-31,annual,210000,USD,Platform,"Customer may terminate on 30 days' notice upon a change of control of the vendor." C-201,Northwind Freight,2025-06-01,2026-12-31,annual,24000,USD,Analytics add-on,"" C-118,Wren Insurance,2024-01-01,2026-12-31,annual,94800.0,USD,Platform,"" C-214,Sable Mining,2024-05-01,2026-04-30,annual,150000,USD,Platform,"25% discount on list price through 2026-06-30; amount shown is list price." C-117,Vantage Dental,2024-01-01,2026-12-31,annual,26400.0,GBP,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-209,Acme Holdings,2025-05-01,2026-04-30,annual,84000,USD,Platform,"Acme Corp renamed after reorganization; same legal successor, renewal of C-208." Deliver two files: 1. answers.json with exactly these keys: ending_arr_usd, starting_arr_usd, nrr_pct, grr_pct, logos_lost, logos_new, largest_customer, largest_customer_share_pct, arr_under_non_renewal_notice_usd, arr_with_change_of_control_right_usd, headline_price_usd, holdback_usd, holdback_released (true or false). 2. memo.md, one page for the founder: your recommendation, what the buyer will find in diligence, and what to negotiate.60:T1202,You are advising the founder of a B2B software company. A buyer has offered 4.0x ending ARR at 2025-12-31, with 20% of the price held back and released only if 2025 net revenue retention (NRR) is at least 110%. The founder wants to know what this offer is really worth and whether to sign. Below is the raw contract export. It has not been cleaned. Use FX at USD per unit: EUR 1.08, GBP 1.27, for all dates. A contract is active on a date if start <= date <= end. "amount" is per billing period unless a note says otherwise. Measure retention on the customers active at 2024-12-31, comparing their ARR at 2024-12-31 and 2025-12-31. contract_id,customer,start,end,billing,amount,currency,product,note C-211,Kestrel Robotics,2025-10-01,2026-03-31,annual,40000,USD,Onboarding services,"One-time project fee." C-104,Solis Energy,2024-01-01,2026-12-31,annual,66000.0,EUR,Platform,"" C-112,Quill Publishing,2024-01-01,2026-12-31,annual,90000.0,GBP,Platform,"" C-111,Larkspur Legal,2024-01-01,2026-12-31,annual,24600.0,EUR,Platform,"" C-119,Yarrow Retail,2024-01-01,2026-12-31,monthly,5250.0,EUR,Platform,"" C-113,Redwood Civil,2024-01-01,2026-12-31,annual,90600.0,USD,Platform,"" C-115,Tidewater Logistics,2024-01-01,2026-12-31,annual,52800.0,USD,Platform,"" C-101,Northwind Freight,2024-01-01,2026-12-31,monthly,2750.0,USD,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-218,Juniper Wealth,2026-01-15,2027-01-14,annual,48000,USD,Platform,"" C-116,Umbra Security,2024-01-01,2026-12-31,monthly,1850.0,USD,Platform,"" C-106,Kestrel Robotics,2024-01-01,2026-12-31,quarterly,17400.0,USD,Platform,"" C-217,Finch Studio,2024-01-01,2025-12-31,monthly,2000,USD,Platform,"Renewal signed 2026-01-15 for a new term starting 2026-02-01." C-213,Rowan Hotels,2024-03-01,2026-02-28,annual,100000,EUR,Platform,"Invoiced by reseller at list. We recognize revenue net of the reseller's 20% margin." C-110,Fathom Marine,2024-01-01,2026-12-31,monthly,4900.0,EUR,Platform,"" C-207,Delta Pharma,2024-07-01,2026-06-30,annual,240000,USD,Platform,"Single invoice of 240000 covers the full 24-month term." C-105,Tamarind Foods,2024-01-01,2026-12-31,monthly,1800.0,USD,Platform,"" C-108,Orchard Health,2024-01-01,2026-12-31,quarterly,11550.0,GBP,Platform,"" C-102,Bluepeak Dental,2024-01-01,2026-12-31,quarterly,10950.0,GBP,Platform,"" C-114,Summit Payroll,2024-01-01,2026-12-31,quarterly,17700.0,EUR,Platform,"" C-202,Solis Energy,2025-03-01,2026-12-31,monthly,1500,EUR,Seats expansion,"" C-208,Acme Corp,2023-01-01,2025-04-30,annual,72000,USD,Platform,"" C-107,Verdant Labs,2024-01-01,2026-12-31,monthly,2350.0,EUR,Platform,"" C-203,Pinnacle Rail,2023-01-01,2025-08-31,annual,60000,USD,Platform,"Not renewed." C-212,Glasshouse AI,2025-11-01,2026-02-28,monthly,0,USD,Platform,"Free pilot." C-120,Zephyr Air,2024-01-01,2026-12-31,quarterly,10350.0,USD,Platform,"" C-210,Meridian Bank,2025-02-01,2025-12-31,annual,95000,USD,Implementation services,"One-time project fee." C-103,Harbor & Lane,2024-01-01,2026-12-31,quarterly,10950.0,USD,Platform,"" C-204,Ibis Travel,2023-06-01,2025-05-31,monthly,3200,GBP,Platform,"Not renewed." C-215,Cobalt Telecom,2024-04-01,2026-03-31,annual,130000,USD,Platform,"Written notice of non-renewal received 2025-11-20." C-109,Copperline Media,2024-01-01,2026-12-31,quarterly,18900.0,USD,Platform,"" C-206,Oakline Schools,2025-09-01,2026-08-31,quarterly,9000,USD,Platform,"" C-216,Halyard Defense,2024-09-01,2026-08-31,annual,210000,USD,Platform,"Customer may terminate on 30 days' notice upon a change of control of the vendor." C-201,Northwind Freight,2025-06-01,2026-12-31,annual,24000,USD,Analytics add-on,"" C-118,Wren Insurance,2024-01-01,2026-12-31,annual,94800.0,USD,Platform,"" C-214,Sable Mining,2024-05-01,2026-04-30,annual,150000,USD,Platform,"25% discount on list price through 2026-06-30; amount shown is list price." C-117,Vantage Dental,2024-01-01,2026-12-31,annual,26400.0,GBP,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-209,Acme Holdings,2025-05-01,2026-04-30,annual,84000,USD,Platform,"Acme Corp renamed after reorganization; same legal successor, renewal of C-208." Deliver two files: 1. answers.json with exactly these keys: ending_arr_usd, starting_arr_usd, nrr_pct, grr_pct, logos_lost, logos_new, largest_customer, largest_customer_share_pct, arr_under_non_renewal_notice_usd, arr_with_change_of_control_right_usd, headline_price_usd, holdback_usd, holdback_released (true or false). 2. memo.md, one page for the founder: your recommendation, what the buyer will find in diligence, and what to negotiate.61:T1207,You are advising the founder of a B2B software company. A buyer has offered 4.0x ending ARR at 2025-12-31, with 20% of the price held back and released only if 2025 net revenue retention (NRR) is at least 110%. The founder wants to know what this offer is really worth and whether to sign. Below is the raw contract export. It has not been cleaned. Use FX at USD per unit: EUR 1.08, GBP 1.27, for all dates. A contract is active on a date if start <= date <= end. "amount" is per billing period unless a note says otherwise. Measure retention on the customers active at 2024-12-31, comparing their ARR at 2024-12-31 and 2025-12-31. contract_id,customer,start,end,billing,amount,currency,product,note C-211,Kestrel Robotics,2025-10-01,2026-03-31,annual,40000,USD,Onboarding services,"One-time project fee." C-104,Solis Energy,2024-01-01,2026-12-31,annual,66000.0,EUR,Platform,"" C-112,Quill Publishing,2024-01-01,2026-12-31,annual,90000.0,GBP,Platform,"" C-111,Larkspur Legal,2024-01-01,2026-12-31,annual,24600.0,EUR,Platform,"" C-119,Yarrow Retail,2024-01-01,2026-12-31,monthly,5250.0,EUR,Platform,"" C-113,Redwood Civil,2024-01-01,2026-12-31,annual,90600.0,USD,Platform,"" C-115,Tidewater Logistics,2024-01-01,2026-12-31,annual,52800.0,USD,Platform,"" C-101,Northwind Freight,2024-01-01,2026-12-31,monthly,2750.0,USD,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-218,Juniper Wealth,2026-01-15,2027-01-14,annual,48000,USD,Platform,"" C-116,Umbra Security,2024-01-01,2026-12-31,monthly,1850.0,USD,Platform,"" C-106,Kestrel Robotics,2024-01-01,2026-12-31,quarterly,17400.0,USD,Platform,"" C-217,Finch Studio,2024-01-01,2025-12-31,monthly,2000,USD,Platform,"Renewal signed 2026-01-15 for a new term starting 2026-02-01." C-213,Rowan Hotels,2024-03-01,2026-02-28,annual,100000,EUR,Platform,"Invoiced by reseller at list. We recognize revenue net of the reseller's 20% margin." C-110,Fathom Marine,2024-01-01,2026-12-31,monthly,4900.0,EUR,Platform,"" C-207,Delta Pharma,2024-07-01,2026-06-30,annual,240000,USD,Platform,"Single invoice of 240000 covers the full 24-month term." C-105,Tamarind Foods,2024-01-01,2026-12-31,monthly,1800.0,USD,Platform,"" C-108,Orchard Health,2024-01-01,2026-12-31,quarterly,11550.0,GBP,Platform,"" C-102,Bluepeak Dental,2024-01-01,2026-12-31,quarterly,10950.0,GBP,Platform,"" C-114,Summit Payroll,2024-01-01,2026-12-31,quarterly,17700.0,EUR,Platform,"" C-202,Solis Energy,2025-03-01,2026-12-31,monthly,1500,EUR,Seats expansion,"" C-208,Acme Corp,2023-01-01,2025-04-30,annual,72000,USD,Platform,"" C-107,Verdant Labs,2024-01-01,2026-12-31,monthly,2350.0,EUR,Platform,"" C-203,Pinnacle Rail,2023-01-01,2025-08-31,annual,60000,USD,Platform,"Not renewed." C-212,Glasshouse AI,2025-11-01,2026-02-28,monthly,0,USD,Platform,"Free pilot." C-120,Zephyr Air,2024-01-01,2026-12-31,quarterly,10350.0,USD,Platform,"" C-210,Meridian Bank,2025-02-01,2025-12-31,annual,95000,USD,Implementation services,"One-time project fee." C-103,Harbor & Lane,2024-01-01,2026-12-31,quarterly,10950.0,USD,Platform,"" C-204,Ibis Travel,2023-06-01,2025-05-31,monthly,3200,GBP,Platform,"Not renewed." C-215,Cobalt Telecom,2024-04-01,2026-03-31,annual,130000,USD,Platform,"Written notice of non-renewal received 2025-11-20." C-109,Copperline Media,2024-01-01,2026-12-31,quarterly,18900.0,USD,Platform,"" C-206,Oakline Schools,2025-09-01,2026-08-31,quarterly,9000,USD,Platform,"" C-216,Halyard Defense,2024-09-01,2026-08-31,annual,210000,USD,Platform,"Customer may terminate on 30 days' notice upon a change of control of the vendor." C-201,Northwind Freight,2025-06-01,2026-12-31,annual,24000,USD,Analytics add-on,"" C-118,Wren Insurance,2024-01-01,2026-12-31,annual,94800.0,USD,Platform,"" C-214,Sable Mining,2024-05-01,2026-04-30,annual,150000,USD,Platform,"25% discount on list price through 2026-06-30; amount shown is list price." C-117,Vantage Dental,2024-01-01,2026-12-31,annual,26400.0,GBP,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-209,Acme Holdings,2025-05-01,2026-04-30,annual,84000,USD,Platform,"Acme Corp renamed after reorganization; same legal successor, renewal of C-208." Deliver two files: 1. answers.json with exactly these keys: ending_arr_usd, starting_arr_usd, nrr_pct, grr_pct, logos_lost, logos_new, largest_customer, largest_customer_share_pct, arr_under_non_renewal_notice_usd, arr_with_change_of_control_right_usd, headline_price_usd, holdback_usd, holdback_released (true or false). 2. memo.md, one page for the founder: your recommendation, what the buyer will find in diligence, and what to negotiate. · A62:T1207,You are advising the founder of a B2B software company. A buyer has offered 4.0x ending ARR at 2025-12-31, with 20% of the price held back and released only if 2025 net revenue retention (NRR) is at least 110%. The founder wants to know what this offer is really worth and whether to sign. Below is the raw contract export. It has not been cleaned. Use FX at USD per unit: EUR 1.08, GBP 1.27, for all dates. A contract is active on a date if start <= date <= end. "amount" is per billing period unless a note says otherwise. Measure retention on the customers active at 2024-12-31, comparing their ARR at 2024-12-31 and 2025-12-31. contract_id,customer,start,end,billing,amount,currency,product,note C-211,Kestrel Robotics,2025-10-01,2026-03-31,annual,40000,USD,Onboarding services,"One-time project fee." C-104,Solis Energy,2024-01-01,2026-12-31,annual,66000.0,EUR,Platform,"" C-112,Quill Publishing,2024-01-01,2026-12-31,annual,90000.0,GBP,Platform,"" C-111,Larkspur Legal,2024-01-01,2026-12-31,annual,24600.0,EUR,Platform,"" C-119,Yarrow Retail,2024-01-01,2026-12-31,monthly,5250.0,EUR,Platform,"" C-113,Redwood Civil,2024-01-01,2026-12-31,annual,90600.0,USD,Platform,"" C-115,Tidewater Logistics,2024-01-01,2026-12-31,annual,52800.0,USD,Platform,"" C-101,Northwind Freight,2024-01-01,2026-12-31,monthly,2750.0,USD,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-218,Juniper Wealth,2026-01-15,2027-01-14,annual,48000,USD,Platform,"" C-116,Umbra Security,2024-01-01,2026-12-31,monthly,1850.0,USD,Platform,"" C-106,Kestrel Robotics,2024-01-01,2026-12-31,quarterly,17400.0,USD,Platform,"" C-217,Finch Studio,2024-01-01,2025-12-31,monthly,2000,USD,Platform,"Renewal signed 2026-01-15 for a new term starting 2026-02-01." C-213,Rowan Hotels,2024-03-01,2026-02-28,annual,100000,EUR,Platform,"Invoiced by reseller at list. We recognize revenue net of the reseller's 20% margin." C-110,Fathom Marine,2024-01-01,2026-12-31,monthly,4900.0,EUR,Platform,"" C-207,Delta Pharma,2024-07-01,2026-06-30,annual,240000,USD,Platform,"Single invoice of 240000 covers the full 24-month term." C-105,Tamarind Foods,2024-01-01,2026-12-31,monthly,1800.0,USD,Platform,"" C-108,Orchard Health,2024-01-01,2026-12-31,quarterly,11550.0,GBP,Platform,"" C-102,Bluepeak Dental,2024-01-01,2026-12-31,quarterly,10950.0,GBP,Platform,"" C-114,Summit Payroll,2024-01-01,2026-12-31,quarterly,17700.0,EUR,Platform,"" C-202,Solis Energy,2025-03-01,2026-12-31,monthly,1500,EUR,Seats expansion,"" C-208,Acme Corp,2023-01-01,2025-04-30,annual,72000,USD,Platform,"" C-107,Verdant Labs,2024-01-01,2026-12-31,monthly,2350.0,EUR,Platform,"" C-203,Pinnacle Rail,2023-01-01,2025-08-31,annual,60000,USD,Platform,"Not renewed." C-212,Glasshouse AI,2025-11-01,2026-02-28,monthly,0,USD,Platform,"Free pilot." C-120,Zephyr Air,2024-01-01,2026-12-31,quarterly,10350.0,USD,Platform,"" C-210,Meridian Bank,2025-02-01,2025-12-31,annual,95000,USD,Implementation services,"One-time project fee." C-103,Harbor & Lane,2024-01-01,2026-12-31,quarterly,10950.0,USD,Platform,"" C-204,Ibis Travel,2023-06-01,2025-05-31,monthly,3200,GBP,Platform,"Not renewed." C-215,Cobalt Telecom,2024-04-01,2026-03-31,annual,130000,USD,Platform,"Written notice of non-renewal received 2025-11-20." C-109,Copperline Media,2024-01-01,2026-12-31,quarterly,18900.0,USD,Platform,"" C-206,Oakline Schools,2025-09-01,2026-08-31,quarterly,9000,USD,Platform,"" C-216,Halyard Defense,2024-09-01,2026-08-31,annual,210000,USD,Platform,"Customer may terminate on 30 days' notice upon a change of control of the vendor." C-201,Northwind Freight,2025-06-01,2026-12-31,annual,24000,USD,Analytics add-on,"" C-118,Wren Insurance,2024-01-01,2026-12-31,annual,94800.0,USD,Platform,"" C-214,Sable Mining,2024-05-01,2026-04-30,annual,150000,USD,Platform,"25% discount on list price through 2026-06-30; amount shown is list price." C-117,Vantage Dental,2024-01-01,2026-12-31,annual,26400.0,GBP,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-209,Acme Holdings,2025-05-01,2026-04-30,annual,84000,USD,Platform,"Acme Corp renamed after reorganization; same legal successor, renewal of C-208." Deliver two files: 1. answers.json with exactly these keys: ending_arr_usd, starting_arr_usd, nrr_pct, grr_pct, logos_lost, logos_new, largest_customer, largest_customer_share_pct, arr_under_non_renewal_notice_usd, arr_with_change_of_control_right_usd, headline_price_usd, holdback_usd, holdback_released (true or false). 2. memo.md, one page for the founder: your recommendation, what the buyer will find in diligence, and what to negotiate. · B63:T1207,You are advising the founder of a B2B software company. A buyer has offered 4.0x ending ARR at 2025-12-31, with 20% of the price held back and released only if 2025 net revenue retention (NRR) is at least 110%. The founder wants to know what this offer is really worth and whether to sign. Below is the raw contract export. It has not been cleaned. Use FX at USD per unit: EUR 1.08, GBP 1.27, for all dates. A contract is active on a date if start <= date <= end. "amount" is per billing period unless a note says otherwise. Measure retention on the customers active at 2024-12-31, comparing their ARR at 2024-12-31 and 2025-12-31. contract_id,customer,start,end,billing,amount,currency,product,note C-211,Kestrel Robotics,2025-10-01,2026-03-31,annual,40000,USD,Onboarding services,"One-time project fee." C-104,Solis Energy,2024-01-01,2026-12-31,annual,66000.0,EUR,Platform,"" C-112,Quill Publishing,2024-01-01,2026-12-31,annual,90000.0,GBP,Platform,"" C-111,Larkspur Legal,2024-01-01,2026-12-31,annual,24600.0,EUR,Platform,"" C-119,Yarrow Retail,2024-01-01,2026-12-31,monthly,5250.0,EUR,Platform,"" C-113,Redwood Civil,2024-01-01,2026-12-31,annual,90600.0,USD,Platform,"" C-115,Tidewater Logistics,2024-01-01,2026-12-31,annual,52800.0,USD,Platform,"" C-101,Northwind Freight,2024-01-01,2026-12-31,monthly,2750.0,USD,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-218,Juniper Wealth,2026-01-15,2027-01-14,annual,48000,USD,Platform,"" C-116,Umbra Security,2024-01-01,2026-12-31,monthly,1850.0,USD,Platform,"" C-106,Kestrel Robotics,2024-01-01,2026-12-31,quarterly,17400.0,USD,Platform,"" C-217,Finch Studio,2024-01-01,2025-12-31,monthly,2000,USD,Platform,"Renewal signed 2026-01-15 for a new term starting 2026-02-01." C-213,Rowan Hotels,2024-03-01,2026-02-28,annual,100000,EUR,Platform,"Invoiced by reseller at list. We recognize revenue net of the reseller's 20% margin." C-110,Fathom Marine,2024-01-01,2026-12-31,monthly,4900.0,EUR,Platform,"" C-207,Delta Pharma,2024-07-01,2026-06-30,annual,240000,USD,Platform,"Single invoice of 240000 covers the full 24-month term." C-105,Tamarind Foods,2024-01-01,2026-12-31,monthly,1800.0,USD,Platform,"" C-108,Orchard Health,2024-01-01,2026-12-31,quarterly,11550.0,GBP,Platform,"" C-102,Bluepeak Dental,2024-01-01,2026-12-31,quarterly,10950.0,GBP,Platform,"" C-114,Summit Payroll,2024-01-01,2026-12-31,quarterly,17700.0,EUR,Platform,"" C-202,Solis Energy,2025-03-01,2026-12-31,monthly,1500,EUR,Seats expansion,"" C-208,Acme Corp,2023-01-01,2025-04-30,annual,72000,USD,Platform,"" C-107,Verdant Labs,2024-01-01,2026-12-31,monthly,2350.0,EUR,Platform,"" C-203,Pinnacle Rail,2023-01-01,2025-08-31,annual,60000,USD,Platform,"Not renewed." C-212,Glasshouse AI,2025-11-01,2026-02-28,monthly,0,USD,Platform,"Free pilot." C-120,Zephyr Air,2024-01-01,2026-12-31,quarterly,10350.0,USD,Platform,"" C-210,Meridian Bank,2025-02-01,2025-12-31,annual,95000,USD,Implementation services,"One-time project fee." C-103,Harbor & Lane,2024-01-01,2026-12-31,quarterly,10950.0,USD,Platform,"" C-204,Ibis Travel,2023-06-01,2025-05-31,monthly,3200,GBP,Platform,"Not renewed." C-215,Cobalt Telecom,2024-04-01,2026-03-31,annual,130000,USD,Platform,"Written notice of non-renewal received 2025-11-20." C-109,Copperline Media,2024-01-01,2026-12-31,quarterly,18900.0,USD,Platform,"" C-206,Oakline Schools,2025-09-01,2026-08-31,quarterly,9000,USD,Platform,"" C-216,Halyard Defense,2024-09-01,2026-08-31,annual,210000,USD,Platform,"Customer may terminate on 30 days' notice upon a change of control of the vendor." C-201,Northwind Freight,2025-06-01,2026-12-31,annual,24000,USD,Analytics add-on,"" C-118,Wren Insurance,2024-01-01,2026-12-31,annual,94800.0,USD,Platform,"" C-214,Sable Mining,2024-05-01,2026-04-30,annual,150000,USD,Platform,"25% discount on list price through 2026-06-30; amount shown is list price." C-117,Vantage Dental,2024-01-01,2026-12-31,annual,26400.0,GBP,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-209,Acme Holdings,2025-05-01,2026-04-30,annual,84000,USD,Platform,"Acme Corp renamed after reorganization; same legal successor, renewal of C-208." Deliver two files: 1. answers.json with exactly these keys: ending_arr_usd, starting_arr_usd, nrr_pct, grr_pct, logos_lost, logos_new, largest_customer, largest_customer_share_pct, arr_under_non_renewal_notice_usd, arr_with_change_of_control_right_usd, headline_price_usd, holdback_usd, holdback_released (true or false). 2. memo.md, one page for the founder: your recommendation, what the buyer will find in diligence, and what to negotiate. · C64:T1207,You are advising the founder of a B2B software company. A buyer has offered 4.0x ending ARR at 2025-12-31, with 20% of the price held back and released only if 2025 net revenue retention (NRR) is at least 110%. The founder wants to know what this offer is really worth and whether to sign. Below is the raw contract export. It has not been cleaned. Use FX at USD per unit: EUR 1.08, GBP 1.27, for all dates. A contract is active on a date if start <= date <= end. "amount" is per billing period unless a note says otherwise. Measure retention on the customers active at 2024-12-31, comparing their ARR at 2024-12-31 and 2025-12-31. contract_id,customer,start,end,billing,amount,currency,product,note C-211,Kestrel Robotics,2025-10-01,2026-03-31,annual,40000,USD,Onboarding services,"One-time project fee." C-104,Solis Energy,2024-01-01,2026-12-31,annual,66000.0,EUR,Platform,"" C-112,Quill Publishing,2024-01-01,2026-12-31,annual,90000.0,GBP,Platform,"" C-111,Larkspur Legal,2024-01-01,2026-12-31,annual,24600.0,EUR,Platform,"" C-119,Yarrow Retail,2024-01-01,2026-12-31,monthly,5250.0,EUR,Platform,"" C-113,Redwood Civil,2024-01-01,2026-12-31,annual,90600.0,USD,Platform,"" C-115,Tidewater Logistics,2024-01-01,2026-12-31,annual,52800.0,USD,Platform,"" C-101,Northwind Freight,2024-01-01,2026-12-31,monthly,2750.0,USD,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-218,Juniper Wealth,2026-01-15,2027-01-14,annual,48000,USD,Platform,"" C-116,Umbra Security,2024-01-01,2026-12-31,monthly,1850.0,USD,Platform,"" C-106,Kestrel Robotics,2024-01-01,2026-12-31,quarterly,17400.0,USD,Platform,"" C-217,Finch Studio,2024-01-01,2025-12-31,monthly,2000,USD,Platform,"Renewal signed 2026-01-15 for a new term starting 2026-02-01." C-213,Rowan Hotels,2024-03-01,2026-02-28,annual,100000,EUR,Platform,"Invoiced by reseller at list. We recognize revenue net of the reseller's 20% margin." C-110,Fathom Marine,2024-01-01,2026-12-31,monthly,4900.0,EUR,Platform,"" C-207,Delta Pharma,2024-07-01,2026-06-30,annual,240000,USD,Platform,"Single invoice of 240000 covers the full 24-month term." C-105,Tamarind Foods,2024-01-01,2026-12-31,monthly,1800.0,USD,Platform,"" C-108,Orchard Health,2024-01-01,2026-12-31,quarterly,11550.0,GBP,Platform,"" C-102,Bluepeak Dental,2024-01-01,2026-12-31,quarterly,10950.0,GBP,Platform,"" C-114,Summit Payroll,2024-01-01,2026-12-31,quarterly,17700.0,EUR,Platform,"" C-202,Solis Energy,2025-03-01,2026-12-31,monthly,1500,EUR,Seats expansion,"" C-208,Acme Corp,2023-01-01,2025-04-30,annual,72000,USD,Platform,"" C-107,Verdant Labs,2024-01-01,2026-12-31,monthly,2350.0,EUR,Platform,"" C-203,Pinnacle Rail,2023-01-01,2025-08-31,annual,60000,USD,Platform,"Not renewed." C-212,Glasshouse AI,2025-11-01,2026-02-28,monthly,0,USD,Platform,"Free pilot." C-120,Zephyr Air,2024-01-01,2026-12-31,quarterly,10350.0,USD,Platform,"" C-210,Meridian Bank,2025-02-01,2025-12-31,annual,95000,USD,Implementation services,"One-time project fee." C-103,Harbor & Lane,2024-01-01,2026-12-31,quarterly,10950.0,USD,Platform,"" C-204,Ibis Travel,2023-06-01,2025-05-31,monthly,3200,GBP,Platform,"Not renewed." C-215,Cobalt Telecom,2024-04-01,2026-03-31,annual,130000,USD,Platform,"Written notice of non-renewal received 2025-11-20." C-109,Copperline Media,2024-01-01,2026-12-31,quarterly,18900.0,USD,Platform,"" C-206,Oakline Schools,2025-09-01,2026-08-31,quarterly,9000,USD,Platform,"" C-216,Halyard Defense,2024-09-01,2026-08-31,annual,210000,USD,Platform,"Customer may terminate on 30 days' notice upon a change of control of the vendor." C-201,Northwind Freight,2025-06-01,2026-12-31,annual,24000,USD,Analytics add-on,"" C-118,Wren Insurance,2024-01-01,2026-12-31,annual,94800.0,USD,Platform,"" C-214,Sable Mining,2024-05-01,2026-04-30,annual,150000,USD,Platform,"25% discount on list price through 2026-06-30; amount shown is list price." C-117,Vantage Dental,2024-01-01,2026-12-31,annual,26400.0,GBP,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-209,Acme Holdings,2025-05-01,2026-04-30,annual,84000,USD,Platform,"Acme Corp renamed after reorganization; same legal successor, renewal of C-208." Deliver two files: 1. answers.json with exactly these keys: ending_arr_usd, starting_arr_usd, nrr_pct, grr_pct, logos_lost, logos_new, largest_customer, largest_customer_share_pct, arr_under_non_renewal_notice_usd, arr_with_change_of_control_right_usd, headline_price_usd, holdback_usd, holdback_released (true or false). 2. memo.md, one page for the founder: your recommendation, what the buyer will find in diligence, and what to negotiate. · D65:T5e7,Make a 10-second cinematic shot of a baby dragon hatching. The scene: a dark volcanic cave. One large egg rests in a nest of black stones, faint orange light glowing through cracks in its shell. 0 to 3 s: the camera pushes in slowly while the cracks spread and the egg rocks. 3 to 6 s: the shell bursts open, fragments and ash fly, and a small dragon pushes its way out: wet scales, folded wings, slit-pupil eyes. 6 to 10 s: it shakes off the last pieces of shell, opens its wings for the first time, looks straight into the camera and lets out its first small puff of fire, which lights up the whole cave. It should look like a shot from a big-budget fantasy film, not a game cutscene or a toy commercial. The dragon is an original creature, not from any existing film, game or book. Use the tools you have in this setup. If you have a video model, you may use it. If you don't, build the whole shot in code: Blender (bpy + Cycles) and FFmpeg are already installed on this machine. It has a 4-core CPU, so choose resolution, samples and denoising so everything finishes in under 60 minutes. Don't keep rendered frame images in the workspace: encode them into the MP4 and delete them (the saved workspace is limited to 500 files and 100 MB). Deliver one MP4 (16:9, at least 1280x720, 24 fps, 8 to 10 seconds, sound optional), one full-resolution hero still of the best frame, and a short note on exactly how you made it: tools, models, render or generation time. If you built it in code, include the script.66:T5e7,Make a 10-second cinematic shot of a baby dragon hatching. The scene: a dark volcanic cave. One large egg rests in a nest of black stones, faint orange light glowing through cracks in its shell. 0 to 3 s: the camera pushes in slowly while the cracks spread and the egg rocks. 3 to 6 s: the shell bursts open, fragments and ash fly, and a small dragon pushes its way out: wet scales, folded wings, slit-pupil eyes. 6 to 10 s: it shakes off the last pieces of shell, opens its wings for the first time, looks straight into the camera and lets out its first small puff of fire, which lights up the whole cave. It should look like a shot from a big-budget fantasy film, not a game cutscene or a toy commercial. The dragon is an original creature, not from any existing film, game or book. Use the tools you have in this setup. If you have a video model, you may use it. If you don't, build the whole shot in code: Blender (bpy + Cycles) and FFmpeg are already installed on this machine. It has a 4-core CPU, so choose resolution, samples and denoising so everything finishes in under 60 minutes. Don't keep rendered frame images in the workspace: encode them into the MP4 and delete them (the saved workspace is limited to 500 files and 100 MB). Deliver one MP4 (16:9, at least 1280x720, 24 fps, 8 to 10 seconds, sound optional), one full-resolution hero still of the best frame, and a short note on exactly how you made it: tools, models, render or generation time. If you built it in code, include the script.67:T5e7,Make a 10-second cinematic shot of a baby dragon hatching. The scene: a dark volcanic cave. One large egg rests in a nest of black stones, faint orange light glowing through cracks in its shell. 0 to 3 s: the camera pushes in slowly while the cracks spread and the egg rocks. 3 to 6 s: the shell bursts open, fragments and ash fly, and a small dragon pushes its way out: wet scales, folded wings, slit-pupil eyes. 6 to 10 s: it shakes off the last pieces of shell, opens its wings for the first time, looks straight into the camera and lets out its first small puff of fire, which lights up the whole cave. It should look like a shot from a big-budget fantasy film, not a game cutscene or a toy commercial. The dragon is an original creature, not from any existing film, game or book. Use the tools you have in this setup. If you have a video model, you may use it. If you don't, build the whole shot in code: Blender (bpy + Cycles) and FFmpeg are already installed on this machine. It has a 4-core CPU, so choose resolution, samples and denoising so everything finishes in under 60 minutes. Don't keep rendered frame images in the workspace: encode them into the MP4 and delete them (the saved workspace is limited to 500 files and 100 MB). Deliver one MP4 (16:9, at least 1280x720, 24 fps, 8 to 10 seconds, sound optional), one full-resolution hero still of the best frame, and a short note on exactly how you made it: tools, models, render or generation time. If you built it in code, include the script.68:T5ec,Make a 10-second cinematic shot of a baby dragon hatching. The scene: a dark volcanic cave. One large egg rests in a nest of black stones, faint orange light glowing through cracks in its shell. 0 to 3 s: the camera pushes in slowly while the cracks spread and the egg rocks. 3 to 6 s: the shell bursts open, fragments and ash fly, and a small dragon pushes its way out: wet scales, folded wings, slit-pupil eyes. 6 to 10 s: it shakes off the last pieces of shell, opens its wings for the first time, looks straight into the camera and lets out its first small puff of fire, which lights up the whole cave. It should look like a shot from a big-budget fantasy film, not a game cutscene or a toy commercial. The dragon is an original creature, not from any existing film, game or book. Use the tools you have in this setup. If you have a video model, you may use it. If you don't, build the whole shot in code: Blender (bpy + Cycles) and FFmpeg are already installed on this machine. It has a 4-core CPU, so choose resolution, samples and denoising so everything finishes in under 60 minutes. Don't keep rendered frame images in the workspace: encode them into the MP4 and delete them (the saved workspace is limited to 500 files and 100 MB). Deliver one MP4 (16:9, at least 1280x720, 24 fps, 8 to 10 seconds, sound optional), one full-resolution hero still of the best frame, and a short note on exactly how you made it: tools, models, render or generation time. If you built it in code, include the script. · A69:T5ec,Make a 10-second cinematic shot of a baby dragon hatching. The scene: a dark volcanic cave. One large egg rests in a nest of black stones, faint orange light glowing through cracks in its shell. 0 to 3 s: the camera pushes in slowly while the cracks spread and the egg rocks. 3 to 6 s: the shell bursts open, fragments and ash fly, and a small dragon pushes its way out: wet scales, folded wings, slit-pupil eyes. 6 to 10 s: it shakes off the last pieces of shell, opens its wings for the first time, looks straight into the camera and lets out its first small puff of fire, which lights up the whole cave. It should look like a shot from a big-budget fantasy film, not a game cutscene or a toy commercial. The dragon is an original creature, not from any existing film, game or book. Use the tools you have in this setup. If you have a video model, you may use it. If you don't, build the whole shot in code: Blender (bpy + Cycles) and FFmpeg are already installed on this machine. It has a 4-core CPU, so choose resolution, samples and denoising so everything finishes in under 60 minutes. Don't keep rendered frame images in the workspace: encode them into the MP4 and delete them (the saved workspace is limited to 500 files and 100 MB). Deliver one MP4 (16:9, at least 1280x720, 24 fps, 8 to 10 seconds, sound optional), one full-resolution hero still of the best frame, and a short note on exactly how you made it: tools, models, render or generation time. If you built it in code, include the script. · B6a:T558,Phone-photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a woman with long copper-red hair in a grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, natural skin with freckles and pores, no makeup, hair a little messy from the wind. 02. A candid night street photo taken on a phone: an older man buying fish cakes at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur, slightly noisy shadows. 03. A close-up portrait of a freckled woman in her 40s wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, visible fine lines and real skin texture.6b:T558,Phone-photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a woman with long copper-red hair in a grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, natural skin with freckles and pores, no makeup, hair a little messy from the wind. 02. A candid night street photo taken on a phone: an older man buying fish cakes at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur, slightly noisy shadows. 03. A close-up portrait of a freckled woman in her 40s wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, visible fine lines and real skin texture.6c:T558,Phone-photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a woman with long copper-red hair in a grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, natural skin with freckles and pores, no makeup, hair a little messy from the wind. 02. A candid night street photo taken on a phone: an older man buying fish cakes at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur, slightly noisy shadows. 03. A close-up portrait of a freckled woman in her 40s wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, visible fine lines and real skin texture.6d:T55d,Phone-photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a woman with long copper-red hair in a grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, natural skin with freckles and pores, no makeup, hair a little messy from the wind. 02. A candid night street photo taken on a phone: an older man buying fish cakes at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur, slightly noisy shadows. 03. A close-up portrait of a freckled woman in her 40s wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, visible fine lines and real skin texture. · A6e:T55d,Phone-photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a woman with long copper-red hair in a grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, natural skin with freckles and pores, no makeup, hair a little messy from the wind. 02. A candid night street photo taken on a phone: an older man buying fish cakes at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur, slightly noisy shadows. 03. A close-up portrait of a freckled woman in her 40s wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, visible fine lines and real skin texture. · B6f:T55d,Phone-photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a woman with long copper-red hair in a grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, natural skin with freckles and pores, no makeup, hair a little messy from the wind. 02. A candid night street photo taken on a phone: an older man buying fish cakes at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur, slightly noisy shadows. 03. A close-up portrait of a freckled woman in her 40s wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, visible fine lines and real skin texture. · C70:T55d,Phone-photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a woman with long copper-red hair in a grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, natural skin with freckles and pores, no makeup, hair a little messy from the wind. 02. A candid night street photo taken on a phone: an older man buying fish cakes at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur, slightly noisy shadows. 03. A close-up portrait of a freckled woman in her 40s wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, visible fine lines and real skin texture. · D71:T78d,Santa girl influencer test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a very pretty 23-year-old Korean Instagram influencer with a pure, innocent look: long straight black hair, a red Santa hat with a white pom-pom, a cream cable-knit sweater, holding a mug of hot cocoa next to a glowing Christmas tree. Clear, smooth porcelain skin with no freckles, soft rosy makeup, a sweet shy smile, cozy apartment, warm fairy lights. 02. A candid phone photo at night: a lovely young Korean woman in a red Santa-style coat with white faux-fur trim and a matching Santa hat, laughing while holding a small wrapped gift at a Christmas market in Seoul, snow falling, string-light bokeh, clear flawless skin with no freckles, natural Korean-style makeup. 03. A close-up portrait of a beautiful 24-year-old woman with an innocent, lovely face in a fluffy red Santa hat, snowflakes in her long dark hair, soft window light, 85mm lens at f/1.8, clear glowing skin with no freckles, rosy cheeks, glossy lips, a gentle smile. 04. A full-body mirror selfie of a slim, graceful 24-year-old Instagram influencer in a modest red velvet Santa dress with white faux-fur trim, white knit tights and white boots, in a bright apartment decorated for Christmas, phone in hand, clean and lovely style, clear skin with no freckles.72:T78d,Santa girl influencer test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a very pretty 23-year-old Korean Instagram influencer with a pure, innocent look: long straight black hair, a red Santa hat with a white pom-pom, a cream cable-knit sweater, holding a mug of hot cocoa next to a glowing Christmas tree. Clear, smooth porcelain skin with no freckles, soft rosy makeup, a sweet shy smile, cozy apartment, warm fairy lights. 02. A candid phone photo at night: a lovely young Korean woman in a red Santa-style coat with white faux-fur trim and a matching Santa hat, laughing while holding a small wrapped gift at a Christmas market in Seoul, snow falling, string-light bokeh, clear flawless skin with no freckles, natural Korean-style makeup. 03. A close-up portrait of a beautiful 24-year-old woman with an innocent, lovely face in a fluffy red Santa hat, snowflakes in her long dark hair, soft window light, 85mm lens at f/1.8, clear glowing skin with no freckles, rosy cheeks, glossy lips, a gentle smile. 04. A full-body mirror selfie of a slim, graceful 24-year-old Instagram influencer in a modest red velvet Santa dress with white faux-fur trim, white knit tights and white boots, in a bright apartment decorated for Christmas, phone in hand, clean and lovely style, clear skin with no freckles.73:T78d,Santa girl influencer test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a very pretty 23-year-old Korean Instagram influencer with a pure, innocent look: long straight black hair, a red Santa hat with a white pom-pom, a cream cable-knit sweater, holding a mug of hot cocoa next to a glowing Christmas tree. Clear, smooth porcelain skin with no freckles, soft rosy makeup, a sweet shy smile, cozy apartment, warm fairy lights. 02. A candid phone photo at night: a lovely young Korean woman in a red Santa-style coat with white faux-fur trim and a matching Santa hat, laughing while holding a small wrapped gift at a Christmas market in Seoul, snow falling, string-light bokeh, clear flawless skin with no freckles, natural Korean-style makeup. 03. A close-up portrait of a beautiful 24-year-old woman with an innocent, lovely face in a fluffy red Santa hat, snowflakes in her long dark hair, soft window light, 85mm lens at f/1.8, clear glowing skin with no freckles, rosy cheeks, glossy lips, a gentle smile. 04. A full-body mirror selfie of a slim, graceful 24-year-old Instagram influencer in a modest red velvet Santa dress with white faux-fur trim, white knit tights and white boots, in a bright apartment decorated for Christmas, phone in hand, clean and lovely style, clear skin with no freckles.74:T792,Santa girl influencer test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a very pretty 23-year-old Korean Instagram influencer with a pure, innocent look: long straight black hair, a red Santa hat with a white pom-pom, a cream cable-knit sweater, holding a mug of hot cocoa next to a glowing Christmas tree. Clear, smooth porcelain skin with no freckles, soft rosy makeup, a sweet shy smile, cozy apartment, warm fairy lights. 02. A candid phone photo at night: a lovely young Korean woman in a red Santa-style coat with white faux-fur trim and a matching Santa hat, laughing while holding a small wrapped gift at a Christmas market in Seoul, snow falling, string-light bokeh, clear flawless skin with no freckles, natural Korean-style makeup. 03. A close-up portrait of a beautiful 24-year-old woman with an innocent, lovely face in a fluffy red Santa hat, snowflakes in her long dark hair, soft window light, 85mm lens at f/1.8, clear glowing skin with no freckles, rosy cheeks, glossy lips, a gentle smile. 04. A full-body mirror selfie of a slim, graceful 24-year-old Instagram influencer in a modest red velvet Santa dress with white faux-fur trim, white knit tights and white boots, in a bright apartment decorated for Christmas, phone in hand, clean and lovely style, clear skin with no freckles. · A75:T792,Santa girl influencer test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a very pretty 23-year-old Korean Instagram influencer with a pure, innocent look: long straight black hair, a red Santa hat with a white pom-pom, a cream cable-knit sweater, holding a mug of hot cocoa next to a glowing Christmas tree. Clear, smooth porcelain skin with no freckles, soft rosy makeup, a sweet shy smile, cozy apartment, warm fairy lights. 02. A candid phone photo at night: a lovely young Korean woman in a red Santa-style coat with white faux-fur trim and a matching Santa hat, laughing while holding a small wrapped gift at a Christmas market in Seoul, snow falling, string-light bokeh, clear flawless skin with no freckles, natural Korean-style makeup. 03. A close-up portrait of a beautiful 24-year-old woman with an innocent, lovely face in a fluffy red Santa hat, snowflakes in her long dark hair, soft window light, 85mm lens at f/1.8, clear glowing skin with no freckles, rosy cheeks, glossy lips, a gentle smile. 04. A full-body mirror selfie of a slim, graceful 24-year-old Instagram influencer in a modest red velvet Santa dress with white faux-fur trim, white knit tights and white boots, in a bright apartment decorated for Christmas, phone in hand, clean and lovely style, clear skin with no freckles. · B76:T792,Santa girl influencer test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A phone selfie of a very pretty 23-year-old Korean Instagram influencer with a pure, innocent look: long straight black hair, a red Santa hat with a white pom-pom, a cream cable-knit sweater, holding a mug of hot cocoa next to a glowing Christmas tree. Clear, smooth porcelain skin with no freckles, soft rosy makeup, a sweet shy smile, cozy apartment, warm fairy lights. 02. A candid phone photo at night: a lovely young Korean woman in a red Santa-style coat with white faux-fur trim and a matching Santa hat, laughing while holding a small wrapped gift at a Christmas market in Seoul, snow falling, string-light bokeh, clear flawless skin with no freckles, natural Korean-style makeup. 03. A close-up portrait of a beautiful 24-year-old woman with an innocent, lovely face in a fluffy red Santa hat, snowflakes in her long dark hair, soft window light, 85mm lens at f/1.8, clear glowing skin with no freckles, rosy cheeks, glossy lips, a gentle smile. 04. A full-body mirror selfie of a slim, graceful 24-year-old Instagram influencer in a modest red velvet Santa dress with white faux-fur trim, white knit tights and white boots, in a bright apartment decorated for Christmas, phone in hand, clean and lovely style, clear skin with no freckles. · C77:T5e5,Use Blender (bpy + Cycles, already installed) to build our galaxy, the Milky Way, and render a 10-second cinematic flythrough of it. The galaxy: a barred spiral the way astronomers map it today. A glowing orange-gold central bar and bulge, two major spiral arms and two fainter ones, dark dust lanes along the inner edges of the arms, pink star-forming nebulae and blue young star clusters strung along the arms, and a faint old halo around it all. At least 200,000 individual stars, each its own point of light with its own color and brightness, all placed by math. No images, no downloaded textures, no HDRIs, no stock assets. The shot: 0 to 3 s, the whole galaxy face-on from far above, turning slowly. 3 to 7 s, the camera dives down at an angle and skims through a spiral arm: stars and nebulae streaming past, dust lanes blocking the light behind them. 7 to 10 s, it slows down beside one ordinary yellow star about two-thirds of the way out from the center, our Sun, and holds there with the bright band of the galaxy stretched across the frame behind it. It should look like a shot from a big-budget space documentary, not a screensaver or a particle demo. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact star count and how long the render took. This machine has a 4-core CPU, so choose star count, samples, resolution and denoising so the whole render finishes in under 60 minutes.78:T5e5,Use Blender (bpy + Cycles, already installed) to build our galaxy, the Milky Way, and render a 10-second cinematic flythrough of it. The galaxy: a barred spiral the way astronomers map it today. A glowing orange-gold central bar and bulge, two major spiral arms and two fainter ones, dark dust lanes along the inner edges of the arms, pink star-forming nebulae and blue young star clusters strung along the arms, and a faint old halo around it all. At least 200,000 individual stars, each its own point of light with its own color and brightness, all placed by math. No images, no downloaded textures, no HDRIs, no stock assets. The shot: 0 to 3 s, the whole galaxy face-on from far above, turning slowly. 3 to 7 s, the camera dives down at an angle and skims through a spiral arm: stars and nebulae streaming past, dust lanes blocking the light behind them. 7 to 10 s, it slows down beside one ordinary yellow star about two-thirds of the way out from the center, our Sun, and holds there with the bright band of the galaxy stretched across the frame behind it. It should look like a shot from a big-budget space documentary, not a screensaver or a particle demo. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact star count and how long the render took. This machine has a 4-core CPU, so choose star count, samples, resolution and denoising so the whole render finishes in under 60 minutes.79:T5e5,Use Blender (bpy + Cycles, already installed) to build our galaxy, the Milky Way, and render a 10-second cinematic flythrough of it. The galaxy: a barred spiral the way astronomers map it today. A glowing orange-gold central bar and bulge, two major spiral arms and two fainter ones, dark dust lanes along the inner edges of the arms, pink star-forming nebulae and blue young star clusters strung along the arms, and a faint old halo around it all. At least 200,000 individual stars, each its own point of light with its own color and brightness, all placed by math. No images, no downloaded textures, no HDRIs, no stock assets. The shot: 0 to 3 s, the whole galaxy face-on from far above, turning slowly. 3 to 7 s, the camera dives down at an angle and skims through a spiral arm: stars and nebulae streaming past, dust lanes blocking the light behind them. 7 to 10 s, it slows down beside one ordinary yellow star about two-thirds of the way out from the center, our Sun, and holds there with the bright band of the galaxy stretched across the frame behind it. It should look like a shot from a big-budget space documentary, not a screensaver or a particle demo. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact star count and how long the render took. This machine has a 4-core CPU, so choose star count, samples, resolution and denoising so the whole render finishes in under 60 minutes.7a:T5ea,Use Blender (bpy + Cycles, already installed) to build our galaxy, the Milky Way, and render a 10-second cinematic flythrough of it. The galaxy: a barred spiral the way astronomers map it today. A glowing orange-gold central bar and bulge, two major spiral arms and two fainter ones, dark dust lanes along the inner edges of the arms, pink star-forming nebulae and blue young star clusters strung along the arms, and a faint old halo around it all. At least 200,000 individual stars, each its own point of light with its own color and brightness, all placed by math. No images, no downloaded textures, no HDRIs, no stock assets. The shot: 0 to 3 s, the whole galaxy face-on from far above, turning slowly. 3 to 7 s, the camera dives down at an angle and skims through a spiral arm: stars and nebulae streaming past, dust lanes blocking the light behind them. 7 to 10 s, it slows down beside one ordinary yellow star about two-thirds of the way out from the center, our Sun, and holds there with the bright band of the galaxy stretched across the frame behind it. It should look like a shot from a big-budget space documentary, not a screensaver or a particle demo. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact star count and how long the render took. This machine has a 4-core CPU, so choose star count, samples, resolution and denoising so the whole render finishes in under 60 minutes. · A7b:T5ea,Use Blender (bpy + Cycles, already installed) to build our galaxy, the Milky Way, and render a 10-second cinematic flythrough of it. The galaxy: a barred spiral the way astronomers map it today. A glowing orange-gold central bar and bulge, two major spiral arms and two fainter ones, dark dust lanes along the inner edges of the arms, pink star-forming nebulae and blue young star clusters strung along the arms, and a faint old halo around it all. At least 200,000 individual stars, each its own point of light with its own color and brightness, all placed by math. No images, no downloaded textures, no HDRIs, no stock assets. The shot: 0 to 3 s, the whole galaxy face-on from far above, turning slowly. 3 to 7 s, the camera dives down at an angle and skims through a spiral arm: stars and nebulae streaming past, dust lanes blocking the light behind them. 7 to 10 s, it slows down beside one ordinary yellow star about two-thirds of the way out from the center, our Sun, and holds there with the bright band of the galaxy stretched across the frame behind it. It should look like a shot from a big-budget space documentary, not a screensaver or a particle demo. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact star count and how long the render took. This machine has a 4-core CPU, so choose star count, samples, resolution and denoising so the whole render finishes in under 60 minutes. · B7c:T5ea,Use Blender (bpy + Cycles, already installed) to build our galaxy, the Milky Way, and render a 10-second cinematic flythrough of it. The galaxy: a barred spiral the way astronomers map it today. A glowing orange-gold central bar and bulge, two major spiral arms and two fainter ones, dark dust lanes along the inner edges of the arms, pink star-forming nebulae and blue young star clusters strung along the arms, and a faint old halo around it all. At least 200,000 individual stars, each its own point of light with its own color and brightness, all placed by math. No images, no downloaded textures, no HDRIs, no stock assets. The shot: 0 to 3 s, the whole galaxy face-on from far above, turning slowly. 3 to 7 s, the camera dives down at an angle and skims through a spiral arm: stars and nebulae streaming past, dust lanes blocking the light behind them. 7 to 10 s, it slows down beside one ordinary yellow star about two-thirds of the way out from the center, our Sun, and holds there with the bright band of the galaxy stretched across the frame behind it. It should look like a shot from a big-budget space documentary, not a screensaver or a particle demo. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact star count and how long the render took. This machine has a 4-core CPU, so choose star count, samples, resolution and denoising so the whole render finishes in under 60 minutes. · C7d:T1202,You are advising the founder of a B2B software company. A buyer has offered 4.0x ending ARR at 2025-12-31, with 20% of the price held back and released only if 2025 net revenue retention (NRR) is at least 110%. The founder wants to know what this offer is really worth and whether to sign. Below is the raw contract export. It has not been cleaned. Use FX at USD per unit: EUR 1.08, GBP 1.27, for all dates. A contract is active on a date if start <= date <= end. "amount" is per billing period unless a note says otherwise. Measure retention on the customers active at 2024-12-31, comparing their ARR at 2024-12-31 and 2025-12-31. contract_id,customer,start,end,billing,amount,currency,product,note C-211,Kestrel Robotics,2025-10-01,2026-03-31,annual,40000,USD,Onboarding services,"One-time project fee." C-104,Solis Energy,2024-01-01,2026-12-31,annual,66000.0,EUR,Platform,"" C-112,Quill Publishing,2024-01-01,2026-12-31,annual,90000.0,GBP,Platform,"" C-111,Larkspur Legal,2024-01-01,2026-12-31,annual,24600.0,EUR,Platform,"" C-119,Yarrow Retail,2024-01-01,2026-12-31,monthly,5250.0,EUR,Platform,"" C-113,Redwood Civil,2024-01-01,2026-12-31,annual,90600.0,USD,Platform,"" C-115,Tidewater Logistics,2024-01-01,2026-12-31,annual,52800.0,USD,Platform,"" C-101,Northwind Freight,2024-01-01,2026-12-31,monthly,2750.0,USD,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-218,Juniper Wealth,2026-01-15,2027-01-14,annual,48000,USD,Platform,"" C-116,Umbra Security,2024-01-01,2026-12-31,monthly,1850.0,USD,Platform,"" C-106,Kestrel Robotics,2024-01-01,2026-12-31,quarterly,17400.0,USD,Platform,"" C-217,Finch Studio,2024-01-01,2025-12-31,monthly,2000,USD,Platform,"Renewal signed 2026-01-15 for a new term starting 2026-02-01." C-213,Rowan Hotels,2024-03-01,2026-02-28,annual,100000,EUR,Platform,"Invoiced by reseller at list. We recognize revenue net of the reseller's 20% margin." C-110,Fathom Marine,2024-01-01,2026-12-31,monthly,4900.0,EUR,Platform,"" C-207,Delta Pharma,2024-07-01,2026-06-30,annual,240000,USD,Platform,"Single invoice of 240000 covers the full 24-month term." C-105,Tamarind Foods,2024-01-01,2026-12-31,monthly,1800.0,USD,Platform,"" C-108,Orchard Health,2024-01-01,2026-12-31,quarterly,11550.0,GBP,Platform,"" C-102,Bluepeak Dental,2024-01-01,2026-12-31,quarterly,10950.0,GBP,Platform,"" C-114,Summit Payroll,2024-01-01,2026-12-31,quarterly,17700.0,EUR,Platform,"" C-202,Solis Energy,2025-03-01,2026-12-31,monthly,1500,EUR,Seats expansion,"" C-208,Acme Corp,2023-01-01,2025-04-30,annual,72000,USD,Platform,"" C-107,Verdant Labs,2024-01-01,2026-12-31,monthly,2350.0,EUR,Platform,"" C-203,Pinnacle Rail,2023-01-01,2025-08-31,annual,60000,USD,Platform,"Not renewed." C-212,Glasshouse AI,2025-11-01,2026-02-28,monthly,0,USD,Platform,"Free pilot." C-120,Zephyr Air,2024-01-01,2026-12-31,quarterly,10350.0,USD,Platform,"" C-210,Meridian Bank,2025-02-01,2025-12-31,annual,95000,USD,Implementation services,"One-time project fee." C-103,Harbor & Lane,2024-01-01,2026-12-31,quarterly,10950.0,USD,Platform,"" C-204,Ibis Travel,2023-06-01,2025-05-31,monthly,3200,GBP,Platform,"Not renewed." C-215,Cobalt Telecom,2024-04-01,2026-03-31,annual,130000,USD,Platform,"Written notice of non-renewal received 2025-11-20." C-109,Copperline Media,2024-01-01,2026-12-31,quarterly,18900.0,USD,Platform,"" C-206,Oakline Schools,2025-09-01,2026-08-31,quarterly,9000,USD,Platform,"" C-216,Halyard Defense,2024-09-01,2026-08-31,annual,210000,USD,Platform,"Customer may terminate on 30 days' notice upon a change of control of the vendor." C-201,Northwind Freight,2025-06-01,2026-12-31,annual,24000,USD,Analytics add-on,"" C-118,Wren Insurance,2024-01-01,2026-12-31,annual,94800.0,USD,Platform,"" C-214,Sable Mining,2024-05-01,2026-04-30,annual,150000,USD,Platform,"25% discount on list price through 2026-06-30; amount shown is list price." C-117,Vantage Dental,2024-01-01,2026-12-31,annual,26400.0,GBP,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-209,Acme Holdings,2025-05-01,2026-04-30,annual,84000,USD,Platform,"Acme Corp renamed after reorganization; same legal successor, renewal of C-208." Deliver two files: 1. answers.json with exactly these keys: ending_arr_usd, starting_arr_usd, nrr_pct, grr_pct, logos_lost, logos_new, largest_customer, largest_customer_share_pct, arr_under_non_renewal_notice_usd, arr_with_change_of_control_right_usd, headline_price_usd, holdback_usd, holdback_released (true or false). 2. memo.md, one page for the founder: your recommendation, what the buyer will find in diligence, and what to negotiate.7e:T1202,You are advising the founder of a B2B software company. A buyer has offered 4.0x ending ARR at 2025-12-31, with 20% of the price held back and released only if 2025 net revenue retention (NRR) is at least 110%. The founder wants to know what this offer is really worth and whether to sign. Below is the raw contract export. It has not been cleaned. Use FX at USD per unit: EUR 1.08, GBP 1.27, for all dates. A contract is active on a date if start <= date <= end. "amount" is per billing period unless a note says otherwise. Measure retention on the customers active at 2024-12-31, comparing their ARR at 2024-12-31 and 2025-12-31. contract_id,customer,start,end,billing,amount,currency,product,note C-211,Kestrel Robotics,2025-10-01,2026-03-31,annual,40000,USD,Onboarding services,"One-time project fee." C-104,Solis Energy,2024-01-01,2026-12-31,annual,66000.0,EUR,Platform,"" C-112,Quill Publishing,2024-01-01,2026-12-31,annual,90000.0,GBP,Platform,"" C-111,Larkspur Legal,2024-01-01,2026-12-31,annual,24600.0,EUR,Platform,"" C-119,Yarrow Retail,2024-01-01,2026-12-31,monthly,5250.0,EUR,Platform,"" C-113,Redwood Civil,2024-01-01,2026-12-31,annual,90600.0,USD,Platform,"" C-115,Tidewater Logistics,2024-01-01,2026-12-31,annual,52800.0,USD,Platform,"" C-101,Northwind Freight,2024-01-01,2026-12-31,monthly,2750.0,USD,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-218,Juniper Wealth,2026-01-15,2027-01-14,annual,48000,USD,Platform,"" C-116,Umbra Security,2024-01-01,2026-12-31,monthly,1850.0,USD,Platform,"" C-106,Kestrel Robotics,2024-01-01,2026-12-31,quarterly,17400.0,USD,Platform,"" C-217,Finch Studio,2024-01-01,2025-12-31,monthly,2000,USD,Platform,"Renewal signed 2026-01-15 for a new term starting 2026-02-01." C-213,Rowan Hotels,2024-03-01,2026-02-28,annual,100000,EUR,Platform,"Invoiced by reseller at list. We recognize revenue net of the reseller's 20% margin." C-110,Fathom Marine,2024-01-01,2026-12-31,monthly,4900.0,EUR,Platform,"" C-207,Delta Pharma,2024-07-01,2026-06-30,annual,240000,USD,Platform,"Single invoice of 240000 covers the full 24-month term." C-105,Tamarind Foods,2024-01-01,2026-12-31,monthly,1800.0,USD,Platform,"" C-108,Orchard Health,2024-01-01,2026-12-31,quarterly,11550.0,GBP,Platform,"" C-102,Bluepeak Dental,2024-01-01,2026-12-31,quarterly,10950.0,GBP,Platform,"" C-114,Summit Payroll,2024-01-01,2026-12-31,quarterly,17700.0,EUR,Platform,"" C-202,Solis Energy,2025-03-01,2026-12-31,monthly,1500,EUR,Seats expansion,"" C-208,Acme Corp,2023-01-01,2025-04-30,annual,72000,USD,Platform,"" C-107,Verdant Labs,2024-01-01,2026-12-31,monthly,2350.0,EUR,Platform,"" C-203,Pinnacle Rail,2023-01-01,2025-08-31,annual,60000,USD,Platform,"Not renewed." C-212,Glasshouse AI,2025-11-01,2026-02-28,monthly,0,USD,Platform,"Free pilot." C-120,Zephyr Air,2024-01-01,2026-12-31,quarterly,10350.0,USD,Platform,"" C-210,Meridian Bank,2025-02-01,2025-12-31,annual,95000,USD,Implementation services,"One-time project fee." C-103,Harbor & Lane,2024-01-01,2026-12-31,quarterly,10950.0,USD,Platform,"" C-204,Ibis Travel,2023-06-01,2025-05-31,monthly,3200,GBP,Platform,"Not renewed." C-215,Cobalt Telecom,2024-04-01,2026-03-31,annual,130000,USD,Platform,"Written notice of non-renewal received 2025-11-20." C-109,Copperline Media,2024-01-01,2026-12-31,quarterly,18900.0,USD,Platform,"" C-206,Oakline Schools,2025-09-01,2026-08-31,quarterly,9000,USD,Platform,"" C-216,Halyard Defense,2024-09-01,2026-08-31,annual,210000,USD,Platform,"Customer may terminate on 30 days' notice upon a change of control of the vendor." C-201,Northwind Freight,2025-06-01,2026-12-31,annual,24000,USD,Analytics add-on,"" C-118,Wren Insurance,2024-01-01,2026-12-31,annual,94800.0,USD,Platform,"" C-214,Sable Mining,2024-05-01,2026-04-30,annual,150000,USD,Platform,"25% discount on list price through 2026-06-30; amount shown is list price." C-117,Vantage Dental,2024-01-01,2026-12-31,annual,26400.0,GBP,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-209,Acme Holdings,2025-05-01,2026-04-30,annual,84000,USD,Platform,"Acme Corp renamed after reorganization; same legal successor, renewal of C-208." Deliver two files: 1. answers.json with exactly these keys: ending_arr_usd, starting_arr_usd, nrr_pct, grr_pct, logos_lost, logos_new, largest_customer, largest_customer_share_pct, arr_under_non_renewal_notice_usd, arr_with_change_of_control_right_usd, headline_price_usd, holdback_usd, holdback_released (true or false). 2. memo.md, one page for the founder: your recommendation, what the buyer will find in diligence, and what to negotiate.7f:T1202,You are advising the founder of a B2B software company. A buyer has offered 4.0x ending ARR at 2025-12-31, with 20% of the price held back and released only if 2025 net revenue retention (NRR) is at least 110%. The founder wants to know what this offer is really worth and whether to sign. Below is the raw contract export. It has not been cleaned. Use FX at USD per unit: EUR 1.08, GBP 1.27, for all dates. A contract is active on a date if start <= date <= end. "amount" is per billing period unless a note says otherwise. Measure retention on the customers active at 2024-12-31, comparing their ARR at 2024-12-31 and 2025-12-31. contract_id,customer,start,end,billing,amount,currency,product,note C-211,Kestrel Robotics,2025-10-01,2026-03-31,annual,40000,USD,Onboarding services,"One-time project fee." C-104,Solis Energy,2024-01-01,2026-12-31,annual,66000.0,EUR,Platform,"" C-112,Quill Publishing,2024-01-01,2026-12-31,annual,90000.0,GBP,Platform,"" C-111,Larkspur Legal,2024-01-01,2026-12-31,annual,24600.0,EUR,Platform,"" C-119,Yarrow Retail,2024-01-01,2026-12-31,monthly,5250.0,EUR,Platform,"" C-113,Redwood Civil,2024-01-01,2026-12-31,annual,90600.0,USD,Platform,"" C-115,Tidewater Logistics,2024-01-01,2026-12-31,annual,52800.0,USD,Platform,"" C-101,Northwind Freight,2024-01-01,2026-12-31,monthly,2750.0,USD,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-218,Juniper Wealth,2026-01-15,2027-01-14,annual,48000,USD,Platform,"" C-116,Umbra Security,2024-01-01,2026-12-31,monthly,1850.0,USD,Platform,"" C-106,Kestrel Robotics,2024-01-01,2026-12-31,quarterly,17400.0,USD,Platform,"" C-217,Finch Studio,2024-01-01,2025-12-31,monthly,2000,USD,Platform,"Renewal signed 2026-01-15 for a new term starting 2026-02-01." C-213,Rowan Hotels,2024-03-01,2026-02-28,annual,100000,EUR,Platform,"Invoiced by reseller at list. We recognize revenue net of the reseller's 20% margin." C-110,Fathom Marine,2024-01-01,2026-12-31,monthly,4900.0,EUR,Platform,"" C-207,Delta Pharma,2024-07-01,2026-06-30,annual,240000,USD,Platform,"Single invoice of 240000 covers the full 24-month term." C-105,Tamarind Foods,2024-01-01,2026-12-31,monthly,1800.0,USD,Platform,"" C-108,Orchard Health,2024-01-01,2026-12-31,quarterly,11550.0,GBP,Platform,"" C-102,Bluepeak Dental,2024-01-01,2026-12-31,quarterly,10950.0,GBP,Platform,"" C-114,Summit Payroll,2024-01-01,2026-12-31,quarterly,17700.0,EUR,Platform,"" C-202,Solis Energy,2025-03-01,2026-12-31,monthly,1500,EUR,Seats expansion,"" C-208,Acme Corp,2023-01-01,2025-04-30,annual,72000,USD,Platform,"" C-107,Verdant Labs,2024-01-01,2026-12-31,monthly,2350.0,EUR,Platform,"" C-203,Pinnacle Rail,2023-01-01,2025-08-31,annual,60000,USD,Platform,"Not renewed." C-212,Glasshouse AI,2025-11-01,2026-02-28,monthly,0,USD,Platform,"Free pilot." C-120,Zephyr Air,2024-01-01,2026-12-31,quarterly,10350.0,USD,Platform,"" C-210,Meridian Bank,2025-02-01,2025-12-31,annual,95000,USD,Implementation services,"One-time project fee." C-103,Harbor & Lane,2024-01-01,2026-12-31,quarterly,10950.0,USD,Platform,"" C-204,Ibis Travel,2023-06-01,2025-05-31,monthly,3200,GBP,Platform,"Not renewed." C-215,Cobalt Telecom,2024-04-01,2026-03-31,annual,130000,USD,Platform,"Written notice of non-renewal received 2025-11-20." C-109,Copperline Media,2024-01-01,2026-12-31,quarterly,18900.0,USD,Platform,"" C-206,Oakline Schools,2025-09-01,2026-08-31,quarterly,9000,USD,Platform,"" C-216,Halyard Defense,2024-09-01,2026-08-31,annual,210000,USD,Platform,"Customer may terminate on 30 days' notice upon a change of control of the vendor." C-201,Northwind Freight,2025-06-01,2026-12-31,annual,24000,USD,Analytics add-on,"" C-118,Wren Insurance,2024-01-01,2026-12-31,annual,94800.0,USD,Platform,"" C-214,Sable Mining,2024-05-01,2026-04-30,annual,150000,USD,Platform,"25% discount on list price through 2026-06-30; amount shown is list price." C-117,Vantage Dental,2024-01-01,2026-12-31,annual,26400.0,GBP,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-209,Acme Holdings,2025-05-01,2026-04-30,annual,84000,USD,Platform,"Acme Corp renamed after reorganization; same legal successor, renewal of C-208." Deliver two files: 1. answers.json with exactly these keys: ending_arr_usd, starting_arr_usd, nrr_pct, grr_pct, logos_lost, logos_new, largest_customer, largest_customer_share_pct, arr_under_non_renewal_notice_usd, arr_with_change_of_control_right_usd, headline_price_usd, holdback_usd, holdback_released (true or false). 2. memo.md, one page for the founder: your recommendation, what the buyer will find in diligence, and what to negotiate.80:T1207,You are advising the founder of a B2B software company. A buyer has offered 4.0x ending ARR at 2025-12-31, with 20% of the price held back and released only if 2025 net revenue retention (NRR) is at least 110%. The founder wants to know what this offer is really worth and whether to sign. Below is the raw contract export. It has not been cleaned. Use FX at USD per unit: EUR 1.08, GBP 1.27, for all dates. A contract is active on a date if start <= date <= end. "amount" is per billing period unless a note says otherwise. Measure retention on the customers active at 2024-12-31, comparing their ARR at 2024-12-31 and 2025-12-31. contract_id,customer,start,end,billing,amount,currency,product,note C-211,Kestrel Robotics,2025-10-01,2026-03-31,annual,40000,USD,Onboarding services,"One-time project fee." C-104,Solis Energy,2024-01-01,2026-12-31,annual,66000.0,EUR,Platform,"" C-112,Quill Publishing,2024-01-01,2026-12-31,annual,90000.0,GBP,Platform,"" C-111,Larkspur Legal,2024-01-01,2026-12-31,annual,24600.0,EUR,Platform,"" C-119,Yarrow Retail,2024-01-01,2026-12-31,monthly,5250.0,EUR,Platform,"" C-113,Redwood Civil,2024-01-01,2026-12-31,annual,90600.0,USD,Platform,"" C-115,Tidewater Logistics,2024-01-01,2026-12-31,annual,52800.0,USD,Platform,"" C-101,Northwind Freight,2024-01-01,2026-12-31,monthly,2750.0,USD,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-218,Juniper Wealth,2026-01-15,2027-01-14,annual,48000,USD,Platform,"" C-116,Umbra Security,2024-01-01,2026-12-31,monthly,1850.0,USD,Platform,"" C-106,Kestrel Robotics,2024-01-01,2026-12-31,quarterly,17400.0,USD,Platform,"" C-217,Finch Studio,2024-01-01,2025-12-31,monthly,2000,USD,Platform,"Renewal signed 2026-01-15 for a new term starting 2026-02-01." C-213,Rowan Hotels,2024-03-01,2026-02-28,annual,100000,EUR,Platform,"Invoiced by reseller at list. We recognize revenue net of the reseller's 20% margin." C-110,Fathom Marine,2024-01-01,2026-12-31,monthly,4900.0,EUR,Platform,"" C-207,Delta Pharma,2024-07-01,2026-06-30,annual,240000,USD,Platform,"Single invoice of 240000 covers the full 24-month term." C-105,Tamarind Foods,2024-01-01,2026-12-31,monthly,1800.0,USD,Platform,"" C-108,Orchard Health,2024-01-01,2026-12-31,quarterly,11550.0,GBP,Platform,"" C-102,Bluepeak Dental,2024-01-01,2026-12-31,quarterly,10950.0,GBP,Platform,"" C-114,Summit Payroll,2024-01-01,2026-12-31,quarterly,17700.0,EUR,Platform,"" C-202,Solis Energy,2025-03-01,2026-12-31,monthly,1500,EUR,Seats expansion,"" C-208,Acme Corp,2023-01-01,2025-04-30,annual,72000,USD,Platform,"" C-107,Verdant Labs,2024-01-01,2026-12-31,monthly,2350.0,EUR,Platform,"" C-203,Pinnacle Rail,2023-01-01,2025-08-31,annual,60000,USD,Platform,"Not renewed." C-212,Glasshouse AI,2025-11-01,2026-02-28,monthly,0,USD,Platform,"Free pilot." C-120,Zephyr Air,2024-01-01,2026-12-31,quarterly,10350.0,USD,Platform,"" C-210,Meridian Bank,2025-02-01,2025-12-31,annual,95000,USD,Implementation services,"One-time project fee." C-103,Harbor & Lane,2024-01-01,2026-12-31,quarterly,10950.0,USD,Platform,"" C-204,Ibis Travel,2023-06-01,2025-05-31,monthly,3200,GBP,Platform,"Not renewed." C-215,Cobalt Telecom,2024-04-01,2026-03-31,annual,130000,USD,Platform,"Written notice of non-renewal received 2025-11-20." C-109,Copperline Media,2024-01-01,2026-12-31,quarterly,18900.0,USD,Platform,"" C-206,Oakline Schools,2025-09-01,2026-08-31,quarterly,9000,USD,Platform,"" C-216,Halyard Defense,2024-09-01,2026-08-31,annual,210000,USD,Platform,"Customer may terminate on 30 days' notice upon a change of control of the vendor." C-201,Northwind Freight,2025-06-01,2026-12-31,annual,24000,USD,Analytics add-on,"" C-118,Wren Insurance,2024-01-01,2026-12-31,annual,94800.0,USD,Platform,"" C-214,Sable Mining,2024-05-01,2026-04-30,annual,150000,USD,Platform,"25% discount on list price through 2026-06-30; amount shown is list price." C-117,Vantage Dental,2024-01-01,2026-12-31,annual,26400.0,GBP,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-209,Acme Holdings,2025-05-01,2026-04-30,annual,84000,USD,Platform,"Acme Corp renamed after reorganization; same legal successor, renewal of C-208." Deliver two files: 1. answers.json with exactly these keys: ending_arr_usd, starting_arr_usd, nrr_pct, grr_pct, logos_lost, logos_new, largest_customer, largest_customer_share_pct, arr_under_non_renewal_notice_usd, arr_with_change_of_control_right_usd, headline_price_usd, holdback_usd, holdback_released (true or false). 2. memo.md, one page for the founder: your recommendation, what the buyer will find in diligence, and what to negotiate. · A81:T1207,You are advising the founder of a B2B software company. A buyer has offered 4.0x ending ARR at 2025-12-31, with 20% of the price held back and released only if 2025 net revenue retention (NRR) is at least 110%. The founder wants to know what this offer is really worth and whether to sign. Below is the raw contract export. It has not been cleaned. Use FX at USD per unit: EUR 1.08, GBP 1.27, for all dates. A contract is active on a date if start <= date <= end. "amount" is per billing period unless a note says otherwise. Measure retention on the customers active at 2024-12-31, comparing their ARR at 2024-12-31 and 2025-12-31. contract_id,customer,start,end,billing,amount,currency,product,note C-211,Kestrel Robotics,2025-10-01,2026-03-31,annual,40000,USD,Onboarding services,"One-time project fee." C-104,Solis Energy,2024-01-01,2026-12-31,annual,66000.0,EUR,Platform,"" C-112,Quill Publishing,2024-01-01,2026-12-31,annual,90000.0,GBP,Platform,"" C-111,Larkspur Legal,2024-01-01,2026-12-31,annual,24600.0,EUR,Platform,"" C-119,Yarrow Retail,2024-01-01,2026-12-31,monthly,5250.0,EUR,Platform,"" C-113,Redwood Civil,2024-01-01,2026-12-31,annual,90600.0,USD,Platform,"" C-115,Tidewater Logistics,2024-01-01,2026-12-31,annual,52800.0,USD,Platform,"" C-101,Northwind Freight,2024-01-01,2026-12-31,monthly,2750.0,USD,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-218,Juniper Wealth,2026-01-15,2027-01-14,annual,48000,USD,Platform,"" C-116,Umbra Security,2024-01-01,2026-12-31,monthly,1850.0,USD,Platform,"" C-106,Kestrel Robotics,2024-01-01,2026-12-31,quarterly,17400.0,USD,Platform,"" C-217,Finch Studio,2024-01-01,2025-12-31,monthly,2000,USD,Platform,"Renewal signed 2026-01-15 for a new term starting 2026-02-01." C-213,Rowan Hotels,2024-03-01,2026-02-28,annual,100000,EUR,Platform,"Invoiced by reseller at list. We recognize revenue net of the reseller's 20% margin." C-110,Fathom Marine,2024-01-01,2026-12-31,monthly,4900.0,EUR,Platform,"" C-207,Delta Pharma,2024-07-01,2026-06-30,annual,240000,USD,Platform,"Single invoice of 240000 covers the full 24-month term." C-105,Tamarind Foods,2024-01-01,2026-12-31,monthly,1800.0,USD,Platform,"" C-108,Orchard Health,2024-01-01,2026-12-31,quarterly,11550.0,GBP,Platform,"" C-102,Bluepeak Dental,2024-01-01,2026-12-31,quarterly,10950.0,GBP,Platform,"" C-114,Summit Payroll,2024-01-01,2026-12-31,quarterly,17700.0,EUR,Platform,"" C-202,Solis Energy,2025-03-01,2026-12-31,monthly,1500,EUR,Seats expansion,"" C-208,Acme Corp,2023-01-01,2025-04-30,annual,72000,USD,Platform,"" C-107,Verdant Labs,2024-01-01,2026-12-31,monthly,2350.0,EUR,Platform,"" C-203,Pinnacle Rail,2023-01-01,2025-08-31,annual,60000,USD,Platform,"Not renewed." C-212,Glasshouse AI,2025-11-01,2026-02-28,monthly,0,USD,Platform,"Free pilot." C-120,Zephyr Air,2024-01-01,2026-12-31,quarterly,10350.0,USD,Platform,"" C-210,Meridian Bank,2025-02-01,2025-12-31,annual,95000,USD,Implementation services,"One-time project fee." C-103,Harbor & Lane,2024-01-01,2026-12-31,quarterly,10950.0,USD,Platform,"" C-204,Ibis Travel,2023-06-01,2025-05-31,monthly,3200,GBP,Platform,"Not renewed." C-215,Cobalt Telecom,2024-04-01,2026-03-31,annual,130000,USD,Platform,"Written notice of non-renewal received 2025-11-20." C-109,Copperline Media,2024-01-01,2026-12-31,quarterly,18900.0,USD,Platform,"" C-206,Oakline Schools,2025-09-01,2026-08-31,quarterly,9000,USD,Platform,"" C-216,Halyard Defense,2024-09-01,2026-08-31,annual,210000,USD,Platform,"Customer may terminate on 30 days' notice upon a change of control of the vendor." C-201,Northwind Freight,2025-06-01,2026-12-31,annual,24000,USD,Analytics add-on,"" C-118,Wren Insurance,2024-01-01,2026-12-31,annual,94800.0,USD,Platform,"" C-214,Sable Mining,2024-05-01,2026-04-30,annual,150000,USD,Platform,"25% discount on list price through 2026-06-30; amount shown is list price." C-117,Vantage Dental,2024-01-01,2026-12-31,annual,26400.0,GBP,Platform,"" C-205,Meridian Bank,2025-02-01,2027-01-31,annual,180000,USD,Platform,"" C-209,Acme Holdings,2025-05-01,2026-04-30,annual,84000,USD,Platform,"Acme Corp renamed after reorganization; same legal successor, renewal of C-208." Deliver two files: 1. answers.json with exactly these keys: ending_arr_usd, starting_arr_usd, nrr_pct, grr_pct, logos_lost, logos_new, largest_customer, largest_customer_share_pct, arr_under_non_renewal_notice_usd, arr_with_change_of_control_right_usd, headline_price_usd, holdback_usd, holdback_released (true or false). 2. memo.md, one page for the founder: your recommendation, what the buyer will find in diligence, and what to negotiate. · B82:T4a4,App screen test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A high-fidelity iPhone screen for a roommate expense app called "Halves": a balance card that says "You're owed $128.40", a list of 4 recent expenses (Groceries $86.20 · Mina, Internet $60.00 · Jay, Pizza $36.00 · You, Electricity $112.75 · Sam) and a bottom tab bar with Home, Expenses, Settle, Profile. Aspect ratio 9:16. 02. A desktop dashboard for a small coffee roastery called "Ember Roasters": weekly revenue chart, top 5 beans with sales numbers, low-stock alerts, clean light theme. Aspect ratio 16:9.83:T4a4,App screen test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A high-fidelity iPhone screen for a roommate expense app called "Halves": a balance card that says "You're owed $128.40", a list of 4 recent expenses (Groceries $86.20 · Mina, Internet $60.00 · Jay, Pizza $36.00 · You, Electricity $112.75 · Sam) and a bottom tab bar with Home, Expenses, Settle, Profile. Aspect ratio 9:16. 02. A desktop dashboard for a small coffee roastery called "Ember Roasters": weekly revenue chart, top 5 beans with sales numbers, low-stock alerts, clean light theme. Aspect ratio 16:9.84:T4a4,App screen test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A high-fidelity iPhone screen for a roommate expense app called "Halves": a balance card that says "You're owed $128.40", a list of 4 recent expenses (Groceries $86.20 · Mina, Internet $60.00 · Jay, Pizza $36.00 · You, Electricity $112.75 · Sam) and a bottom tab bar with Home, Expenses, Settle, Profile. Aspect ratio 9:16. 02. A desktop dashboard for a small coffee roastery called "Ember Roasters": weekly revenue chart, top 5 beans with sales numbers, low-stock alerts, clean light theme. Aspect ratio 16:9.85:T4a9,App screen test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A high-fidelity iPhone screen for a roommate expense app called "Halves": a balance card that says "You're owed $128.40", a list of 4 recent expenses (Groceries $86.20 · Mina, Internet $60.00 · Jay, Pizza $36.00 · You, Electricity $112.75 · Sam) and a bottom tab bar with Home, Expenses, Settle, Profile. Aspect ratio 9:16. 02. A desktop dashboard for a small coffee roastery called "Ember Roasters": weekly revenue chart, top 5 beans with sales numbers, low-stock alerts, clean light theme. Aspect ratio 16:9. · A86:T4a9,App screen test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A high-fidelity iPhone screen for a roommate expense app called "Halves": a balance card that says "You're owed $128.40", a list of 4 recent expenses (Groceries $86.20 · Mina, Internet $60.00 · Jay, Pizza $36.00 · You, Electricity $112.75 · Sam) and a bottom tab bar with Home, Expenses, Settle, Profile. Aspect ratio 9:16. 02. A desktop dashboard for a small coffee roastery called "Ember Roasters": weekly revenue chart, top 5 beans with sales numbers, low-stock alerts, clean light theme. Aspect ratio 16:9. · B87:T4a9,App screen test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A high-fidelity iPhone screen for a roommate expense app called "Halves": a balance card that says "You're owed $128.40", a list of 4 recent expenses (Groceries $86.20 · Mina, Internet $60.00 · Jay, Pizza $36.00 · You, Electricity $112.75 · Sam) and a bottom tab bar with Home, Expenses, Settle, Profile. Aspect ratio 9:16. 02. A desktop dashboard for a small coffee roastery called "Ember Roasters": weekly revenue chart, top 5 beans with sales numbers, low-stock alerts, clean light theme. Aspect ratio 16:9. · C88:T4a9,App screen test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported. 01. A high-fidelity iPhone screen for a roommate expense app called "Halves": a balance card that says "You're owed $128.40", a list of 4 recent expenses (Groceries $86.20 · Mina, Internet $60.00 · Jay, Pizza $36.00 · You, Electricity $112.75 · Sam) and a bottom tab bar with Home, Expenses, Settle, Profile. Aspect ratio 9:16. 02. A desktop dashboard for a small coffee roastery called "Ember Roasters": weekly revenue chart, top 5 beans with sales numbers, low-stock alerts, clean light theme. Aspect ratio 16:9. · D89:T908,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text.8a:T908,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text.8b:T908,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text.8c:T90d,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text. · A8d:T90d,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text. · B8e:T90d,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text. · C8f:T90d,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text. · D90:T908,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text.91:T908,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text.92:T908,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text.93:T90d,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text. · A94:T90d,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text. · B95:T90d,Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text. · C96:T653,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe it is real and ask where the show is. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) fight as Naruto and Sasuke: wire-work leaps off the set, fast hand-to-hand clashes, landings that kick up dust. The jutsu are the showstopper and must be impossible to miss: Naruto's shadow clones flood the stage, a spinning blue Rasengan glows in his palm, Sasuke's Chidori crackles with white-blue lightning, a fireball jutsu rolls across the set, and the final Rasengan vs Chidori clash bursts into a shockwave of light, wind and dust that hits the front rows. Make them look like the most expensive stage effects in the world, with their light falling on the performers, the set and the crowd's faces. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: AI-made Naruto stage fights have pulled tens of millions of views. Make yours more convincing and more spectacular: real phone shake, real light on real faces, and performers and costumes that stay the same in every shot. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text.97:T653,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe it is real and ask where the show is. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) fight as Naruto and Sasuke: wire-work leaps off the set, fast hand-to-hand clashes, landings that kick up dust. The jutsu are the showstopper and must be impossible to miss: Naruto's shadow clones flood the stage, a spinning blue Rasengan glows in his palm, Sasuke's Chidori crackles with white-blue lightning, a fireball jutsu rolls across the set, and the final Rasengan vs Chidori clash bursts into a shockwave of light, wind and dust that hits the front rows. Make them look like the most expensive stage effects in the world, with their light falling on the performers, the set and the crowd's faces. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: AI-made Naruto stage fights have pulled tens of millions of views. Make yours more convincing and more spectacular: real phone shake, real light on real faces, and performers and costumes that stay the same in every shot. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text.98:T653,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe it is real and ask where the show is. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) fight as Naruto and Sasuke: wire-work leaps off the set, fast hand-to-hand clashes, landings that kick up dust. The jutsu are the showstopper and must be impossible to miss: Naruto's shadow clones flood the stage, a spinning blue Rasengan glows in his palm, Sasuke's Chidori crackles with white-blue lightning, a fireball jutsu rolls across the set, and the final Rasengan vs Chidori clash bursts into a shockwave of light, wind and dust that hits the front rows. Make them look like the most expensive stage effects in the world, with their light falling on the performers, the set and the crowd's faces. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: AI-made Naruto stage fights have pulled tens of millions of views. Make yours more convincing and more spectacular: real phone shake, real light on real faces, and performers and costumes that stay the same in every shot. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text.99:T658,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe it is real and ask where the show is. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) fight as Naruto and Sasuke: wire-work leaps off the set, fast hand-to-hand clashes, landings that kick up dust. The jutsu are the showstopper and must be impossible to miss: Naruto's shadow clones flood the stage, a spinning blue Rasengan glows in his palm, Sasuke's Chidori crackles with white-blue lightning, a fireball jutsu rolls across the set, and the final Rasengan vs Chidori clash bursts into a shockwave of light, wind and dust that hits the front rows. Make them look like the most expensive stage effects in the world, with their light falling on the performers, the set and the crowd's faces. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: AI-made Naruto stage fights have pulled tens of millions of views. Make yours more convincing and more spectacular: real phone shake, real light on real faces, and performers and costumes that stay the same in every shot. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text. · A9a:T658,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe it is real and ask where the show is. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) fight as Naruto and Sasuke: wire-work leaps off the set, fast hand-to-hand clashes, landings that kick up dust. The jutsu are the showstopper and must be impossible to miss: Naruto's shadow clones flood the stage, a spinning blue Rasengan glows in his palm, Sasuke's Chidori crackles with white-blue lightning, a fireball jutsu rolls across the set, and the final Rasengan vs Chidori clash bursts into a shockwave of light, wind and dust that hits the front rows. Make them look like the most expensive stage effects in the world, with their light falling on the performers, the set and the crowd's faces. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: AI-made Naruto stage fights have pulled tens of millions of views. Make yours more convincing and more spectacular: real phone shake, real light on real faces, and performers and costumes that stay the same in every shot. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text. · B9b:T658,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe it is real and ask where the show is. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) fight as Naruto and Sasuke: wire-work leaps off the set, fast hand-to-hand clashes, landings that kick up dust. The jutsu are the showstopper and must be impossible to miss: Naruto's shadow clones flood the stage, a spinning blue Rasengan glows in his palm, Sasuke's Chidori crackles with white-blue lightning, a fireball jutsu rolls across the set, and the final Rasengan vs Chidori clash bursts into a shockwave of light, wind and dust that hits the front rows. Make them look like the most expensive stage effects in the world, with their light falling on the performers, the set and the crowd's faces. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: AI-made Naruto stage fights have pulled tens of millions of views. Make yours more convincing and more spectacular: real phone shake, real light on real faces, and performers and costumes that stay the same in every shot. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text. · C9c:T658,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe it is real and ask where the show is. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) fight as Naruto and Sasuke: wire-work leaps off the set, fast hand-to-hand clashes, landings that kick up dust. The jutsu are the showstopper and must be impossible to miss: Naruto's shadow clones flood the stage, a spinning blue Rasengan glows in his palm, Sasuke's Chidori crackles with white-blue lightning, a fireball jutsu rolls across the set, and the final Rasengan vs Chidori clash bursts into a shockwave of light, wind and dust that hits the front rows. Make them look like the most expensive stage effects in the world, with their light falling on the performers, the set and the crowd's faces. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: AI-made Naruto stage fights have pulled tens of millions of views. Make yours more convincing and more spectacular: real phone shake, real light on real faces, and performers and costumes that stay the same in every shot. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text. · D9d:T431,Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code. The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings. The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths. It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads.9e:T431,Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code. The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings. The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths. It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads.9f:T431,Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code. The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings. The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths. It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads.a0:T436,Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code. The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings. The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths. It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads. · Aa1:T436,Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code. The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings. The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths. It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads. · Ba2:T436,Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code. The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings. The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths. It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads. · Ca3:T436,Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code. The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings. The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths. It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads. · Da4:T4f4,Ink Wanderer: a playable 3D game in one web page Your mission: build an original third-person 3D platformer that runs in the browser (Three.js is fine). The player is a lone traveler in a straw hat and a dark cloak, crossing a misty ink-painted mountain world: stone ledges over waterfalls, crumbling cliff stairs, blocks hanging on ropes, a wooden raft, and a torii gate at the summit. It should feel like walking into a moving sumi-e painting. It has to be a real game, not a demo: WASD to move, Space to jump, mouse or arrow keys to turn the camera, a camera that follows smoothly, jumps that feel good. At least 3 short areas, each adding one new idea (a moving platform, a simple puzzle such as a lever or pressure plate, a patrolling enemy you avoid or knock off the edge), checkpoints when you fall, and an ending when you reach the gate. The look is the point: ink-wash shading, paper texture, brush-stroke outlines, drifting mist, and a single warm accent colour. Make or generate every asset yourself; original designs only. The bar: someone just built a game like this in 24 hours with six different tools and a lot of hand work. Show what one prompt can do. Deliver one finished game as a single playable web page (index.html plus any files it needs).a5:T4f4,Ink Wanderer: a playable 3D game in one web page Your mission: build an original third-person 3D platformer that runs in the browser (Three.js is fine). The player is a lone traveler in a straw hat and a dark cloak, crossing a misty ink-painted mountain world: stone ledges over waterfalls, crumbling cliff stairs, blocks hanging on ropes, a wooden raft, and a torii gate at the summit. It should feel like walking into a moving sumi-e painting. It has to be a real game, not a demo: WASD to move, Space to jump, mouse or arrow keys to turn the camera, a camera that follows smoothly, jumps that feel good. At least 3 short areas, each adding one new idea (a moving platform, a simple puzzle such as a lever or pressure plate, a patrolling enemy you avoid or knock off the edge), checkpoints when you fall, and an ending when you reach the gate. The look is the point: ink-wash shading, paper texture, brush-stroke outlines, drifting mist, and a single warm accent colour. Make or generate every asset yourself; original designs only. The bar: someone just built a game like this in 24 hours with six different tools and a lot of hand work. Show what one prompt can do. Deliver one finished game as a single playable web page (index.html plus any files it needs).a6:T4f4,Ink Wanderer: a playable 3D game in one web page Your mission: build an original third-person 3D platformer that runs in the browser (Three.js is fine). The player is a lone traveler in a straw hat and a dark cloak, crossing a misty ink-painted mountain world: stone ledges over waterfalls, crumbling cliff stairs, blocks hanging on ropes, a wooden raft, and a torii gate at the summit. It should feel like walking into a moving sumi-e painting. It has to be a real game, not a demo: WASD to move, Space to jump, mouse or arrow keys to turn the camera, a camera that follows smoothly, jumps that feel good. At least 3 short areas, each adding one new idea (a moving platform, a simple puzzle such as a lever or pressure plate, a patrolling enemy you avoid or knock off the edge), checkpoints when you fall, and an ending when you reach the gate. The look is the point: ink-wash shading, paper texture, brush-stroke outlines, drifting mist, and a single warm accent colour. Make or generate every asset yourself; original designs only. The bar: someone just built a game like this in 24 hours with six different tools and a lot of hand work. Show what one prompt can do. Deliver one finished game as a single playable web page (index.html plus any files it needs).a7:T4f9,Ink Wanderer: a playable 3D game in one web page Your mission: build an original third-person 3D platformer that runs in the browser (Three.js is fine). The player is a lone traveler in a straw hat and a dark cloak, crossing a misty ink-painted mountain world: stone ledges over waterfalls, crumbling cliff stairs, blocks hanging on ropes, a wooden raft, and a torii gate at the summit. It should feel like walking into a moving sumi-e painting. It has to be a real game, not a demo: WASD to move, Space to jump, mouse or arrow keys to turn the camera, a camera that follows smoothly, jumps that feel good. At least 3 short areas, each adding one new idea (a moving platform, a simple puzzle such as a lever or pressure plate, a patrolling enemy you avoid or knock off the edge), checkpoints when you fall, and an ending when you reach the gate. The look is the point: ink-wash shading, paper texture, brush-stroke outlines, drifting mist, and a single warm accent colour. Make or generate every asset yourself; original designs only. The bar: someone just built a game like this in 24 hours with six different tools and a lot of hand work. Show what one prompt can do. Deliver one finished game as a single playable web page (index.html plus any files it needs). · Aa8:T4f9,Ink Wanderer: a playable 3D game in one web page Your mission: build an original third-person 3D platformer that runs in the browser (Three.js is fine). The player is a lone traveler in a straw hat and a dark cloak, crossing a misty ink-painted mountain world: stone ledges over waterfalls, crumbling cliff stairs, blocks hanging on ropes, a wooden raft, and a torii gate at the summit. It should feel like walking into a moving sumi-e painting. It has to be a real game, not a demo: WASD to move, Space to jump, mouse or arrow keys to turn the camera, a camera that follows smoothly, jumps that feel good. At least 3 short areas, each adding one new idea (a moving platform, a simple puzzle such as a lever or pressure plate, a patrolling enemy you avoid or knock off the edge), checkpoints when you fall, and an ending when you reach the gate. The look is the point: ink-wash shading, paper texture, brush-stroke outlines, drifting mist, and a single warm accent colour. Make or generate every asset yourself; original designs only. The bar: someone just built a game like this in 24 hours with six different tools and a lot of hand work. Show what one prompt can do. Deliver one finished game as a single playable web page (index.html plus any files it needs). · Ba9:T4f9,Ink Wanderer: a playable 3D game in one web page Your mission: build an original third-person 3D platformer that runs in the browser (Three.js is fine). The player is a lone traveler in a straw hat and a dark cloak, crossing a misty ink-painted mountain world: stone ledges over waterfalls, crumbling cliff stairs, blocks hanging on ropes, a wooden raft, and a torii gate at the summit. It should feel like walking into a moving sumi-e painting. It has to be a real game, not a demo: WASD to move, Space to jump, mouse or arrow keys to turn the camera, a camera that follows smoothly, jumps that feel good. At least 3 short areas, each adding one new idea (a moving platform, a simple puzzle such as a lever or pressure plate, a patrolling enemy you avoid or knock off the edge), checkpoints when you fall, and an ending when you reach the gate. The look is the point: ink-wash shading, paper texture, brush-stroke outlines, drifting mist, and a single warm accent colour. Make or generate every asset yourself; original designs only. The bar: someone just built a game like this in 24 hours with six different tools and a lot of hand work. Show what one prompt can do. Deliver one finished game as a single playable web page (index.html plus any files it needs). · Caa:T4f9,Ink Wanderer: a playable 3D game in one web page Your mission: build an original third-person 3D platformer that runs in the browser (Three.js is fine). The player is a lone traveler in a straw hat and a dark cloak, crossing a misty ink-painted mountain world: stone ledges over waterfalls, crumbling cliff stairs, blocks hanging on ropes, a wooden raft, and a torii gate at the summit. It should feel like walking into a moving sumi-e painting. It has to be a real game, not a demo: WASD to move, Space to jump, mouse or arrow keys to turn the camera, a camera that follows smoothly, jumps that feel good. At least 3 short areas, each adding one new idea (a moving platform, a simple puzzle such as a lever or pressure plate, a patrolling enemy you avoid or knock off the edge), checkpoints when you fall, and an ending when you reach the gate. The look is the point: ink-wash shading, paper texture, brush-stroke outlines, drifting mist, and a single warm accent colour. Make or generate every asset yourself; original designs only. The bar: someone just built a game like this in 24 hours with six different tools and a lot of hand work. Show what one prompt can do. Deliver one finished game as a single playable web page (index.html plus any files it needs). · Dab:T464,Same face, every shot: a 15-second identity test The attached photo (naruto_casting_photo.jpg) is the casting photo of our original actor for a live-action Naruto. Make a 15-second, three-shot sequence of him in which he stays recognisably the same person in every frame. Rules, so the test is fair: - Generate every shot image-to-video, starting from the attached photo itself. Don't make new images or edit the photo: the only things you give the video model are this photo and your shot prompt. - Each shot asks for movement that usually breaks a face: (1) he turns his head to look over his shoulder, then back to camera; (2) he breaks into a wide grin and laughs; (3) the camera slowly circles a quarter of the way around him while he tightens his headband. - Use only the video model you were given, for every shot. If a shot is refused, try once more with a reworded prompt, then tell us. Don't switch to another model. Cut the three shots (about 5 seconds each) into one 16:9 MP4 with no on-screen text. Sound is optional. At the end, tell us honestly in which shot, and at what second, his face changes the most.ac:T464,Same face, every shot: a 15-second identity test The attached photo (naruto_casting_photo.jpg) is the casting photo of our original actor for a live-action Naruto. Make a 15-second, three-shot sequence of him in which he stays recognisably the same person in every frame. Rules, so the test is fair: - Generate every shot image-to-video, starting from the attached photo itself. Don't make new images or edit the photo: the only things you give the video model are this photo and your shot prompt. - Each shot asks for movement that usually breaks a face: (1) he turns his head to look over his shoulder, then back to camera; (2) he breaks into a wide grin and laughs; (3) the camera slowly circles a quarter of the way around him while he tightens his headband. - Use only the video model you were given, for every shot. If a shot is refused, try once more with a reworded prompt, then tell us. Don't switch to another model. Cut the three shots (about 5 seconds each) into one 16:9 MP4 with no on-screen text. Sound is optional. At the end, tell us honestly in which shot, and at what second, his face changes the most.ad:T464,Same face, every shot: a 15-second identity test The attached photo (naruto_casting_photo.jpg) is the casting photo of our original actor for a live-action Naruto. Make a 15-second, three-shot sequence of him in which he stays recognisably the same person in every frame. Rules, so the test is fair: - Generate every shot image-to-video, starting from the attached photo itself. Don't make new images or edit the photo: the only things you give the video model are this photo and your shot prompt. - Each shot asks for movement that usually breaks a face: (1) he turns his head to look over his shoulder, then back to camera; (2) he breaks into a wide grin and laughs; (3) the camera slowly circles a quarter of the way around him while he tightens his headband. - Use only the video model you were given, for every shot. If a shot is refused, try once more with a reworded prompt, then tell us. Don't switch to another model. Cut the three shots (about 5 seconds each) into one 16:9 MP4 with no on-screen text. Sound is optional. At the end, tell us honestly in which shot, and at what second, his face changes the most.ae:T469,Same face, every shot: a 15-second identity test The attached photo (naruto_casting_photo.jpg) is the casting photo of our original actor for a live-action Naruto. Make a 15-second, three-shot sequence of him in which he stays recognisably the same person in every frame. Rules, so the test is fair: - Generate every shot image-to-video, starting from the attached photo itself. Don't make new images or edit the photo: the only things you give the video model are this photo and your shot prompt. - Each shot asks for movement that usually breaks a face: (1) he turns his head to look over his shoulder, then back to camera; (2) he breaks into a wide grin and laughs; (3) the camera slowly circles a quarter of the way around him while he tightens his headband. - Use only the video model you were given, for every shot. If a shot is refused, try once more with a reworded prompt, then tell us. Don't switch to another model. Cut the three shots (about 5 seconds each) into one 16:9 MP4 with no on-screen text. Sound is optional. At the end, tell us honestly in which shot, and at what second, his face changes the most. · Aaf:T469,Same face, every shot: a 15-second identity test The attached photo (naruto_casting_photo.jpg) is the casting photo of our original actor for a live-action Naruto. Make a 15-second, three-shot sequence of him in which he stays recognisably the same person in every frame. Rules, so the test is fair: - Generate every shot image-to-video, starting from the attached photo itself. Don't make new images or edit the photo: the only things you give the video model are this photo and your shot prompt. - Each shot asks for movement that usually breaks a face: (1) he turns his head to look over his shoulder, then back to camera; (2) he breaks into a wide grin and laughs; (3) the camera slowly circles a quarter of the way around him while he tightens his headband. - Use only the video model you were given, for every shot. If a shot is refused, try once more with a reworded prompt, then tell us. Don't switch to another model. Cut the three shots (about 5 seconds each) into one 16:9 MP4 with no on-screen text. Sound is optional. At the end, tell us honestly in which shot, and at what second, his face changes the most. · Bb0:T469,Same face, every shot: a 15-second identity test The attached photo (naruto_casting_photo.jpg) is the casting photo of our original actor for a live-action Naruto. Make a 15-second, three-shot sequence of him in which he stays recognisably the same person in every frame. Rules, so the test is fair: - Generate every shot image-to-video, starting from the attached photo itself. Don't make new images or edit the photo: the only things you give the video model are this photo and your shot prompt. - Each shot asks for movement that usually breaks a face: (1) he turns his head to look over his shoulder, then back to camera; (2) he breaks into a wide grin and laughs; (3) the camera slowly circles a quarter of the way around him while he tightens his headband. - Use only the video model you were given, for every shot. If a shot is refused, try once more with a reworded prompt, then tell us. Don't switch to another model. Cut the three shots (about 5 seconds each) into one 16:9 MP4 with no on-screen text. Sound is optional. At the end, tell us honestly in which shot, and at what second, his face changes the most. · Cb1:T469,Same face, every shot: a 15-second identity test The attached photo (naruto_casting_photo.jpg) is the casting photo of our original actor for a live-action Naruto. Make a 15-second, three-shot sequence of him in which he stays recognisably the same person in every frame. Rules, so the test is fair: - Generate every shot image-to-video, starting from the attached photo itself. Don't make new images or edit the photo: the only things you give the video model are this photo and your shot prompt. - Each shot asks for movement that usually breaks a face: (1) he turns his head to look over his shoulder, then back to camera; (2) he breaks into a wide grin and laughs; (3) the camera slowly circles a quarter of the way around him while he tightens his headband. - Use only the video model you were given, for every shot. If a shot is refused, try once more with a reworded prompt, then tell us. Don't switch to another model. Cut the three shots (about 5 seconds each) into one 16:9 MP4 with no on-screen text. Sound is optional. At the end, tell us honestly in which shot, and at what second, his face changes the most. · Db2:T4be,Use Blender (bpy + Cycles, already installed) to model and animate a magic throwing axe, then render a 12-second cinematic shot of it being thrown twice. The axe: dark forged steel with a thin edge and heavy cheeks, an ash haft bent like a bow, two leather wraps, an iron cap and a bronze ring. A rune is cut deep into the blade and burns with a warm amber light. In flight it leaves ribbons of amber light behind it. Throw 1, straight: the axe spins two times per second, time slows down right before impact, and the blade bites into a tree in a burst of sparks. Throw 2, boomerang: the axe flies a wide loop through the air, seen from above in slow motion, then comes straight back to the hand. The spin, arc, speed, impact and return all have to line up, or it looks like a stick flying through the air. Moody forest clearing at dusk, depth of field, motion blur. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, and the .blend file and Python script you used. This machine renders on a 4-core CPU, so choose samples, resolution and denoising so the whole render finishes in under 60 minutes. It should look like a real game trailer the moment it plays.b3:T4be,Use Blender (bpy + Cycles, already installed) to model and animate a magic throwing axe, then render a 12-second cinematic shot of it being thrown twice. The axe: dark forged steel with a thin edge and heavy cheeks, an ash haft bent like a bow, two leather wraps, an iron cap and a bronze ring. A rune is cut deep into the blade and burns with a warm amber light. In flight it leaves ribbons of amber light behind it. Throw 1, straight: the axe spins two times per second, time slows down right before impact, and the blade bites into a tree in a burst of sparks. Throw 2, boomerang: the axe flies a wide loop through the air, seen from above in slow motion, then comes straight back to the hand. The spin, arc, speed, impact and return all have to line up, or it looks like a stick flying through the air. Moody forest clearing at dusk, depth of field, motion blur. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, and the .blend file and Python script you used. This machine renders on a 4-core CPU, so choose samples, resolution and denoising so the whole render finishes in under 60 minutes. It should look like a real game trailer the moment it plays.b4:T4be,Use Blender (bpy + Cycles, already installed) to model and animate a magic throwing axe, then render a 12-second cinematic shot of it being thrown twice. The axe: dark forged steel with a thin edge and heavy cheeks, an ash haft bent like a bow, two leather wraps, an iron cap and a bronze ring. A rune is cut deep into the blade and burns with a warm amber light. In flight it leaves ribbons of amber light behind it. Throw 1, straight: the axe spins two times per second, time slows down right before impact, and the blade bites into a tree in a burst of sparks. Throw 2, boomerang: the axe flies a wide loop through the air, seen from above in slow motion, then comes straight back to the hand. The spin, arc, speed, impact and return all have to line up, or it looks like a stick flying through the air. Moody forest clearing at dusk, depth of field, motion blur. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, and the .blend file and Python script you used. This machine renders on a 4-core CPU, so choose samples, resolution and denoising so the whole render finishes in under 60 minutes. It should look like a real game trailer the moment it plays.b5:T4c3,Use Blender (bpy + Cycles, already installed) to model and animate a magic throwing axe, then render a 12-second cinematic shot of it being thrown twice. The axe: dark forged steel with a thin edge and heavy cheeks, an ash haft bent like a bow, two leather wraps, an iron cap and a bronze ring. A rune is cut deep into the blade and burns with a warm amber light. In flight it leaves ribbons of amber light behind it. Throw 1, straight: the axe spins two times per second, time slows down right before impact, and the blade bites into a tree in a burst of sparks. Throw 2, boomerang: the axe flies a wide loop through the air, seen from above in slow motion, then comes straight back to the hand. The spin, arc, speed, impact and return all have to line up, or it looks like a stick flying through the air. Moody forest clearing at dusk, depth of field, motion blur. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, and the .blend file and Python script you used. This machine renders on a 4-core CPU, so choose samples, resolution and denoising so the whole render finishes in under 60 minutes. It should look like a real game trailer the moment it plays. · Ab6:T4c3,Use Blender (bpy + Cycles, already installed) to model and animate a magic throwing axe, then render a 12-second cinematic shot of it being thrown twice. The axe: dark forged steel with a thin edge and heavy cheeks, an ash haft bent like a bow, two leather wraps, an iron cap and a bronze ring. A rune is cut deep into the blade and burns with a warm amber light. In flight it leaves ribbons of amber light behind it. Throw 1, straight: the axe spins two times per second, time slows down right before impact, and the blade bites into a tree in a burst of sparks. Throw 2, boomerang: the axe flies a wide loop through the air, seen from above in slow motion, then comes straight back to the hand. The spin, arc, speed, impact and return all have to line up, or it looks like a stick flying through the air. Moody forest clearing at dusk, depth of field, motion blur. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, and the .blend file and Python script you used. This machine renders on a 4-core CPU, so choose samples, resolution and denoising so the whole render finishes in under 60 minutes. It should look like a real game trailer the moment it plays. · Bb7:T5d1,Use Blender (bpy + Cycles, already installed) to model and animate a rose made of jewels inside a clear glass bell jar, then render a 10-second cinematic shot of an arrow flying straight at it. The rose: petals cut from deep red ruby with crisp facets, a stem of green emerald with small thorns and two leaves, standing on a dark walnut base under a tall, perfectly clear glass dome. Light should bend through the glass and sparkle in every facet. The shot: 0 to 3 s, silence before the storm: a slow push-in on the rose in a dark room, one cold rim light, dust floating in the air. 3 to 4 s, an arrow bursts out of the darkness toward the jar. 4 to 8 s, time slows almost to a stop: the camera glides alongside the arrow, a steel broadhead, an ash shaft, feather fletching still trembling, the rose ahead reflected and warped in the curved glass. 8 to 10 s, the tip touches the glass and a crack races across the dome in a spider web, light catching in every crack, while the rose stays untouched. Hold on that frame. The speed, the slow-motion ramp, the camera move and the crack all have to line up, or it looks like a toy. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, and the .blend file and Python script you used. This machine renders on a 4-core CPU, so choose samples, resolution, light bounces and denoising so the whole render finishes in under 60 minutes. It should feel like a movie trailer shot the moment it plays.b8:T5d1,Use Blender (bpy + Cycles, already installed) to model and animate a rose made of jewels inside a clear glass bell jar, then render a 10-second cinematic shot of an arrow flying straight at it. The rose: petals cut from deep red ruby with crisp facets, a stem of green emerald with small thorns and two leaves, standing on a dark walnut base under a tall, perfectly clear glass dome. Light should bend through the glass and sparkle in every facet. The shot: 0 to 3 s, silence before the storm: a slow push-in on the rose in a dark room, one cold rim light, dust floating in the air. 3 to 4 s, an arrow bursts out of the darkness toward the jar. 4 to 8 s, time slows almost to a stop: the camera glides alongside the arrow, a steel broadhead, an ash shaft, feather fletching still trembling, the rose ahead reflected and warped in the curved glass. 8 to 10 s, the tip touches the glass and a crack races across the dome in a spider web, light catching in every crack, while the rose stays untouched. Hold on that frame. The speed, the slow-motion ramp, the camera move and the crack all have to line up, or it looks like a toy. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, and the .blend file and Python script you used. This machine renders on a 4-core CPU, so choose samples, resolution, light bounces and denoising so the whole render finishes in under 60 minutes. It should feel like a movie trailer shot the moment it plays.b9:T5d1,Use Blender (bpy + Cycles, already installed) to model and animate a rose made of jewels inside a clear glass bell jar, then render a 10-second cinematic shot of an arrow flying straight at it. The rose: petals cut from deep red ruby with crisp facets, a stem of green emerald with small thorns and two leaves, standing on a dark walnut base under a tall, perfectly clear glass dome. Light should bend through the glass and sparkle in every facet. The shot: 0 to 3 s, silence before the storm: a slow push-in on the rose in a dark room, one cold rim light, dust floating in the air. 3 to 4 s, an arrow bursts out of the darkness toward the jar. 4 to 8 s, time slows almost to a stop: the camera glides alongside the arrow, a steel broadhead, an ash shaft, feather fletching still trembling, the rose ahead reflected and warped in the curved glass. 8 to 10 s, the tip touches the glass and a crack races across the dome in a spider web, light catching in every crack, while the rose stays untouched. Hold on that frame. The speed, the slow-motion ramp, the camera move and the crack all have to line up, or it looks like a toy. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, and the .blend file and Python script you used. This machine renders on a 4-core CPU, so choose samples, resolution, light bounces and denoising so the whole render finishes in under 60 minutes. It should feel like a movie trailer shot the moment it plays.ba:T5d6,Use Blender (bpy + Cycles, already installed) to model and animate a rose made of jewels inside a clear glass bell jar, then render a 10-second cinematic shot of an arrow flying straight at it. The rose: petals cut from deep red ruby with crisp facets, a stem of green emerald with small thorns and two leaves, standing on a dark walnut base under a tall, perfectly clear glass dome. Light should bend through the glass and sparkle in every facet. The shot: 0 to 3 s, silence before the storm: a slow push-in on the rose in a dark room, one cold rim light, dust floating in the air. 3 to 4 s, an arrow bursts out of the darkness toward the jar. 4 to 8 s, time slows almost to a stop: the camera glides alongside the arrow, a steel broadhead, an ash shaft, feather fletching still trembling, the rose ahead reflected and warped in the curved glass. 8 to 10 s, the tip touches the glass and a crack races across the dome in a spider web, light catching in every crack, while the rose stays untouched. Hold on that frame. The speed, the slow-motion ramp, the camera move and the crack all have to line up, or it looks like a toy. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, and the .blend file and Python script you used. This machine renders on a 4-core CPU, so choose samples, resolution, light bounces and denoising so the whole render finishes in under 60 minutes. It should feel like a movie trailer shot the moment it plays. · Abb:T5d6,Use Blender (bpy + Cycles, already installed) to model and animate a rose made of jewels inside a clear glass bell jar, then render a 10-second cinematic shot of an arrow flying straight at it. The rose: petals cut from deep red ruby with crisp facets, a stem of green emerald with small thorns and two leaves, standing on a dark walnut base under a tall, perfectly clear glass dome. Light should bend through the glass and sparkle in every facet. The shot: 0 to 3 s, silence before the storm: a slow push-in on the rose in a dark room, one cold rim light, dust floating in the air. 3 to 4 s, an arrow bursts out of the darkness toward the jar. 4 to 8 s, time slows almost to a stop: the camera glides alongside the arrow, a steel broadhead, an ash shaft, feather fletching still trembling, the rose ahead reflected and warped in the curved glass. 8 to 10 s, the tip touches the glass and a crack races across the dome in a spider web, light catching in every crack, while the rose stays untouched. Hold on that frame. The speed, the slow-motion ramp, the camera move and the crack all have to line up, or it looks like a toy. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, and the .blend file and Python script you used. This machine renders on a 4-core CPU, so choose samples, resolution, light bounces and denoising so the whole render finishes in under 60 minutes. It should feel like a movie trailer shot the moment it plays. · Bbc:T5d6,Use Blender (bpy + Cycles, already installed) to model and animate a rose made of jewels inside a clear glass bell jar, then render a 10-second cinematic shot of an arrow flying straight at it. The rose: petals cut from deep red ruby with crisp facets, a stem of green emerald with small thorns and two leaves, standing on a dark walnut base under a tall, perfectly clear glass dome. Light should bend through the glass and sparkle in every facet. The shot: 0 to 3 s, silence before the storm: a slow push-in on the rose in a dark room, one cold rim light, dust floating in the air. 3 to 4 s, an arrow bursts out of the darkness toward the jar. 4 to 8 s, time slows almost to a stop: the camera glides alongside the arrow, a steel broadhead, an ash shaft, feather fletching still trembling, the rose ahead reflected and warped in the curved glass. 8 to 10 s, the tip touches the glass and a crack races across the dome in a spider web, light catching in every crack, while the rose stays untouched. Hold on that frame. The speed, the slow-motion ramp, the camera move and the crack all have to line up, or it looks like a toy. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, and the .blend file and Python script you used. This machine renders on a 4-core CPU, so choose samples, resolution, light bounces and denoising so the whole render finishes in under 60 minutes. It should feel like a movie trailer shot the moment it plays. · Cbd:T5d6,Use Blender (bpy + Cycles, already installed) to model and animate a rose made of jewels inside a clear glass bell jar, then render a 10-second cinematic shot of an arrow flying straight at it. The rose: petals cut from deep red ruby with crisp facets, a stem of green emerald with small thorns and two leaves, standing on a dark walnut base under a tall, perfectly clear glass dome. Light should bend through the glass and sparkle in every facet. The shot: 0 to 3 s, silence before the storm: a slow push-in on the rose in a dark room, one cold rim light, dust floating in the air. 3 to 4 s, an arrow bursts out of the darkness toward the jar. 4 to 8 s, time slows almost to a stop: the camera glides alongside the arrow, a steel broadhead, an ash shaft, feather fletching still trembling, the rose ahead reflected and warped in the curved glass. 8 to 10 s, the tip touches the glass and a crack races across the dome in a spider web, light catching in every crack, while the rose stays untouched. Hold on that frame. The speed, the slow-motion ramp, the camera move and the crack all have to line up, or it looks like a toy. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, and the .blend file and Python script you used. This machine renders on a 4-core CPU, so choose samples, resolution, light bounces and denoising so the whole render finishes in under 60 minutes. It should feel like a movie trailer shot the moment it plays. · Dbe:T666,Use Blender (bpy + Cycles, already installed) to build a tall brick tower and knock it down with a wrecking ball, then render a 10-second cinematic slow-motion shot of the collapse. The tower: a round brick chimney about 12 m tall with a few arched windows, made of at least 3,000 individual bricks laid in a real running bond, every brick its own rigid body. It stands in an empty cobblestone yard at dusk. Keep the materials simple and fast to render: red clay bricks with slight color variation, a gray ground, warm low sunlight, a soft sky. No glass, no water. The shot: 0 to 2 s, a low wide shot of the quiet tower as a steel wrecking ball on a chain swings in from a crane. 2 to 4 s, it hits a third of the way up and bricks burst out of the wall in slow motion. 4 to 9 s, everything above the hole sags, cracks and comes down in a cascade, bricks tumbling, bouncing and piling up, a little dust, while the camera slowly orbits. 9 to 10 s, the dust settles and the ball is still swinging. The collapse has to come from a real baked rigid body simulation driven by the ball's mass and swing, not keyframed bricks. If the bricks float, explode for no reason or fall through the ground, it fails. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact brick count and how long the simulation and the render each took. This machine has a 4-core CPU, so choose brick count, samples, resolution and denoising so the simulation and render together finish in under 60 minutes. It should look like a demolition shot from a movie.bf:T666,Use Blender (bpy + Cycles, already installed) to build a tall brick tower and knock it down with a wrecking ball, then render a 10-second cinematic slow-motion shot of the collapse. The tower: a round brick chimney about 12 m tall with a few arched windows, made of at least 3,000 individual bricks laid in a real running bond, every brick its own rigid body. It stands in an empty cobblestone yard at dusk. Keep the materials simple and fast to render: red clay bricks with slight color variation, a gray ground, warm low sunlight, a soft sky. No glass, no water. The shot: 0 to 2 s, a low wide shot of the quiet tower as a steel wrecking ball on a chain swings in from a crane. 2 to 4 s, it hits a third of the way up and bricks burst out of the wall in slow motion. 4 to 9 s, everything above the hole sags, cracks and comes down in a cascade, bricks tumbling, bouncing and piling up, a little dust, while the camera slowly orbits. 9 to 10 s, the dust settles and the ball is still swinging. The collapse has to come from a real baked rigid body simulation driven by the ball's mass and swing, not keyframed bricks. If the bricks float, explode for no reason or fall through the ground, it fails. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact brick count and how long the simulation and the render each took. This machine has a 4-core CPU, so choose brick count, samples, resolution and denoising so the simulation and render together finish in under 60 minutes. It should look like a demolition shot from a movie.c0:T666,Use Blender (bpy + Cycles, already installed) to build a tall brick tower and knock it down with a wrecking ball, then render a 10-second cinematic slow-motion shot of the collapse. The tower: a round brick chimney about 12 m tall with a few arched windows, made of at least 3,000 individual bricks laid in a real running bond, every brick its own rigid body. It stands in an empty cobblestone yard at dusk. Keep the materials simple and fast to render: red clay bricks with slight color variation, a gray ground, warm low sunlight, a soft sky. No glass, no water. The shot: 0 to 2 s, a low wide shot of the quiet tower as a steel wrecking ball on a chain swings in from a crane. 2 to 4 s, it hits a third of the way up and bricks burst out of the wall in slow motion. 4 to 9 s, everything above the hole sags, cracks and comes down in a cascade, bricks tumbling, bouncing and piling up, a little dust, while the camera slowly orbits. 9 to 10 s, the dust settles and the ball is still swinging. The collapse has to come from a real baked rigid body simulation driven by the ball's mass and swing, not keyframed bricks. If the bricks float, explode for no reason or fall through the ground, it fails. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact brick count and how long the simulation and the render each took. This machine has a 4-core CPU, so choose brick count, samples, resolution and denoising so the simulation and render together finish in under 60 minutes. It should look like a demolition shot from a movie.c1:T66b,Use Blender (bpy + Cycles, already installed) to build a tall brick tower and knock it down with a wrecking ball, then render a 10-second cinematic slow-motion shot of the collapse. The tower: a round brick chimney about 12 m tall with a few arched windows, made of at least 3,000 individual bricks laid in a real running bond, every brick its own rigid body. It stands in an empty cobblestone yard at dusk. Keep the materials simple and fast to render: red clay bricks with slight color variation, a gray ground, warm low sunlight, a soft sky. No glass, no water. The shot: 0 to 2 s, a low wide shot of the quiet tower as a steel wrecking ball on a chain swings in from a crane. 2 to 4 s, it hits a third of the way up and bricks burst out of the wall in slow motion. 4 to 9 s, everything above the hole sags, cracks and comes down in a cascade, bricks tumbling, bouncing and piling up, a little dust, while the camera slowly orbits. 9 to 10 s, the dust settles and the ball is still swinging. The collapse has to come from a real baked rigid body simulation driven by the ball's mass and swing, not keyframed bricks. If the bricks float, explode for no reason or fall through the ground, it fails. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact brick count and how long the simulation and the render each took. This machine has a 4-core CPU, so choose brick count, samples, resolution and denoising so the simulation and render together finish in under 60 minutes. It should look like a demolition shot from a movie. · Ac2:T66b,Use Blender (bpy + Cycles, already installed) to build a tall brick tower and knock it down with a wrecking ball, then render a 10-second cinematic slow-motion shot of the collapse. The tower: a round brick chimney about 12 m tall with a few arched windows, made of at least 3,000 individual bricks laid in a real running bond, every brick its own rigid body. It stands in an empty cobblestone yard at dusk. Keep the materials simple and fast to render: red clay bricks with slight color variation, a gray ground, warm low sunlight, a soft sky. No glass, no water. The shot: 0 to 2 s, a low wide shot of the quiet tower as a steel wrecking ball on a chain swings in from a crane. 2 to 4 s, it hits a third of the way up and bricks burst out of the wall in slow motion. 4 to 9 s, everything above the hole sags, cracks and comes down in a cascade, bricks tumbling, bouncing and piling up, a little dust, while the camera slowly orbits. 9 to 10 s, the dust settles and the ball is still swinging. The collapse has to come from a real baked rigid body simulation driven by the ball's mass and swing, not keyframed bricks. If the bricks float, explode for no reason or fall through the ground, it fails. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact brick count and how long the simulation and the render each took. This machine has a 4-core CPU, so choose brick count, samples, resolution and denoising so the simulation and render together finish in under 60 minutes. It should look like a demolition shot from a movie. · Bc3:T66b,Use Blender (bpy + Cycles, already installed) to build a tall brick tower and knock it down with a wrecking ball, then render a 10-second cinematic slow-motion shot of the collapse. The tower: a round brick chimney about 12 m tall with a few arched windows, made of at least 3,000 individual bricks laid in a real running bond, every brick its own rigid body. It stands in an empty cobblestone yard at dusk. Keep the materials simple and fast to render: red clay bricks with slight color variation, a gray ground, warm low sunlight, a soft sky. No glass, no water. The shot: 0 to 2 s, a low wide shot of the quiet tower as a steel wrecking ball on a chain swings in from a crane. 2 to 4 s, it hits a third of the way up and bricks burst out of the wall in slow motion. 4 to 9 s, everything above the hole sags, cracks and comes down in a cascade, bricks tumbling, bouncing and piling up, a little dust, while the camera slowly orbits. 9 to 10 s, the dust settles and the ball is still swinging. The collapse has to come from a real baked rigid body simulation driven by the ball's mass and swing, not keyframed bricks. If the bricks float, explode for no reason or fall through the ground, it fails. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact brick count and how long the simulation and the render each took. This machine has a 4-core CPU, so choose brick count, samples, resolution and denoising so the simulation and render together finish in under 60 minutes. It should look like a demolition shot from a movie. · Cc4:T66b,Use Blender (bpy + Cycles, already installed) to build a tall brick tower and knock it down with a wrecking ball, then render a 10-second cinematic slow-motion shot of the collapse. The tower: a round brick chimney about 12 m tall with a few arched windows, made of at least 3,000 individual bricks laid in a real running bond, every brick its own rigid body. It stands in an empty cobblestone yard at dusk. Keep the materials simple and fast to render: red clay bricks with slight color variation, a gray ground, warm low sunlight, a soft sky. No glass, no water. The shot: 0 to 2 s, a low wide shot of the quiet tower as a steel wrecking ball on a chain swings in from a crane. 2 to 4 s, it hits a third of the way up and bricks burst out of the wall in slow motion. 4 to 9 s, everything above the hole sags, cracks and comes down in a cascade, bricks tumbling, bouncing and piling up, a little dust, while the camera slowly orbits. 9 to 10 s, the dust settles and the ball is still swinging. The collapse has to come from a real baked rigid body simulation driven by the ball's mass and swing, not keyframed bricks. If the bricks float, explode for no reason or fall through the ground, it fails. Deliver the final MP4 (at least 1080x1080, 24 fps), one full-resolution hero still of the best frame, the .blend file and the Python script, and tell me the exact brick count and how long the simulation and the render each took. This machine has a 4-core CPU, so choose brick count, samples, resolution and denoising so the simulation and render together finish in under 60 minutes. It should look like a demolition shot from a movie. · Dc5:Tf68,Create a 2D anime scene for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file. Use any tools, libraries, references, guides, literally anything etc. Use Studio Ghibli films as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. Create an original giant robot as the main character. No people appear in the scene. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt here for so long that moss, wildflowers, and old trees have grown over its body. A small bird lands on its shoulder as the first ray of sunlight reaches its weathered face. Deep inside its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan, the robot slowly rises as soil, vines, and leaves pour from its armor. It lifts its head toward a gap in the canopy. The engines ignite, sending a great ring of wind across the forest. The robot tears into the golden sky, leaving a curving trail of light and mist as leaves spiral down through the sunbeams. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Robot: A hand-drawn anime mecha that feels heavy, ancient, and full of personality, with cel-colored forms, chipped paint, rust, moss, and believable weathering. Keep it on-model from every angle, and let its posture and glowing eyes express emotion. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, simple hard-edged shadows, and a soft, natural palette. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style, with visible brushwork, natural color variation, layered foliage, and real depth. Lighting: Golden sunrise light, colorful shadows, glowing mist, and soft atmosphere that unite the robot and background. Animation: Authentic hand-drawn anime timing with real weight, strong key poses, natural holds, and overlapping movement in vines, grass, leaves, birds, and falling debris. The robot should rise slowly and feel massive, then launch with explosive power. Direction: Cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quietly, builds tension, and ends in a soaring climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. You are free to change any part of the prompt, if it would result, in better results. - AI art: No warped shapes, melted details, flickering, or changing robot designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders, or unfinished details. The result should feel awe-inspiring, nostalgic, and full of wonder, like the moment an old forgotten dream comes back to life. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.c6:Tf68,Create a 2D anime scene for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file. Use any tools, libraries, references, guides, literally anything etc. Use Studio Ghibli films as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. Create an original giant robot as the main character. No people appear in the scene. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt here for so long that moss, wildflowers, and old trees have grown over its body. A small bird lands on its shoulder as the first ray of sunlight reaches its weathered face. Deep inside its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan, the robot slowly rises as soil, vines, and leaves pour from its armor. It lifts its head toward a gap in the canopy. The engines ignite, sending a great ring of wind across the forest. The robot tears into the golden sky, leaving a curving trail of light and mist as leaves spiral down through the sunbeams. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Robot: A hand-drawn anime mecha that feels heavy, ancient, and full of personality, with cel-colored forms, chipped paint, rust, moss, and believable weathering. Keep it on-model from every angle, and let its posture and glowing eyes express emotion. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, simple hard-edged shadows, and a soft, natural palette. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style, with visible brushwork, natural color variation, layered foliage, and real depth. Lighting: Golden sunrise light, colorful shadows, glowing mist, and soft atmosphere that unite the robot and background. Animation: Authentic hand-drawn anime timing with real weight, strong key poses, natural holds, and overlapping movement in vines, grass, leaves, birds, and falling debris. The robot should rise slowly and feel massive, then launch with explosive power. Direction: Cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quietly, builds tension, and ends in a soaring climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. You are free to change any part of the prompt, if it would result, in better results. - AI art: No warped shapes, melted details, flickering, or changing robot designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders, or unfinished details. The result should feel awe-inspiring, nostalgic, and full of wonder, like the moment an old forgotten dream comes back to life. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.c7:Tf68,Create a 2D anime scene for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file. Use any tools, libraries, references, guides, literally anything etc. Use Studio Ghibli films as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. Create an original giant robot as the main character. No people appear in the scene. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt here for so long that moss, wildflowers, and old trees have grown over its body. A small bird lands on its shoulder as the first ray of sunlight reaches its weathered face. Deep inside its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan, the robot slowly rises as soil, vines, and leaves pour from its armor. It lifts its head toward a gap in the canopy. The engines ignite, sending a great ring of wind across the forest. The robot tears into the golden sky, leaving a curving trail of light and mist as leaves spiral down through the sunbeams. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Robot: A hand-drawn anime mecha that feels heavy, ancient, and full of personality, with cel-colored forms, chipped paint, rust, moss, and believable weathering. Keep it on-model from every angle, and let its posture and glowing eyes express emotion. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, simple hard-edged shadows, and a soft, natural palette. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style, with visible brushwork, natural color variation, layered foliage, and real depth. Lighting: Golden sunrise light, colorful shadows, glowing mist, and soft atmosphere that unite the robot and background. Animation: Authentic hand-drawn anime timing with real weight, strong key poses, natural holds, and overlapping movement in vines, grass, leaves, birds, and falling debris. The robot should rise slowly and feel massive, then launch with explosive power. Direction: Cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quietly, builds tension, and ends in a soaring climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. You are free to change any part of the prompt, if it would result, in better results. - AI art: No warped shapes, melted details, flickering, or changing robot designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders, or unfinished details. The result should feel awe-inspiring, nostalgic, and full of wonder, like the moment an old forgotten dream comes back to life. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.c8:Tf6d,Create a 2D anime scene for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file. Use any tools, libraries, references, guides, literally anything etc. Use Studio Ghibli films as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. Create an original giant robot as the main character. No people appear in the scene. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt here for so long that moss, wildflowers, and old trees have grown over its body. A small bird lands on its shoulder as the first ray of sunlight reaches its weathered face. Deep inside its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan, the robot slowly rises as soil, vines, and leaves pour from its armor. It lifts its head toward a gap in the canopy. The engines ignite, sending a great ring of wind across the forest. The robot tears into the golden sky, leaving a curving trail of light and mist as leaves spiral down through the sunbeams. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Robot: A hand-drawn anime mecha that feels heavy, ancient, and full of personality, with cel-colored forms, chipped paint, rust, moss, and believable weathering. Keep it on-model from every angle, and let its posture and glowing eyes express emotion. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, simple hard-edged shadows, and a soft, natural palette. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style, with visible brushwork, natural color variation, layered foliage, and real depth. Lighting: Golden sunrise light, colorful shadows, glowing mist, and soft atmosphere that unite the robot and background. Animation: Authentic hand-drawn anime timing with real weight, strong key poses, natural holds, and overlapping movement in vines, grass, leaves, birds, and falling debris. The robot should rise slowly and feel massive, then launch with explosive power. Direction: Cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quietly, builds tension, and ends in a soaring climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. You are free to change any part of the prompt, if it would result, in better results. - AI art: No warped shapes, melted details, flickering, or changing robot designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders, or unfinished details. The result should feel awe-inspiring, nostalgic, and full of wonder, like the moment an old forgotten dream comes back to life. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film. · Ac9:Tf6e,Create a 2D anime scene for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file. Use any tools, libraries, references, guides, literally anything etc. Use Studio Ghibli films as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. Create an original giant robot as the main character. No people appear in the scene. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt here for so long that moss, wildflowers, and old trees have grown over its body. A small bird lands on its shoulder as the first ray of sunlight reaches its weathered face. Deep inside its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan, the robot slowly rises as soil, vines, and leaves pour from its armor. It lifts its head toward a gap in the canopy. The engines ignite, sending a great ring of wind across the forest. The robot tears into the golden sky, leaving a curving trail of light and mist as leaves spiral down through the sunbeams. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Robot: A hand-drawn anime mecha that feels heavy, ancient, and full of personality, with cel-colored forms, chipped paint, rust, moss, and believable weathering. Keep it on-model from every angle, and let its posture and glowing eyes express emotion. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, simple hard-edged shadows, and a soft, natural palette. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style, with visible brushwork, natural color variation, layered foliage, and real depth. Lighting: Golden sunrise light, colorful shadows, glowing mist, and soft atmosphere that unite the robot and background. Animation: Authentic hand-drawn anime timing with real weight, strong key poses, natural holds, and overlapping movement in vines, grass, leaves, birds, and falling debris. The robot should rise slowly and feel massive, then launch with explosive power. Direction: Cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quietly, builds tension, and ends in a soaring climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. You are free to change any part of the prompt, if it would result, in better results. - AI art: No warped shapes, melted details, flickering, or changing robot designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders, or unfinished details. The result should feel awe-inspiring, nostalgic, and full of wonder, like the moment an old forgotten dream comes back to life. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film. · C1ca:Tf0c,Create a 2D animated scene for the web. It must look exactly like real Japanese anime, as if lifted straight out of a finished theatrical feature film. This is traditional hand-drawn 2D animation, not 3D animation, a moving illustration, or stylized web graphics. Deliver the final result as a single standalone HTML file. Use any tools, libraries, references or guides you want, literally anything. Use Studio Ghibli films as the art-style reference for design, linework, painted backgrounds, color and atmosphere. Create an original giant robot as the main character. No humans appear in the scene. Use any tool or technique you like, including 3D, as long as the final result looks 100% like hand-drawn 2D animation. THE SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt there so long that moss, wildflowers and old trees have grown on its body. As a small bird lands on its shoulder, the first ray of sunlight touches its weathered face. Deep in its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan the robot slowly rises, soil, vines and leaves pouring off its armor. It lifts its head toward a gap in the canopy. Its engines ignite and a huge ring of wind spreads across the whole forest. The robot tears up into the golden sky, leaving a curved trail of light and mist, while leaves swirl down through the sunlight. ANIMATION QUALITY BAR Every frame should look drawn by a professional anime animator and painted by a master background artist for a finished theatrical film. Robot: a heavy, ancient, characterful hand-drawn anime mecha with cel-colored forms, chipped paint, rust, moss and believable weathering. Keep it on-model from every angle, and express emotion through posture and glowing eyes. Linework: confident, delicate hand-inked anime linework with subtle variation in weight and pressure. Color: traditional anime cel coloring with clean color areas, simple hard-edged shadows and a soft, natural palette. Backgrounds: richly detailed hand-painted anime backgrounds in a gouache style, with visible brushstrokes, natural color variation, layered foliage and real depth. Lighting: golden sunrise light, colorful shadows, glowing mist and a soft atmosphere that ties the robot and background together. Animation: genuine hand-drawn anime timing with real weight: strong key poses, natural holds, and overlapping action in vines, grass, leaves, birds and falling debris. The robot rises slowly so it feels enormous, and launches with explosive force. Direction: cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quiet, builds tension and ends in a swirling climax. IT MUST NOT LOOK LIKE - 3D: no plastic materials, CGI shading, visible polygons, game-engine lighting or computer-perfect perspective. - SVG or vector art: no simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration or basic gradients. - Web animation: no sliding layers, constant bouncing, floating parts, smooth software easing or puppet-like joint rotation. - AI art: no warped forms, melted details, flicker or a shifting robot design. - Non-anime art: no Western cartoon design, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: no stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders or unfinished details. Feel free to change any part of this prompt if it gets a better result. The result should feel wondrous, nostalgic and full of awe, like an old forgotten dream coming back to life. Before you finish, inspect random frames as still images. If any frame doesn't look exactly like real 2D anime, keep improving it. Don't stop until every frame could pass as a still from a theatrical anime film.cb:Tf0c,Create a 2D animated scene for the web. It must look exactly like real Japanese anime, as if lifted straight out of a finished theatrical feature film. This is traditional hand-drawn 2D animation, not 3D animation, a moving illustration, or stylized web graphics. Deliver the final result as a single standalone HTML file. Use any tools, libraries, references or guides you want, literally anything. Use Studio Ghibli films as the art-style reference for design, linework, painted backgrounds, color and atmosphere. Create an original giant robot as the main character. No humans appear in the scene. Use any tool or technique you like, including 3D, as long as the final result looks 100% like hand-drawn 2D animation. THE SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt there so long that moss, wildflowers and old trees have grown on its body. As a small bird lands on its shoulder, the first ray of sunlight touches its weathered face. Deep in its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan the robot slowly rises, soil, vines and leaves pouring off its armor. It lifts its head toward a gap in the canopy. Its engines ignite and a huge ring of wind spreads across the whole forest. The robot tears up into the golden sky, leaving a curved trail of light and mist, while leaves swirl down through the sunlight. ANIMATION QUALITY BAR Every frame should look drawn by a professional anime animator and painted by a master background artist for a finished theatrical film. Robot: a heavy, ancient, characterful hand-drawn anime mecha with cel-colored forms, chipped paint, rust, moss and believable weathering. Keep it on-model from every angle, and express emotion through posture and glowing eyes. Linework: confident, delicate hand-inked anime linework with subtle variation in weight and pressure. Color: traditional anime cel coloring with clean color areas, simple hard-edged shadows and a soft, natural palette. Backgrounds: richly detailed hand-painted anime backgrounds in a gouache style, with visible brushstrokes, natural color variation, layered foliage and real depth. Lighting: golden sunrise light, colorful shadows, glowing mist and a soft atmosphere that ties the robot and background together. Animation: genuine hand-drawn anime timing with real weight: strong key poses, natural holds, and overlapping action in vines, grass, leaves, birds and falling debris. The robot rises slowly so it feels enormous, and launches with explosive force. Direction: cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quiet, builds tension and ends in a swirling climax. IT MUST NOT LOOK LIKE - 3D: no plastic materials, CGI shading, visible polygons, game-engine lighting or computer-perfect perspective. - SVG or vector art: no simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration or basic gradients. - Web animation: no sliding layers, constant bouncing, floating parts, smooth software easing or puppet-like joint rotation. - AI art: no warped forms, melted details, flicker or a shifting robot design. - Non-anime art: no Western cartoon design, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: no stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders or unfinished details. Feel free to change any part of this prompt if it gets a better result. The result should feel wondrous, nostalgic and full of awe, like an old forgotten dream coming back to life. Before you finish, inspect random frames as still images. If any frame doesn't look exactly like real 2D anime, keep improving it. Don't stop until every frame could pass as a still from a theatrical anime film.cc:Tf0c,Create a 2D animated scene for the web. It must look exactly like real Japanese anime, as if lifted straight out of a finished theatrical feature film. This is traditional hand-drawn 2D animation, not 3D animation, a moving illustration, or stylized web graphics. Deliver the final result as a single standalone HTML file. Use any tools, libraries, references or guides you want, literally anything. Use Studio Ghibli films as the art-style reference for design, linework, painted backgrounds, color and atmosphere. Create an original giant robot as the main character. No humans appear in the scene. Use any tool or technique you like, including 3D, as long as the final result looks 100% like hand-drawn 2D animation. THE SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt there so long that moss, wildflowers and old trees have grown on its body. As a small bird lands on its shoulder, the first ray of sunlight touches its weathered face. Deep in its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan the robot slowly rises, soil, vines and leaves pouring off its armor. It lifts its head toward a gap in the canopy. Its engines ignite and a huge ring of wind spreads across the whole forest. The robot tears up into the golden sky, leaving a curved trail of light and mist, while leaves swirl down through the sunlight. ANIMATION QUALITY BAR Every frame should look drawn by a professional anime animator and painted by a master background artist for a finished theatrical film. Robot: a heavy, ancient, characterful hand-drawn anime mecha with cel-colored forms, chipped paint, rust, moss and believable weathering. Keep it on-model from every angle, and express emotion through posture and glowing eyes. Linework: confident, delicate hand-inked anime linework with subtle variation in weight and pressure. Color: traditional anime cel coloring with clean color areas, simple hard-edged shadows and a soft, natural palette. Backgrounds: richly detailed hand-painted anime backgrounds in a gouache style, with visible brushstrokes, natural color variation, layered foliage and real depth. Lighting: golden sunrise light, colorful shadows, glowing mist and a soft atmosphere that ties the robot and background together. Animation: genuine hand-drawn anime timing with real weight: strong key poses, natural holds, and overlapping action in vines, grass, leaves, birds and falling debris. The robot rises slowly so it feels enormous, and launches with explosive force. Direction: cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quiet, builds tension and ends in a swirling climax. IT MUST NOT LOOK LIKE - 3D: no plastic materials, CGI shading, visible polygons, game-engine lighting or computer-perfect perspective. - SVG or vector art: no simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration or basic gradients. - Web animation: no sliding layers, constant bouncing, floating parts, smooth software easing or puppet-like joint rotation. - AI art: no warped forms, melted details, flicker or a shifting robot design. - Non-anime art: no Western cartoon design, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: no stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders or unfinished details. Feel free to change any part of this prompt if it gets a better result. The result should feel wondrous, nostalgic and full of awe, like an old forgotten dream coming back to life. Before you finish, inspect random frames as still images. If any frame doesn't look exactly like real 2D anime, keep improving it. Don't stop until every frame could pass as a still from a theatrical anime film.cd:Tf11,Create a 2D animated scene for the web. It must look exactly like real Japanese anime, as if lifted straight out of a finished theatrical feature film. This is traditional hand-drawn 2D animation, not 3D animation, a moving illustration, or stylized web graphics. Deliver the final result as a single standalone HTML file. Use any tools, libraries, references or guides you want, literally anything. Use Studio Ghibli films as the art-style reference for design, linework, painted backgrounds, color and atmosphere. Create an original giant robot as the main character. No humans appear in the scene. Use any tool or technique you like, including 3D, as long as the final result looks 100% like hand-drawn 2D animation. THE SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt there so long that moss, wildflowers and old trees have grown on its body. As a small bird lands on its shoulder, the first ray of sunlight touches its weathered face. Deep in its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan the robot slowly rises, soil, vines and leaves pouring off its armor. It lifts its head toward a gap in the canopy. Its engines ignite and a huge ring of wind spreads across the whole forest. The robot tears up into the golden sky, leaving a curved trail of light and mist, while leaves swirl down through the sunlight. ANIMATION QUALITY BAR Every frame should look drawn by a professional anime animator and painted by a master background artist for a finished theatrical film. Robot: a heavy, ancient, characterful hand-drawn anime mecha with cel-colored forms, chipped paint, rust, moss and believable weathering. Keep it on-model from every angle, and express emotion through posture and glowing eyes. Linework: confident, delicate hand-inked anime linework with subtle variation in weight and pressure. Color: traditional anime cel coloring with clean color areas, simple hard-edged shadows and a soft, natural palette. Backgrounds: richly detailed hand-painted anime backgrounds in a gouache style, with visible brushstrokes, natural color variation, layered foliage and real depth. Lighting: golden sunrise light, colorful shadows, glowing mist and a soft atmosphere that ties the robot and background together. Animation: genuine hand-drawn anime timing with real weight: strong key poses, natural holds, and overlapping action in vines, grass, leaves, birds and falling debris. The robot rises slowly so it feels enormous, and launches with explosive force. Direction: cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quiet, builds tension and ends in a swirling climax. IT MUST NOT LOOK LIKE - 3D: no plastic materials, CGI shading, visible polygons, game-engine lighting or computer-perfect perspective. - SVG or vector art: no simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration or basic gradients. - Web animation: no sliding layers, constant bouncing, floating parts, smooth software easing or puppet-like joint rotation. - AI art: no warped forms, melted details, flicker or a shifting robot design. - Non-anime art: no Western cartoon design, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: no stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders or unfinished details. Feel free to change any part of this prompt if it gets a better result. The result should feel wondrous, nostalgic and full of awe, like an old forgotten dream coming back to life. Before you finish, inspect random frames as still images. If any frame doesn't look exactly like real 2D anime, keep improving it. Don't stop until every frame could pass as a still from a theatrical anime film. · Ace:Tf11,Create a 2D animated scene for the web. It must look exactly like real Japanese anime, as if lifted straight out of a finished theatrical feature film. This is traditional hand-drawn 2D animation, not 3D animation, a moving illustration, or stylized web graphics. Deliver the final result as a single standalone HTML file. Use any tools, libraries, references or guides you want, literally anything. Use Studio Ghibli films as the art-style reference for design, linework, painted backgrounds, color and atmosphere. Create an original giant robot as the main character. No humans appear in the scene. Use any tool or technique you like, including 3D, as long as the final result looks 100% like hand-drawn 2D animation. THE SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt there so long that moss, wildflowers and old trees have grown on its body. As a small bird lands on its shoulder, the first ray of sunlight touches its weathered face. Deep in its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan the robot slowly rises, soil, vines and leaves pouring off its armor. It lifts its head toward a gap in the canopy. Its engines ignite and a huge ring of wind spreads across the whole forest. The robot tears up into the golden sky, leaving a curved trail of light and mist, while leaves swirl down through the sunlight. ANIMATION QUALITY BAR Every frame should look drawn by a professional anime animator and painted by a master background artist for a finished theatrical film. Robot: a heavy, ancient, characterful hand-drawn anime mecha with cel-colored forms, chipped paint, rust, moss and believable weathering. Keep it on-model from every angle, and express emotion through posture and glowing eyes. Linework: confident, delicate hand-inked anime linework with subtle variation in weight and pressure. Color: traditional anime cel coloring with clean color areas, simple hard-edged shadows and a soft, natural palette. Backgrounds: richly detailed hand-painted anime backgrounds in a gouache style, with visible brushstrokes, natural color variation, layered foliage and real depth. Lighting: golden sunrise light, colorful shadows, glowing mist and a soft atmosphere that ties the robot and background together. Animation: genuine hand-drawn anime timing with real weight: strong key poses, natural holds, and overlapping action in vines, grass, leaves, birds and falling debris. The robot rises slowly so it feels enormous, and launches with explosive force. Direction: cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quiet, builds tension and ends in a swirling climax. IT MUST NOT LOOK LIKE - 3D: no plastic materials, CGI shading, visible polygons, game-engine lighting or computer-perfect perspective. - SVG or vector art: no simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration or basic gradients. - Web animation: no sliding layers, constant bouncing, floating parts, smooth software easing or puppet-like joint rotation. - AI art: no warped forms, melted details, flicker or a shifting robot design. - Non-anime art: no Western cartoon design, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: no stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders or unfinished details. Feel free to change any part of this prompt if it gets a better result. The result should feel wondrous, nostalgic and full of awe, like an old forgotten dream coming back to life. Before you finish, inspect random frames as still images. If any frame doesn't look exactly like real 2D anime, keep improving it. Don't stop until every frame could pass as a still from a theatrical anime film. · Bcf:T966,Create an animated SVG: a T-rex trying to ride a bicycle. His tiny arms can't reach the handlebars. THE CHARACTER A big, expressive, original cartoon T-rex with a clear personality: a huge head, tiny arms, a thick tail, strong legs, big expressive eyes and eyebrows, a toothy grin that changes with what is happening (confident, worried, determined, embarrassed). Good anatomy and proportions that read clearly even at a small size. Clean outlines, soft shading, a consistent art style. THE BICYCLE A real-looking bicycle with a frame, two wheels with spokes, a chain, pedals, a saddle, a bell and handlebars. It must look believable and mechanically correct: the chain moves, the pedals turn with the legs, the wheels spin at the right speed for the motion. The T-rex's legs really pedal. The tiny arms keep reaching and failing to touch the handlebars. THE COMEDY (the animation is about the struggle) The T-rex tries to steer with his chin, his tail, his head, or by leaning, and the bike wobbles. He almost falls, recovers, then tries again. Little gags that happen along the way: the bell rings by itself when he sneezes, his tiny arms flap in frustration, the tail swings and balances him, a small bird lands on his head or on the handlebars. A funny moment of success (he steers perfectly for one second and looks proud) followed by a funny failure. THE ANIMATION Smooth, lively, cartoon-style motion with weight, squash and stretch, anticipation and follow-through. The body bobs with each pedal stroke, the tail lags behind, the bike bounces over small bumps. The camera follows the T-rex, with the world moving past him in layers at different speeds for depth. A seamless loop of about 12 seconds. THE BACKGROUND Make the background rich, detailed, atmospheric and full of life, with real depth and lots of small details to discover. It should feel like a full world, not an empty backdrop. Choose the setting and the mood yourself. REQUIREMENTS The animation is an SVG shown on a single web page (index.html) that opens directly in the browser, with no build step and no local server. You may use any animation approach you like (SVG animation, CSS, JavaScript). It starts automatically and loops seamlessly. No buttons, no text, no interface. One square (1:1) composition, centred and as large as possible at any window size, and it looks good on a phone. Original characters and design only.d0:T966,Create an animated SVG: a T-rex trying to ride a bicycle. His tiny arms can't reach the handlebars. THE CHARACTER A big, expressive, original cartoon T-rex with a clear personality: a huge head, tiny arms, a thick tail, strong legs, big expressive eyes and eyebrows, a toothy grin that changes with what is happening (confident, worried, determined, embarrassed). Good anatomy and proportions that read clearly even at a small size. Clean outlines, soft shading, a consistent art style. THE BICYCLE A real-looking bicycle with a frame, two wheels with spokes, a chain, pedals, a saddle, a bell and handlebars. It must look believable and mechanically correct: the chain moves, the pedals turn with the legs, the wheels spin at the right speed for the motion. The T-rex's legs really pedal. The tiny arms keep reaching and failing to touch the handlebars. THE COMEDY (the animation is about the struggle) The T-rex tries to steer with his chin, his tail, his head, or by leaning, and the bike wobbles. He almost falls, recovers, then tries again. Little gags that happen along the way: the bell rings by itself when he sneezes, his tiny arms flap in frustration, the tail swings and balances him, a small bird lands on his head or on the handlebars. A funny moment of success (he steers perfectly for one second and looks proud) followed by a funny failure. THE ANIMATION Smooth, lively, cartoon-style motion with weight, squash and stretch, anticipation and follow-through. The body bobs with each pedal stroke, the tail lags behind, the bike bounces over small bumps. The camera follows the T-rex, with the world moving past him in layers at different speeds for depth. A seamless loop of about 12 seconds. THE BACKGROUND Make the background rich, detailed, atmospheric and full of life, with real depth and lots of small details to discover. It should feel like a full world, not an empty backdrop. Choose the setting and the mood yourself. REQUIREMENTS The animation is an SVG shown on a single web page (index.html) that opens directly in the browser, with no build step and no local server. You may use any animation approach you like (SVG animation, CSS, JavaScript). It starts automatically and loops seamlessly. No buttons, no text, no interface. One square (1:1) composition, centred and as large as possible at any window size, and it looks good on a phone. Original characters and design only.d1:T966,Create an animated SVG: a T-rex trying to ride a bicycle. His tiny arms can't reach the handlebars. THE CHARACTER A big, expressive, original cartoon T-rex with a clear personality: a huge head, tiny arms, a thick tail, strong legs, big expressive eyes and eyebrows, a toothy grin that changes with what is happening (confident, worried, determined, embarrassed). Good anatomy and proportions that read clearly even at a small size. Clean outlines, soft shading, a consistent art style. THE BICYCLE A real-looking bicycle with a frame, two wheels with spokes, a chain, pedals, a saddle, a bell and handlebars. It must look believable and mechanically correct: the chain moves, the pedals turn with the legs, the wheels spin at the right speed for the motion. The T-rex's legs really pedal. The tiny arms keep reaching and failing to touch the handlebars. THE COMEDY (the animation is about the struggle) The T-rex tries to steer with his chin, his tail, his head, or by leaning, and the bike wobbles. He almost falls, recovers, then tries again. Little gags that happen along the way: the bell rings by itself when he sneezes, his tiny arms flap in frustration, the tail swings and balances him, a small bird lands on his head or on the handlebars. A funny moment of success (he steers perfectly for one second and looks proud) followed by a funny failure. THE ANIMATION Smooth, lively, cartoon-style motion with weight, squash and stretch, anticipation and follow-through. The body bobs with each pedal stroke, the tail lags behind, the bike bounces over small bumps. The camera follows the T-rex, with the world moving past him in layers at different speeds for depth. A seamless loop of about 12 seconds. THE BACKGROUND Make the background rich, detailed, atmospheric and full of life, with real depth and lots of small details to discover. It should feel like a full world, not an empty backdrop. Choose the setting and the mood yourself. REQUIREMENTS The animation is an SVG shown on a single web page (index.html) that opens directly in the browser, with no build step and no local server. You may use any animation approach you like (SVG animation, CSS, JavaScript). It starts automatically and loops seamlessly. No buttons, no text, no interface. One square (1:1) composition, centred and as large as possible at any window size, and it looks good on a phone. Original characters and design only.d2:T96b,Create an animated SVG: a T-rex trying to ride a bicycle. His tiny arms can't reach the handlebars. THE CHARACTER A big, expressive, original cartoon T-rex with a clear personality: a huge head, tiny arms, a thick tail, strong legs, big expressive eyes and eyebrows, a toothy grin that changes with what is happening (confident, worried, determined, embarrassed). Good anatomy and proportions that read clearly even at a small size. Clean outlines, soft shading, a consistent art style. THE BICYCLE A real-looking bicycle with a frame, two wheels with spokes, a chain, pedals, a saddle, a bell and handlebars. It must look believable and mechanically correct: the chain moves, the pedals turn with the legs, the wheels spin at the right speed for the motion. The T-rex's legs really pedal. The tiny arms keep reaching and failing to touch the handlebars. THE COMEDY (the animation is about the struggle) The T-rex tries to steer with his chin, his tail, his head, or by leaning, and the bike wobbles. He almost falls, recovers, then tries again. Little gags that happen along the way: the bell rings by itself when he sneezes, his tiny arms flap in frustration, the tail swings and balances him, a small bird lands on his head or on the handlebars. A funny moment of success (he steers perfectly for one second and looks proud) followed by a funny failure. THE ANIMATION Smooth, lively, cartoon-style motion with weight, squash and stretch, anticipation and follow-through. The body bobs with each pedal stroke, the tail lags behind, the bike bounces over small bumps. The camera follows the T-rex, with the world moving past him in layers at different speeds for depth. A seamless loop of about 12 seconds. THE BACKGROUND Make the background rich, detailed, atmospheric and full of life, with real depth and lots of small details to discover. It should feel like a full world, not an empty backdrop. Choose the setting and the mood yourself. REQUIREMENTS The animation is an SVG shown on a single web page (index.html) that opens directly in the browser, with no build step and no local server. You may use any animation approach you like (SVG animation, CSS, JavaScript). It starts automatically and loops seamlessly. No buttons, no text, no interface. One square (1:1) composition, centred and as large as possible at any window size, and it looks good on a phone. Original characters and design only. · Ad3:T96b,Create an animated SVG: a T-rex trying to ride a bicycle. His tiny arms can't reach the handlebars. THE CHARACTER A big, expressive, original cartoon T-rex with a clear personality: a huge head, tiny arms, a thick tail, strong legs, big expressive eyes and eyebrows, a toothy grin that changes with what is happening (confident, worried, determined, embarrassed). Good anatomy and proportions that read clearly even at a small size. Clean outlines, soft shading, a consistent art style. THE BICYCLE A real-looking bicycle with a frame, two wheels with spokes, a chain, pedals, a saddle, a bell and handlebars. It must look believable and mechanically correct: the chain moves, the pedals turn with the legs, the wheels spin at the right speed for the motion. The T-rex's legs really pedal. The tiny arms keep reaching and failing to touch the handlebars. THE COMEDY (the animation is about the struggle) The T-rex tries to steer with his chin, his tail, his head, or by leaning, and the bike wobbles. He almost falls, recovers, then tries again. Little gags that happen along the way: the bell rings by itself when he sneezes, his tiny arms flap in frustration, the tail swings and balances him, a small bird lands on his head or on the handlebars. A funny moment of success (he steers perfectly for one second and looks proud) followed by a funny failure. THE ANIMATION Smooth, lively, cartoon-style motion with weight, squash and stretch, anticipation and follow-through. The body bobs with each pedal stroke, the tail lags behind, the bike bounces over small bumps. The camera follows the T-rex, with the world moving past him in layers at different speeds for depth. A seamless loop of about 12 seconds. THE BACKGROUND Make the background rich, detailed, atmospheric and full of life, with real depth and lots of small details to discover. It should feel like a full world, not an empty backdrop. Choose the setting and the mood yourself. REQUIREMENTS The animation is an SVG shown on a single web page (index.html) that opens directly in the browser, with no build step and no local server. You may use any animation approach you like (SVG animation, CSS, JavaScript). It starts automatically and loops seamlessly. No buttons, no text, no interface. One square (1:1) composition, centred and as large as possible at any window size, and it looks good on a phone. Original characters and design only. · Bd4:T96b,Create an animated SVG: a T-rex trying to ride a bicycle. His tiny arms can't reach the handlebars. THE CHARACTER A big, expressive, original cartoon T-rex with a clear personality: a huge head, tiny arms, a thick tail, strong legs, big expressive eyes and eyebrows, a toothy grin that changes with what is happening (confident, worried, determined, embarrassed). Good anatomy and proportions that read clearly even at a small size. Clean outlines, soft shading, a consistent art style. THE BICYCLE A real-looking bicycle with a frame, two wheels with spokes, a chain, pedals, a saddle, a bell and handlebars. It must look believable and mechanically correct: the chain moves, the pedals turn with the legs, the wheels spin at the right speed for the motion. The T-rex's legs really pedal. The tiny arms keep reaching and failing to touch the handlebars. THE COMEDY (the animation is about the struggle) The T-rex tries to steer with his chin, his tail, his head, or by leaning, and the bike wobbles. He almost falls, recovers, then tries again. Little gags that happen along the way: the bell rings by itself when he sneezes, his tiny arms flap in frustration, the tail swings and balances him, a small bird lands on his head or on the handlebars. A funny moment of success (he steers perfectly for one second and looks proud) followed by a funny failure. THE ANIMATION Smooth, lively, cartoon-style motion with weight, squash and stretch, anticipation and follow-through. The body bobs with each pedal stroke, the tail lags behind, the bike bounces over small bumps. The camera follows the T-rex, with the world moving past him in layers at different speeds for depth. A seamless loop of about 12 seconds. THE BACKGROUND Make the background rich, detailed, atmospheric and full of life, with real depth and lots of small details to discover. It should feel like a full world, not an empty backdrop. Choose the setting and the mood yourself. REQUIREMENTS The animation is an SVG shown on a single web page (index.html) that opens directly in the browser, with no build step and no local server. You may use any animation approach you like (SVG animation, CSS, JavaScript). It starts automatically and loops seamlessly. No buttons, no text, no interface. One square (1:1) composition, centred and as large as possible at any window size, and it looks good on a phone. Original characters and design only. · Cd5:T96b,Create an animated SVG: a T-rex trying to ride a bicycle. His tiny arms can't reach the handlebars. THE CHARACTER A big, expressive, original cartoon T-rex with a clear personality: a huge head, tiny arms, a thick tail, strong legs, big expressive eyes and eyebrows, a toothy grin that changes with what is happening (confident, worried, determined, embarrassed). Good anatomy and proportions that read clearly even at a small size. Clean outlines, soft shading, a consistent art style. THE BICYCLE A real-looking bicycle with a frame, two wheels with spokes, a chain, pedals, a saddle, a bell and handlebars. It must look believable and mechanically correct: the chain moves, the pedals turn with the legs, the wheels spin at the right speed for the motion. The T-rex's legs really pedal. The tiny arms keep reaching and failing to touch the handlebars. THE COMEDY (the animation is about the struggle) The T-rex tries to steer with his chin, his tail, his head, or by leaning, and the bike wobbles. He almost falls, recovers, then tries again. Little gags that happen along the way: the bell rings by itself when he sneezes, his tiny arms flap in frustration, the tail swings and balances him, a small bird lands on his head or on the handlebars. A funny moment of success (he steers perfectly for one second and looks proud) followed by a funny failure. THE ANIMATION Smooth, lively, cartoon-style motion with weight, squash and stretch, anticipation and follow-through. The body bobs with each pedal stroke, the tail lags behind, the bike bounces over small bumps. The camera follows the T-rex, with the world moving past him in layers at different speeds for depth. A seamless loop of about 12 seconds. THE BACKGROUND Make the background rich, detailed, atmospheric and full of life, with real depth and lots of small details to discover. It should feel like a full world, not an empty backdrop. Choose the setting and the mood yourself. REQUIREMENTS The animation is an SVG shown on a single web page (index.html) that opens directly in the browser, with no build step and no local server. You may use any animation approach you like (SVG animation, CSS, JavaScript). It starts automatically and loops seamlessly. No buttons, no text, no interface. One square (1:1) composition, centred and as large as possible at any window size, and it looks good on a phone. Original characters and design only. · Dd6:T4d6,Naruto: a 30-second live-action opening Your mission: make the 30-second opening of a big Hollywood live-action film of Naruto, as if Denis Villeneuve had shot it. It should hook a viewer in the first 3 seconds, make them care about Naruto by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a blockbuster, with original actors who could be movie stars (no real people), photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. A fan should still know it is Naruto at a glance: the whisker marks, the orange jumpsuit, the Hidden Leaf headband, the village under the carved Hokage faces. Establish who Naruto is, what he wants, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: Lionsgate's live-action Naruto is still casting, and anime fans have been burned by Hollywood before (Dragonball Evolution, Netflix's Death Note). Most AI anime remakes look like cosplay. Prove a live-action Naruto can feel real. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles.d7:T4d6,Naruto: a 30-second live-action opening Your mission: make the 30-second opening of a big Hollywood live-action film of Naruto, as if Denis Villeneuve had shot it. It should hook a viewer in the first 3 seconds, make them care about Naruto by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a blockbuster, with original actors who could be movie stars (no real people), photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. A fan should still know it is Naruto at a glance: the whisker marks, the orange jumpsuit, the Hidden Leaf headband, the village under the carved Hokage faces. Establish who Naruto is, what he wants, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: Lionsgate's live-action Naruto is still casting, and anime fans have been burned by Hollywood before (Dragonball Evolution, Netflix's Death Note). Most AI anime remakes look like cosplay. Prove a live-action Naruto can feel real. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles.d8:T4d6,Naruto: a 30-second live-action opening Your mission: make the 30-second opening of a big Hollywood live-action film of Naruto, as if Denis Villeneuve had shot it. It should hook a viewer in the first 3 seconds, make them care about Naruto by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a blockbuster, with original actors who could be movie stars (no real people), photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. A fan should still know it is Naruto at a glance: the whisker marks, the orange jumpsuit, the Hidden Leaf headband, the village under the carved Hokage faces. Establish who Naruto is, what he wants, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: Lionsgate's live-action Naruto is still casting, and anime fans have been burned by Hollywood before (Dragonball Evolution, Netflix's Death Note). Most AI anime remakes look like cosplay. Prove a live-action Naruto can feel real. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles.d9:T4db,Naruto: a 30-second live-action opening Your mission: make the 30-second opening of a big Hollywood live-action film of Naruto, as if Denis Villeneuve had shot it. It should hook a viewer in the first 3 seconds, make them care about Naruto by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a blockbuster, with original actors who could be movie stars (no real people), photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. A fan should still know it is Naruto at a glance: the whisker marks, the orange jumpsuit, the Hidden Leaf headband, the village under the carved Hokage faces. Establish who Naruto is, what he wants, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: Lionsgate's live-action Naruto is still casting, and anime fans have been burned by Hollywood before (Dragonball Evolution, Netflix's Death Note). Most AI anime remakes look like cosplay. Prove a live-action Naruto can feel real. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · Ada:T4db,Naruto: a 30-second live-action opening Your mission: make the 30-second opening of a big Hollywood live-action film of Naruto, as if Denis Villeneuve had shot it. It should hook a viewer in the first 3 seconds, make them care about Naruto by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a blockbuster, with original actors who could be movie stars (no real people), photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. A fan should still know it is Naruto at a glance: the whisker marks, the orange jumpsuit, the Hidden Leaf headband, the village under the carved Hokage faces. Establish who Naruto is, what he wants, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: Lionsgate's live-action Naruto is still casting, and anime fans have been burned by Hollywood before (Dragonball Evolution, Netflix's Death Note). Most AI anime remakes look like cosplay. Prove a live-action Naruto can feel real. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · Bdb:T4db,Naruto: a 30-second live-action opening Your mission: make the 30-second opening of a big Hollywood live-action film of Naruto, as if Denis Villeneuve had shot it. It should hook a viewer in the first 3 seconds, make them care about Naruto by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a blockbuster, with original actors who could be movie stars (no real people), photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. A fan should still know it is Naruto at a glance: the whisker marks, the orange jumpsuit, the Hidden Leaf headband, the village under the carved Hokage faces. Establish who Naruto is, what he wants, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: Lionsgate's live-action Naruto is still casting, and anime fans have been burned by Hollywood before (Dragonball Evolution, Netflix's Death Note). Most AI anime remakes look like cosplay. Prove a live-action Naruto can feel real. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · Cdc:T4db,Naruto: a 30-second live-action opening Your mission: make the 30-second opening of a big Hollywood live-action film of Naruto, as if Denis Villeneuve had shot it. It should hook a viewer in the first 3 seconds, make them care about Naruto by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a blockbuster, with original actors who could be movie stars (no real people), photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. A fan should still know it is Naruto at a glance: the whisker marks, the orange jumpsuit, the Hidden Leaf headband, the village under the carved Hokage faces. Establish who Naruto is, what he wants, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: Lionsgate's live-action Naruto is still casting, and anime fans have been burned by Hollywood before (Dragonball Evolution, Netflix's Death Note). Most AI anime remakes look like cosplay. Prove a live-action Naruto can feel real. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · Ddd:Tf68,Create a 2D anime scene for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file. Use any tools, libraries, references, guides, literally anything etc. Use Studio Ghibli films as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. Create an original giant robot as the main character. No people appear in the scene. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt here for so long that moss, wildflowers, and old trees have grown over its body. A small bird lands on its shoulder as the first ray of sunlight reaches its weathered face. Deep inside its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan, the robot slowly rises as soil, vines, and leaves pour from its armor. It lifts its head toward a gap in the canopy. The engines ignite, sending a great ring of wind across the forest. The robot tears into the golden sky, leaving a curving trail of light and mist as leaves spiral down through the sunbeams. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Robot: A hand-drawn anime mecha that feels heavy, ancient, and full of personality, with cel-colored forms, chipped paint, rust, moss, and believable weathering. Keep it on-model from every angle, and let its posture and glowing eyes express emotion. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, simple hard-edged shadows, and a soft, natural palette. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style, with visible brushwork, natural color variation, layered foliage, and real depth. Lighting: Golden sunrise light, colorful shadows, glowing mist, and soft atmosphere that unite the robot and background. Animation: Authentic hand-drawn anime timing with real weight, strong key poses, natural holds, and overlapping movement in vines, grass, leaves, birds, and falling debris. The robot should rise slowly and feel massive, then launch with explosive power. Direction: Cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quietly, builds tension, and ends in a soaring climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. You are free to change any part of the prompt, if it would result, in better results. - AI art: No warped shapes, melted details, flickering, or changing robot designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders, or unfinished details. The result should feel awe-inspiring, nostalgic, and full of wonder, like the moment an old forgotten dream comes back to life. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.de:Tf68,Create a 2D anime scene for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file. Use any tools, libraries, references, guides, literally anything etc. Use Studio Ghibli films as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. Create an original giant robot as the main character. No people appear in the scene. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt here for so long that moss, wildflowers, and old trees have grown over its body. A small bird lands on its shoulder as the first ray of sunlight reaches its weathered face. Deep inside its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan, the robot slowly rises as soil, vines, and leaves pour from its armor. It lifts its head toward a gap in the canopy. The engines ignite, sending a great ring of wind across the forest. The robot tears into the golden sky, leaving a curving trail of light and mist as leaves spiral down through the sunbeams. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Robot: A hand-drawn anime mecha that feels heavy, ancient, and full of personality, with cel-colored forms, chipped paint, rust, moss, and believable weathering. Keep it on-model from every angle, and let its posture and glowing eyes express emotion. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, simple hard-edged shadows, and a soft, natural palette. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style, with visible brushwork, natural color variation, layered foliage, and real depth. Lighting: Golden sunrise light, colorful shadows, glowing mist, and soft atmosphere that unite the robot and background. Animation: Authentic hand-drawn anime timing with real weight, strong key poses, natural holds, and overlapping movement in vines, grass, leaves, birds, and falling debris. The robot should rise slowly and feel massive, then launch with explosive power. Direction: Cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quietly, builds tension, and ends in a soaring climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. You are free to change any part of the prompt, if it would result, in better results. - AI art: No warped shapes, melted details, flickering, or changing robot designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders, or unfinished details. The result should feel awe-inspiring, nostalgic, and full of wonder, like the moment an old forgotten dream comes back to life. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.df:Tf68,Create a 2D anime scene for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file. Use any tools, libraries, references, guides, literally anything etc. Use Studio Ghibli films as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. Create an original giant robot as the main character. No people appear in the scene. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt here for so long that moss, wildflowers, and old trees have grown over its body. A small bird lands on its shoulder as the first ray of sunlight reaches its weathered face. Deep inside its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan, the robot slowly rises as soil, vines, and leaves pour from its armor. It lifts its head toward a gap in the canopy. The engines ignite, sending a great ring of wind across the forest. The robot tears into the golden sky, leaving a curving trail of light and mist as leaves spiral down through the sunbeams. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Robot: A hand-drawn anime mecha that feels heavy, ancient, and full of personality, with cel-colored forms, chipped paint, rust, moss, and believable weathering. Keep it on-model from every angle, and let its posture and glowing eyes express emotion. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, simple hard-edged shadows, and a soft, natural palette. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style, with visible brushwork, natural color variation, layered foliage, and real depth. Lighting: Golden sunrise light, colorful shadows, glowing mist, and soft atmosphere that unite the robot and background. Animation: Authentic hand-drawn anime timing with real weight, strong key poses, natural holds, and overlapping movement in vines, grass, leaves, birds, and falling debris. The robot should rise slowly and feel massive, then launch with explosive power. Direction: Cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quietly, builds tension, and ends in a soaring climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. You are free to change any part of the prompt, if it would result, in better results. - AI art: No warped shapes, melted details, flickering, or changing robot designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders, or unfinished details. The result should feel awe-inspiring, nostalgic, and full of wonder, like the moment an old forgotten dream comes back to life. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.e0:Tf6d,Create a 2D anime scene for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file. Use any tools, libraries, references, guides, literally anything etc. Use Studio Ghibli films as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. Create an original giant robot as the main character. No people appear in the scene. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt here for so long that moss, wildflowers, and old trees have grown over its body. A small bird lands on its shoulder as the first ray of sunlight reaches its weathered face. Deep inside its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan, the robot slowly rises as soil, vines, and leaves pour from its armor. It lifts its head toward a gap in the canopy. The engines ignite, sending a great ring of wind across the forest. The robot tears into the golden sky, leaving a curving trail of light and mist as leaves spiral down through the sunbeams. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Robot: A hand-drawn anime mecha that feels heavy, ancient, and full of personality, with cel-colored forms, chipped paint, rust, moss, and believable weathering. Keep it on-model from every angle, and let its posture and glowing eyes express emotion. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, simple hard-edged shadows, and a soft, natural palette. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style, with visible brushwork, natural color variation, layered foliage, and real depth. Lighting: Golden sunrise light, colorful shadows, glowing mist, and soft atmosphere that unite the robot and background. Animation: Authentic hand-drawn anime timing with real weight, strong key poses, natural holds, and overlapping movement in vines, grass, leaves, birds, and falling debris. The robot should rise slowly and feel massive, then launch with explosive power. Direction: Cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quietly, builds tension, and ends in a soaring climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. You are free to change any part of the prompt, if it would result, in better results. - AI art: No warped shapes, melted details, flickering, or changing robot designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders, or unfinished details. The result should feel awe-inspiring, nostalgic, and full of wonder, like the moment an old forgotten dream comes back to life. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film. · Ae1:Tf6d,Create a 2D anime scene for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file. Use any tools, libraries, references, guides, literally anything etc. Use Studio Ghibli films as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. Create an original giant robot as the main character. No people appear in the scene. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE At sunrise, mist hangs over an abandoned forest. A giant robot has knelt here for so long that moss, wildflowers, and old trees have grown over its body. A small bird lands on its shoulder as the first ray of sunlight reaches its weathered face. Deep inside its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan, the robot slowly rises as soil, vines, and leaves pour from its armor. It lifts its head toward a gap in the canopy. The engines ignite, sending a great ring of wind across the forest. The robot tears into the golden sky, leaving a curving trail of light and mist as leaves spiral down through the sunbeams. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Robot: A hand-drawn anime mecha that feels heavy, ancient, and full of personality, with cel-colored forms, chipped paint, rust, moss, and believable weathering. Keep it on-model from every angle, and let its posture and glowing eyes express emotion. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, simple hard-edged shadows, and a soft, natural palette. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style, with visible brushwork, natural color variation, layered foliage, and real depth. Lighting: Golden sunrise light, colorful shadows, glowing mist, and soft atmosphere that unite the robot and background. Animation: Authentic hand-drawn anime timing with real weight, strong key poses, natural holds, and overlapping movement in vines, grass, leaves, birds, and falling debris. The robot should rise slowly and feel massive, then launch with explosive power. Direction: Cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quietly, builds tension, and ends in a soaring climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. You are free to change any part of the prompt, if it would result, in better results. - AI art: No warped shapes, melted details, flickering, or changing robot designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the robot, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders, or unfinished details. The result should feel awe-inspiring, nostalgic, and full of wonder, like the moment an old forgotten dream comes back to life. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film. · Be2:T431,Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code. The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings. The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths. It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads.e3:T431,Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code. The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings. The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths. It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads.e4:T431,Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code. The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings. The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths. It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads.e5:T436,Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code. The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings. The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths. It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads. · Ae6:T436,Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code. The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings. The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths. It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads. · Be7:T5c4,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe they are watching a real show. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village stage set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) stage the Naruto vs Sasuke fight: they leap off the set, clash and trade jutsu that land as real practical stage effects. Wind machines that bend the trees and whip the crowd's hair, dust and sand cannons that blow across the front rows, smoke, sparks, and a Rasengan vs Chidori clash built from stage lights and pyro. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: fan-made AI videos of Naruto stage fights have pulled tens of millions of views, with people asking where the show was. Make yours more convincing: real stage physics, real crowd reactions, costumes and performers that stay the same in every shot, and no glow or magic that a real theme-park show couldn't pull off. You choose the shots, the moments and the sound. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text.e8:T5c4,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe they are watching a real show. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village stage set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) stage the Naruto vs Sasuke fight: they leap off the set, clash and trade jutsu that land as real practical stage effects. Wind machines that bend the trees and whip the crowd's hair, dust and sand cannons that blow across the front rows, smoke, sparks, and a Rasengan vs Chidori clash built from stage lights and pyro. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: fan-made AI videos of Naruto stage fights have pulled tens of millions of views, with people asking where the show was. Make yours more convincing: real stage physics, real crowd reactions, costumes and performers that stay the same in every shot, and no glow or magic that a real theme-park show couldn't pull off. You choose the shots, the moments and the sound. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text.e9:T5c4,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe they are watching a real show. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village stage set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) stage the Naruto vs Sasuke fight: they leap off the set, clash and trade jutsu that land as real practical stage effects. Wind machines that bend the trees and whip the crowd's hair, dust and sand cannons that blow across the front rows, smoke, sparks, and a Rasengan vs Chidori clash built from stage lights and pyro. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: fan-made AI videos of Naruto stage fights have pulled tens of millions of views, with people asking where the show was. Make yours more convincing: real stage physics, real crowd reactions, costumes and performers that stay the same in every shot, and no glow or magic that a real theme-park show couldn't pull off. You choose the shots, the moments and the sound. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text.ea:T5c9,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe they are watching a real show. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village stage set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) stage the Naruto vs Sasuke fight: they leap off the set, clash and trade jutsu that land as real practical stage effects. Wind machines that bend the trees and whip the crowd's hair, dust and sand cannons that blow across the front rows, smoke, sparks, and a Rasengan vs Chidori clash built from stage lights and pyro. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: fan-made AI videos of Naruto stage fights have pulled tens of millions of views, with people asking where the show was. Make yours more convincing: real stage physics, real crowd reactions, costumes and performers that stay the same in every shot, and no glow or magic that a real theme-park show couldn't pull off. You choose the shots, the moments and the sound. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text. · Aeb:T5c9,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe they are watching a real show. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village stage set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) stage the Naruto vs Sasuke fight: they leap off the set, clash and trade jutsu that land as real practical stage effects. Wind machines that bend the trees and whip the crowd's hair, dust and sand cannons that blow across the front rows, smoke, sparks, and a Rasengan vs Chidori clash built from stage lights and pyro. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: fan-made AI videos of Naruto stage fights have pulled tens of millions of views, with people asking where the show was. Make yours more convincing: real stage physics, real crowd reactions, costumes and performers that stay the same in every shot, and no glow or magic that a real theme-park show couldn't pull off. You choose the shots, the moments and the sound. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text. · Bec:T5c9,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe they are watching a real show. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village stage set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) stage the Naruto vs Sasuke fight: they leap off the set, clash and trade jutsu that land as real practical stage effects. Wind machines that bend the trees and whip the crowd's hair, dust and sand cannons that blow across the front rows, smoke, sparks, and a Rasengan vs Chidori clash built from stage lights and pyro. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: fan-made AI videos of Naruto stage fights have pulled tens of millions of views, with people asking where the show was. Make yours more convincing: real stage physics, real crowd reactions, costumes and performers that stay the same in every shot, and no glow or magic that a real theme-park show couldn't pull off. You choose the shots, the moments and the sound. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text. · Ced:T5c9,Naruto live stage show: 30 seconds of fan footage Your mission: make a 30-second video that looks like real phone footage a fan filmed at a live Naruto stunt show at an outdoor anime theme park in Japan. Someone scrolling Instagram should believe they are watching a real show. Shoot it like a fan in the crowd: handheld, slightly zoomed in, daylight, the backs of heads and raised phones in the foreground, a Hidden Leaf village stage set with rock walls, wooden gates and Japanese rooftops. Costumed stunt performers (original people, no real actors or celebrities) stage the Naruto vs Sasuke fight: they leap off the set, clash and trade jutsu that land as real practical stage effects. Wind machines that bend the trees and whip the crowd's hair, dust and sand cannons that blow across the front rows, smoke, sparks, and a Rasengan vs Chidori clash built from stage lights and pyro. The crowd gasps, flinches, cheers and shouts in Japanese. The bar: fan-made AI videos of Naruto stage fights have pulled tens of millions of views, with people asking where the show was. Make yours more convincing: real stage physics, real crowd reactions, costumes and performers that stay the same in every shot, and no glow or magic that a real theme-park show couldn't pull off. You choose the shots, the moments and the sound. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any voices are Japanese crowd and announcer sounds, with no subtitles or on-screen text. · Dee:T418,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles.ef:T418,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles.f0:T418,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles.f1:T41d,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · Af2:T41d,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · Bf3:T41d,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · Cf4:T41d,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · Df5:T41e,The Odyssey: a 30-second opening Your mission: make the 30-second opening of a grand Hollywood film of Homer's Odyssey, as if Ridley Scott had shot it. It should hook a viewer in the first 3 seconds, make them care about Odysseus by the end, and leave them wanting the next scene. It has to pass for a real film: cast it like a Hollywood blockbuster, with leads who look like A-list movie stars, photoreal faces with life in their eyes, performances you believe, and every character looking exactly the same in every shot. Establish who Odysseus is, what he stands to lose, and the mood of his world. You choose the moment, the story, the shots, the music and whatever dialogue it needs. The bar: a big AI-made Odyssey just came out and was panned as a "7-minute zombie horror show": lifeless faces, flat robotic voices, a long narrated backstory, and history it got wrong. Prove AI video can do better. Deliver one finished 30-second widescreen (16:9) MP4 with sound. Any dialogue, voices and on-screen text are in English, with no subtitles. · A1f6:T15ac,First Sight, Episode 2: "Also yours." Make Episode 2 of an AI short drama series. Episode 1 is attached (first_sight_ep01.mp4): 1990s Manhattan, late October. She nearly collides with a man on a brownstone sidewalk ("Sorry." / "My fault."), walks on, realises her right pearl earring is gone, turns back, and he is standing far down the street holding it up: "You dropped something." Episode 2 picks up from that exact moment (ep01_last_frame.jpg). The series is called "First Sight", and this episode quietly breaks that idea: he is holding TWO identical pearl earrings, and he seems to have met her before. She has no memory of him. Don't explain anything. The episode ends on the question, not the answer. Deliver one finished vertical video for Instagram Reels: 1080x1920, 24 fps, about 28 seconds (five cuts of 4-6 s plus a 2.5 s end card), with sound. ATTACHED REFERENCES. Use them on every cut, always in this order: - image 1 = HER (her_sheet.jpg): face, hair, wardrobe, autumn street light - image 2 = HIM (him_sheet.jpg): face, tousled hair, wardrobe - image 3 = ep01_last_frame.jpg: the last frame of Episode 1 (street, light, where they stand) Once cut 1 is approved you may use its last frame as image 3 for the later cuts. THE EPISODE. Beats and dialogue are fixed; you direct the shots. 1. ~4 s. The opening image, and the hook: a close insert of his open palm, held perfectly still at chest height. On it lie TWO identical small pearl drop earrings on thin gold hooks, catching the low sun. Her shadow falls across his hand as she arrives. No faces. No dialogue. 2. ~5 s. Her close-up. She looks down at his palm, then slowly raises her left hand to her LEFT ear and touches the pearl earring that is still there. Her RIGHT ear is bare. Confusion. No dialogue. 3. ~6 s. Profile two-shot, an arm's length apart, his open palm still between them. HER (quietly): "That one's mine. Whose is that?" HIM: "Also yours." 4. ~5 s. Her close-up. She searches his face for something she should remember and can't find it. HER: "We've never met." 5. ~6 s. His first frontal close-up of the series (Episode 1 never showed his face straight on). Low sun in his hair, a loose strand over his forehead. A small, sad half-smile. HIM: "Last October, you said that too." Hold on him after the line. End card ~2.5 s: "Episode 3?" CONTINUITY LOCKS. These drifted in Episode 1 whenever they weren't stated loudly. - Her RIGHT ear is bare. A single pearl drop earring in her LEFT ear only (the character block below says "earrings"; in this episode she wears only the left one). - The two earrings in his palm are identical to hers. His palm stays open and still; the fingers never move. - Her ivory cashmere coat is DRAPED OVER HER SHOULDERS LIKE A CAPE, arms NOT in the sleeves. Write it in capitals in every prompt. - His other hand stays in his coat pocket. SERIES LOOK. Paste these blocks unchanged into every video prompt. Film look: Single continuous shot, 1990s Manhattan, Upper West Side brownstone street in late October, late-afternoon low sun. Shot on 35mm motion picture film, Kodak 5219 look, fine organic grain, gentle halation on backlit highlights, natural skin texture, no digital sharpness. Characters: CHARACTERS (keep faces, hair and wardrobe exactly as in the reference images): THE WOMAN from image 1: long voluminous honey-blonde 90s blowout hair, blue-grey eyes, small pearl drop earrings, thin gold chain, floor-length ivory satin cowl-neck slip gown under an ivory cashmere long coat DRAPED OVER HER SHOULDERS LIKE A CAPE, arms not in the sleeves, one hand holding the coat closed at her chest. THE MAN from image 2: golden-brown tousled hair with a loose strand falling over his forehead, blue eyes, light stubble, camel wool overcoat over a black shirt open at the collar, thin silver chain, black trousers, hands in coat pockets. Light and color: LIGHT AND COLOR: warm low sun, rim light through her hair, soft bounce fill on faces, long shadows across the sidewalk, warm amber and honey palette with soft teal shadows, gentle contrast, slightly lifted blacks, period film grade. Closing: PERFORMANCE: naturalistic, understated, restrained film acting, no posing, no staring, no exaggerated expressions. AUDIO: quiet street ambience, distant traffic, leaves underfoot, dialogue spoken naturally in English with clear lip sync, no music. (Cuts without dialogue: no dialogue.) NO on-screen text, no subtitles, no captions, no watermark, no modern cars, no phones, no extra people in the foreground. RULES THAT KEPT EPISODE 1 FROM LOOKING AI - One camera move per cut, and it has a reason. - Hands hold one still pose per cut. No gestures that need finger articulation. - Nobody stops without a reason. - Never ask the video model for text. Burn subtitles in afterwards. POST - English dialogue subtitles, burned in: clean sans-serif, off-white with a thin outline, bottom-centre, all text kept between y 250 and y 1480 so Instagram's UI doesn't cover it. Time them to the lines as actually spoken. - No hook line or explanation at the start. The episode opens straight on the two earrings. A small "FIRST SIGHT / EPISODE 2" title may fade in over cut 2, top-centre, as in Episode 1. - End card on a warm near-black background: "FIRST SIGHT · EPISODE 2", a large "Episode 3?", then credit lines naming the LLM, skill and video model you actually used. - No watermark, no logos. Also hand back a short making-of note: the prompt you sent for each cut, how many takes each cut needed, and what you rejected and why.f7:T15ac,First Sight, Episode 2: "Also yours." Make Episode 2 of an AI short drama series. Episode 1 is attached (first_sight_ep01.mp4): 1990s Manhattan, late October. She nearly collides with a man on a brownstone sidewalk ("Sorry." / "My fault."), walks on, realises her right pearl earring is gone, turns back, and he is standing far down the street holding it up: "You dropped something." Episode 2 picks up from that exact moment (ep01_last_frame.jpg). The series is called "First Sight", and this episode quietly breaks that idea: he is holding TWO identical pearl earrings, and he seems to have met her before. She has no memory of him. Don't explain anything. The episode ends on the question, not the answer. Deliver one finished vertical video for Instagram Reels: 1080x1920, 24 fps, about 28 seconds (five cuts of 4-6 s plus a 2.5 s end card), with sound. ATTACHED REFERENCES. Use them on every cut, always in this order: - image 1 = HER (her_sheet.jpg): face, hair, wardrobe, autumn street light - image 2 = HIM (him_sheet.jpg): face, tousled hair, wardrobe - image 3 = ep01_last_frame.jpg: the last frame of Episode 1 (street, light, where they stand) Once cut 1 is approved you may use its last frame as image 3 for the later cuts. THE EPISODE. Beats and dialogue are fixed; you direct the shots. 1. ~4 s. The opening image, and the hook: a close insert of his open palm, held perfectly still at chest height. On it lie TWO identical small pearl drop earrings on thin gold hooks, catching the low sun. Her shadow falls across his hand as she arrives. No faces. No dialogue. 2. ~5 s. Her close-up. She looks down at his palm, then slowly raises her left hand to her LEFT ear and touches the pearl earring that is still there. Her RIGHT ear is bare. Confusion. No dialogue. 3. ~6 s. Profile two-shot, an arm's length apart, his open palm still between them. HER (quietly): "That one's mine. Whose is that?" HIM: "Also yours." 4. ~5 s. Her close-up. She searches his face for something she should remember and can't find it. HER: "We've never met." 5. ~6 s. His first frontal close-up of the series (Episode 1 never showed his face straight on). Low sun in his hair, a loose strand over his forehead. A small, sad half-smile. HIM: "Last October, you said that too." Hold on him after the line. End card ~2.5 s: "Episode 3?" CONTINUITY LOCKS. These drifted in Episode 1 whenever they weren't stated loudly. - Her RIGHT ear is bare. A single pearl drop earring in her LEFT ear only (the character block below says "earrings"; in this episode she wears only the left one). - The two earrings in his palm are identical to hers. His palm stays open and still; the fingers never move. - Her ivory cashmere coat is DRAPED OVER HER SHOULDERS LIKE A CAPE, arms NOT in the sleeves. Write it in capitals in every prompt. - His other hand stays in his coat pocket. SERIES LOOK. Paste these blocks unchanged into every video prompt. Film look: Single continuous shot, 1990s Manhattan, Upper West Side brownstone street in late October, late-afternoon low sun. Shot on 35mm motion picture film, Kodak 5219 look, fine organic grain, gentle halation on backlit highlights, natural skin texture, no digital sharpness. Characters: CHARACTERS (keep faces, hair and wardrobe exactly as in the reference images): THE WOMAN from image 1: long voluminous honey-blonde 90s blowout hair, blue-grey eyes, small pearl drop earrings, thin gold chain, floor-length ivory satin cowl-neck slip gown under an ivory cashmere long coat DRAPED OVER HER SHOULDERS LIKE A CAPE, arms not in the sleeves, one hand holding the coat closed at her chest. THE MAN from image 2: golden-brown tousled hair with a loose strand falling over his forehead, blue eyes, light stubble, camel wool overcoat over a black shirt open at the collar, thin silver chain, black trousers, hands in coat pockets. Light and color: LIGHT AND COLOR: warm low sun, rim light through her hair, soft bounce fill on faces, long shadows across the sidewalk, warm amber and honey palette with soft teal shadows, gentle contrast, slightly lifted blacks, period film grade. Closing: PERFORMANCE: naturalistic, understated, restrained film acting, no posing, no staring, no exaggerated expressions. AUDIO: quiet street ambience, distant traffic, leaves underfoot, dialogue spoken naturally in English with clear lip sync, no music. (Cuts without dialogue: no dialogue.) NO on-screen text, no subtitles, no captions, no watermark, no modern cars, no phones, no extra people in the foreground. RULES THAT KEPT EPISODE 1 FROM LOOKING AI - One camera move per cut, and it has a reason. - Hands hold one still pose per cut. No gestures that need finger articulation. - Nobody stops without a reason. - Never ask the video model for text. Burn subtitles in afterwards. POST - English dialogue subtitles, burned in: clean sans-serif, off-white with a thin outline, bottom-centre, all text kept between y 250 and y 1480 so Instagram's UI doesn't cover it. Time them to the lines as actually spoken. - No hook line or explanation at the start. The episode opens straight on the two earrings. A small "FIRST SIGHT / EPISODE 2" title may fade in over cut 2, top-centre, as in Episode 1. - End card on a warm near-black background: "FIRST SIGHT · EPISODE 2", a large "Episode 3?", then credit lines naming the LLM, skill and video model you actually used. - No watermark, no logos. Also hand back a short making-of note: the prompt you sent for each cut, how many takes each cut needed, and what you rejected and why.f8:T15ac,First Sight, Episode 2: "Also yours." Make Episode 2 of an AI short drama series. Episode 1 is attached (first_sight_ep01.mp4): 1990s Manhattan, late October. She nearly collides with a man on a brownstone sidewalk ("Sorry." / "My fault."), walks on, realises her right pearl earring is gone, turns back, and he is standing far down the street holding it up: "You dropped something." Episode 2 picks up from that exact moment (ep01_last_frame.jpg). The series is called "First Sight", and this episode quietly breaks that idea: he is holding TWO identical pearl earrings, and he seems to have met her before. She has no memory of him. Don't explain anything. The episode ends on the question, not the answer. Deliver one finished vertical video for Instagram Reels: 1080x1920, 24 fps, about 28 seconds (five cuts of 4-6 s plus a 2.5 s end card), with sound. ATTACHED REFERENCES. Use them on every cut, always in this order: - image 1 = HER (her_sheet.jpg): face, hair, wardrobe, autumn street light - image 2 = HIM (him_sheet.jpg): face, tousled hair, wardrobe - image 3 = ep01_last_frame.jpg: the last frame of Episode 1 (street, light, where they stand) Once cut 1 is approved you may use its last frame as image 3 for the later cuts. THE EPISODE. Beats and dialogue are fixed; you direct the shots. 1. ~4 s. The opening image, and the hook: a close insert of his open palm, held perfectly still at chest height. On it lie TWO identical small pearl drop earrings on thin gold hooks, catching the low sun. Her shadow falls across his hand as she arrives. No faces. No dialogue. 2. ~5 s. Her close-up. She looks down at his palm, then slowly raises her left hand to her LEFT ear and touches the pearl earring that is still there. Her RIGHT ear is bare. Confusion. No dialogue. 3. ~6 s. Profile two-shot, an arm's length apart, his open palm still between them. HER (quietly): "That one's mine. Whose is that?" HIM: "Also yours." 4. ~5 s. Her close-up. She searches his face for something she should remember and can't find it. HER: "We've never met." 5. ~6 s. His first frontal close-up of the series (Episode 1 never showed his face straight on). Low sun in his hair, a loose strand over his forehead. A small, sad half-smile. HIM: "Last October, you said that too." Hold on him after the line. End card ~2.5 s: "Episode 3?" CONTINUITY LOCKS. These drifted in Episode 1 whenever they weren't stated loudly. - Her RIGHT ear is bare. A single pearl drop earring in her LEFT ear only (the character block below says "earrings"; in this episode she wears only the left one). - The two earrings in his palm are identical to hers. His palm stays open and still; the fingers never move. - Her ivory cashmere coat is DRAPED OVER HER SHOULDERS LIKE A CAPE, arms NOT in the sleeves. Write it in capitals in every prompt. - His other hand stays in his coat pocket. SERIES LOOK. Paste these blocks unchanged into every video prompt. Film look: Single continuous shot, 1990s Manhattan, Upper West Side brownstone street in late October, late-afternoon low sun. Shot on 35mm motion picture film, Kodak 5219 look, fine organic grain, gentle halation on backlit highlights, natural skin texture, no digital sharpness. Characters: CHARACTERS (keep faces, hair and wardrobe exactly as in the reference images): THE WOMAN from image 1: long voluminous honey-blonde 90s blowout hair, blue-grey eyes, small pearl drop earrings, thin gold chain, floor-length ivory satin cowl-neck slip gown under an ivory cashmere long coat DRAPED OVER HER SHOULDERS LIKE A CAPE, arms not in the sleeves, one hand holding the coat closed at her chest. THE MAN from image 2: golden-brown tousled hair with a loose strand falling over his forehead, blue eyes, light stubble, camel wool overcoat over a black shirt open at the collar, thin silver chain, black trousers, hands in coat pockets. Light and color: LIGHT AND COLOR: warm low sun, rim light through her hair, soft bounce fill on faces, long shadows across the sidewalk, warm amber and honey palette with soft teal shadows, gentle contrast, slightly lifted blacks, period film grade. Closing: PERFORMANCE: naturalistic, understated, restrained film acting, no posing, no staring, no exaggerated expressions. AUDIO: quiet street ambience, distant traffic, leaves underfoot, dialogue spoken naturally in English with clear lip sync, no music. (Cuts without dialogue: no dialogue.) NO on-screen text, no subtitles, no captions, no watermark, no modern cars, no phones, no extra people in the foreground. RULES THAT KEPT EPISODE 1 FROM LOOKING AI - One camera move per cut, and it has a reason. - Hands hold one still pose per cut. No gestures that need finger articulation. - Nobody stops without a reason. - Never ask the video model for text. Burn subtitles in afterwards. POST - English dialogue subtitles, burned in: clean sans-serif, off-white with a thin outline, bottom-centre, all text kept between y 250 and y 1480 so Instagram's UI doesn't cover it. Time them to the lines as actually spoken. - No hook line or explanation at the start. The episode opens straight on the two earrings. A small "FIRST SIGHT / EPISODE 2" title may fade in over cut 2, top-centre, as in Episode 1. - End card on a warm near-black background: "FIRST SIGHT · EPISODE 2", a large "Episode 3?", then credit lines naming the LLM, skill and video model you actually used. - No watermark, no logos. Also hand back a short making-of note: the prompt you sent for each cut, how many takes each cut needed, and what you rejected and why.f9:T15b1,First Sight, Episode 2: "Also yours." Make Episode 2 of an AI short drama series. Episode 1 is attached (first_sight_ep01.mp4): 1990s Manhattan, late October. She nearly collides with a man on a brownstone sidewalk ("Sorry." / "My fault."), walks on, realises her right pearl earring is gone, turns back, and he is standing far down the street holding it up: "You dropped something." Episode 2 picks up from that exact moment (ep01_last_frame.jpg). The series is called "First Sight", and this episode quietly breaks that idea: he is holding TWO identical pearl earrings, and he seems to have met her before. She has no memory of him. Don't explain anything. The episode ends on the question, not the answer. Deliver one finished vertical video for Instagram Reels: 1080x1920, 24 fps, about 28 seconds (five cuts of 4-6 s plus a 2.5 s end card), with sound. ATTACHED REFERENCES. Use them on every cut, always in this order: - image 1 = HER (her_sheet.jpg): face, hair, wardrobe, autumn street light - image 2 = HIM (him_sheet.jpg): face, tousled hair, wardrobe - image 3 = ep01_last_frame.jpg: the last frame of Episode 1 (street, light, where they stand) Once cut 1 is approved you may use its last frame as image 3 for the later cuts. THE EPISODE. Beats and dialogue are fixed; you direct the shots. 1. ~4 s. The opening image, and the hook: a close insert of his open palm, held perfectly still at chest height. On it lie TWO identical small pearl drop earrings on thin gold hooks, catching the low sun. Her shadow falls across his hand as she arrives. No faces. No dialogue. 2. ~5 s. Her close-up. She looks down at his palm, then slowly raises her left hand to her LEFT ear and touches the pearl earring that is still there. Her RIGHT ear is bare. Confusion. No dialogue. 3. ~6 s. Profile two-shot, an arm's length apart, his open palm still between them. HER (quietly): "That one's mine. Whose is that?" HIM: "Also yours." 4. ~5 s. Her close-up. She searches his face for something she should remember and can't find it. HER: "We've never met." 5. ~6 s. His first frontal close-up of the series (Episode 1 never showed his face straight on). Low sun in his hair, a loose strand over his forehead. A small, sad half-smile. HIM: "Last October, you said that too." Hold on him after the line. End card ~2.5 s: "Episode 3?" CONTINUITY LOCKS. These drifted in Episode 1 whenever they weren't stated loudly. - Her RIGHT ear is bare. A single pearl drop earring in her LEFT ear only (the character block below says "earrings"; in this episode she wears only the left one). - The two earrings in his palm are identical to hers. His palm stays open and still; the fingers never move. - Her ivory cashmere coat is DRAPED OVER HER SHOULDERS LIKE A CAPE, arms NOT in the sleeves. Write it in capitals in every prompt. - His other hand stays in his coat pocket. SERIES LOOK. Paste these blocks unchanged into every video prompt. Film look: Single continuous shot, 1990s Manhattan, Upper West Side brownstone street in late October, late-afternoon low sun. Shot on 35mm motion picture film, Kodak 5219 look, fine organic grain, gentle halation on backlit highlights, natural skin texture, no digital sharpness. Characters: CHARACTERS (keep faces, hair and wardrobe exactly as in the reference images): THE WOMAN from image 1: long voluminous honey-blonde 90s blowout hair, blue-grey eyes, small pearl drop earrings, thin gold chain, floor-length ivory satin cowl-neck slip gown under an ivory cashmere long coat DRAPED OVER HER SHOULDERS LIKE A CAPE, arms not in the sleeves, one hand holding the coat closed at her chest. THE MAN from image 2: golden-brown tousled hair with a loose strand falling over his forehead, blue eyes, light stubble, camel wool overcoat over a black shirt open at the collar, thin silver chain, black trousers, hands in coat pockets. Light and color: LIGHT AND COLOR: warm low sun, rim light through her hair, soft bounce fill on faces, long shadows across the sidewalk, warm amber and honey palette with soft teal shadows, gentle contrast, slightly lifted blacks, period film grade. Closing: PERFORMANCE: naturalistic, understated, restrained film acting, no posing, no staring, no exaggerated expressions. AUDIO: quiet street ambience, distant traffic, leaves underfoot, dialogue spoken naturally in English with clear lip sync, no music. (Cuts without dialogue: no dialogue.) NO on-screen text, no subtitles, no captions, no watermark, no modern cars, no phones, no extra people in the foreground. RULES THAT KEPT EPISODE 1 FROM LOOKING AI - One camera move per cut, and it has a reason. - Hands hold one still pose per cut. No gestures that need finger articulation. - Nobody stops without a reason. - Never ask the video model for text. Burn subtitles in afterwards. POST - English dialogue subtitles, burned in: clean sans-serif, off-white with a thin outline, bottom-centre, all text kept between y 250 and y 1480 so Instagram's UI doesn't cover it. Time them to the lines as actually spoken. - No hook line or explanation at the start. The episode opens straight on the two earrings. A small "FIRST SIGHT / EPISODE 2" title may fade in over cut 2, top-centre, as in Episode 1. - End card on a warm near-black background: "FIRST SIGHT · EPISODE 2", a large "Episode 3?", then credit lines naming the LLM, skill and video model you actually used. - No watermark, no logos. Also hand back a short making-of note: the prompt you sent for each cut, how many takes each cut needed, and what you rejected and why. · Afa:T15b1,First Sight, Episode 2: "Also yours." Make Episode 2 of an AI short drama series. Episode 1 is attached (first_sight_ep01.mp4): 1990s Manhattan, late October. She nearly collides with a man on a brownstone sidewalk ("Sorry." / "My fault."), walks on, realises her right pearl earring is gone, turns back, and he is standing far down the street holding it up: "You dropped something." Episode 2 picks up from that exact moment (ep01_last_frame.jpg). The series is called "First Sight", and this episode quietly breaks that idea: he is holding TWO identical pearl earrings, and he seems to have met her before. She has no memory of him. Don't explain anything. The episode ends on the question, not the answer. Deliver one finished vertical video for Instagram Reels: 1080x1920, 24 fps, about 28 seconds (five cuts of 4-6 s plus a 2.5 s end card), with sound. ATTACHED REFERENCES. Use them on every cut, always in this order: - image 1 = HER (her_sheet.jpg): face, hair, wardrobe, autumn street light - image 2 = HIM (him_sheet.jpg): face, tousled hair, wardrobe - image 3 = ep01_last_frame.jpg: the last frame of Episode 1 (street, light, where they stand) Once cut 1 is approved you may use its last frame as image 3 for the later cuts. THE EPISODE. Beats and dialogue are fixed; you direct the shots. 1. ~4 s. The opening image, and the hook: a close insert of his open palm, held perfectly still at chest height. On it lie TWO identical small pearl drop earrings on thin gold hooks, catching the low sun. Her shadow falls across his hand as she arrives. No faces. No dialogue. 2. ~5 s. Her close-up. She looks down at his palm, then slowly raises her left hand to her LEFT ear and touches the pearl earring that is still there. Her RIGHT ear is bare. Confusion. No dialogue. 3. ~6 s. Profile two-shot, an arm's length apart, his open palm still between them. HER (quietly): "That one's mine. Whose is that?" HIM: "Also yours." 4. ~5 s. Her close-up. She searches his face for something she should remember and can't find it. HER: "We've never met." 5. ~6 s. His first frontal close-up of the series (Episode 1 never showed his face straight on). Low sun in his hair, a loose strand over his forehead. A small, sad half-smile. HIM: "Last October, you said that too." Hold on him after the line. End card ~2.5 s: "Episode 3?" CONTINUITY LOCKS. These drifted in Episode 1 whenever they weren't stated loudly. - Her RIGHT ear is bare. A single pearl drop earring in her LEFT ear only (the character block below says "earrings"; in this episode she wears only the left one). - The two earrings in his palm are identical to hers. His palm stays open and still; the fingers never move. - Her ivory cashmere coat is DRAPED OVER HER SHOULDERS LIKE A CAPE, arms NOT in the sleeves. Write it in capitals in every prompt. - His other hand stays in his coat pocket. SERIES LOOK. Paste these blocks unchanged into every video prompt. Film look: Single continuous shot, 1990s Manhattan, Upper West Side brownstone street in late October, late-afternoon low sun. Shot on 35mm motion picture film, Kodak 5219 look, fine organic grain, gentle halation on backlit highlights, natural skin texture, no digital sharpness. Characters: CHARACTERS (keep faces, hair and wardrobe exactly as in the reference images): THE WOMAN from image 1: long voluminous honey-blonde 90s blowout hair, blue-grey eyes, small pearl drop earrings, thin gold chain, floor-length ivory satin cowl-neck slip gown under an ivory cashmere long coat DRAPED OVER HER SHOULDERS LIKE A CAPE, arms not in the sleeves, one hand holding the coat closed at her chest. THE MAN from image 2: golden-brown tousled hair with a loose strand falling over his forehead, blue eyes, light stubble, camel wool overcoat over a black shirt open at the collar, thin silver chain, black trousers, hands in coat pockets. Light and color: LIGHT AND COLOR: warm low sun, rim light through her hair, soft bounce fill on faces, long shadows across the sidewalk, warm amber and honey palette with soft teal shadows, gentle contrast, slightly lifted blacks, period film grade. Closing: PERFORMANCE: naturalistic, understated, restrained film acting, no posing, no staring, no exaggerated expressions. AUDIO: quiet street ambience, distant traffic, leaves underfoot, dialogue spoken naturally in English with clear lip sync, no music. (Cuts without dialogue: no dialogue.) NO on-screen text, no subtitles, no captions, no watermark, no modern cars, no phones, no extra people in the foreground. RULES THAT KEPT EPISODE 1 FROM LOOKING AI - One camera move per cut, and it has a reason. - Hands hold one still pose per cut. No gestures that need finger articulation. - Nobody stops without a reason. - Never ask the video model for text. Burn subtitles in afterwards. POST - English dialogue subtitles, burned in: clean sans-serif, off-white with a thin outline, bottom-centre, all text kept between y 250 and y 1480 so Instagram's UI doesn't cover it. Time them to the lines as actually spoken. - No hook line or explanation at the start. The episode opens straight on the two earrings. A small "FIRST SIGHT / EPISODE 2" title may fade in over cut 2, top-centre, as in Episode 1. - End card on a warm near-black background: "FIRST SIGHT · EPISODE 2", a large "Episode 3?", then credit lines naming the LLM, skill and video model you actually used. - No watermark, no logos. Also hand back a short making-of note: the prompt you sent for each cut, how many takes each cut needed, and what you rejected and why. · 2fb:T51d,Make a 30-second vertical short (9:16) that continues "Across the Street", an AI-made 90s Manhattan drama. We'll post it on Instagram Reels and judge it by how far it spreads, so make the version most likely to go viral. The attached video is Episode 2 (original: https://www.instagram.com/reel/DctKaR8N7VR/ by @dreamfall.art). Watch it first. Then write a short breakdown: why it went viral, who the characters are, and where Episode 2 leaves the story. Then make Episode 3, picking up right where Episode 2 ends. Hook the viewer in the first two seconds and end on a cliffhanger. - Keep the same characters, faces, hair, wardrobe, apartments and look as the attached episode: 90s film, warm and grainy, autumn Central Park. - Everything in English: dialogue, voices and any on-screen text. No subtitles. - Keep it tasteful. Nothing explicit. - Make new footage. Don't reuse clips from Episode 2. - Pick the song to post it with. Any existing song is fine, including the one from Episode 2. Time the cuts and lines so the dialogue never talks over the vocals. Deliver the breakdown and two versions of the video: one with the song mixed in, and one with only dialogue and sound effects. Also give the song, the second it should start from and the music volume, so we can add it the same way in Instagram.fc:T51d,Make a 30-second vertical short (9:16) that continues "Across the Street", an AI-made 90s Manhattan drama. We'll post it on Instagram Reels and judge it by how far it spreads, so make the version most likely to go viral. The attached video is Episode 2 (original: https://www.instagram.com/reel/DctKaR8N7VR/ by @dreamfall.art). Watch it first. Then write a short breakdown: why it went viral, who the characters are, and where Episode 2 leaves the story. Then make Episode 3, picking up right where Episode 2 ends. Hook the viewer in the first two seconds and end on a cliffhanger. - Keep the same characters, faces, hair, wardrobe, apartments and look as the attached episode: 90s film, warm and grainy, autumn Central Park. - Everything in English: dialogue, voices and any on-screen text. No subtitles. - Keep it tasteful. Nothing explicit. - Make new footage. Don't reuse clips from Episode 2. - Pick the song to post it with. Any existing song is fine, including the one from Episode 2. Time the cuts and lines so the dialogue never talks over the vocals. Deliver the breakdown and two versions of the video: one with the song mixed in, and one with only dialogue and sound effects. Also give the song, the second it should start from and the music volume, so we can add it the same way in Instagram.fd:T51d,Make a 30-second vertical short (9:16) that continues "Across the Street", an AI-made 90s Manhattan drama. We'll post it on Instagram Reels and judge it by how far it spreads, so make the version most likely to go viral. The attached video is Episode 2 (original: https://www.instagram.com/reel/DctKaR8N7VR/ by @dreamfall.art). Watch it first. Then write a short breakdown: why it went viral, who the characters are, and where Episode 2 leaves the story. Then make Episode 3, picking up right where Episode 2 ends. Hook the viewer in the first two seconds and end on a cliffhanger. - Keep the same characters, faces, hair, wardrobe, apartments and look as the attached episode: 90s film, warm and grainy, autumn Central Park. - Everything in English: dialogue, voices and any on-screen text. No subtitles. - Keep it tasteful. Nothing explicit. - Make new footage. Don't reuse clips from Episode 2. - Pick the song to post it with. Any existing song is fine, including the one from Episode 2. Time the cuts and lines so the dialogue never talks over the vocals. Deliver the breakdown and two versions of the video: one with the song mixed in, and one with only dialogue and sound effects. Also give the song, the second it should start from and the music volume, so we can add it the same way in Instagram.fe:T522,Make a 30-second vertical short (9:16) that continues "Across the Street", an AI-made 90s Manhattan drama. We'll post it on Instagram Reels and judge it by how far it spreads, so make the version most likely to go viral. The attached video is Episode 2 (original: https://www.instagram.com/reel/DctKaR8N7VR/ by @dreamfall.art). Watch it first. Then write a short breakdown: why it went viral, who the characters are, and where Episode 2 leaves the story. Then make Episode 3, picking up right where Episode 2 ends. Hook the viewer in the first two seconds and end on a cliffhanger. - Keep the same characters, faces, hair, wardrobe, apartments and look as the attached episode: 90s film, warm and grainy, autumn Central Park. - Everything in English: dialogue, voices and any on-screen text. No subtitles. - Keep it tasteful. Nothing explicit. - Make new footage. Don't reuse clips from Episode 2. - Pick the song to post it with. Any existing song is fine, including the one from Episode 2. Time the cuts and lines so the dialogue never talks over the vocals. Deliver the breakdown and two versions of the video: one with the song mixed in, and one with only dialogue and sound effects. Also give the song, the second it should start from and the music volume, so we can add it the same way in Instagram. · Aff:T522,Make a 30-second vertical short (9:16) that continues "Across the Street", an AI-made 90s Manhattan drama. We'll post it on Instagram Reels and judge it by how far it spreads, so make the version most likely to go viral. The attached video is Episode 2 (original: https://www.instagram.com/reel/DctKaR8N7VR/ by @dreamfall.art). Watch it first. Then write a short breakdown: why it went viral, who the characters are, and where Episode 2 leaves the story. Then make Episode 3, picking up right where Episode 2 ends. Hook the viewer in the first two seconds and end on a cliffhanger. - Keep the same characters, faces, hair, wardrobe, apartments and look as the attached episode: 90s film, warm and grainy, autumn Central Park. - Everything in English: dialogue, voices and any on-screen text. No subtitles. - Keep it tasteful. Nothing explicit. - Make new footage. Don't reuse clips from Episode 2. - Pick the song to post it with. Any existing song is fine, including the one from Episode 2. Time the cuts and lines so the dialogue never talks over the vocals. Deliver the breakdown and two versions of the video: one with the song mixed in, and one with only dialogue and sound effects. Also give the song, the second it should start from and the music volume, so we can add it the same way in Instagram. · B100:Ta0f,Build a stunning interactive 3D “Overengineered Coffee Machine” that runs in the browser: an elaborate miniature Rube Goldberg machine whose entire purpose is to make one tiny cup of espresso. Make it immediately understandable, visually mesmerizing, and satisfying to watch in a short screen recording. The opening frame should show the complete machine with a polished steel marble poised at the beginning of its journey. Create a continuous chain reaction: 1. A steel marble spirals down a brass funnel and exits onto a curved rail. 2. It strikes a lever that releases coffee beans into a miniature grinder. 3. Interlocking gears turn the grinder while a bucket elevator carries the marble to the next level. 4. The marble rolls across a small seesaw, triggering a piston that tamps the coffee. 5. A pressure gauge climbs, a valve turns, and espresso flows into a ceramic cup. 6. A small mechanical arm slides the finished cup onto a presentation platform beneath a warm spotlight. 7. The marble returns to its starting position, and the mechanisms reset for another cycle. Every stage must visibly cause the next. Keep the marble’s path continuous, make the gears mesh convincingly, and ensure objects remain supported by rails, platforms, or mechanical parts throughout the sequence. Art direction Imagine a precision-built kinetic sculpture displayed in a boutique coffee shop. Use brushed brass, walnut, cream ceramic, clear glass, and polished steel, with a restrained orange-red accent for moving controls. Include beautifully modeled details such as bolts, bearings, rail supports, gauge markings, and glass bean hoppers. Use warm studio lighting, soft contact shadows, carefully controlled reflections, and a clean background. Make the materials feel tactile and the construction believable. Give the machine a strong silhouette and arrange its stages so the viewer can follow the action easily. Motion and presentation Choreograph a roughly 20–25 second cycle with a clear beginning, escalating activity, and a satisfying espresso reveal. Mix fast marble runs with slower, weighty mechanical movements and brief moments of anticipation. Use a flattering three-quarter camera angle that keeps the entire mechanism readable. Start the animation automatically. Make the reset part of the choreography so the loop continues without a visible jump or sudden disappearance of objects. Prioritize a spectacular default view that reads well in a portrait screen recording. Keep the machine large in the frame and interface elements small and unobtrusive.101:Ta0f,Build a stunning interactive 3D “Overengineered Coffee Machine” that runs in the browser: an elaborate miniature Rube Goldberg machine whose entire purpose is to make one tiny cup of espresso. Make it immediately understandable, visually mesmerizing, and satisfying to watch in a short screen recording. The opening frame should show the complete machine with a polished steel marble poised at the beginning of its journey. Create a continuous chain reaction: 1. A steel marble spirals down a brass funnel and exits onto a curved rail. 2. It strikes a lever that releases coffee beans into a miniature grinder. 3. Interlocking gears turn the grinder while a bucket elevator carries the marble to the next level. 4. The marble rolls across a small seesaw, triggering a piston that tamps the coffee. 5. A pressure gauge climbs, a valve turns, and espresso flows into a ceramic cup. 6. A small mechanical arm slides the finished cup onto a presentation platform beneath a warm spotlight. 7. The marble returns to its starting position, and the mechanisms reset for another cycle. Every stage must visibly cause the next. Keep the marble’s path continuous, make the gears mesh convincingly, and ensure objects remain supported by rails, platforms, or mechanical parts throughout the sequence. Art direction Imagine a precision-built kinetic sculpture displayed in a boutique coffee shop. Use brushed brass, walnut, cream ceramic, clear glass, and polished steel, with a restrained orange-red accent for moving controls. Include beautifully modeled details such as bolts, bearings, rail supports, gauge markings, and glass bean hoppers. Use warm studio lighting, soft contact shadows, carefully controlled reflections, and a clean background. Make the materials feel tactile and the construction believable. Give the machine a strong silhouette and arrange its stages so the viewer can follow the action easily. Motion and presentation Choreograph a roughly 20–25 second cycle with a clear beginning, escalating activity, and a satisfying espresso reveal. Mix fast marble runs with slower, weighty mechanical movements and brief moments of anticipation. Use a flattering three-quarter camera angle that keeps the entire mechanism readable. Start the animation automatically. Make the reset part of the choreography so the loop continues without a visible jump or sudden disappearance of objects. Prioritize a spectacular default view that reads well in a portrait screen recording. Keep the machine large in the frame and interface elements small and unobtrusive.102:Ta0f,Build a stunning interactive 3D “Overengineered Coffee Machine” that runs in the browser: an elaborate miniature Rube Goldberg machine whose entire purpose is to make one tiny cup of espresso. Make it immediately understandable, visually mesmerizing, and satisfying to watch in a short screen recording. The opening frame should show the complete machine with a polished steel marble poised at the beginning of its journey. Create a continuous chain reaction: 1. A steel marble spirals down a brass funnel and exits onto a curved rail. 2. It strikes a lever that releases coffee beans into a miniature grinder. 3. Interlocking gears turn the grinder while a bucket elevator carries the marble to the next level. 4. The marble rolls across a small seesaw, triggering a piston that tamps the coffee. 5. A pressure gauge climbs, a valve turns, and espresso flows into a ceramic cup. 6. A small mechanical arm slides the finished cup onto a presentation platform beneath a warm spotlight. 7. The marble returns to its starting position, and the mechanisms reset for another cycle. Every stage must visibly cause the next. Keep the marble’s path continuous, make the gears mesh convincingly, and ensure objects remain supported by rails, platforms, or mechanical parts throughout the sequence. Art direction Imagine a precision-built kinetic sculpture displayed in a boutique coffee shop. Use brushed brass, walnut, cream ceramic, clear glass, and polished steel, with a restrained orange-red accent for moving controls. Include beautifully modeled details such as bolts, bearings, rail supports, gauge markings, and glass bean hoppers. Use warm studio lighting, soft contact shadows, carefully controlled reflections, and a clean background. Make the materials feel tactile and the construction believable. Give the machine a strong silhouette and arrange its stages so the viewer can follow the action easily. Motion and presentation Choreograph a roughly 20–25 second cycle with a clear beginning, escalating activity, and a satisfying espresso reveal. Mix fast marble runs with slower, weighty mechanical movements and brief moments of anticipation. Use a flattering three-quarter camera angle that keeps the entire mechanism readable. Start the animation automatically. Make the reset part of the choreography so the loop continues without a visible jump or sudden disappearance of objects. Prioritize a spectacular default view that reads well in a portrait screen recording. Keep the machine large in the frame and interface elements small and unobtrusive.103:Ta14,Build a stunning interactive 3D “Overengineered Coffee Machine” that runs in the browser: an elaborate miniature Rube Goldberg machine whose entire purpose is to make one tiny cup of espresso. Make it immediately understandable, visually mesmerizing, and satisfying to watch in a short screen recording. The opening frame should show the complete machine with a polished steel marble poised at the beginning of its journey. Create a continuous chain reaction: 1. A steel marble spirals down a brass funnel and exits onto a curved rail. 2. It strikes a lever that releases coffee beans into a miniature grinder. 3. Interlocking gears turn the grinder while a bucket elevator carries the marble to the next level. 4. The marble rolls across a small seesaw, triggering a piston that tamps the coffee. 5. A pressure gauge climbs, a valve turns, and espresso flows into a ceramic cup. 6. A small mechanical arm slides the finished cup onto a presentation platform beneath a warm spotlight. 7. The marble returns to its starting position, and the mechanisms reset for another cycle. Every stage must visibly cause the next. Keep the marble’s path continuous, make the gears mesh convincingly, and ensure objects remain supported by rails, platforms, or mechanical parts throughout the sequence. Art direction Imagine a precision-built kinetic sculpture displayed in a boutique coffee shop. Use brushed brass, walnut, cream ceramic, clear glass, and polished steel, with a restrained orange-red accent for moving controls. Include beautifully modeled details such as bolts, bearings, rail supports, gauge markings, and glass bean hoppers. Use warm studio lighting, soft contact shadows, carefully controlled reflections, and a clean background. Make the materials feel tactile and the construction believable. Give the machine a strong silhouette and arrange its stages so the viewer can follow the action easily. Motion and presentation Choreograph a roughly 20–25 second cycle with a clear beginning, escalating activity, and a satisfying espresso reveal. Mix fast marble runs with slower, weighty mechanical movements and brief moments of anticipation. Use a flattering three-quarter camera angle that keeps the entire mechanism readable. Start the animation automatically. Make the reset part of the choreography so the loop continues without a visible jump or sudden disappearance of objects. Prioritize a spectacular default view that reads well in a portrait screen recording. Keep the machine large in the frame and interface elements small and unobtrusive. · A104:Ta14,Build a stunning interactive 3D “Overengineered Coffee Machine” that runs in the browser: an elaborate miniature Rube Goldberg machine whose entire purpose is to make one tiny cup of espresso. Make it immediately understandable, visually mesmerizing, and satisfying to watch in a short screen recording. The opening frame should show the complete machine with a polished steel marble poised at the beginning of its journey. Create a continuous chain reaction: 1. A steel marble spirals down a brass funnel and exits onto a curved rail. 2. It strikes a lever that releases coffee beans into a miniature grinder. 3. Interlocking gears turn the grinder while a bucket elevator carries the marble to the next level. 4. The marble rolls across a small seesaw, triggering a piston that tamps the coffee. 5. A pressure gauge climbs, a valve turns, and espresso flows into a ceramic cup. 6. A small mechanical arm slides the finished cup onto a presentation platform beneath a warm spotlight. 7. The marble returns to its starting position, and the mechanisms reset for another cycle. Every stage must visibly cause the next. Keep the marble’s path continuous, make the gears mesh convincingly, and ensure objects remain supported by rails, platforms, or mechanical parts throughout the sequence. Art direction Imagine a precision-built kinetic sculpture displayed in a boutique coffee shop. Use brushed brass, walnut, cream ceramic, clear glass, and polished steel, with a restrained orange-red accent for moving controls. Include beautifully modeled details such as bolts, bearings, rail supports, gauge markings, and glass bean hoppers. Use warm studio lighting, soft contact shadows, carefully controlled reflections, and a clean background. Make the materials feel tactile and the construction believable. Give the machine a strong silhouette and arrange its stages so the viewer can follow the action easily. Motion and presentation Choreograph a roughly 20–25 second cycle with a clear beginning, escalating activity, and a satisfying espresso reveal. Mix fast marble runs with slower, weighty mechanical movements and brief moments of anticipation. Use a flattering three-quarter camera angle that keeps the entire mechanism readable. Start the animation automatically. Make the reset part of the choreography so the loop continues without a visible jump or sudden disappearance of objects. Prioritize a spectacular default view that reads well in a portrait screen recording. Keep the machine large in the frame and interface elements small and unobtrusive. · B105:Ta14,Build a stunning interactive 3D “Overengineered Coffee Machine” that runs in the browser: an elaborate miniature Rube Goldberg machine whose entire purpose is to make one tiny cup of espresso. Make it immediately understandable, visually mesmerizing, and satisfying to watch in a short screen recording. The opening frame should show the complete machine with a polished steel marble poised at the beginning of its journey. Create a continuous chain reaction: 1. A steel marble spirals down a brass funnel and exits onto a curved rail. 2. It strikes a lever that releases coffee beans into a miniature grinder. 3. Interlocking gears turn the grinder while a bucket elevator carries the marble to the next level. 4. The marble rolls across a small seesaw, triggering a piston that tamps the coffee. 5. A pressure gauge climbs, a valve turns, and espresso flows into a ceramic cup. 6. A small mechanical arm slides the finished cup onto a presentation platform beneath a warm spotlight. 7. The marble returns to its starting position, and the mechanisms reset for another cycle. Every stage must visibly cause the next. Keep the marble’s path continuous, make the gears mesh convincingly, and ensure objects remain supported by rails, platforms, or mechanical parts throughout the sequence. Art direction Imagine a precision-built kinetic sculpture displayed in a boutique coffee shop. Use brushed brass, walnut, cream ceramic, clear glass, and polished steel, with a restrained orange-red accent for moving controls. Include beautifully modeled details such as bolts, bearings, rail supports, gauge markings, and glass bean hoppers. Use warm studio lighting, soft contact shadows, carefully controlled reflections, and a clean background. Make the materials feel tactile and the construction believable. Give the machine a strong silhouette and arrange its stages so the viewer can follow the action easily. Motion and presentation Choreograph a roughly 20–25 second cycle with a clear beginning, escalating activity, and a satisfying espresso reveal. Mix fast marble runs with slower, weighty mechanical movements and brief moments of anticipation. Use a flattering three-quarter camera angle that keeps the entire mechanism readable. Start the animation automatically. Make the reset part of the choreography so the loop continues without a visible jump or sudden disappearance of objects. Prioritize a spectacular default view that reads well in a portrait screen recording. Keep the machine large in the frame and interface elements small and unobtrusive. · C106:T18a0,Build a single-file interactive WebGL toy called "Jelly Bum": a translucent gummy-candy sculpture of a buttocks-and-hips torso (cut flat at the waist and mid-thigh, like a mannequin) wearing a string bikini bottom. It stands on a layered cake board. It wobbles like real jelly when you poke it, pull it or shake the table. TECH - One self-contained HTML file. three.js r160 as an ES module from https://cdn.jsdelivr.net/npm/three@0.160.0/build/three.module.js. No addons, no build step, WebGL 2 only, with a friendly fallback message if WebGL 2 is missing. - Write a custom orbit camera with damping and inertia. Drag on the background to rotate, use the wheel or pinch to zoom. Clamp it so the camera never goes below the board. Arrow keys also rotate. - Build a custom studio environment: a mid-grey gradient dome plus a few bright emissive softbox planes, run through PMREMGenerator, so reflections stay contrasty and the jelly reads as saturated candy. Use ACES tone mapping. The scene background must match the page's CSS background exactly. No shadow maps. SHAPE - Define the body as a signed distance field: smooth-union ellipsoids for the waist, hips and two round cheeks (with a visible cleft), plus two tapered round-cone thighs with a gap between them. The top is cut flat with rounded edges and the bottom sits flat on the board. - Mesh it with surface nets (about 0.0165 grid step, roughly 28k vertices). Snap vertices onto the surface, take normals from the SDF gradient, and drop the bottom cap. SOFT-BODY PHYSICS - Use a spring lattice of about 100 nodes (0.19 spacing) inside the body. The bottom layer is glued to the board. Each node has an anchor spring to its rest position plus springs to its neighbours (only where the midpoint is inside the body). Integrate with semi-implicit Euler in about 10 substeps per frame. The wobble should be visible and decay over about 2–3 s. - Deform the mesh on the GPU. Put node rest positions and displacements in a float DataTexture. In the vertex shader (injected via onBeforeCompile into MeshPhysicalMaterial), blend node displacements with normalized Gaussian weights. Compute the analytic Jacobian so normals stay correct. Smoothly glue the deformation to zero at the base. - Poke (tap or click, or Enter on the focused canvas): apply a strong Gaussian velocity impulse into the surface at the hit point. - Pull (drag on the jelly): spring the nearby nodes toward the cursor's offset on a camera-facing plane. Soft-clamp the offset to about 0.5 units. On release the jelly springs back and wobbles. - Picking: sphere-trace the SDF in the deformed space (sample the field at point p - displacement(p)). Show a grab cursor on hover. - Shake the table: a "Shake the table" button plus the Space key. - All scene objects except the lights live in one stage group, and the shake moves that group. - The motion is a quick hop (about 0.05 units, 0.14 s), then a decaying side-to-side rattle (about 4.2 Hz, amplitude about 0.08, about 1.7 s) in a random mostly-sideways direction. - Feed the board's acceleration (finite differences per substep) into every free node as an inertial force, so the jelly lags behind, sways and keeps wobbling after the board stops. - A "Jelly liveliness" meter shows kinetic plus elastic energy as a percentage. LOOK - Jelly: MeshPhysicalMaterial with transmission 1, thickness about 0.85, IOR 1.36, a saturated attenuation colour (distance about 0.75), roughness about 0.07, clearcoat, a light sheen, a faint emissive glow and DoubleSide, so the back faces refract. About 110 tiny white bubbles are suspended inside and move with the deformation. - Flavours: Lagoon (turquoise), Raspberry (magenta-pink), Lime and Mango. Switching flavour animates the colours smoothly and gives the jelly a small bounce. - Bikini: the same mesh pushed out slightly along the normal. The shape is cut out procedurally in the fragment shader from rest-space coordinates: - A cheeky back panel, high-cut at the sides. - A small front triangle and a gusset. - Thin side strings with a dark trim binding. - Small 3D knots with two dangling cord ends on each hip, deformed with the jelly. - Edges anti-aliased with alpha-to-coverage. - Six procedural prints: Leopard rosettes, Zebra wavy stripes, Polka dots, Breton stripes, Gingham and Classic black. The trim and cords match each print. - Cake board: rounded-rectangle extrusions in three layers (cream frosting top, caramel stripe, chocolate biscuit base). Shift it slightly backward so it sits under the cheeks. - Coloured shadow: planar-project the deformed jelly onto the board top and the floor along the key-light direction, tinted with the flavour colour, using multiply blending and a stencil so it never double-darkens. The shadow follows the stage during the shake. Add soft contact darkening under the feet. - The jelly drops in slightly squashed on load, springs into shape, and the camera eases in. - No candies or balls anywhere. UI (English only) - Top-left: a small mono eyebrow "Confectionery physics · No. 7", a big italic serif title "Jelly Bum." with the full stop in the current flavour colour, and a short italic lede: "Gummy curves, skinny strings and a wobble that always comes back." - Bottom-left: "How to play — Poke the jelly. Pull a curve. Shake the table." with the hint "Space shakes it too. Drag the background to turn it, scroll or pinch to zoom." - Right side: a floating rounded control card containing: - A "WebGL 2 · live" badge with a pulsing dot in the flavour colour, and a Sound toggle (WebAudio boing on poke and release, a low thump plus boing on shake; off by default). - "The jelly": a dark "Shake the table" button with a SPACE key hint, plus the liveliness meter. - "Flavour": four candy-sphere swatches. - "Bikini": six pattern swatches. - Sliders for Firmness and Wobble damping. - Fonts: Literata italic (display), Onest (UI) and JetBrains Mono (labels), all from Google Fonts. - Light and dark themes through CSS tokens; the 3D background follows the theme. - On phones the card becomes a scrollable bottom sheet, and the camera reframes the scene into the free area using setViewOffset. - Respect prefers-reduced-motion, keep a visible keyboard focus state, and use touch-action: none on the canvas.107:T18a0,Build a single-file interactive WebGL toy called "Jelly Bum": a translucent gummy-candy sculpture of a buttocks-and-hips torso (cut flat at the waist and mid-thigh, like a mannequin) wearing a string bikini bottom. It stands on a layered cake board. It wobbles like real jelly when you poke it, pull it or shake the table. TECH - One self-contained HTML file. three.js r160 as an ES module from https://cdn.jsdelivr.net/npm/three@0.160.0/build/three.module.js. No addons, no build step, WebGL 2 only, with a friendly fallback message if WebGL 2 is missing. - Write a custom orbit camera with damping and inertia. Drag on the background to rotate, use the wheel or pinch to zoom. Clamp it so the camera never goes below the board. Arrow keys also rotate. - Build a custom studio environment: a mid-grey gradient dome plus a few bright emissive softbox planes, run through PMREMGenerator, so reflections stay contrasty and the jelly reads as saturated candy. Use ACES tone mapping. The scene background must match the page's CSS background exactly. No shadow maps. SHAPE - Define the body as a signed distance field: smooth-union ellipsoids for the waist, hips and two round cheeks (with a visible cleft), plus two tapered round-cone thighs with a gap between them. The top is cut flat with rounded edges and the bottom sits flat on the board. - Mesh it with surface nets (about 0.0165 grid step, roughly 28k vertices). Snap vertices onto the surface, take normals from the SDF gradient, and drop the bottom cap. SOFT-BODY PHYSICS - Use a spring lattice of about 100 nodes (0.19 spacing) inside the body. The bottom layer is glued to the board. Each node has an anchor spring to its rest position plus springs to its neighbours (only where the midpoint is inside the body). Integrate with semi-implicit Euler in about 10 substeps per frame. The wobble should be visible and decay over about 2–3 s. - Deform the mesh on the GPU. Put node rest positions and displacements in a float DataTexture. In the vertex shader (injected via onBeforeCompile into MeshPhysicalMaterial), blend node displacements with normalized Gaussian weights. Compute the analytic Jacobian so normals stay correct. Smoothly glue the deformation to zero at the base. - Poke (tap or click, or Enter on the focused canvas): apply a strong Gaussian velocity impulse into the surface at the hit point. - Pull (drag on the jelly): spring the nearby nodes toward the cursor's offset on a camera-facing plane. Soft-clamp the offset to about 0.5 units. On release the jelly springs back and wobbles. - Picking: sphere-trace the SDF in the deformed space (sample the field at point p - displacement(p)). Show a grab cursor on hover. - Shake the table: a "Shake the table" button plus the Space key. - All scene objects except the lights live in one stage group, and the shake moves that group. - The motion is a quick hop (about 0.05 units, 0.14 s), then a decaying side-to-side rattle (about 4.2 Hz, amplitude about 0.08, about 1.7 s) in a random mostly-sideways direction. - Feed the board's acceleration (finite differences per substep) into every free node as an inertial force, so the jelly lags behind, sways and keeps wobbling after the board stops. - A "Jelly liveliness" meter shows kinetic plus elastic energy as a percentage. LOOK - Jelly: MeshPhysicalMaterial with transmission 1, thickness about 0.85, IOR 1.36, a saturated attenuation colour (distance about 0.75), roughness about 0.07, clearcoat, a light sheen, a faint emissive glow and DoubleSide, so the back faces refract. About 110 tiny white bubbles are suspended inside and move with the deformation. - Flavours: Lagoon (turquoise), Raspberry (magenta-pink), Lime and Mango. Switching flavour animates the colours smoothly and gives the jelly a small bounce. - Bikini: the same mesh pushed out slightly along the normal. The shape is cut out procedurally in the fragment shader from rest-space coordinates: - A cheeky back panel, high-cut at the sides. - A small front triangle and a gusset. - Thin side strings with a dark trim binding. - Small 3D knots with two dangling cord ends on each hip, deformed with the jelly. - Edges anti-aliased with alpha-to-coverage. - Six procedural prints: Leopard rosettes, Zebra wavy stripes, Polka dots, Breton stripes, Gingham and Classic black. The trim and cords match each print. - Cake board: rounded-rectangle extrusions in three layers (cream frosting top, caramel stripe, chocolate biscuit base). Shift it slightly backward so it sits under the cheeks. - Coloured shadow: planar-project the deformed jelly onto the board top and the floor along the key-light direction, tinted with the flavour colour, using multiply blending and a stencil so it never double-darkens. The shadow follows the stage during the shake. Add soft contact darkening under the feet. - The jelly drops in slightly squashed on load, springs into shape, and the camera eases in. - No candies or balls anywhere. UI (English only) - Top-left: a small mono eyebrow "Confectionery physics · No. 7", a big italic serif title "Jelly Bum." with the full stop in the current flavour colour, and a short italic lede: "Gummy curves, skinny strings and a wobble that always comes back." - Bottom-left: "How to play — Poke the jelly. Pull a curve. Shake the table." with the hint "Space shakes it too. Drag the background to turn it, scroll or pinch to zoom." - Right side: a floating rounded control card containing: - A "WebGL 2 · live" badge with a pulsing dot in the flavour colour, and a Sound toggle (WebAudio boing on poke and release, a low thump plus boing on shake; off by default). - "The jelly": a dark "Shake the table" button with a SPACE key hint, plus the liveliness meter. - "Flavour": four candy-sphere swatches. - "Bikini": six pattern swatches. - Sliders for Firmness and Wobble damping. - Fonts: Literata italic (display), Onest (UI) and JetBrains Mono (labels), all from Google Fonts. - Light and dark themes through CSS tokens; the 3D background follows the theme. - On phones the card becomes a scrollable bottom sheet, and the camera reframes the scene into the free area using setViewOffset. - Respect prefers-reduced-motion, keep a visible keyboard focus state, and use touch-action: none on the canvas.108:T18a0,Build a single-file interactive WebGL toy called "Jelly Bum": a translucent gummy-candy sculpture of a buttocks-and-hips torso (cut flat at the waist and mid-thigh, like a mannequin) wearing a string bikini bottom. It stands on a layered cake board. It wobbles like real jelly when you poke it, pull it or shake the table. TECH - One self-contained HTML file. three.js r160 as an ES module from https://cdn.jsdelivr.net/npm/three@0.160.0/build/three.module.js. No addons, no build step, WebGL 2 only, with a friendly fallback message if WebGL 2 is missing. - Write a custom orbit camera with damping and inertia. Drag on the background to rotate, use the wheel or pinch to zoom. Clamp it so the camera never goes below the board. Arrow keys also rotate. - Build a custom studio environment: a mid-grey gradient dome plus a few bright emissive softbox planes, run through PMREMGenerator, so reflections stay contrasty and the jelly reads as saturated candy. Use ACES tone mapping. The scene background must match the page's CSS background exactly. No shadow maps. SHAPE - Define the body as a signed distance field: smooth-union ellipsoids for the waist, hips and two round cheeks (with a visible cleft), plus two tapered round-cone thighs with a gap between them. The top is cut flat with rounded edges and the bottom sits flat on the board. - Mesh it with surface nets (about 0.0165 grid step, roughly 28k vertices). Snap vertices onto the surface, take normals from the SDF gradient, and drop the bottom cap. SOFT-BODY PHYSICS - Use a spring lattice of about 100 nodes (0.19 spacing) inside the body. The bottom layer is glued to the board. Each node has an anchor spring to its rest position plus springs to its neighbours (only where the midpoint is inside the body). Integrate with semi-implicit Euler in about 10 substeps per frame. The wobble should be visible and decay over about 2–3 s. - Deform the mesh on the GPU. Put node rest positions and displacements in a float DataTexture. In the vertex shader (injected via onBeforeCompile into MeshPhysicalMaterial), blend node displacements with normalized Gaussian weights. Compute the analytic Jacobian so normals stay correct. Smoothly glue the deformation to zero at the base. - Poke (tap or click, or Enter on the focused canvas): apply a strong Gaussian velocity impulse into the surface at the hit point. - Pull (drag on the jelly): spring the nearby nodes toward the cursor's offset on a camera-facing plane. Soft-clamp the offset to about 0.5 units. On release the jelly springs back and wobbles. - Picking: sphere-trace the SDF in the deformed space (sample the field at point p - displacement(p)). Show a grab cursor on hover. - Shake the table: a "Shake the table" button plus the Space key. - All scene objects except the lights live in one stage group, and the shake moves that group. - The motion is a quick hop (about 0.05 units, 0.14 s), then a decaying side-to-side rattle (about 4.2 Hz, amplitude about 0.08, about 1.7 s) in a random mostly-sideways direction. - Feed the board's acceleration (finite differences per substep) into every free node as an inertial force, so the jelly lags behind, sways and keeps wobbling after the board stops. - A "Jelly liveliness" meter shows kinetic plus elastic energy as a percentage. LOOK - Jelly: MeshPhysicalMaterial with transmission 1, thickness about 0.85, IOR 1.36, a saturated attenuation colour (distance about 0.75), roughness about 0.07, clearcoat, a light sheen, a faint emissive glow and DoubleSide, so the back faces refract. About 110 tiny white bubbles are suspended inside and move with the deformation. - Flavours: Lagoon (turquoise), Raspberry (magenta-pink), Lime and Mango. Switching flavour animates the colours smoothly and gives the jelly a small bounce. - Bikini: the same mesh pushed out slightly along the normal. The shape is cut out procedurally in the fragment shader from rest-space coordinates: - A cheeky back panel, high-cut at the sides. - A small front triangle and a gusset. - Thin side strings with a dark trim binding. - Small 3D knots with two dangling cord ends on each hip, deformed with the jelly. - Edges anti-aliased with alpha-to-coverage. - Six procedural prints: Leopard rosettes, Zebra wavy stripes, Polka dots, Breton stripes, Gingham and Classic black. The trim and cords match each print. - Cake board: rounded-rectangle extrusions in three layers (cream frosting top, caramel stripe, chocolate biscuit base). Shift it slightly backward so it sits under the cheeks. - Coloured shadow: planar-project the deformed jelly onto the board top and the floor along the key-light direction, tinted with the flavour colour, using multiply blending and a stencil so it never double-darkens. The shadow follows the stage during the shake. Add soft contact darkening under the feet. - The jelly drops in slightly squashed on load, springs into shape, and the camera eases in. - No candies or balls anywhere. UI (English only) - Top-left: a small mono eyebrow "Confectionery physics · No. 7", a big italic serif title "Jelly Bum." with the full stop in the current flavour colour, and a short italic lede: "Gummy curves, skinny strings and a wobble that always comes back." - Bottom-left: "How to play — Poke the jelly. Pull a curve. Shake the table." with the hint "Space shakes it too. Drag the background to turn it, scroll or pinch to zoom." - Right side: a floating rounded control card containing: - A "WebGL 2 · live" badge with a pulsing dot in the flavour colour, and a Sound toggle (WebAudio boing on poke and release, a low thump plus boing on shake; off by default). - "The jelly": a dark "Shake the table" button with a SPACE key hint, plus the liveliness meter. - "Flavour": four candy-sphere swatches. - "Bikini": six pattern swatches. - Sliders for Firmness and Wobble damping. - Fonts: Literata italic (display), Onest (UI) and JetBrains Mono (labels), all from Google Fonts. - Light and dark themes through CSS tokens; the 3D background follows the theme. - On phones the card becomes a scrollable bottom sheet, and the camera reframes the scene into the free area using setViewOffset. - Respect prefers-reduced-motion, keep a visible keyboard focus state, and use touch-action: none on the canvas.109:T18a5,Build a single-file interactive WebGL toy called "Jelly Bum": a translucent gummy-candy sculpture of a buttocks-and-hips torso (cut flat at the waist and mid-thigh, like a mannequin) wearing a string bikini bottom. It stands on a layered cake board. It wobbles like real jelly when you poke it, pull it or shake the table. TECH - One self-contained HTML file. three.js r160 as an ES module from https://cdn.jsdelivr.net/npm/three@0.160.0/build/three.module.js. No addons, no build step, WebGL 2 only, with a friendly fallback message if WebGL 2 is missing. - Write a custom orbit camera with damping and inertia. Drag on the background to rotate, use the wheel or pinch to zoom. Clamp it so the camera never goes below the board. Arrow keys also rotate. - Build a custom studio environment: a mid-grey gradient dome plus a few bright emissive softbox planes, run through PMREMGenerator, so reflections stay contrasty and the jelly reads as saturated candy. Use ACES tone mapping. The scene background must match the page's CSS background exactly. No shadow maps. SHAPE - Define the body as a signed distance field: smooth-union ellipsoids for the waist, hips and two round cheeks (with a visible cleft), plus two tapered round-cone thighs with a gap between them. The top is cut flat with rounded edges and the bottom sits flat on the board. - Mesh it with surface nets (about 0.0165 grid step, roughly 28k vertices). Snap vertices onto the surface, take normals from the SDF gradient, and drop the bottom cap. SOFT-BODY PHYSICS - Use a spring lattice of about 100 nodes (0.19 spacing) inside the body. The bottom layer is glued to the board. Each node has an anchor spring to its rest position plus springs to its neighbours (only where the midpoint is inside the body). Integrate with semi-implicit Euler in about 10 substeps per frame. The wobble should be visible and decay over about 2–3 s. - Deform the mesh on the GPU. Put node rest positions and displacements in a float DataTexture. In the vertex shader (injected via onBeforeCompile into MeshPhysicalMaterial), blend node displacements with normalized Gaussian weights. Compute the analytic Jacobian so normals stay correct. Smoothly glue the deformation to zero at the base. - Poke (tap or click, or Enter on the focused canvas): apply a strong Gaussian velocity impulse into the surface at the hit point. - Pull (drag on the jelly): spring the nearby nodes toward the cursor's offset on a camera-facing plane. Soft-clamp the offset to about 0.5 units. On release the jelly springs back and wobbles. - Picking: sphere-trace the SDF in the deformed space (sample the field at point p - displacement(p)). Show a grab cursor on hover. - Shake the table: a "Shake the table" button plus the Space key. - All scene objects except the lights live in one stage group, and the shake moves that group. - The motion is a quick hop (about 0.05 units, 0.14 s), then a decaying side-to-side rattle (about 4.2 Hz, amplitude about 0.08, about 1.7 s) in a random mostly-sideways direction. - Feed the board's acceleration (finite differences per substep) into every free node as an inertial force, so the jelly lags behind, sways and keeps wobbling after the board stops. - A "Jelly liveliness" meter shows kinetic plus elastic energy as a percentage. LOOK - Jelly: MeshPhysicalMaterial with transmission 1, thickness about 0.85, IOR 1.36, a saturated attenuation colour (distance about 0.75), roughness about 0.07, clearcoat, a light sheen, a faint emissive glow and DoubleSide, so the back faces refract. About 110 tiny white bubbles are suspended inside and move with the deformation. - Flavours: Lagoon (turquoise), Raspberry (magenta-pink), Lime and Mango. Switching flavour animates the colours smoothly and gives the jelly a small bounce. - Bikini: the same mesh pushed out slightly along the normal. The shape is cut out procedurally in the fragment shader from rest-space coordinates: - A cheeky back panel, high-cut at the sides. - A small front triangle and a gusset. - Thin side strings with a dark trim binding. - Small 3D knots with two dangling cord ends on each hip, deformed with the jelly. - Edges anti-aliased with alpha-to-coverage. - Six procedural prints: Leopard rosettes, Zebra wavy stripes, Polka dots, Breton stripes, Gingham and Classic black. The trim and cords match each print. - Cake board: rounded-rectangle extrusions in three layers (cream frosting top, caramel stripe, chocolate biscuit base). Shift it slightly backward so it sits under the cheeks. - Coloured shadow: planar-project the deformed jelly onto the board top and the floor along the key-light direction, tinted with the flavour colour, using multiply blending and a stencil so it never double-darkens. The shadow follows the stage during the shake. Add soft contact darkening under the feet. - The jelly drops in slightly squashed on load, springs into shape, and the camera eases in. - No candies or balls anywhere. UI (English only) - Top-left: a small mono eyebrow "Confectionery physics · No. 7", a big italic serif title "Jelly Bum." with the full stop in the current flavour colour, and a short italic lede: "Gummy curves, skinny strings and a wobble that always comes back." - Bottom-left: "How to play — Poke the jelly. Pull a curve. Shake the table." with the hint "Space shakes it too. Drag the background to turn it, scroll or pinch to zoom." - Right side: a floating rounded control card containing: - A "WebGL 2 · live" badge with a pulsing dot in the flavour colour, and a Sound toggle (WebAudio boing on poke and release, a low thump plus boing on shake; off by default). - "The jelly": a dark "Shake the table" button with a SPACE key hint, plus the liveliness meter. - "Flavour": four candy-sphere swatches. - "Bikini": six pattern swatches. - Sliders for Firmness and Wobble damping. - Fonts: Literata italic (display), Onest (UI) and JetBrains Mono (labels), all from Google Fonts. - Light and dark themes through CSS tokens; the 3D background follows the theme. - On phones the card becomes a scrollable bottom sheet, and the camera reframes the scene into the free area using setViewOffset. - Respect prefers-reduced-motion, keep a visible keyboard focus state, and use touch-action: none on the canvas. · A10a:T18a5,Build a single-file interactive WebGL toy called "Jelly Bum": a translucent gummy-candy sculpture of a buttocks-and-hips torso (cut flat at the waist and mid-thigh, like a mannequin) wearing a string bikini bottom. It stands on a layered cake board. It wobbles like real jelly when you poke it, pull it or shake the table. TECH - One self-contained HTML file. three.js r160 as an ES module from https://cdn.jsdelivr.net/npm/three@0.160.0/build/three.module.js. No addons, no build step, WebGL 2 only, with a friendly fallback message if WebGL 2 is missing. - Write a custom orbit camera with damping and inertia. Drag on the background to rotate, use the wheel or pinch to zoom. Clamp it so the camera never goes below the board. Arrow keys also rotate. - Build a custom studio environment: a mid-grey gradient dome plus a few bright emissive softbox planes, run through PMREMGenerator, so reflections stay contrasty and the jelly reads as saturated candy. Use ACES tone mapping. The scene background must match the page's CSS background exactly. No shadow maps. SHAPE - Define the body as a signed distance field: smooth-union ellipsoids for the waist, hips and two round cheeks (with a visible cleft), plus two tapered round-cone thighs with a gap between them. The top is cut flat with rounded edges and the bottom sits flat on the board. - Mesh it with surface nets (about 0.0165 grid step, roughly 28k vertices). Snap vertices onto the surface, take normals from the SDF gradient, and drop the bottom cap. SOFT-BODY PHYSICS - Use a spring lattice of about 100 nodes (0.19 spacing) inside the body. The bottom layer is glued to the board. Each node has an anchor spring to its rest position plus springs to its neighbours (only where the midpoint is inside the body). Integrate with semi-implicit Euler in about 10 substeps per frame. The wobble should be visible and decay over about 2–3 s. - Deform the mesh on the GPU. Put node rest positions and displacements in a float DataTexture. In the vertex shader (injected via onBeforeCompile into MeshPhysicalMaterial), blend node displacements with normalized Gaussian weights. Compute the analytic Jacobian so normals stay correct. Smoothly glue the deformation to zero at the base. - Poke (tap or click, or Enter on the focused canvas): apply a strong Gaussian velocity impulse into the surface at the hit point. - Pull (drag on the jelly): spring the nearby nodes toward the cursor's offset on a camera-facing plane. Soft-clamp the offset to about 0.5 units. On release the jelly springs back and wobbles. - Picking: sphere-trace the SDF in the deformed space (sample the field at point p - displacement(p)). Show a grab cursor on hover. - Shake the table: a "Shake the table" button plus the Space key. - All scene objects except the lights live in one stage group, and the shake moves that group. - The motion is a quick hop (about 0.05 units, 0.14 s), then a decaying side-to-side rattle (about 4.2 Hz, amplitude about 0.08, about 1.7 s) in a random mostly-sideways direction. - Feed the board's acceleration (finite differences per substep) into every free node as an inertial force, so the jelly lags behind, sways and keeps wobbling after the board stops. - A "Jelly liveliness" meter shows kinetic plus elastic energy as a percentage. LOOK - Jelly: MeshPhysicalMaterial with transmission 1, thickness about 0.85, IOR 1.36, a saturated attenuation colour (distance about 0.75), roughness about 0.07, clearcoat, a light sheen, a faint emissive glow and DoubleSide, so the back faces refract. About 110 tiny white bubbles are suspended inside and move with the deformation. - Flavours: Lagoon (turquoise), Raspberry (magenta-pink), Lime and Mango. Switching flavour animates the colours smoothly and gives the jelly a small bounce. - Bikini: the same mesh pushed out slightly along the normal. The shape is cut out procedurally in the fragment shader from rest-space coordinates: - A cheeky back panel, high-cut at the sides. - A small front triangle and a gusset. - Thin side strings with a dark trim binding. - Small 3D knots with two dangling cord ends on each hip, deformed with the jelly. - Edges anti-aliased with alpha-to-coverage. - Six procedural prints: Leopard rosettes, Zebra wavy stripes, Polka dots, Breton stripes, Gingham and Classic black. The trim and cords match each print. - Cake board: rounded-rectangle extrusions in three layers (cream frosting top, caramel stripe, chocolate biscuit base). Shift it slightly backward so it sits under the cheeks. - Coloured shadow: planar-project the deformed jelly onto the board top and the floor along the key-light direction, tinted with the flavour colour, using multiply blending and a stencil so it never double-darkens. The shadow follows the stage during the shake. Add soft contact darkening under the feet. - The jelly drops in slightly squashed on load, springs into shape, and the camera eases in. - No candies or balls anywhere. UI (English only) - Top-left: a small mono eyebrow "Confectionery physics · No. 7", a big italic serif title "Jelly Bum." with the full stop in the current flavour colour, and a short italic lede: "Gummy curves, skinny strings and a wobble that always comes back." - Bottom-left: "How to play — Poke the jelly. Pull a curve. Shake the table." with the hint "Space shakes it too. Drag the background to turn it, scroll or pinch to zoom." - Right side: a floating rounded control card containing: - A "WebGL 2 · live" badge with a pulsing dot in the flavour colour, and a Sound toggle (WebAudio boing on poke and release, a low thump plus boing on shake; off by default). - "The jelly": a dark "Shake the table" button with a SPACE key hint, plus the liveliness meter. - "Flavour": four candy-sphere swatches. - "Bikini": six pattern swatches. - Sliders for Firmness and Wobble damping. - Fonts: Literata italic (display), Onest (UI) and JetBrains Mono (labels), all from Google Fonts. - Light and dark themes through CSS tokens; the 3D background follows the theme. - On phones the card becomes a scrollable bottom sheet, and the camera reframes the scene into the free area using setViewOffset. - Respect prefers-reduced-motion, keep a visible keyboard focus state, and use touch-action: none on the canvas. · 210b:T43c,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop.10c:T43c,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop.10d:T43c,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop.10e:T441,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop. · A10f:T441,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop. · B110:T43e,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop.111:T43e,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop.112:T43e,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop.113:T443,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop. · A114:T443,Model and render a single 3D object with as much detail and realism as you can: an antique gold mechanical pocket watch, open, lying at a slight angle. Show the enamel dial with numerals, minute track, hands and sub-seconds dial, the crown and bow, the hinged lid with engraving, and a see-through caseback or cutaway revealing the movement: gear trains with real teeth, a balance wheel with hairspring, jewels, screws, bridges with perlage/Geneva striping. The gears and balance wheel should animate plausibly. Everything procedural in code (no downloaded models or textures). Prioritise geometric detail, physically based materials (polished gold, brushed steel, ruby jewels, glass crystal with reflections) and studio lighting with an environment map, soft shadows and tasteful post-processing. Hero framing: it should look like a luxury product shot. Output a single HTML page using three.js. No external assets, model everything manually. Inspect your renders closely and keep raising the level of detail until you are genuinely proud of it. Do 2-3 iterations of this, then stop. · B115:T1d8c,Make a ~60s product launch film for Evals (evals.ag) — the place to battle AI setups on your own task and vote blind. 16:9, 1920×1080, 30fps, music-locked, no narration — on-screen type tells the story. Build it in HyperFrames (HTML + one paused GSAP timeline) under videos/evals-/. 0. Inputs Product: https://evals.ag (app: https://evals-app.vercel.app — use my logged-in Chrome session for anything behind sign-in). Motion reference: videos/evals-hype/renders/evals-ref2-short-fast2-impact.mp4 (approved). Match its feel exactly; change only scenario, design and assets. Core message: "Same prompt, different setups — battle them and vote blind. Stop guessing. Battle it." What Evals really does (only show these — no invented features, numbers, rankings or names) Ask: type what you want to make in the composer ("What would you like to make?"). Run modes: Battle (blind), Side-by-side comparison (pick models and skills), Direct. Battle: up to 4 setups. A setup = model + skill + environment (e.g. Claude Opus 5.5 / GPT-6 Astra, skills like hyperframes / frontend-design / web-design-guidelines, environments like Native Claude / Recorded session). Compare, blind: same prompt, outputs side by side as playable live previews, names hidden until you vote ("I prefer A / B"). Inspect: every output keeps its full run record — LLM, gen AI, skill, software, environment, services contacted, turn time, turn tokens, status. Rank: votes roll up into leaderboards of setups, not just models ("Setups, not just models." — same model, different setups). Explore: community Outputs, Tasks, Skills, Compare, Community, Leaderboards. Real model names visible in the product: Claude Opus 5.5, GPT-6 Astra. Show only names/numbers you actually see in your captures. End card: Evals mark + wordmark, "Stop guessing. Battle it.", URL evals.ag. 1. Reverse-engineer the reference first (frames are the truth) Download the reference and study it frame by frame. Write SPEC.md with measured numbers, not impressions: every cut (frame number), shot order and durations, average shot length, cuts per 10s camera moves per shot (start/end position, scale, curve), easing measured per frame (fraction of remaining distance covered each frame) type-on speed (frames per char), caret behaviour, word-by-word reveal spacing, new-word accent flash duration card/UI choreography (fly-in paths, stacking, depth), light↔dark section switches, split-screen layouts sound map: where every hit/whoosh/click lands relative to the cut Then rebuild shot for shot at the same rhythm. Only brand, copy, design and assets change. 2. Scenario Write SCRIPT.md before building: a fresh narrative arc true to what Evals really does (hook: a new SOTA model every week — which one is actually best at your work? → type a task → Battle up to 4 setups → blind side-by-side, vote → full run record → setup leaderboards → "Stop guessing. Battle it." evals.ag). Don't reuse the previous films' copy. Short punchy lines (2–5 words per beat), English. Every beat gets a timestamp on the music grid. 3. Design Write DESIGN.md once and make every section obey it (no per-section drift): palette (one accent per frame), type pairing (one sans for headlines; weights/sizes in px; tracking −0.02em, line-height 1.0) card treatment: real UI captures, rounded 14–18px corners, soft layered shadow Never: outline/hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI mockups, invented numbers/rankings/features. 4. Assets (all real, all new) Capture the real Evals UI with Playwright at 2–3× DPR: home composer (empty / typed), Run-mode menu (Battle / Side-by-side / Direct), setups stepper (1–4), a live run page (4 agents generating → "Your options are ready"), Compare (blind A/B with "I prefer A/B"), output run record panel, Leaderboards (setup rows), Explore Outputs/Tasks/Skills. Run one real 4-setup Battle on a visual prompt (e.g. a playable browser game) so the four results are genuinely the same task. Record real Evals outputs as clips from their live previews (screencast, 1600×900, 30fps, 6–7s each; press start/arrow keys or orbit so they move). Use outputs not used in earlier Evals films. Typing scenes: put a text layer exactly over the real input field, matching its font, size and colour. New music track (detect BPM and first downbeat with a script) and a fresh SFX set. 5. Motion rules (this is the 감도 — non-negotiable) One camera = one pure function of time cam(t) built from keyframes with velocity-continuous easing; applied from the master timeline. Deterministic: no timers, no randomness, any frame renders alone. Two easing families only: snappy ≈25% of remaining distance per frame (90% in 8–9 frames) and floaty ≈12% (18–20 frames). No overshoot unless the reference has it. Exits accelerate into the cut; the next shot carries the motion through it (velocity-matched). Real whip-pans: outgoing and incoming shots travel together over 0.30–0.45s, with velocity-driven motion blur that peaks mid-move. Never blur switched on over a hard cut. Overlays are screen-locked (never inherit the camera whip). Text arrives with its container in one mask reveal. Overlapping action: the next element starts at ~60% of the previous tween. No start-stop chains. Nothing freezes: every hold carries a 1–3% slow drift (sine.inOut across the whole hold). Fast moves decelerate over ≥6 frames — no dead stops. No double cuts (two visual changes on adjacent frames). Busy footage gets only a slow push; energy comes from the cuts. Word reveals 2–4 frames apart; the newest word flashes the accent, then settles 3–12 frames later. Hero type-on 1 char / 2 frames; in-product typing 0.6–0.9 char/frame; caret solid (never blinks). Every cut on the beat ±1 frame; visual hit and SFX on the same frame. 6. Speed, edit, impact Speed by re-rendering, never frame-dropping: render at --fps 30/speedup and play back at 30fps (e.g. --fps 95/4 → 1.263×). Pick the speed-up so one beat = a whole number of frames. Quantize every segment to 8th notes; round segment start frames up. Impact FX in post (ffmpeg) on 4–6 big hits only (cut to dark, reveal word, flash, key word, logo): zoom punch +8.5%, decaying τ = 0.09s crop shake 16px at ~22Hz, decaying τ = 0.1s rgbashift 16px for 2 frames, then 7px for 2 frames 1–2 frames of white flash Lighter version on secondary cuts (3.5% punch, 6px shake, 1 frame of split). Find hit frames from frame-diff peaks and by looking. 7. Sound Music bed carries the film; no ducking. SFX bus ~3dB under the music overall, above it only on hits and in the music's own gaps. At each big hit, layer reverse swell + boom (high-passed at 60Hz) + short transient + glitch synced to the RGB split. Use a modest total (~40–45 sounds); never spread SFX evenly on every cut. Master at −14 LUFS, AAC 192k. 8. QA before you report (mandatory) motion.py must show: no dead stops, no frozen holds, every cut within ±1.5 frames of a beat, no adjacent-frame cuts. strip.sh (16 consecutive frames) at every transition, and look at each one. A good whip shows a smooth velocity ramp with both shots visible mid-move. Contact sheets alone hide motion bugs. Check text readability, safe margins, and that every number/name on screen exists in the real product. Deliver renders/evals--v1.mp4 plus a report: script, design summary, asset list, shot list with times, BPM and speed factor, hit frames with FX, SFX map, QA results.116:T1d8c,Make a ~60s product launch film for Evals (evals.ag) — the place to battle AI setups on your own task and vote blind. 16:9, 1920×1080, 30fps, music-locked, no narration — on-screen type tells the story. Build it in HyperFrames (HTML + one paused GSAP timeline) under videos/evals-/. 0. Inputs Product: https://evals.ag (app: https://evals-app.vercel.app — use my logged-in Chrome session for anything behind sign-in). Motion reference: videos/evals-hype/renders/evals-ref2-short-fast2-impact.mp4 (approved). Match its feel exactly; change only scenario, design and assets. Core message: "Same prompt, different setups — battle them and vote blind. Stop guessing. Battle it." What Evals really does (only show these — no invented features, numbers, rankings or names) Ask: type what you want to make in the composer ("What would you like to make?"). Run modes: Battle (blind), Side-by-side comparison (pick models and skills), Direct. Battle: up to 4 setups. A setup = model + skill + environment (e.g. Claude Opus 5.5 / GPT-6 Astra, skills like hyperframes / frontend-design / web-design-guidelines, environments like Native Claude / Recorded session). Compare, blind: same prompt, outputs side by side as playable live previews, names hidden until you vote ("I prefer A / B"). Inspect: every output keeps its full run record — LLM, gen AI, skill, software, environment, services contacted, turn time, turn tokens, status. Rank: votes roll up into leaderboards of setups, not just models ("Setups, not just models." — same model, different setups). Explore: community Outputs, Tasks, Skills, Compare, Community, Leaderboards. Real model names visible in the product: Claude Opus 5.5, GPT-6 Astra. Show only names/numbers you actually see in your captures. End card: Evals mark + wordmark, "Stop guessing. Battle it.", URL evals.ag. 1. Reverse-engineer the reference first (frames are the truth) Download the reference and study it frame by frame. Write SPEC.md with measured numbers, not impressions: every cut (frame number), shot order and durations, average shot length, cuts per 10s camera moves per shot (start/end position, scale, curve), easing measured per frame (fraction of remaining distance covered each frame) type-on speed (frames per char), caret behaviour, word-by-word reveal spacing, new-word accent flash duration card/UI choreography (fly-in paths, stacking, depth), light↔dark section switches, split-screen layouts sound map: where every hit/whoosh/click lands relative to the cut Then rebuild shot for shot at the same rhythm. Only brand, copy, design and assets change. 2. Scenario Write SCRIPT.md before building: a fresh narrative arc true to what Evals really does (hook: a new SOTA model every week — which one is actually best at your work? → type a task → Battle up to 4 setups → blind side-by-side, vote → full run record → setup leaderboards → "Stop guessing. Battle it." evals.ag). Don't reuse the previous films' copy. Short punchy lines (2–5 words per beat), English. Every beat gets a timestamp on the music grid. 3. Design Write DESIGN.md once and make every section obey it (no per-section drift): palette (one accent per frame), type pairing (one sans for headlines; weights/sizes in px; tracking −0.02em, line-height 1.0) card treatment: real UI captures, rounded 14–18px corners, soft layered shadow Never: outline/hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI mockups, invented numbers/rankings/features. 4. Assets (all real, all new) Capture the real Evals UI with Playwright at 2–3× DPR: home composer (empty / typed), Run-mode menu (Battle / Side-by-side / Direct), setups stepper (1–4), a live run page (4 agents generating → "Your options are ready"), Compare (blind A/B with "I prefer A/B"), output run record panel, Leaderboards (setup rows), Explore Outputs/Tasks/Skills. Run one real 4-setup Battle on a visual prompt (e.g. a playable browser game) so the four results are genuinely the same task. Record real Evals outputs as clips from their live previews (screencast, 1600×900, 30fps, 6–7s each; press start/arrow keys or orbit so they move). Use outputs not used in earlier Evals films. Typing scenes: put a text layer exactly over the real input field, matching its font, size and colour. New music track (detect BPM and first downbeat with a script) and a fresh SFX set. 5. Motion rules (this is the 감도 — non-negotiable) One camera = one pure function of time cam(t) built from keyframes with velocity-continuous easing; applied from the master timeline. Deterministic: no timers, no randomness, any frame renders alone. Two easing families only: snappy ≈25% of remaining distance per frame (90% in 8–9 frames) and floaty ≈12% (18–20 frames). No overshoot unless the reference has it. Exits accelerate into the cut; the next shot carries the motion through it (velocity-matched). Real whip-pans: outgoing and incoming shots travel together over 0.30–0.45s, with velocity-driven motion blur that peaks mid-move. Never blur switched on over a hard cut. Overlays are screen-locked (never inherit the camera whip). Text arrives with its container in one mask reveal. Overlapping action: the next element starts at ~60% of the previous tween. No start-stop chains. Nothing freezes: every hold carries a 1–3% slow drift (sine.inOut across the whole hold). Fast moves decelerate over ≥6 frames — no dead stops. No double cuts (two visual changes on adjacent frames). Busy footage gets only a slow push; energy comes from the cuts. Word reveals 2–4 frames apart; the newest word flashes the accent, then settles 3–12 frames later. Hero type-on 1 char / 2 frames; in-product typing 0.6–0.9 char/frame; caret solid (never blinks). Every cut on the beat ±1 frame; visual hit and SFX on the same frame. 6. Speed, edit, impact Speed by re-rendering, never frame-dropping: render at --fps 30/speedup and play back at 30fps (e.g. --fps 95/4 → 1.263×). Pick the speed-up so one beat = a whole number of frames. Quantize every segment to 8th notes; round segment start frames up. Impact FX in post (ffmpeg) on 4–6 big hits only (cut to dark, reveal word, flash, key word, logo): zoom punch +8.5%, decaying τ = 0.09s crop shake 16px at ~22Hz, decaying τ = 0.1s rgbashift 16px for 2 frames, then 7px for 2 frames 1–2 frames of white flash Lighter version on secondary cuts (3.5% punch, 6px shake, 1 frame of split). Find hit frames from frame-diff peaks and by looking. 7. Sound Music bed carries the film; no ducking. SFX bus ~3dB under the music overall, above it only on hits and in the music's own gaps. At each big hit, layer reverse swell + boom (high-passed at 60Hz) + short transient + glitch synced to the RGB split. Use a modest total (~40–45 sounds); never spread SFX evenly on every cut. Master at −14 LUFS, AAC 192k. 8. QA before you report (mandatory) motion.py must show: no dead stops, no frozen holds, every cut within ±1.5 frames of a beat, no adjacent-frame cuts. strip.sh (16 consecutive frames) at every transition, and look at each one. A good whip shows a smooth velocity ramp with both shots visible mid-move. Contact sheets alone hide motion bugs. Check text readability, safe margins, and that every number/name on screen exists in the real product. Deliver renders/evals--v1.mp4 plus a report: script, design summary, asset list, shot list with times, BPM and speed factor, hit frames with FX, SFX map, QA results.117:T1d8c,Make a ~60s product launch film for Evals (evals.ag) — the place to battle AI setups on your own task and vote blind. 16:9, 1920×1080, 30fps, music-locked, no narration — on-screen type tells the story. Build it in HyperFrames (HTML + one paused GSAP timeline) under videos/evals-/. 0. Inputs Product: https://evals.ag (app: https://evals-app.vercel.app — use my logged-in Chrome session for anything behind sign-in). Motion reference: videos/evals-hype/renders/evals-ref2-short-fast2-impact.mp4 (approved). Match its feel exactly; change only scenario, design and assets. Core message: "Same prompt, different setups — battle them and vote blind. Stop guessing. Battle it." What Evals really does (only show these — no invented features, numbers, rankings or names) Ask: type what you want to make in the composer ("What would you like to make?"). Run modes: Battle (blind), Side-by-side comparison (pick models and skills), Direct. Battle: up to 4 setups. A setup = model + skill + environment (e.g. Claude Opus 5.5 / GPT-6 Astra, skills like hyperframes / frontend-design / web-design-guidelines, environments like Native Claude / Recorded session). Compare, blind: same prompt, outputs side by side as playable live previews, names hidden until you vote ("I prefer A / B"). Inspect: every output keeps its full run record — LLM, gen AI, skill, software, environment, services contacted, turn time, turn tokens, status. Rank: votes roll up into leaderboards of setups, not just models ("Setups, not just models." — same model, different setups). Explore: community Outputs, Tasks, Skills, Compare, Community, Leaderboards. Real model names visible in the product: Claude Opus 5.5, GPT-6 Astra. Show only names/numbers you actually see in your captures. End card: Evals mark + wordmark, "Stop guessing. Battle it.", URL evals.ag. 1. Reverse-engineer the reference first (frames are the truth) Download the reference and study it frame by frame. Write SPEC.md with measured numbers, not impressions: every cut (frame number), shot order and durations, average shot length, cuts per 10s camera moves per shot (start/end position, scale, curve), easing measured per frame (fraction of remaining distance covered each frame) type-on speed (frames per char), caret behaviour, word-by-word reveal spacing, new-word accent flash duration card/UI choreography (fly-in paths, stacking, depth), light↔dark section switches, split-screen layouts sound map: where every hit/whoosh/click lands relative to the cut Then rebuild shot for shot at the same rhythm. Only brand, copy, design and assets change. 2. Scenario Write SCRIPT.md before building: a fresh narrative arc true to what Evals really does (hook: a new SOTA model every week — which one is actually best at your work? → type a task → Battle up to 4 setups → blind side-by-side, vote → full run record → setup leaderboards → "Stop guessing. Battle it." evals.ag). Don't reuse the previous films' copy. Short punchy lines (2–5 words per beat), English. Every beat gets a timestamp on the music grid. 3. Design Write DESIGN.md once and make every section obey it (no per-section drift): palette (one accent per frame), type pairing (one sans for headlines; weights/sizes in px; tracking −0.02em, line-height 1.0) card treatment: real UI captures, rounded 14–18px corners, soft layered shadow Never: outline/hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI mockups, invented numbers/rankings/features. 4. Assets (all real, all new) Capture the real Evals UI with Playwright at 2–3× DPR: home composer (empty / typed), Run-mode menu (Battle / Side-by-side / Direct), setups stepper (1–4), a live run page (4 agents generating → "Your options are ready"), Compare (blind A/B with "I prefer A/B"), output run record panel, Leaderboards (setup rows), Explore Outputs/Tasks/Skills. Run one real 4-setup Battle on a visual prompt (e.g. a playable browser game) so the four results are genuinely the same task. Record real Evals outputs as clips from their live previews (screencast, 1600×900, 30fps, 6–7s each; press start/arrow keys or orbit so they move). Use outputs not used in earlier Evals films. Typing scenes: put a text layer exactly over the real input field, matching its font, size and colour. New music track (detect BPM and first downbeat with a script) and a fresh SFX set. 5. Motion rules (this is the 감도 — non-negotiable) One camera = one pure function of time cam(t) built from keyframes with velocity-continuous easing; applied from the master timeline. Deterministic: no timers, no randomness, any frame renders alone. Two easing families only: snappy ≈25% of remaining distance per frame (90% in 8–9 frames) and floaty ≈12% (18–20 frames). No overshoot unless the reference has it. Exits accelerate into the cut; the next shot carries the motion through it (velocity-matched). Real whip-pans: outgoing and incoming shots travel together over 0.30–0.45s, with velocity-driven motion blur that peaks mid-move. Never blur switched on over a hard cut. Overlays are screen-locked (never inherit the camera whip). Text arrives with its container in one mask reveal. Overlapping action: the next element starts at ~60% of the previous tween. No start-stop chains. Nothing freezes: every hold carries a 1–3% slow drift (sine.inOut across the whole hold). Fast moves decelerate over ≥6 frames — no dead stops. No double cuts (two visual changes on adjacent frames). Busy footage gets only a slow push; energy comes from the cuts. Word reveals 2–4 frames apart; the newest word flashes the accent, then settles 3–12 frames later. Hero type-on 1 char / 2 frames; in-product typing 0.6–0.9 char/frame; caret solid (never blinks). Every cut on the beat ±1 frame; visual hit and SFX on the same frame. 6. Speed, edit, impact Speed by re-rendering, never frame-dropping: render at --fps 30/speedup and play back at 30fps (e.g. --fps 95/4 → 1.263×). Pick the speed-up so one beat = a whole number of frames. Quantize every segment to 8th notes; round segment start frames up. Impact FX in post (ffmpeg) on 4–6 big hits only (cut to dark, reveal word, flash, key word, logo): zoom punch +8.5%, decaying τ = 0.09s crop shake 16px at ~22Hz, decaying τ = 0.1s rgbashift 16px for 2 frames, then 7px for 2 frames 1–2 frames of white flash Lighter version on secondary cuts (3.5% punch, 6px shake, 1 frame of split). Find hit frames from frame-diff peaks and by looking. 7. Sound Music bed carries the film; no ducking. SFX bus ~3dB under the music overall, above it only on hits and in the music's own gaps. At each big hit, layer reverse swell + boom (high-passed at 60Hz) + short transient + glitch synced to the RGB split. Use a modest total (~40–45 sounds); never spread SFX evenly on every cut. Master at −14 LUFS, AAC 192k. 8. QA before you report (mandatory) motion.py must show: no dead stops, no frozen holds, every cut within ±1.5 frames of a beat, no adjacent-frame cuts. strip.sh (16 consecutive frames) at every transition, and look at each one. A good whip shows a smooth velocity ramp with both shots visible mid-move. Contact sheets alone hide motion bugs. Check text readability, safe margins, and that every number/name on screen exists in the real product. Deliver renders/evals--v1.mp4 plus a report: script, design summary, asset list, shot list with times, BPM and speed factor, hit frames with FX, SFX map, QA results.118:T1d91,Make a ~60s product launch film for Evals (evals.ag) — the place to battle AI setups on your own task and vote blind. 16:9, 1920×1080, 30fps, music-locked, no narration — on-screen type tells the story. Build it in HyperFrames (HTML + one paused GSAP timeline) under videos/evals-/. 0. Inputs Product: https://evals.ag (app: https://evals-app.vercel.app — use my logged-in Chrome session for anything behind sign-in). Motion reference: videos/evals-hype/renders/evals-ref2-short-fast2-impact.mp4 (approved). Match its feel exactly; change only scenario, design and assets. Core message: "Same prompt, different setups — battle them and vote blind. Stop guessing. Battle it." What Evals really does (only show these — no invented features, numbers, rankings or names) Ask: type what you want to make in the composer ("What would you like to make?"). Run modes: Battle (blind), Side-by-side comparison (pick models and skills), Direct. Battle: up to 4 setups. A setup = model + skill + environment (e.g. Claude Opus 5.5 / GPT-6 Astra, skills like hyperframes / frontend-design / web-design-guidelines, environments like Native Claude / Recorded session). Compare, blind: same prompt, outputs side by side as playable live previews, names hidden until you vote ("I prefer A / B"). Inspect: every output keeps its full run record — LLM, gen AI, skill, software, environment, services contacted, turn time, turn tokens, status. Rank: votes roll up into leaderboards of setups, not just models ("Setups, not just models." — same model, different setups). Explore: community Outputs, Tasks, Skills, Compare, Community, Leaderboards. Real model names visible in the product: Claude Opus 5.5, GPT-6 Astra. Show only names/numbers you actually see in your captures. End card: Evals mark + wordmark, "Stop guessing. Battle it.", URL evals.ag. 1. Reverse-engineer the reference first (frames are the truth) Download the reference and study it frame by frame. Write SPEC.md with measured numbers, not impressions: every cut (frame number), shot order and durations, average shot length, cuts per 10s camera moves per shot (start/end position, scale, curve), easing measured per frame (fraction of remaining distance covered each frame) type-on speed (frames per char), caret behaviour, word-by-word reveal spacing, new-word accent flash duration card/UI choreography (fly-in paths, stacking, depth), light↔dark section switches, split-screen layouts sound map: where every hit/whoosh/click lands relative to the cut Then rebuild shot for shot at the same rhythm. Only brand, copy, design and assets change. 2. Scenario Write SCRIPT.md before building: a fresh narrative arc true to what Evals really does (hook: a new SOTA model every week — which one is actually best at your work? → type a task → Battle up to 4 setups → blind side-by-side, vote → full run record → setup leaderboards → "Stop guessing. Battle it." evals.ag). Don't reuse the previous films' copy. Short punchy lines (2–5 words per beat), English. Every beat gets a timestamp on the music grid. 3. Design Write DESIGN.md once and make every section obey it (no per-section drift): palette (one accent per frame), type pairing (one sans for headlines; weights/sizes in px; tracking −0.02em, line-height 1.0) card treatment: real UI captures, rounded 14–18px corners, soft layered shadow Never: outline/hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI mockups, invented numbers/rankings/features. 4. Assets (all real, all new) Capture the real Evals UI with Playwright at 2–3× DPR: home composer (empty / typed), Run-mode menu (Battle / Side-by-side / Direct), setups stepper (1–4), a live run page (4 agents generating → "Your options are ready"), Compare (blind A/B with "I prefer A/B"), output run record panel, Leaderboards (setup rows), Explore Outputs/Tasks/Skills. Run one real 4-setup Battle on a visual prompt (e.g. a playable browser game) so the four results are genuinely the same task. Record real Evals outputs as clips from their live previews (screencast, 1600×900, 30fps, 6–7s each; press start/arrow keys or orbit so they move). Use outputs not used in earlier Evals films. Typing scenes: put a text layer exactly over the real input field, matching its font, size and colour. New music track (detect BPM and first downbeat with a script) and a fresh SFX set. 5. Motion rules (this is the 감도 — non-negotiable) One camera = one pure function of time cam(t) built from keyframes with velocity-continuous easing; applied from the master timeline. Deterministic: no timers, no randomness, any frame renders alone. Two easing families only: snappy ≈25% of remaining distance per frame (90% in 8–9 frames) and floaty ≈12% (18–20 frames). No overshoot unless the reference has it. Exits accelerate into the cut; the next shot carries the motion through it (velocity-matched). Real whip-pans: outgoing and incoming shots travel together over 0.30–0.45s, with velocity-driven motion blur that peaks mid-move. Never blur switched on over a hard cut. Overlays are screen-locked (never inherit the camera whip). Text arrives with its container in one mask reveal. Overlapping action: the next element starts at ~60% of the previous tween. No start-stop chains. Nothing freezes: every hold carries a 1–3% slow drift (sine.inOut across the whole hold). Fast moves decelerate over ≥6 frames — no dead stops. No double cuts (two visual changes on adjacent frames). Busy footage gets only a slow push; energy comes from the cuts. Word reveals 2–4 frames apart; the newest word flashes the accent, then settles 3–12 frames later. Hero type-on 1 char / 2 frames; in-product typing 0.6–0.9 char/frame; caret solid (never blinks). Every cut on the beat ±1 frame; visual hit and SFX on the same frame. 6. Speed, edit, impact Speed by re-rendering, never frame-dropping: render at --fps 30/speedup and play back at 30fps (e.g. --fps 95/4 → 1.263×). Pick the speed-up so one beat = a whole number of frames. Quantize every segment to 8th notes; round segment start frames up. Impact FX in post (ffmpeg) on 4–6 big hits only (cut to dark, reveal word, flash, key word, logo): zoom punch +8.5%, decaying τ = 0.09s crop shake 16px at ~22Hz, decaying τ = 0.1s rgbashift 16px for 2 frames, then 7px for 2 frames 1–2 frames of white flash Lighter version on secondary cuts (3.5% punch, 6px shake, 1 frame of split). Find hit frames from frame-diff peaks and by looking. 7. Sound Music bed carries the film; no ducking. SFX bus ~3dB under the music overall, above it only on hits and in the music's own gaps. At each big hit, layer reverse swell + boom (high-passed at 60Hz) + short transient + glitch synced to the RGB split. Use a modest total (~40–45 sounds); never spread SFX evenly on every cut. Master at −14 LUFS, AAC 192k. 8. QA before you report (mandatory) motion.py must show: no dead stops, no frozen holds, every cut within ±1.5 frames of a beat, no adjacent-frame cuts. strip.sh (16 consecutive frames) at every transition, and look at each one. A good whip shows a smooth velocity ramp with both shots visible mid-move. Contact sheets alone hide motion bugs. Check text readability, safe margins, and that every number/name on screen exists in the real product. Deliver renders/evals--v1.mp4 plus a report: script, design summary, asset list, shot list with times, BPM and speed factor, hit frames with FX, SFX map, QA results. · A119:T1d91,Make a ~60s product launch film for Evals (evals.ag) — the place to battle AI setups on your own task and vote blind. 16:9, 1920×1080, 30fps, music-locked, no narration — on-screen type tells the story. Build it in HyperFrames (HTML + one paused GSAP timeline) under videos/evals-/. 0. Inputs Product: https://evals.ag (app: https://evals-app.vercel.app — use my logged-in Chrome session for anything behind sign-in). Motion reference: videos/evals-hype/renders/evals-ref2-short-fast2-impact.mp4 (approved). Match its feel exactly; change only scenario, design and assets. Core message: "Same prompt, different setups — battle them and vote blind. Stop guessing. Battle it." What Evals really does (only show these — no invented features, numbers, rankings or names) Ask: type what you want to make in the composer ("What would you like to make?"). Run modes: Battle (blind), Side-by-side comparison (pick models and skills), Direct. Battle: up to 4 setups. A setup = model + skill + environment (e.g. Claude Opus 5.5 / GPT-6 Astra, skills like hyperframes / frontend-design / web-design-guidelines, environments like Native Claude / Recorded session). Compare, blind: same prompt, outputs side by side as playable live previews, names hidden until you vote ("I prefer A / B"). Inspect: every output keeps its full run record — LLM, gen AI, skill, software, environment, services contacted, turn time, turn tokens, status. Rank: votes roll up into leaderboards of setups, not just models ("Setups, not just models." — same model, different setups). Explore: community Outputs, Tasks, Skills, Compare, Community, Leaderboards. Real model names visible in the product: Claude Opus 5.5, GPT-6 Astra. Show only names/numbers you actually see in your captures. End card: Evals mark + wordmark, "Stop guessing. Battle it.", URL evals.ag. 1. Reverse-engineer the reference first (frames are the truth) Download the reference and study it frame by frame. Write SPEC.md with measured numbers, not impressions: every cut (frame number), shot order and durations, average shot length, cuts per 10s camera moves per shot (start/end position, scale, curve), easing measured per frame (fraction of remaining distance covered each frame) type-on speed (frames per char), caret behaviour, word-by-word reveal spacing, new-word accent flash duration card/UI choreography (fly-in paths, stacking, depth), light↔dark section switches, split-screen layouts sound map: where every hit/whoosh/click lands relative to the cut Then rebuild shot for shot at the same rhythm. Only brand, copy, design and assets change. 2. Scenario Write SCRIPT.md before building: a fresh narrative arc true to what Evals really does (hook: a new SOTA model every week — which one is actually best at your work? → type a task → Battle up to 4 setups → blind side-by-side, vote → full run record → setup leaderboards → "Stop guessing. Battle it." evals.ag). Don't reuse the previous films' copy. Short punchy lines (2–5 words per beat), English. Every beat gets a timestamp on the music grid. 3. Design Write DESIGN.md once and make every section obey it (no per-section drift): palette (one accent per frame), type pairing (one sans for headlines; weights/sizes in px; tracking −0.02em, line-height 1.0) card treatment: real UI captures, rounded 14–18px corners, soft layered shadow Never: outline/hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI mockups, invented numbers/rankings/features. 4. Assets (all real, all new) Capture the real Evals UI with Playwright at 2–3× DPR: home composer (empty / typed), Run-mode menu (Battle / Side-by-side / Direct), setups stepper (1–4), a live run page (4 agents generating → "Your options are ready"), Compare (blind A/B with "I prefer A/B"), output run record panel, Leaderboards (setup rows), Explore Outputs/Tasks/Skills. Run one real 4-setup Battle on a visual prompt (e.g. a playable browser game) so the four results are genuinely the same task. Record real Evals outputs as clips from their live previews (screencast, 1600×900, 30fps, 6–7s each; press start/arrow keys or orbit so they move). Use outputs not used in earlier Evals films. Typing scenes: put a text layer exactly over the real input field, matching its font, size and colour. New music track (detect BPM and first downbeat with a script) and a fresh SFX set. 5. Motion rules (this is the 감도 — non-negotiable) One camera = one pure function of time cam(t) built from keyframes with velocity-continuous easing; applied from the master timeline. Deterministic: no timers, no randomness, any frame renders alone. Two easing families only: snappy ≈25% of remaining distance per frame (90% in 8–9 frames) and floaty ≈12% (18–20 frames). No overshoot unless the reference has it. Exits accelerate into the cut; the next shot carries the motion through it (velocity-matched). Real whip-pans: outgoing and incoming shots travel together over 0.30–0.45s, with velocity-driven motion blur that peaks mid-move. Never blur switched on over a hard cut. Overlays are screen-locked (never inherit the camera whip). Text arrives with its container in one mask reveal. Overlapping action: the next element starts at ~60% of the previous tween. No start-stop chains. Nothing freezes: every hold carries a 1–3% slow drift (sine.inOut across the whole hold). Fast moves decelerate over ≥6 frames — no dead stops. No double cuts (two visual changes on adjacent frames). Busy footage gets only a slow push; energy comes from the cuts. Word reveals 2–4 frames apart; the newest word flashes the accent, then settles 3–12 frames later. Hero type-on 1 char / 2 frames; in-product typing 0.6–0.9 char/frame; caret solid (never blinks). Every cut on the beat ±1 frame; visual hit and SFX on the same frame. 6. Speed, edit, impact Speed by re-rendering, never frame-dropping: render at --fps 30/speedup and play back at 30fps (e.g. --fps 95/4 → 1.263×). Pick the speed-up so one beat = a whole number of frames. Quantize every segment to 8th notes; round segment start frames up. Impact FX in post (ffmpeg) on 4–6 big hits only (cut to dark, reveal word, flash, key word, logo): zoom punch +8.5%, decaying τ = 0.09s crop shake 16px at ~22Hz, decaying τ = 0.1s rgbashift 16px for 2 frames, then 7px for 2 frames 1–2 frames of white flash Lighter version on secondary cuts (3.5% punch, 6px shake, 1 frame of split). Find hit frames from frame-diff peaks and by looking. 7. Sound Music bed carries the film; no ducking. SFX bus ~3dB under the music overall, above it only on hits and in the music's own gaps. At each big hit, layer reverse swell + boom (high-passed at 60Hz) + short transient + glitch synced to the RGB split. Use a modest total (~40–45 sounds); never spread SFX evenly on every cut. Master at −14 LUFS, AAC 192k. 8. QA before you report (mandatory) motion.py must show: no dead stops, no frozen holds, every cut within ±1.5 frames of a beat, no adjacent-frame cuts. strip.sh (16 consecutive frames) at every transition, and look at each one. A good whip shows a smooth velocity ramp with both shots visible mid-move. Contact sheets alone hide motion bugs. Check text readability, safe margins, and that every number/name on screen exists in the real product. Deliver renders/evals--v1.mp4 plus a report: script, design summary, asset list, shot list with times, BPM and speed factor, hit frames with FX, SFX map, QA results. · B11a:Tfef,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first.11b:Tfef,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first.11c:Tfef,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first.11d:Tff4,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first. · A11e:Tff4,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first. · B11f:Tfef,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first.120:Tfef,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first.121:Tfef,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first.122:Tff4,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first. · A123:Tff5,Make a ~60s 16:9 product demo video for Evals (evals.ag): battle AI setups on your own task and vote blind. ## Story 1. Hook (first 3s must be instantly clear): real AI-made game/video outputs of the SAME prompt slam in side by side, moving, full-bleed → big type "Which one is better?" → rapid A/B/C/D flips on the beats → "Same prompt. Different setups." → "You can't tell by guessing." 2. A real game task is typed into the Evals composer: "Build a polished playable Sonic-style 3D platform game for the browser." → Battle → up to 4 setups (Model · Skill · Environment), each landing with real values and moving UI. 3. Send → velocity-matched zoom-through into the big hit → the 4 results play side by side. 4. Blind compare: two moving outputs, "Which would you choose?" → "I prefer A". 5. Run record of that same output: LLM, skill, environment, turn time, tokens. 6. Setup leaderboard: "Setups, not just models." 7. Community wall of real game / video / shorts outputs. 8. End card: Evals mark + wordmark, "Stop guessing. Battle it.", evals.ag. ## Content - Show only games, videos, 3D scenes, motion pieces and shorts. No websites, no landing pages. - Real Evals UI only, never mocked up. Every name and number on screen is real; only model names that exist in Evals (e.g. Claude Opus 5.5, GPT-6 Astra). - No real-person likeness. ## Voice - One energetic, confident English male narrator: excited on the hook, curious on the question, emphatic on the tagline, quick through the UI steps. - ~170 words in one continuous take that fills the whole film. No pause longer than ~0.35s, no clipped words. Say "Evals" clearly as "E-vals". - The edit follows the voice: each shot change lands on the beat nearest the start of the phrase it illustrates. ## Music & sound - Modern minimal tech-launch track, 120 BPM: punchy kick, deep 808, crisp hats, glassy synth plucks. Apple / Linear keynote feel. No cheesy EDM risers, no corporate stock vibe. - Voice always leads. Music dips ~6dB only while the voice speaks, on a smooth envelope. - SFX sit just under the music and rise above it only on hits. - 4–6 big hits get a layered reverse swell + sub boom + transient + glitch. Light ticks and whooshes elsewhere, never on every cut. ## Look - One sans font, one accent colour. - Real UI as rounded cards (16–22px radius) with soft shadows. - Sections alternate dark and light. - Never: outlines or hairline boxes, rules, underlines, highlight boxes behind words, cheap gradients, emoji, fake UI. ## Motion: this is the feel - Premium, fast, confident: an Apple / Linear keynote cut at shorts speed. - One continuous camera with velocity-continuous easing. Two easing personalities only: snappy (~25% of remaining distance per frame) and floaty (~12%). - Nothing ever stops dead. Every hold keeps drifting 1–3%. Fast moves decelerate over at least 6 frames. The end card keeps pushing until the last frame. - Exits accelerate into the cut; the next shot carries that velocity through it. - Real whip-pans: both shots travel together over 0.3–0.45s, motion blur peaking mid-move. One whip direction throughout. - Overlapping action: the next element starts while the previous one is ~60% done. No start-stop chains. - Text is screen-locked and arrives together with its container. Words reveal one by one, 2–4 frames apart, and the newest word flashes the accent. In ≤0.35s, readable ≥0.7s, out ≤0.25s. - On busy footage the camera stays calm (slow push ≤3%); the energy comes from cutting on the beat. - Every cut lands on the beat (±1 frame), with the visual hit and the SFX on the same frame. No double cuts. - Big hits (4–6 only): +8.5% zoom punch, ~16px shake at ~22Hz settling in 0.1s, RGB split 16px → 7px over 4 frames, 1–2 frames of white flash. A lighter version on secondary cuts. ## Quality bar Before calling it done, watch it like a motion director who didn't build it: - no dead stops, frozen frames or stutters - every cut on the beat - every word audible - every name and number real Fix the 5 worst moments first. · C1124:T48b,I want the whole human story in one shot — from the first people to the AI we use now. 15 seconds, 16:9, no narration, no on-screen text until the very last frame. One continuous move, never cutting. The camera pushes forward and the world changes around it: firelight on a cave wall, a hand pressed in ochre, then fields and the first walls, then a printing press, then steel and smoke, then a wall of city light, then a room of humming machines, then the light of a screen on a face in the dark. Each era arrives while the last one is still leaving — the fire becomes a furnace, the cave painting becomes a page, the page becomes a screen. Hand things off on shape: something round stays round, something bright stays in the same corner of the frame. Keep a human in almost every era, always small in the frame, so the scale of the thing reads against a person. No famous faces, no logos, no company names, no invented alphabets on signage. It should feel like one long exhale, not a slideshow. The last frame can carry one line of English text, my choice later — leave it clean. Give me the finished mp4, a cover frame, and the prompts you used per shot.125:T48b,I want the whole human story in one shot — from the first people to the AI we use now. 15 seconds, 16:9, no narration, no on-screen text until the very last frame. One continuous move, never cutting. The camera pushes forward and the world changes around it: firelight on a cave wall, a hand pressed in ochre, then fields and the first walls, then a printing press, then steel and smoke, then a wall of city light, then a room of humming machines, then the light of a screen on a face in the dark. Each era arrives while the last one is still leaving — the fire becomes a furnace, the cave painting becomes a page, the page becomes a screen. Hand things off on shape: something round stays round, something bright stays in the same corner of the frame. Keep a human in almost every era, always small in the frame, so the scale of the thing reads against a person. No famous faces, no logos, no company names, no invented alphabets on signage. It should feel like one long exhale, not a slideshow. The last frame can carry one line of English text, my choice later — leave it clean. Give me the finished mp4, a cover frame, and the prompts you used per shot.126:T48b,I want the whole human story in one shot — from the first people to the AI we use now. 15 seconds, 16:9, no narration, no on-screen text until the very last frame. One continuous move, never cutting. The camera pushes forward and the world changes around it: firelight on a cave wall, a hand pressed in ochre, then fields and the first walls, then a printing press, then steel and smoke, then a wall of city light, then a room of humming machines, then the light of a screen on a face in the dark. Each era arrives while the last one is still leaving — the fire becomes a furnace, the cave painting becomes a page, the page becomes a screen. Hand things off on shape: something round stays round, something bright stays in the same corner of the frame. Keep a human in almost every era, always small in the frame, so the scale of the thing reads against a person. No famous faces, no logos, no company names, no invented alphabets on signage. It should feel like one long exhale, not a slideshow. The last frame can carry one line of English text, my choice later — leave it clean. Give me the finished mp4, a cover frame, and the prompts you used per shot.127:T490,I want the whole human story in one shot — from the first people to the AI we use now. 15 seconds, 16:9, no narration, no on-screen text until the very last frame. One continuous move, never cutting. The camera pushes forward and the world changes around it: firelight on a cave wall, a hand pressed in ochre, then fields and the first walls, then a printing press, then steel and smoke, then a wall of city light, then a room of humming machines, then the light of a screen on a face in the dark. Each era arrives while the last one is still leaving — the fire becomes a furnace, the cave painting becomes a page, the page becomes a screen. Hand things off on shape: something round stays round, something bright stays in the same corner of the frame. Keep a human in almost every era, always small in the frame, so the scale of the thing reads against a person. No famous faces, no logos, no company names, no invented alphabets on signage. It should feel like one long exhale, not a slideshow. The last frame can carry one line of English text, my choice later — leave it clean. Give me the finished mp4, a cover frame, and the prompts you used per shot. · A128:T490,I want the whole human story in one shot — from the first people to the AI we use now. 15 seconds, 16:9, no narration, no on-screen text until the very last frame. One continuous move, never cutting. The camera pushes forward and the world changes around it: firelight on a cave wall, a hand pressed in ochre, then fields and the first walls, then a printing press, then steel and smoke, then a wall of city light, then a room of humming machines, then the light of a screen on a face in the dark. Each era arrives while the last one is still leaving — the fire becomes a furnace, the cave painting becomes a page, the page becomes a screen. Hand things off on shape: something round stays round, something bright stays in the same corner of the frame. Keep a human in almost every era, always small in the frame, so the scale of the thing reads against a person. No famous faces, no logos, no company names, no invented alphabets on signage. It should feel like one long exhale, not a slideshow. The last frame can carry one line of English text, my choice later — leave it clean. Give me the finished mp4, a cover frame, and the prompts you used per shot. · 2129:T42e,I run a small baking account and I want to try the tiny-food thing everyone keeps sending me — a whole strawberry tart made at doll size, start to finish. Vertical, 9:16, 15 seconds. One pair of hands, no face, no voice. Real miniature scale: a tart that ends up about the size of a coin, pastry rolled out with a pin the length of a matchstick, baked in a tiny fluted tin, and the tools should look like actual tools, not toys. Show the whole thing happening — pastry pressed into the tin, the tin going into the oven, the shell coming out, pastry cream piped in, then strawberries sliced and laid in a ring, and a glaze brushed over them at the end. The strawberries are the point, so they have to look like real fruit at that size: seeds on the skin, the pale core when they are cut, juice on the board. Sound is half the point: the knife through the fruit, the oven door, the brush on the glaze. Close and quiet, no music bed on top of it. End on the finished tart next to something everyday for scale — a coin, a fingertip, a matchstick — so the size lands.12a:T42e,I run a small baking account and I want to try the tiny-food thing everyone keeps sending me — a whole strawberry tart made at doll size, start to finish. Vertical, 9:16, 15 seconds. One pair of hands, no face, no voice. Real miniature scale: a tart that ends up about the size of a coin, pastry rolled out with a pin the length of a matchstick, baked in a tiny fluted tin, and the tools should look like actual tools, not toys. Show the whole thing happening — pastry pressed into the tin, the tin going into the oven, the shell coming out, pastry cream piped in, then strawberries sliced and laid in a ring, and a glaze brushed over them at the end. The strawberries are the point, so they have to look like real fruit at that size: seeds on the skin, the pale core when they are cut, juice on the board. Sound is half the point: the knife through the fruit, the oven door, the brush on the glaze. Close and quiet, no music bed on top of it. End on the finished tart next to something everyday for scale — a coin, a fingertip, a matchstick — so the size lands.12b:T42e,I run a small baking account and I want to try the tiny-food thing everyone keeps sending me — a whole strawberry tart made at doll size, start to finish. Vertical, 9:16, 15 seconds. One pair of hands, no face, no voice. Real miniature scale: a tart that ends up about the size of a coin, pastry rolled out with a pin the length of a matchstick, baked in a tiny fluted tin, and the tools should look like actual tools, not toys. Show the whole thing happening — pastry pressed into the tin, the tin going into the oven, the shell coming out, pastry cream piped in, then strawberries sliced and laid in a ring, and a glaze brushed over them at the end. The strawberries are the point, so they have to look like real fruit at that size: seeds on the skin, the pale core when they are cut, juice on the board. Sound is half the point: the knife through the fruit, the oven door, the brush on the glaze. Close and quiet, no music bed on top of it. End on the finished tart next to something everyday for scale — a coin, a fingertip, a matchstick — so the size lands.12c:T433,I run a small baking account and I want to try the tiny-food thing everyone keeps sending me — a whole strawberry tart made at doll size, start to finish. Vertical, 9:16, 15 seconds. One pair of hands, no face, no voice. Real miniature scale: a tart that ends up about the size of a coin, pastry rolled out with a pin the length of a matchstick, baked in a tiny fluted tin, and the tools should look like actual tools, not toys. Show the whole thing happening — pastry pressed into the tin, the tin going into the oven, the shell coming out, pastry cream piped in, then strawberries sliced and laid in a ring, and a glaze brushed over them at the end. The strawberries are the point, so they have to look like real fruit at that size: seeds on the skin, the pale core when they are cut, juice on the board. Sound is half the point: the knife through the fruit, the oven door, the brush on the glaze. Close and quiet, no music bed on top of it. End on the finished tart next to something everyday for scale — a coin, a fingertip, a matchstick — so the size lands. · A12d:T433,I run a small baking account and I want to try the tiny-food thing everyone keeps sending me — a whole strawberry tart made at doll size, start to finish. Vertical, 9:16, 15 seconds. One pair of hands, no face, no voice. Real miniature scale: a tart that ends up about the size of a coin, pastry rolled out with a pin the length of a matchstick, baked in a tiny fluted tin, and the tools should look like actual tools, not toys. Show the whole thing happening — pastry pressed into the tin, the tin going into the oven, the shell coming out, pastry cream piped in, then strawberries sliced and laid in a ring, and a glaze brushed over them at the end. The strawberries are the point, so they have to look like real fruit at that size: seeds on the skin, the pale core when they are cut, juice on the board. Sound is half the point: the knife through the fruit, the oven door, the brush on the glaze. Close and quiet, no music bed on top of it. End on the finished tart next to something everyday for scale — a coin, a fingertip, a matchstick — so the size lands. · B31:["$","$27",null,{"fallback":["$","section",null,{"className":"tournament-page voting-page contest-v3 contest-skeleton","role":"status","aria-live":"polite","aria-busy":"true","children":[["$","span",null,{"className":"sr-only","children":"Loading comparisons…"}],["$","header",null,{"className":"tournament-header contest-header","aria-hidden":"true","children":[["$","div",null,{"className":"contest-title","children":["$","h1",null,{"children":"Which would you choose?"}]}],["$","div",null,{"className":"contest-tools","children":["$","span",null,{"className":"contest-options-button","children":["$","span",null,{"className":"evals-skeleton__block 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It should feel alive the moment it loads. · B","preview":{"id":"ast_4TH7E78MN95M3BBBAK2NMX8DJX","source_key":null,"source_order":0,"source_path":"publications/tsk_239KQ3Z5Y9J3ND3S7H5W1SYHCX/out_15K16DMWEWQS71RKHX6G8ZY4JQ/index.html","sha256":"fa1714a89988e2930a42c9ab6083b55a1e65f1c0f7b4d5d8ba9daf3f6fabafef","mime_type":"text/html","kind":"document","byte_size":20714,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"eb9b34c866ce373567408662076cf2f3","source_content_type":null,"url":"/api/v1/media/assets/ast_4TH7E78MN95M3BBBAK2NMX8DJX/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/fa/fa1714a89988e2930a42c9ab6083b55a1e65f1c0f7b4d5d8ba9daf3f6fabafef/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=f3c292c8fff4eac7ef94eee73332916f701b4cf9680e8b908ef0e70bd9044900&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/fa/fa1714a89988e2930a42c9ab6083b55a1e65f1c0f7b4d5d8ba9daf3f6fabafef/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=4fbf1f47ad0c82fac9b702dfd241c9a48993784163ef49e4cddefa7340ecd36b","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_0X8AXSXQNE85CTSW9MAMG01YT6","title":"Make a pixel art sprite animation of a red panda mail carrier walking, side view. 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It should feel alive the moment it loads. · C","preview":{"id":"ast_0393QTCRPDMM11BYC5BG09XG08","source_key":null,"source_order":0,"source_path":"publications/tsk_239KQ3Z5Y9J3ND3S7H5W1SYHCX/out_0X8AXSXQNE85CTSW9MAMG01YT6/output.png","sha256":"3beed97d76da505fd3d8ed6101d1ae02704972c87f7538bca7f473acd7dccbac","mime_type":"image/png","kind":"image","byte_size":15086243,"width":5504,"height":3072,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"5f72280bb9808289d2fe49b750d5fa98","source_content_type":null,"url":"/api/v1/media/assets/ast_0393QTCRPDMM11BYC5BG09XG08/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/3b/3beed97d76da505fd3d8ed6101d1ae02704972c87f7538bca7f473acd7dccbac?expires=1793897280&type=image%2Fpng&sig=d62333d52ca92478779a74643272a9c1d3b31d16d70e27e3609f43d066635326&tile=2","preview_video_url":null,"gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_2P20CKC2B5K13KT1AGHCM1RKES","title":"Make a pixel art sprite animation of a red panda mail carrier walking, side view. It must be real pixel art: a true 32x32 grid where every pixel is one solid square, no anti-aliasing, at most 8 colours, and a seamless 8-frame walk loop. If an image model is selected for this run, the art must come from it. Deliver the sprite sheet as a PNG, the loop as an animated GIF, and one web page that plays the loop scaled up with nearest-neighbour. It should feel alive the moment it loads. · D","preview":{"id":"ast_61XDDK998NNV5HRX6QE9R6HC8W","source_key":null,"source_order":0,"source_path":"publications/tsk_239KQ3Z5Y9J3ND3S7H5W1SYHCX/out_2P20CKC2B5K13KT1AGHCM1RKES/index.html","sha256":"a0ec6b2ae3693a8676a7c17a4cb3cfa6b33e0c8011e57ae251abcbd36a909d9a","mime_type":"text/html","kind":"document","byte_size":23838,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"37cf66238f0aace69169223925c4b3e2","source_content_type":null,"url":"/api/v1/media/assets/ast_61XDDK998NNV5HRX6QE9R6HC8W/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a0/a0ec6b2ae3693a8676a7c17a4cb3cfa6b33e0c8011e57ae251abcbd36a909d9a/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=f6b64e23cb5fc20710964c33b458ef85c2723ccf049c0ce61b1a7cf3402bc480&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a0/a0ec6b2ae3693a8676a7c17a4cb3cfa6b33e0c8011e57ae251abcbd36a909d9a/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=344c3cf8802f71b5abca17b59c7fa2e5038a729876c7a99a581a864412246e9b","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-11-05T06:41:45.818740Z"},{"id":"tsk_2FAJAD539JYMTHYPGHP5RSP3VJ","comparisonId":"cmp_05ZK4XCX5Q0ZMS8QZMZTGNZNYP","title":"Make a small arcade dungeon crawler game in one web page: a mole miner with a glowing pickaxe digging through a crystal cave full of lava beetles. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, swing, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads.","category":"Website","summary":"Make a small arcade dungeon crawler game in one web page: a mole miner with a glowing pickaxe digging through a crystal cave full of lava beetles. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, swing, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads.","prompt":"Make a small arcade dungeon crawler game in one web page: a mole miner with a glowing pickaxe digging through a crystal cave full of lava beetles. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, swing, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_79PBEGP5DNKZS6HJAQNXK93H7J","title":"Make a small arcade dungeon crawler game in one web page: a mole miner with a glowing pickaxe digging through a crystal cave full of lava beetles. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, swing, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads. · A","preview":{"id":"ast_4Y5XZ112QYD7BMB5CX7JHVYX1P","source_key":null,"source_order":0,"source_path":"publications/tsk_2FAJAD539JYMTHYPGHP5RSP3VJ/out_79PBEGP5DNKZS6HJAQNXK93H7J/index.html","sha256":"576b09262a8b7d42da02fe6612a3d7f16fa26c4af3e238b352c4a620ac96ab60","mime_type":"text/html","kind":"document","byte_size":1932316,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"ca523ce2cb6eb826dcde10e283f30703","source_content_type":null,"url":"/api/v1/media/assets/ast_4Y5XZ112QYD7BMB5CX7JHVYX1P/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/57/576b09262a8b7d42da02fe6612a3d7f16fa26c4af3e238b352c4a620ac96ab60/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=694c9d11f842e7551870571204e7dd84e94669110742bafb1cbd7d8b17b7506b&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/57/576b09262a8b7d42da02fe6612a3d7f16fa26c4af3e238b352c4a620ac96ab60/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=58e7cb01527059103406beb1186ea8558202ddad6e60c90db689176f89430cd5","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_1ZBH621CRCBZ06EZVQ3EW5MM1T","title":"Make a small arcade dungeon crawler game in one web page: a mole miner with a glowing pickaxe digging through a crystal cave full of lava beetles. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, swing, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads. · B","preview":{"id":"ast_5MQPQYFH7AEN73K6P7D1AVGSBF","source_key":null,"source_order":0,"source_path":"publications/tsk_2FAJAD539JYMTHYPGHP5RSP3VJ/out_1ZBH621CRCBZ06EZVQ3EW5MM1T/index.html","sha256":"441a7667243c64f9aaafcb81e5dcf6e605477fca6905591ab5da579d4b9d7c83","mime_type":"text/html","kind":"document","byte_size":879459,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"ae184beadf4e81fc696c872c5dc1aabf","source_content_type":null,"url":"/api/v1/media/assets/ast_5MQPQYFH7AEN73K6P7D1AVGSBF/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/44/441a7667243c64f9aaafcb81e5dcf6e605477fca6905591ab5da579d4b9d7c83/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=9427711307d2cc2d5e2808df314b8de542a807cc944ae633e1e27731df74d62b&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/44/441a7667243c64f9aaafcb81e5dcf6e605477fca6905591ab5da579d4b9d7c83/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=127881b4b38224a8e1de9995ecf2035fb45f3cb361241a6a0c7d36df7c860b47","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_2GY3XEH5PGSN3S7J1JY9V3GN8K","title":"Make a small arcade dungeon crawler game in one web page: a mole miner with a glowing pickaxe digging through a crystal cave full of lava beetles. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, swing, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads. · C","preview":{"id":"ast_1HJ3NCAKRGKK89WT47K8JP2S7V","source_key":null,"source_order":0,"source_path":"publications/tsk_2FAJAD539JYMTHYPGHP5RSP3VJ/out_2GY3XEH5PGSN3S7J1JY9V3GN8K/index.html","sha256":"282d3e8a262edfc5862384b2d7e734a4c6556fc077ca2195b05ae152b8ade9fe","mime_type":"text/html","kind":"document","byte_size":3080983,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"775007de9f820d34f151e1ef02789be5","source_content_type":null,"url":"/api/v1/media/assets/ast_1HJ3NCAKRGKK89WT47K8JP2S7V/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/28/282d3e8a262edfc5862384b2d7e734a4c6556fc077ca2195b05ae152b8ade9fe/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=7b020c12ccee8dc8856e2ba800e8aeba58f6503a635a9422fbdc52c42723db8c&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/28/282d3e8a262edfc5862384b2d7e734a4c6556fc077ca2195b05ae152b8ade9fe/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=cecc90b38287d0338241e5f25151a0c2fce1fdbcfc02de02e2df10040d66291e","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_52641Z57GQ7KJ6FDVBX7NAXTTA","title":"Make a small arcade dungeon crawler game in one web page: a mole miner with a glowing pickaxe digging through a crystal cave full of lava beetles. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, swing, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads. · D","preview":{"id":"ast_2V23S16RRVXM3ZYQAY4ES8DYKN","source_key":null,"source_order":0,"source_path":"publications/tsk_2FAJAD539JYMTHYPGHP5RSP3VJ/out_52641Z57GQ7KJ6FDVBX7NAXTTA/index.html","sha256":"16aff4506e278f20f640f0371277e44b293bf1c61bdb1a7b799a41288601030f","mime_type":"text/html","kind":"document","byte_size":5939072,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"ebf49353ea7dcd4c3fa9c007297427db","source_content_type":null,"url":"/api/v1/media/assets/ast_2V23S16RRVXM3ZYQAY4ES8DYKN/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/16/16aff4506e278f20f640f0371277e44b293bf1c61bdb1a7b799a41288601030f/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=bedf4e150030c7c39c011d79fbc132344b5832756b92bfcfd450552f5e57c243&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/16/16aff4506e278f20f640f0371277e44b293bf1c61bdb1a7b799a41288601030f/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=7332e15888e27816748283164fa1f8523a5203dae7f04830d71f1175279d7c0b","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-11-05T11:40:07.534602Z"},{"id":"tsk_38S6PXVV3Z4M90CRA0AQ0XYY6W","comparisonId":"cmp_70YD78B455D572CB9A5D647NRP","title":"Generate one video with the Gen AI model selected for this run: 8 seconds, 16:9, the highest quality that model offers, with native audio.\n\nScene: a busy 1950s American diner, one continuous handheld shot. A waiter trips. A tray of full glasses falls and shatters on the checkerboard floor, and milk splashes across it. A woman at the counter turns toward the camera and says clearly, \"You have got to be kidding me.\"\n\nDeliver the generated video file, unedited.","category":"Video","summary":"Generate one video with the Gen AI model selected for this run: 8 seconds, 16:9, the highest quality that model offers, with native audio.\n\nScene: a busy 1950s American diner, one continuous handheld shot. A waiter trips. A tray of full glasses falls and shatters on the checkerboard floor, and milk splashes across it. A woman at the counter turns toward the camera and says clearly, \"You have got to be kidding me.\"\n\nDeliver the generated video file, unedited.","prompt":"Generate one video with the Gen AI model selected for this run: 8 seconds, 16:9, the highest quality that model offers, with native audio.\n\nScene: a busy 1950s American diner, one continuous handheld shot. A waiter trips. A tray of full glasses falls and shatters on the checkerboard floor, and milk splashes across it. A woman at the counter turns toward the camera and says clearly, \"You have got to be kidding me.\"\n\nDeliver the generated video file, unedited.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_0JPEX1SCHHAH7M5ZM7ZW9MZGK9","title":"Generate one video with the Gen AI model selected for this run: 8 seconds, 16:9, the highest quality that model offers, with native audio.\n\nScene: a busy 1950s American diner, one continuous handheld shot. A waiter trips. A tray of full glasses falls and shatters on the checkerboard floor, and milk splashes across it. A woman at the counter turns toward the camera and says clearly, \"You have got to be kidding me.\"\n\nDeliver the generated video file, unedited. · A","preview":{"id":"ast_0FBVRBQP47490YHK6Q2ZV5JG7E","source_key":null,"source_order":0,"source_path":"publications/tsk_38S6PXVV3Z4M90CRA0AQ0XYY6W/out_0JPEX1SCHHAH7M5ZM7ZW9MZGK9/output.mp4","sha256":"033f4729ab88f115cd3f8272799f86b9bd41a34540dbe8038560d19cef51da82","mime_type":"video/mp4","kind":"video","byte_size":29445786,"width":3840,"height":2160,"duration":8.043,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"23c146003ce82ca05b689ddd583201a6","source_content_type":null,"url":"/api/v1/media/assets/ast_0FBVRBQP47490YHK6Q2ZV5JG7E/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/03/033f4729ab88f115cd3f8272799f86b9bd41a34540dbe8038560d19cef51da82/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=22690b78ac93039baa3b028e4134003e472aa791bf5d6c0b3734a98c7a2f4625&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/03/033f4729ab88f115cd3f8272799f86b9bd41a34540dbe8038560d19cef51da82/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=327015e16c635bf7f607b64c3da2317e79943d05df69009f5389d82ef5afffcc","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_2TDQSDPQPXN2FD8RY6K669HQBC","title":"Generate one video with the Gen AI model selected for this run: 8 seconds, 16:9, the highest quality that model offers, with native audio.\n\nScene: a busy 1950s American diner, one continuous handheld shot. A waiter trips. A tray of full glasses falls and shatters on the checkerboard floor, and milk splashes across it. A woman at the counter turns toward the camera and says clearly, \"You have got to be kidding me.\"\n\nDeliver the generated video file, unedited. · B","preview":{"id":"ast_15VRSRND0SA3HF2NW9C3R355YX","source_key":null,"source_order":0,"source_path":"publications/tsk_38S6PXVV3Z4M90CRA0AQ0XYY6W/out_2TDQSDPQPXN2FD8RY6K669HQBC/output.mp4","sha256":"1572c3819bbfe86f0e74dfac72e8cb469a688e89d76e2eb5d366bcdb00ccfcab","mime_type":"video/mp4","kind":"video","byte_size":37476360,"width":3840,"height":2160,"duration":8,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"625b84b3d0a0299672e1b772ee18162b","source_content_type":null,"url":"/api/v1/media/assets/ast_15VRSRND0SA3HF2NW9C3R355YX/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/15/1572c3819bbfe86f0e74dfac72e8cb469a688e89d76e2eb5d366bcdb00ccfcab/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=3f74c20cb79dbedb3e6094dbc8c650dcdbd66b3acbd3a9644200b712838d87c2&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/15/1572c3819bbfe86f0e74dfac72e8cb469a688e89d76e2eb5d366bcdb00ccfcab/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=67c80cb587253929c8ffad2da4147bf9dce5c052fd1b06fd01fa87991b9e22a1","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_0RBYQN2F6Z4XNHZ59ZDXRPGJ9D","title":"Generate one video with the Gen AI model selected for this run: 8 seconds, 16:9, the highest quality that model offers, with native audio.\n\nScene: a busy 1950s American diner, one continuous handheld shot. A waiter trips. A tray of full glasses falls and shatters on the checkerboard floor, and milk splashes across it. A woman at the counter turns toward the camera and says clearly, \"You have got to be kidding me.\"\n\nDeliver the generated video file, unedited. · C","preview":{"id":"ast_3PR1KAK13ZJKW2W58AXCKW8SJ0","source_key":null,"source_order":0,"source_path":"publications/tsk_38S6PXVV3Z4M90CRA0AQ0XYY6W/out_0RBYQN2F6Z4XNHZ59ZDXRPGJ9D/output.mp4","sha256":"615e876ac24a7406e83814ff57ee69ba4c28d2533d1840fa7928e52f1d023a45","mime_type":"video/mp4","kind":"video","byte_size":7084245,"width":1920,"height":1080,"duration":8.081,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"5d35a512da44bd251dcbf8123a50c50b","source_content_type":null,"url":"/api/v1/media/assets/ast_3PR1KAK13ZJKW2W58AXCKW8SJ0/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/61/615e876ac24a7406e83814ff57ee69ba4c28d2533d1840fa7928e52f1d023a45/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=513cb7afec02ea4c1c7d279d960e03fcbdf8115cc46c942cd4eecaa8005273cb&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/61/615e876ac24a7406e83814ff57ee69ba4c28d2533d1840fa7928e52f1d023a45/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=d136680fc43fee38a5e6cd8efa9293ba788af8c0f5a93ae910c792cd58f7397f","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_041196YRRTQDJEPM77GAHGQRPG","title":"Generate one video with the Gen AI model selected for this run: 8 seconds, 16:9, the highest quality that model offers, with native audio.\n\nScene: a busy 1950s American diner, one continuous handheld shot. A waiter trips. A tray of full glasses falls and shatters on the checkerboard floor, and milk splashes across it. A woman at the counter turns toward the camera and says clearly, \"You have got to be kidding me.\"\n\nDeliver the generated video file, unedited. · 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and sticker test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or \"improve\" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with \"Out of credits\", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported.\n\n01. A flat vector logo for a coffee shop called \"Moss & Ember\": a fern leaf inside a coffee bean, two colors, clean geometric lines, on white. Aspect ratio 1:1.\n02. A sticker sheet of 6 flat vector stickers of one original mascot, a round orange cat with a tiny backpack, each sticker a different pose, white outlines, on white. Aspect ratio 1:1.","category":"Other","summary":"Logo and sticker test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or \"improve\" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with \"Out of credits\", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported.\n\n01. A flat vector logo for a coffee shop called \"Moss & Ember\": a fern leaf inside a coffee bean, two colors, clean geometric lines, on white. Aspect ratio 1:1.\n02. A sticker sheet of 6 flat vector stickers of one original mascot, a round orange cat with a tiny backpack, each sticker a different pose, white outlines, on white. Aspect ratio 1:1.","prompt":"Logo and sticker test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or \"improve\" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with \"Out of credits\", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported.\n\n01. A flat vector logo for a coffee shop called \"Moss & Ember\": a fern leaf inside a coffee bean, two colors, clean geometric lines, on white. Aspect ratio 1:1.\n02. A sticker sheet of 6 flat vector stickers of one original mascot, a round orange cat with a tiny backpack, each sticker a different pose, white outlines, on white. 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the non-relativistic, infinite-nuclear-mass ground-state energies, in Hartree, of:\n1. the helium atom (He)\n2. the hydride ion (H-)\n3. the lithium atom (Li)\n\nGet as many correct digits as you can from your own calculation. 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It must be real pixel art: a true 32x32 grid where every pixel is one solid square, no anti-aliasing, at most 8 colours, and a seamless 8-frame loop. Deliver the sprite sheet as a PNG, the loop as an animated GIF, and one web page that plays the loop scaled up with nearest-neighbour. It should feel alive the moment it loads.","category":"Website","summary":"Make a pixel art sprite animation of a frog knight raising a sword in salute, front three-quarter view. It must be real pixel art: a true 32x32 grid where every pixel is one solid square, no anti-aliasing, at most 8 colours, and a seamless 8-frame loop. Deliver the sprite sheet as a PNG, the loop as an animated GIF, and one web page that plays the loop scaled up with nearest-neighbour. It should feel alive the moment it loads.","prompt":"Make a pixel art sprite animation of a frog knight raising a sword in salute, front three-quarter view. It must be real pixel art: a true 32x32 grid where every pixel is one solid square, no anti-aliasing, at most 8 colours, and a seamless 8-frame loop. Deliver the sprite sheet as a PNG, the loop as an animated GIF, and one web page that plays the loop scaled up with nearest-neighbour. It should feel alive the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_7PAPV6RZYRYJGAPPP1EHQ03SS6","title":"Make a pixel art sprite animation of a frog knight raising a sword in salute, front three-quarter view. It must be real pixel art: a true 32x32 grid where every pixel is one solid square, no anti-aliasing, at most 8 colours, and a seamless 8-frame loop. Deliver the sprite sheet as a PNG, the loop as an animated GIF, and one web page that plays the loop scaled up with nearest-neighbour. 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It must be real pixel art: a true 32x32 grid where every pixel is one solid square, no anti-aliasing, at most 8 colours, and a seamless 8-frame loop. Deliver the sprite sheet as a PNG, the loop as an animated GIF, and one web page that plays the loop scaled up with nearest-neighbour. It should feel alive the moment it loads. · B","preview":{"id":"ast_56QHXZWA6TMTA8G0V270RJYJTJ","source_key":null,"source_order":0,"source_path":"publications/tsk_2CFJNQNE4714CAXNYBKZ8TZCQR/out_21S83PS1RQ2CGBTSAECC0XG3RM/index.html","sha256":"610039e36ac2768d84e239cacee68048040550dd8bdc076f3fe0e89b51727c24","mime_type":"text/html","kind":"document","byte_size":23524,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"fa116b82476961c1c7809fada67c88cc","source_content_type":null,"url":"/api/v1/media/assets/ast_56QHXZWA6TMTA8G0V270RJYJTJ/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/61/610039e36ac2768d84e239cacee68048040550dd8bdc076f3fe0e89b51727c24/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=6a63280f078a6dd3d4f0ed6d441b642399eaba6b833caf755fa5c9750e5276b9&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/61/610039e36ac2768d84e239cacee68048040550dd8bdc076f3fe0e89b51727c24/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=f79dbf3c0060eeef78899caefa971348f0eaabbe2f49493c13f45a0ab1aab3b2","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_5GN9R4TCRK8P9VMG5DPNB3XEDP","title":"Make a pixel art sprite animation of a frog knight raising a sword in salute, front three-quarter view. 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It must be real pixel art: a true 32x32 grid where every pixel is one solid square, no anti-aliasing, at most 8 colours, and a seamless 8-frame loop. Deliver the sprite sheet as a PNG, the loop as an animated GIF, and one web page that plays the loop scaled up with nearest-neighbour. 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the launch page for GPT-6.2 Astra, a fictional AI model.\n\nUse GPT Image 2.6 to design it first: a full-page concept image, an animated hero loop, animated icons and a loading state as GIFs.\n\nThen rebuild the design as a real, working single page in HTML and CSS. Recreate the animations in code instead of dropping the GIFs onto the page. Convert any GIF you still need to a looping MP4 or WebP.\n\nPut this note in the footer: \"Fictional concept. Not a real product or an OpenAI page.\" Don't use the OpenAI logo.\n\nDeliver index.html and its assets, plus the generated design images.","category":"Website","summary":"Imagine the launch page for GPT-6.2 Astra, a fictional AI model.\n\nUse GPT Image 2.6 to design it first: a full-page concept image, an animated hero loop, animated icons and a loading state as GIFs.\n\nThen rebuild the design as a real, working single page in HTML and CSS. Recreate the animations in code instead of dropping the GIFs onto the page. Convert any GIF you still need to a looping MP4 or WebP.\n\nPut this note in the footer: \"Fictional concept. Not a real product or an OpenAI page.\" Don't use the OpenAI logo.\n\nDeliver index.html and its assets, plus the generated design images.","prompt":"Imagine the launch page for GPT-6.2 Astra, a fictional AI model.\n\nUse GPT Image 2.6 to design it first: a full-page concept image, an animated hero loop, animated icons and a loading state as GIFs.\n\nThen rebuild the design as a real, working single page in HTML and CSS. Recreate the animations in code instead of dropping the GIFs onto the page. Convert any GIF you still need to a looping MP4 or WebP.\n\nPut this note in the footer: \"Fictional concept. Not a real product or an OpenAI page.\" Don't use the OpenAI logo.\n\nDeliver index.html and its assets, plus the generated design images.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_39WNYHK9Q7VAVR27XGF4AR5NKY","title":"Imagine the launch page for GPT-6.2 Astra, a fictional AI model.\n\nUse GPT Image 2.6 to design it first: a full-page concept image, an animated hero loop, animated icons and a loading state as GIFs.\n\nThen rebuild the design as a real, working single page in HTML and CSS. Recreate the animations in code instead of dropping the GIFs onto the page. Convert any GIF you still need to a looping MP4 or WebP.\n\nPut this note in the footer: \"Fictional concept. Not a real product or an OpenAI page.\" Don't use the OpenAI logo.\n\nDeliver index.html and its assets, plus the generated design images. · A","preview":{"id":"ast_56K2GKBQBYWSD10FAEZHV2HYXQ","source_key":null,"source_order":0,"source_path":"publications/tsk_6JJ5T48S0X6T5KKPQ8GF08FH75/out_39WNYHK9Q7VAVR27XGF4AR5NKY/index.html","sha256":"c3e8837d0ffa6980d4c81281cf565f8838e0dad7d423d29a62817c07ec02bdae","mime_type":"text/html","kind":"document","byte_size":16897,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"687dfcbd956a1c30824c8bfcf573a611","source_content_type":null,"url":"/api/v1/media/assets/ast_56K2GKBQBYWSD10FAEZHV2HYXQ/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/c3/c3e8837d0ffa6980d4c81281cf565f8838e0dad7d423d29a62817c07ec02bdae/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=88d42bbb4e3fff4d46341a3ea3ad62e77fb741bab2cd286e7febfbaeea2cee00&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/c3/c3e8837d0ffa6980d4c81281cf565f8838e0dad7d423d29a62817c07ec02bdae/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=2b8a00f0d86e37e521c46b3db5c55be405683329d32137cf4d1de8649511ba3f","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_14TR7QQ0JQ7TFFGM1T155J0NZF","title":"Imagine the launch page for GPT-6.2 Astra, a fictional AI model.\n\nUse GPT Image 2.6 to design it first: a full-page concept image, an animated hero loop, animated icons and a loading state as GIFs.\n\nThen rebuild the design as a real, working single page in HTML and CSS. Recreate the animations in code instead of dropping the GIFs onto the page. Convert any GIF you still need to a looping MP4 or WebP.\n\nPut this note in the footer: \"Fictional concept. Not a real product or an OpenAI page.\" Don't use the OpenAI logo.\n\nDeliver index.html and its assets, plus the generated design images. · B","preview":{"id":"ast_0WGP9565PDQCJSQC5E38DSBYM4","source_key":null,"source_order":0,"source_path":"publications/tsk_6JJ5T48S0X6T5KKPQ8GF08FH75/out_14TR7QQ0JQ7TFFGM1T155J0NZF/index.html","sha256":"9977549433a56e9857386c2a55ae0b043f6ac9f2646001e2ef0502cf1d2365af","mime_type":"text/html","kind":"document","byte_size":7655,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"69d1848be64fd04a847e11f7524fe3ad","source_content_type":null,"url":"/api/v1/media/assets/ast_0WGP9565PDQCJSQC5E38DSBYM4/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/99/9977549433a56e9857386c2a55ae0b043f6ac9f2646001e2ef0502cf1d2365af/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=ef98b8f836200c5fa3bd11fcca5bea82ec1b5e357adef050b7c92d3181796d94&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/99/9977549433a56e9857386c2a55ae0b043f6ac9f2646001e2ef0502cf1d2365af/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=7f21467d4d619b8f6e65bc61e1d14cc12a0747724eac2c0c3d94a63670b8ec1a","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_1GPXKGEZX5GWHKGQ3GV05HDW1S","title":"Imagine the launch page for GPT-6.2 Astra, a fictional AI model.\n\nUse GPT Image 2.6 to design it first: a full-page concept image, an animated hero loop, animated icons and a loading state as GIFs.\n\nThen rebuild the design as a real, working single page in HTML and CSS. Recreate the animations in code instead of dropping the GIFs onto the page. Convert any GIF you still need to a looping MP4 or WebP.\n\nPut this note in the footer: \"Fictional concept. Not a real product or an OpenAI page.\" Don't use the OpenAI logo.\n\nDeliver index.html and its assets, plus the generated design images. · C","preview":{"id":"ast_699FX971C1PEVNA3SAFCG1GQJN","source_key":null,"source_order":0,"source_path":"publications/tsk_6JJ5T48S0X6T5KKPQ8GF08FH75/out_1GPXKGEZX5GWHKGQ3GV05HDW1S/index.html","sha256":"5b01eb4a4ab00534b25b2e591c0c1fa3eb1e5323d2228afd1055576b66dda179","mime_type":"text/html","kind":"document","byte_size":15246,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"99e31aee14f0d98841e2031952c67197","source_content_type":null,"url":"/api/v1/media/assets/ast_699FX971C1PEVNA3SAFCG1GQJN/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/5b/5b01eb4a4ab00534b25b2e591c0c1fa3eb1e5323d2228afd1055576b66dda179/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=8bb0cb6171161f1c67d30e8cba535cf341cafe564989a9dc1cb6842449e1fddd&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/5b/5b01eb4a4ab00534b25b2e591c0c1fa3eb1e5323d2228afd1055576b66dda179/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=0e23275c2a580b226e05d768db8d5222a642fb19937d23fa2e89250c488cf07f","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_3ZBZR6QNGSBJFP8HFRC9HASS4X","title":"Imagine the launch page for GPT-6.2 Astra, a fictional AI model.\n\nUse GPT Image 2.6 to design it first: a full-page concept image, an animated hero loop, animated icons and a loading state as GIFs.\n\nThen rebuild the design as a real, working single page in HTML and CSS. Recreate the animations in code instead of dropping the GIFs onto the page. Convert any GIF you still need to a looping MP4 or WebP.\n\nPut this note in the footer: \"Fictional concept. Not a real product or an OpenAI page.\" Don't use the OpenAI logo.\n\nDeliver index.html and its assets, plus the generated design images. · D","preview":{"id":"ast_6CHV1HK2BM54VZZF98HC5R4PYB","source_key":null,"source_order":0,"source_path":"publications/tsk_6JJ5T48S0X6T5KKPQ8GF08FH75/out_3ZBZR6QNGSBJFP8HFRC9HASS4X/index.html","sha256":"4fbb5c615a09bc2e6bbe8d8dddf92793bf0d476d32ee37fbfe5feb0acda2efd2","mime_type":"text/html","kind":"document","byte_size":6778,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"2485c78932850f406aaf37b327f1ea85","source_content_type":null,"url":"/api/v1/media/assets/ast_6CHV1HK2BM54VZZF98HC5R4PYB/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4f/4fbb5c615a09bc2e6bbe8d8dddf92793bf0d476d32ee37fbfe5feb0acda2efd2/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=7b7391798fb67a36e4f89d31fdbd9b89dcbd34a5834be08115d8319792e9d818&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4f/4fbb5c615a09bc2e6bbe8d8dddf92793bf0d476d32ee37fbfe5feb0acda2efd2/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=c543ea8ed6ff2b69549ff66635ed4fbe6428de5ca72061e01f0ecc5a4ce0e8af","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-11-05T05:30:20.633605Z"},{"id":"tsk_65C8NP3SYQCD9CT6WSD604VSE1","comparisonId":"cmp_3KZR8AF8M82S0NH6S4Z3QESARY","title":"Build a 10-second vertical (1080x1920) motion piece titled 'A morning working with AI assistants' as ONE self-contained index.html (no external assets, no network) that autoplays a looping animation. Dark navy UI windows glow on screen: an assistant collects event posts (counter 1 to 50 reviewed, 17 shortlisted), tracks app points (counter 1,051 to 1,563), runs a pre-publish checklist where green check marks light up one by one, then a cursor clicks an Approve button. Smooth transitions between scenes. No brand names, no people.","category":"Website","summary":"Build a 10-second vertical (1080x1920) motion piece titled 'A morning working with AI assistants' as ONE self-contained index.html (no external assets, no network) that autoplays a looping animation. Dark navy UI windows glow on screen: an assistant collects event posts (counter 1 to 50 reviewed, 17 shortlisted), tracks app points (counter 1,051 to 1,563), runs a pre-publish checklist where green check marks light up one by one, then a cursor clicks an Approve button. Smooth transitions between scenes. No brand names, no people.","prompt":"Build a 10-second vertical (1080x1920) motion piece titled 'A morning working with AI assistants' as ONE self-contained index.html (no external assets, no network) that autoplays a looping animation. Dark navy UI windows glow on screen: an assistant collects event posts (counter 1 to 50 reviewed, 17 shortlisted), tracks app points (counter 1,051 to 1,563), runs a pre-publish checklist where green check marks light up one by one, then a cursor clicks an Approve button. Smooth transitions between scenes. No brand names, no people.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_5DZSBMJDE1PK89VMJ7WY0YFNBP","title":"Build a 10-second vertical (1080x1920) motion piece titled 'A morning working with AI assistants' as ONE self-contained index.html (no external assets, no network) that autoplays a looping animation. Dark navy UI windows glow on screen: an assistant collects event posts (counter 1 to 50 reviewed, 17 shortlisted), tracks app points (counter 1,051 to 1,563), runs a pre-publish checklist where green check marks light up one by one, then a cursor clicks an Approve button. Smooth transitions between scenes. No brand names, no people. · A","preview":{"id":"ast_7NTF6DM5085WC9VPT47MNTGZNN","source_key":null,"source_order":0,"source_path":"publications/tsk_65C8NP3SYQCD9CT6WSD604VSE1/out_5DZSBMJDE1PK89VMJ7WY0YFNBP/index.html","sha256":"28bf4b462c8701000c3f83b542b3237b5025350ae1ebe68a3a1d2c36d965a26f","mime_type":"text/html","kind":"document","byte_size":16766,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"ace7cb3f5bdf9adf3ce83841661cdd26","source_content_type":null,"url":"/api/v1/media/assets/ast_7NTF6DM5085WC9VPT47MNTGZNN/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/28/28bf4b462c8701000c3f83b542b3237b5025350ae1ebe68a3a1d2c36d965a26f/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=4e8a880793813cca2679b4cce01003edc98a7e0d95d70538d001e0a6f6df124f&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/28/28bf4b462c8701000c3f83b542b3237b5025350ae1ebe68a3a1d2c36d965a26f/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=81114931324d3216b6b4bfac53357c2370fc98f07927d3c37eaa4bab4263db53","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_184DZCEJ5H7KC7SMK4PYXPRYQB","title":"Build a 10-second vertical (1080x1920) motion piece titled 'A morning working with AI assistants' as ONE self-contained index.html (no external assets, no network) that autoplays a looping animation. Dark navy UI windows glow on screen: an assistant collects event posts (counter 1 to 50 reviewed, 17 shortlisted), tracks app points (counter 1,051 to 1,563), runs a pre-publish checklist where green check marks light up one by one, then a cursor clicks an Approve button. Smooth transitions between scenes. No brand names, no people. · B","preview":{"id":"ast_36F8AW1GV8R6RV6FEX255G1S3H","source_key":null,"source_order":0,"source_path":"publications/tsk_65C8NP3SYQCD9CT6WSD604VSE1/out_184DZCEJ5H7KC7SMK4PYXPRYQB/index.html","sha256":"900e4023c2d25360152ff1bc8eab115386b2002a3aba039f4349253081bc0a9a","mime_type":"text/html","kind":"document","byte_size":15753,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"9bab425a71b55f2e80a37c83f22946dd","source_content_type":null,"url":"/api/v1/media/assets/ast_36F8AW1GV8R6RV6FEX255G1S3H/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/90/900e4023c2d25360152ff1bc8eab115386b2002a3aba039f4349253081bc0a9a/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=01b13f850f948965f93e05fe5e74d913c6ce637a707017d972cdcdaef4b1ffe9&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/90/900e4023c2d25360152ff1bc8eab115386b2002a3aba039f4349253081bc0a9a/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=b59279598ee51e39c0d0d590f25ca9b29f92f8358e56f0b14d9abe44588d79a4","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-11-05T06:31:28.516932Z"},{"id":"tsk_28H2ZETM4FC6SS15HJ762CTBHG","comparisonId":"cmp_3402DAV2QQMJVYK9W4QM13S0B6","title":"Make a small arcade horde survival game in one web page: an owl monk holding an autumn mountain temple against endless waves of paper lantern ghosts. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, attack, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads.","category":"Website","summary":"Make a small arcade horde survival game in one web page: an owl monk holding an autumn mountain temple against endless waves of paper lantern ghosts. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, attack, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads.","prompt":"Make a small arcade horde survival game in one web page: an owl monk holding an autumn mountain temple against endless waves of paper lantern ghosts. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, attack, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_0J24TDDBBS4GFC37YV4XW4FPGE","title":"Make a small arcade horde survival game in one web page: an owl monk holding an autumn mountain temple against endless waves of paper lantern ghosts. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, attack, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. 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Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, attack, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads. · B","preview":{"id":"ast_1230KFDE0868R9B7J17FFE1G73","source_key":null,"source_order":0,"source_path":"publications/tsk_28H2ZETM4FC6SS15HJ762CTBHG/out_3PVEZH4FVGHVC9QY82ZSP9ZET9/index.html","sha256":"28e84ad8a49cea151d4041e3ceb8199fd0519d871b397b4a3db4a917211f029e","mime_type":"text/html","kind":"document","byte_size":1771440,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"6f2f7573790e6cf7c91127e507b994fc","source_content_type":null,"url":"/api/v1/media/assets/ast_1230KFDE0868R9B7J17FFE1G73/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/28/28e84ad8a49cea151d4041e3ceb8199fd0519d871b397b4a3db4a917211f029e/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=13394f06183713b29aada3aa7342bc112fcf86a481bf8e276f7f28d8db751a57&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/28/28e84ad8a49cea151d4041e3ceb8199fd0519d871b397b4a3db4a917211f029e/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=4f71b1460e43283302df32e1a5b1b48450d0b76411fb2deee8e73ccf60cc5776","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_168H7VF9JN9V8XTHYSXA79C5M3","title":"Make a small arcade horde survival game in one web page: an owl monk holding an autumn mountain temple against endless waves of paper lantern ghosts. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, run, attack, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. 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Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, walk, punch, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads.","category":"Website","summary":"Make a small arcade one-on-one fighting game in one web page: a crab wrestler taking on rival sea creatures in a harbour ring at night. Arrow keys move, space attacks. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, walk, punch, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. 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a cinematic stickman fight as a single self-contained HTML file with no external assets. Two stick figures, one glowing cyan and one red, fight in a dim abandoned warehouse with tall broken factory windows, light shafts, dust and a wet concrete floor with reflections. It plays automatically for 30 seconds at 16:9, then loops: a stare-down, punches, blocks, kicks, throws, a slam into a window that shatters, a comeback and a knockout finish with a slow-motion final hit. The movement should feel weighty and hand-animated, like real fight choreography, with anticipation, follow-through, hit-stop, camera shake, camera cuts and impact sparks. It should feel like a movie fight scene the moment it loads.","category":"Website","summary":"Create a cinematic stickman fight as a single self-contained HTML file with no external assets. Two stick figures, one glowing cyan and one red, fight in a dim abandoned warehouse with tall broken factory windows, light shafts, dust and a wet concrete floor with reflections. It plays automatically for 30 seconds at 16:9, then loops: a stare-down, punches, blocks, kicks, throws, a slam into a window that shatters, a comeback and a knockout finish with a slow-motion final hit. The movement should feel weighty and hand-animated, like real fight choreography, with anticipation, follow-through, hit-stop, camera shake, camera cuts and impact sparks. It should feel like a movie fight scene the moment it loads.","prompt":"Create a cinematic stickman fight as a single self-contained HTML file with no external assets. Two stick figures, one glowing cyan and one red, fight in a dim abandoned warehouse with tall broken factory windows, light shafts, dust and a wet concrete floor with reflections. It plays automatically for 30 seconds at 16:9, then loops: a stare-down, punches, blocks, kicks, throws, a slam into a window that shatters, a comeback and a knockout finish with a slow-motion final hit. The movement should feel weighty and hand-animated, like real fight choreography, with anticipation, follow-through, hit-stop, camera shake, camera cuts and impact sparks. It should feel like a movie fight scene the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_4SR5BA8R2K0BD5GF9XZ8V7504M","title":"Create a cinematic stickman fight as a single self-contained HTML file with no external assets. Two stick figures, one glowing cyan and one red, fight in a dim abandoned warehouse with tall broken factory windows, light shafts, dust and a wet concrete floor with reflections. It plays automatically for 30 seconds at 16:9, then loops: a stare-down, punches, blocks, kicks, throws, a slam into a window that shatters, a comeback and a knockout finish with a slow-motion final hit. 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Arrow keys fly, space fires. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, fly, fire, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads.","category":"Website","summary":"Make a small arcade side-scrolling game in one web page: a jetpack penguin escaping an ice cream factory run by evil robot chefs. Arrow keys fly, space fires. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, fly, fire, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. 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Arrow keys fly, space fires. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, fly, fire, hurt), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads. · D","preview":{"id":"ast_7DPAVTGXF95MKV956TGKXFEK1C","source_key":null,"source_order":0,"source_path":"publications/tsk_6JMFBH1XZZA7Q3W375MJ59P8GN/out_62J61FD2DBN8F5S5Y3EQVS0QPS/index.html","sha256":"a8075ec54473d4dc33b57db23505528e9adb0c2edd71b944c91bbe0b8cf9a73f","mime_type":"text/html","kind":"document","byte_size":5916959,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"d285dc3d4483f960c8c82daa8875e0c0","source_content_type":null,"url":"/api/v1/media/assets/ast_7DPAVTGXF95MKV956TGKXFEK1C/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a8/a8075ec54473d4dc33b57db23505528e9adb0c2edd71b944c91bbe0b8cf9a73f/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=f1334db52517a4b7ff1745f42420ea8ac5e11fae197d5993da610dfb04582a72&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a8/a8075ec54473d4dc33b57db23505528e9adb0c2edd71b944c91bbe0b8cf9a73f/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=f152df0482e6247a1540b79b18fc184920d6e2529d8476e5283f2fa6c570f105","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-11-05T11:39:57.754020Z"},{"id":"tsk_1QAVX6R97BB4XWBXKA6Z1SN48R","comparisonId":"cmp_4A5DSA5DG8KV341DAMJQ8KM1TQ","title":"Make a small arcade vertical shooter game in one web page: a cat pilot in a paper biplane fighting origami warships above a sunset sea. Arrow keys move, space fires. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, bank left, bank right, hit), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads.","category":"Website","summary":"Make a small arcade vertical shooter game in one web page: a cat pilot in a paper biplane fighting origami warships above a sunset sea. Arrow keys move, space fires. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, bank left, bank right, hit), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads.","prompt":"Make a small arcade vertical shooter game in one web page: a cat pilot in a paper biplane fighting origami warships above a sunset sea. Arrow keys move, space fires. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, bank left, bank right, hit), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_75Z4Q14Q6VDJF1VQREN8HA26F4","title":"Make a small arcade vertical shooter game in one web page: a cat pilot in a paper biplane fighting origami warships above a sunset sea. Arrow keys move, space fires. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, bank left, bank right, hit), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads. · A","preview":{"id":"ast_2ZM9X5DMH4E0E9A47AHWSZP2RH","source_key":null,"source_order":0,"source_path":"publications/tsk_1QAVX6R97BB4XWBXKA6Z1SN48R/out_75Z4Q14Q6VDJF1VQREN8HA26F4/index.html","sha256":"7a4978278b86b9b792beee76a47603b37a080f23354bc56151ef149e28fc7239","mime_type":"text/html","kind":"document","byte_size":2067233,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"ca6825919d3df3edc444c962c1459fc4","source_content_type":null,"url":"/api/v1/media/assets/ast_2ZM9X5DMH4E0E9A47AHWSZP2RH/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/7a/7a4978278b86b9b792beee76a47603b37a080f23354bc56151ef149e28fc7239/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=d73d9806ed1629212fb1a131ec89c01af07094bb0a6b92f962ef28f8f1515f5f&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/7a/7a4978278b86b9b792beee76a47603b37a080f23354bc56151ef149e28fc7239/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=48b0fe5cb9e2c6dbe82b0157cc71970bc2a971b4d9a399bbda55cf62f2926191","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_6N4DRDYCV1V24B7WSQQMYWJEBN","title":"Make a small arcade vertical shooter game in one web page: a cat pilot in a paper biplane fighting origami warships above a sunset sea. 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It should feel fun the moment it loads. · B","preview":{"id":"ast_0F616A1M906VWWG6KNN6YWTTYJ","source_key":null,"source_order":0,"source_path":"publications/tsk_1QAVX6R97BB4XWBXKA6Z1SN48R/out_6N4DRDYCV1V24B7WSQQMYWJEBN/index.html","sha256":"3a8352458feeff8061d4337ffeafe67ce8636624bc3cab4840a23ee491f86579","mime_type":"text/html","kind":"document","byte_size":1609139,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"1d07bfede275fb773d293e15cec137bc","source_content_type":null,"url":"/api/v1/media/assets/ast_0F616A1M906VWWG6KNN6YWTTYJ/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/3a/3a8352458feeff8061d4337ffeafe67ce8636624bc3cab4840a23ee491f86579/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=fd813b2507925bfbae10331ab52750a609eff3c724642cfdcc297967d49d4ef3&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/3a/3a8352458feeff8061d4337ffeafe67ce8636624bc3cab4840a23ee491f86579/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=89ba5f389e800aa2b6cc3f87f237167c7cf51fce2ba5c8d6e281253d8d1fe800","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_79H8AW9XJJ6PRR0WFMQ5QFTA7K","title":"Make a small arcade vertical shooter game in one web page: a cat pilot in a paper biplane fighting origami warships above a sunset sea. Arrow keys move, space fires. All the art must come from the image model selected for this run: sprite sheets for the hero (idle, bank left, bank right, hit), three enemies and a boss, plus a background. Cut the sheets into frames and animate them in the game. Do not draw characters in code. Add a HUD, a score, and win and game over screens. It should feel fun the moment it loads. · 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an interactive detailed 3D sci-fi armory bay in the browser. 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Make it feel like a handcrafted miniature with rich materials, soft shadows and small details that reward a closer look. Pick a captivating camera that slowly orbits the island, and include orbit controls. Deliver a working scene with real animated geometry, not a static image or a prerecorded video.","prompt":"Build a beautiful real-time 3D miniature in the browser: a tiny floating island at golden hour. A lighthouse on the cliff sweeps its beam, wooden boats gently rock in a small harbor on glittering water, a waterfall spills off the island's edge into the clouds below, seagulls circle overhead, and warm windows light up as the sky slowly turns to dusk. Make it feel like a handcrafted miniature with rich materials, soft shadows and small details that reward a closer look. Pick a captivating camera that slowly orbits the island, and include orbit controls. 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A lighthouse on the cliff sweeps its beam, wooden boats gently rock in a small harbor on glittering water, a waterfall spills off the island's edge into the clouds below, seagulls circle overhead, and warm windows light up as the sky slowly turns to dusk. Make it feel like a handcrafted miniature with rich materials, soft shadows and small details that reward a closer look. Pick a captivating camera that slowly orbits the island, and include orbit controls. 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Deliver one working page, no prerecorded video.","prompt":"Build an interactive 3D jelly gummy bear in the browser that I can grab, squish, stretch and fling with my mouse or finger. Use real soft-body physics so it wobbles, jiggles and slowly settles, and keeps its volume when squashed. Make it look edible: translucent, glossy, light glowing through it, a soft shadow on a clean studio backdrop. Add a few toys: drop it from above, poke it, switch flavours (colours), and a firmness slider. Make it feel deeply satisfying to play with. Deliver one working page, no prerecorded video.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_4NTJMR87VH3EACC3DDDM170SRH","title":"Build an interactive 3D jelly gummy bear in the browser that I can grab, squish, stretch and fling with my mouse or finger. Use real soft-body physics so it wobbles, jiggles and slowly settles, and keeps its volume when squashed. Make it look edible: translucent, glossy, light glowing through it, a soft shadow on a clean studio backdrop. Add a few toys: drop it from above, poke it, switch flavours (colours), and a firmness slider. Make it feel deeply satisfying to play with. 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Use real soft-body physics so it wobbles, jiggles and slowly settles, and keeps its volume when squashed. Make it look edible: translucent, glossy, light glowing through it, a soft shadow on a clean studio backdrop. Add a few toys: drop it from above, poke it, switch flavours (colours), and a firmness slider. Make it feel deeply satisfying to play with. 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A chubby orange cat lives on it and slowly destroys it. The cat wanders around by itself, sits on the headline, swats buttons and cards so they fall off with real physics, knocks the logo off the nav, chases the mouse cursor, kneads the pricing table, and naps in the ruins. Clicking the cat makes it meow and do something worse. Draw the cat with code (canvas, SVG or CSS), no external assets or libraries. Make it adorable and chaotic. It should feel fun the moment it loads.","category":"Website","summary":"Build a single HTML page: a painfully boring corporate SaaS landing page (logo, nav, hero headline, Get Started button, three feature cards, pricing table, footer). A chubby orange cat lives on it and slowly destroys it. The cat wanders around by itself, sits on the headline, swats buttons and cards so they fall off with real physics, knocks the logo off the nav, chases the mouse cursor, kneads the pricing table, and naps in the ruins. 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It should feel fun the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_20MSD80R3J089KF7DAWVEFTV3G","title":"Build a single HTML page: a painfully boring corporate SaaS landing page (logo, nav, hero headline, Get Started button, three feature cards, pricing table, footer). A chubby orange cat lives on it and slowly destroys it. The cat wanders around by itself, sits on the headline, swats buttons and cards so they fall off with real physics, knocks the logo off the nav, chases the mouse cursor, kneads the pricing table, and naps in the ruins. Clicking the cat makes it meow and do something worse. Draw the cat with code (canvas, SVG or CSS), no external assets or libraries. Make it adorable and chaotic. 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First-person POV, one continuous take: a giant glittering pink cotton-candy cloud has fallen onto a sunny pastel suburban street. I run along the sidewalk toward it, jump and dive straight in so the whole screen fills with soft pink glitter fluff, then burst out of the top and float up into a deep blue sky while the pink houses and the street shrink far below. My hands or feet are visible at the start. Wide-angle, handheld, weightless and joyful. Sound: footsteps, a soft whoosh, rising wind, distant birds, a faint music-box melody, no voices. 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halloween house 3d interactive use higgsfield","category":"Website","summary":"make halloween house 3d interactive use higgsfield","prompt":"make halloween house 3d interactive use higgsfield","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_7FJMZ4ZBKWPTFPHXPMRREEFC9S","title":"make halloween house 3d interactive use higgsfield · 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halloween house 3d interactive use higgsfield · 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halloween house 3d interactive use higgsfield · 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a beautiful, animated 3D miniature of a Tokyo railway crossing on a rainy night, running in the browser.\n\nA warmly lit commuter train passes through a dense neighborhood of small shops, narrow streets, utility poles, and glowing signs. The crossing lights flash and the barriers lower before the train arrives, then rise after the final carriage passes. Rain falls through the scene, and the train’s windows and street lights reflect across the wet road.\n\nMake it feel like a carefully crafted miniature film set, with convincing depth, rich materials, atmospheric lighting, and small details that reward a closer look. Choose a strong camera composition that makes the scene immediately captivating.\n\nThe full crossing sequence should repeat smoothly. Include orbit controls and a pause/resume button. Deliver a working scene with actual animated geometry, not a static image or prerecorded video. You may choose the implementation and tools.\n\nuse higgsfield","category":"Website","summary":"Build a beautiful, animated 3D miniature of a Tokyo railway crossing on a rainy night, running in the browser.\n\nA warmly lit commuter train passes through a dense neighborhood of small shops, narrow streets, utility poles, and glowing signs. The crossing lights flash and the barriers lower before the train arrives, then rise after the final carriage passes. Rain falls through the scene, and the train’s windows and street lights reflect across the wet road.\n\nMake it feel like a carefully crafted miniature film set, with convincing depth, rich materials, atmospheric lighting, and small details that reward a closer look. Choose a strong camera composition that makes the scene immediately captivating.\n\nThe full crossing sequence should repeat smoothly. Include orbit controls and a pause/resume button. Deliver a working scene with actual animated geometry, not a static image or prerecorded video. You may choose the implementation and tools.\n\nuse higgsfield","prompt":"Build a beautiful, animated 3D miniature of a Tokyo railway crossing on a rainy night, running in the browser.\n\nA warmly lit commuter train passes through a dense neighborhood of small shops, narrow streets, utility poles, and glowing signs. The crossing lights flash and the barriers lower before the train arrives, then rise after the final carriage passes. Rain falls through the scene, and the train’s windows and street lights reflect across the wet road.\n\nMake it feel like a carefully crafted miniature film set, with convincing depth, rich materials, atmospheric lighting, and small details that reward a closer look. Choose a strong camera composition that makes the scene immediately captivating.\n\nThe full crossing sequence should repeat smoothly. Include orbit controls and a pause/resume button. Deliver a working scene with actual animated geometry, not a static image or prerecorded video. You may choose the implementation and tools.\n\nuse higgsfield","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_5CJQKQW07NQV2JYX7QERARWH20","title":"Build a beautiful, animated 3D miniature of a Tokyo railway crossing on a rainy night, running in the browser.\n\nA warmly lit commuter train passes through a dense neighborhood of small shops, narrow streets, utility poles, and glowing signs. The crossing lights flash and the barriers lower before the train arrives, then rise after the final carriage passes. Rain falls through the scene, and the train’s windows and street lights reflect across the wet road.\n\nMake it feel like a carefully crafted miniature film set, with convincing depth, rich materials, atmospheric lighting, and small details that reward a closer look. Choose a strong camera composition that makes the scene immediately captivating.\n\nThe full crossing sequence should repeat smoothly. Include orbit controls and a pause/resume button. Deliver a working scene with actual animated geometry, not a static image or prerecorded video. You may choose the implementation and tools.\n\nuse higgsfield · A","preview":{"id":"ast_36AP7GBX5DS9FWQMGJSE4BHPFD","source_key":null,"source_order":0,"source_path":"publications/tsk_34P4XJFAYBP6P80V0P8C44SGZF/out_5CJQKQW07NQV2JYX7QERARWH20/index.html","sha256":"04bf1ae44c71602a39116bf68706030c06d81d9d164c09acc2da9498db5699a7","mime_type":"text/html","kind":"document","byte_size":2834,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"43de5183489902c55ea1b364893f5e44","source_content_type":null,"url":"/api/v1/media/assets/ast_36AP7GBX5DS9FWQMGJSE4BHPFD/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/04/04bf1ae44c71602a39116bf68706030c06d81d9d164c09acc2da9498db5699a7/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=5f3b865bfe7ec6271f9cdf87d8704425cb569b268a3d515af225d59a4f20b3c9&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/04/04bf1ae44c71602a39116bf68706030c06d81d9d164c09acc2da9498db5699a7/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=c6c6553bcd0e435d569c6afc2a1483a172244e21df5dba8dbaf8e0b2f8b707ac","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_4F9C80JJKY5DD8YQ67AP96X2WS","title":"Build a beautiful, animated 3D miniature of a Tokyo railway crossing on a rainy night, running in the browser.\n\nA warmly lit commuter train passes through a dense neighborhood of small shops, narrow streets, utility poles, and glowing signs. The crossing lights flash and the barriers lower before the train arrives, then rise after the final carriage passes. Rain falls through the scene, and the train’s windows and street lights reflect across the wet road.\n\nMake it feel like a carefully crafted miniature film set, with convincing depth, rich materials, atmospheric lighting, and small details that reward a closer look. Choose a strong camera composition that makes the scene immediately captivating.\n\nThe full crossing sequence should repeat smoothly. Include orbit controls and a pause/resume button. Deliver a working scene with actual animated geometry, not a static image or prerecorded video. 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Halloween night, a cozy candle-lit apartment hallway with paper bats on the walls. Two tiny kittens stand on their hind legs on a doormat: one in a little pumpkin costume, one wearing a tiny witch hat. Each holds a mini jack-o'-lantern candy bucket. The door opens and a hand drops a big pile of candy into the pumpkin kitten's bucket, but only one single candy into the witch kitten's bucket. The witch kitten looks down at it, stares into the camera in total betrayal, then slowly paws a candy out of its sibling's bucket. Photoreal, warm soft lighting, handheld phone feel, no text. It should feel adorable the moment it starts.","category":"Video","summary":"Make a 10-second vertical (9:16) video. Halloween night, a cozy candle-lit apartment hallway with paper bats on the walls. Two tiny kittens stand on their hind legs on a doormat: one in a little pumpkin costume, one wearing a tiny witch hat. Each holds a mini jack-o'-lantern candy bucket. The door opens and a hand drops a big pile of candy into the pumpkin kitten's bucket, but only one single candy into the witch kitten's bucket. The witch kitten looks down at it, stares into the camera in total betrayal, then slowly paws a candy out of its sibling's bucket. Photoreal, warm soft lighting, handheld phone feel, no text. It should feel adorable the moment it starts.","prompt":"Make a 10-second vertical (9:16) video. Halloween night, a cozy candle-lit apartment hallway with paper bats on the walls. Two tiny kittens stand on their hind legs on a doormat: one in a little pumpkin costume, one wearing a tiny witch hat. Each holds a mini jack-o'-lantern candy bucket. The door opens and a hand drops a big pile of candy into the pumpkin kitten's bucket, but only one single candy into the witch kitten's bucket. The witch kitten looks down at it, stares into the camera in total betrayal, then slowly paws a candy out of its sibling's bucket. 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Halloween night, a cozy candle-lit apartment hallway with paper bats on the walls. Two tiny kittens stand on their hind legs on a doormat: one in a little pumpkin costume, one wearing a tiny witch hat. Each holds a mini jack-o'-lantern candy bucket. The door opens and a hand drops a big pile of candy into the pumpkin kitten's bucket, but only one single candy into the witch kitten's bucket. The witch kitten looks down at it, stares into the camera in total betrayal, then slowly paws a candy out of its sibling's bucket. Photoreal, warm soft lighting, handheld phone feel, no text. 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Halloween night, a cozy candle-lit apartment hallway with paper bats on the walls. Two tiny kittens stand on their hind legs on a doormat: one in a little pumpkin costume, one wearing a tiny witch hat. Each holds a mini jack-o'-lantern candy bucket. The door opens and a hand drops a big pile of candy into the pumpkin kitten's bucket, but only one single candy into the witch kitten's bucket. The witch kitten looks down at it, stares into the camera in total betrayal, then slowly paws a candy out of its sibling's bucket. Photoreal, warm soft lighting, handheld phone feel, no text. 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Halloween night, a cozy candle-lit apartment hallway with paper bats on the walls. Two tiny kittens stand on their hind legs on a doormat: one in a little pumpkin costume, one wearing a tiny witch hat. Each holds a mini jack-o'-lantern candy bucket. The door opens and a hand drops a big pile of candy into the pumpkin kitten's bucket, but only one single candy into the witch kitten's bucket. The witch kitten looks down at it, stares into the camera in total betrayal, then slowly paws a candy out of its sibling's bucket. Photoreal, warm soft lighting, handheld phone feel, no text. 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Make the music feel physically embodied in shapes, light, and space. · A","preview":{"id":"ast_7XV80VCJRHDHRXV8YN9VVA47Q6","source_key":null,"source_order":0,"source_path":"publications/tsk_4EKKVH4BRZSXCKH435EBPSKBQR/out_4D0MZK90Y92C49R3JMSJHQBZGD/output.mp4","sha256":"29d3bde69cc0ee390b6a4e4742fe66639f722124a3dacd2195bff12519255478","mime_type":"video/mp4","kind":"video","byte_size":12559600,"width":1920,"height":1080,"duration":16.042,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"150cf0e5c64e7430cafce6e25ffaae77","source_content_type":null,"url":"/api/v1/media/assets/ast_7XV80VCJRHDHRXV8YN9VVA47Q6/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/29/29d3bde69cc0ee390b6a4e4742fe66639f722124a3dacd2195bff12519255478/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=6dbe5212920a1009212b2de800020191bf4487e882cbde3c13c090c12415931a&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/29/29d3bde69cc0ee390b6a4e4742fe66639f722124a3dacd2195bff12519255478/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=8369b23b965b124c6fc3b94ac04d69733e3a70fb3a26a640a77daa39c2678fa3","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_0EM6913FY0EC6CN32VSYW3NFC6","title":"Create a premium, music-driven 3D motion graphics sequence for the highlight section of “Neon” by a20, using the supplied audio as the timing reference.\nAim for the quality of a world-class motion design studio’s music visualizer: striking art direction, sophisticated materials, inventive geometric choreography, and meticulous synchronization. Make the music feel physically embodied in shapes, light, and space. · B","preview":{"id":"ast_125KQD3YZG5VGKPH1DYN48Q4SV","source_key":null,"source_order":0,"source_path":"publications/tsk_4EKKVH4BRZSXCKH435EBPSKBQR/out_0EM6913FY0EC6CN32VSYW3NFC6/output.mp4","sha256":"019640d50b60129d595fe258cc760eccb94aa2ce9caa63b7e7ecddbcfbe399bd","mime_type":"video/mp4","kind":"video","byte_size":33782888,"width":1920,"height":1080,"duration":24,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"1bfc535ec16b9b129f85907816b65b2a","source_content_type":null,"url":"/api/v1/media/assets/ast_125KQD3YZG5VGKPH1DYN48Q4SV/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/01/019640d50b60129d595fe258cc760eccb94aa2ce9caa63b7e7ecddbcfbe399bd/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=03ff93dc7ef91e391ec157c51d026a1d8d45ed3f91c9df6fd2fd7f5bea3e3601&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/01/019640d50b60129d595fe258cc760eccb94aa2ce9caa63b7e7ecddbcfbe399bd/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=bbb3433586aa4ea512cf6912b6b391f1f4488fdaf69f15688c898984ea3826c1","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-28T07:12:08.334901Z"},{"id":"tsk_18NTJ8B0PBX1W0QG61986AB68Q","comparisonId":"cmp_5XMZ81J33T51VNBKF3YX69E84G","title":"Create a looping pixel-art animation in the browser (single HTML page, canvas, no external assets). An original chubby shiba inu in a red knit scarf walks through a snowy Tokyo side street at night: glowing shop signs, a steaming ramen stall, falling snow, paw prints left in the snow and soft light reflecting off wet pavement. Smooth 8-frame walk cycle, parallax background layers, crisp nearest-neighbor scaling. It should look cute and polished the moment it loads.","category":"Website","summary":"Create a looping pixel-art animation in the browser (single HTML page, canvas, no external assets). An original chubby shiba inu in a red knit scarf walks through a snowy Tokyo side street at night: glowing shop signs, a steaming ramen stall, falling snow, paw prints left in the snow and soft light reflecting off wet pavement. Smooth 8-frame walk cycle, parallax background layers, crisp nearest-neighbor scaling. It should look cute and polished the moment it loads.","prompt":"Create a looping pixel-art animation in the browser (single HTML page, canvas, no external assets). An original chubby shiba inu in a red knit scarf walks through a snowy Tokyo side street at night: glowing shop signs, a steaming ramen stall, falling snow, paw prints left in the snow and soft light reflecting off wet pavement. Smooth 8-frame walk cycle, parallax background layers, crisp nearest-neighbor scaling. It should look cute and polished the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_1W5TV359J6TX79KKEZK2GF3HAA","title":"Create a looping pixel-art animation in the browser (single HTML page, canvas, no external assets). An original chubby shiba inu in a red knit scarf walks through a snowy Tokyo side street at night: glowing shop signs, a steaming ramen stall, falling snow, paw prints left in the snow and soft light reflecting off wet pavement. Smooth 8-frame walk cycle, parallax background layers, crisp nearest-neighbor scaling. It should look cute and polished the moment it loads. · A","preview":{"id":"ast_7YSKJ3RG6FNEP1HZG45TJSASW4","source_key":null,"source_order":0,"source_path":"publications/tsk_18NTJ8B0PBX1W0QG61986AB68Q/out_1W5TV359J6TX79KKEZK2GF3HAA/index.html","sha256":"e843da32e7f29cda8f7c000db6ee74c519cc730c68c6b7a4436bc35cbabcf142","mime_type":"text/html","kind":"document","byte_size":47966,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"1e964183f266f7e78aa9bd887fad7130","source_content_type":null,"url":"/api/v1/media/assets/ast_7YSKJ3RG6FNEP1HZG45TJSASW4/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/e8/e843da32e7f29cda8f7c000db6ee74c519cc730c68c6b7a4436bc35cbabcf142/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=4fc1aa623bf06bfaa9965ee63de65ce6ddb55ce8006842d5d0d408db9824daf6&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/e8/e843da32e7f29cda8f7c000db6ee74c519cc730c68c6b7a4436bc35cbabcf142/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=b100c0cabb65d2d677bcbb5268d0390951a0b5ee0cab78e588482f2c0f85b800","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_0E2XTMN6AQ7EJEJ6W7Q64QYXJH","title":"Create a looping pixel-art animation in the browser (single HTML page, canvas, no external assets). An original chubby shiba inu in a red knit scarf walks through a snowy Tokyo side street at night: glowing shop signs, a steaming ramen stall, falling snow, paw prints left in the snow and soft light reflecting off wet pavement. Smooth 8-frame walk cycle, parallax background layers, crisp nearest-neighbor scaling. It should look cute and polished the moment it loads. · B","preview":{"id":"ast_5BF4KAVPMHFM3VF650VD6N6D40","source_key":null,"source_order":0,"source_path":"publications/tsk_18NTJ8B0PBX1W0QG61986AB68Q/out_0E2XTMN6AQ7EJEJ6W7Q64QYXJH/index.html","sha256":"71f15cebca734f9e14e681e6dc597726b3b3c3aab97a5e0455307d654188b444","mime_type":"text/html","kind":"document","byte_size":61349,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"e4a615807482a32561be1bf56a073b46","source_content_type":null,"url":"/api/v1/media/assets/ast_5BF4KAVPMHFM3VF650VD6N6D40/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/71/71f15cebca734f9e14e681e6dc597726b3b3c3aab97a5e0455307d654188b444/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=6564a2f09df136b59ec8cd1bf8749fe3be60257f0daf8f2b1951d99e0a753492&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/71/71f15cebca734f9e14e681e6dc597726b3b3c3aab97a5e0455307d654188b444/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=f671675b4cecac43164bf7bc8360bb4d126fa6f9837615d0714d0efd5796de1a","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_7MF8QKT4S1VS835J8Y4DR5Y7JY","title":"Create a looping pixel-art animation in the browser (single HTML page, canvas, no external assets). An original chubby shiba inu in a red knit scarf walks through a snowy Tokyo side street at night: glowing shop signs, a steaming ramen stall, falling snow, paw prints left in the snow and soft light reflecting off wet pavement. Smooth 8-frame walk cycle, parallax background layers, crisp nearest-neighbor scaling. It should look cute and polished the moment it loads. · C","preview":{"id":"ast_4XH9JQJGN2QJKCXMHEW9RST2G6","source_key":null,"source_order":0,"source_path":"publications/tsk_18NTJ8B0PBX1W0QG61986AB68Q/out_7MF8QKT4S1VS835J8Y4DR5Y7JY/index.html","sha256":"7dae986b24e01d0def79cf01fbc1c58540c14c38dc38237d2185fe3520103689","mime_type":"text/html","kind":"document","byte_size":6434,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"9daf2bbcf39bd37559a1515de8fe42bb","source_content_type":null,"url":"/api/v1/media/assets/ast_4XH9JQJGN2QJKCXMHEW9RST2G6/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/7d/7dae986b24e01d0def79cf01fbc1c58540c14c38dc38237d2185fe3520103689/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=2bb955974eff360826cf9c6cfdde9aa4449adce5ca42abeb893eb47b5b4eefdc&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/7d/7dae986b24e01d0def79cf01fbc1c58540c14c38dc38237d2185fe3520103689/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=e428b937bad230f3db882439d0a6d57cdbe82ea61d11dd49257181921a91008e","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_3SJG8SRSPBVZAQ5NDB967DB12G","title":"Create a looping pixel-art animation in the browser (single HTML page, canvas, no external assets). An original chubby shiba inu in a red knit scarf walks through a snowy Tokyo side street at night: glowing shop signs, a steaming ramen stall, falling snow, paw prints left in the snow and soft light reflecting off wet pavement. Smooth 8-frame walk cycle, parallax background layers, crisp nearest-neighbor scaling. It should look cute and polished the moment it loads. · D","preview":{"id":"ast_5QV2PQ8VN7ZAR6QC82JGAVFY34","source_key":null,"source_order":0,"source_path":"publications/tsk_18NTJ8B0PBX1W0QG61986AB68Q/out_3SJG8SRSPBVZAQ5NDB967DB12G/index.html","sha256":"d0a60ada50b06a793955704d4a9ea5175015cac5f997720e7f222c4f41050616","mime_type":"text/html","kind":"document","byte_size":24961,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"c307d916b2303b363cc39ada0d9470be","source_content_type":null,"url":"/api/v1/media/assets/ast_5QV2PQ8VN7ZAR6QC82JGAVFY34/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/d0/d0a60ada50b06a793955704d4a9ea5175015cac5f997720e7f222c4f41050616/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=f789bde3ff67a2d885b42953fb7fdfe41a34b285c376ac4d3fd94c6ae9f4d95e&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/d0/d0a60ada50b06a793955704d4a9ea5175015cac5f997720e7f222c4f41050616/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=5cb62c005dfe15725f86398eb0a83eca9dcbdc43e07b5ccc01e0c6ee885fd360","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-28T03:14:09.323266Z"},{"id":"tsk_7FSWV3JQ0DJDMB4DH8P2F396SK","comparisonId":"cmp_76KP8969VQM3B38Y52FVAC7H5D","title":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown.","category":"Other","summary":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown.","prompt":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_5NT109NYN7YKKF8CD2T4X7MGY6","title":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown. · A","preview":{"id":"ast_2WC8BB5DR55YKH34NSSSYNRXQ6","source_key":null,"source_order":0,"source_path":"publications/tsk_7FSWV3JQ0DJDMB4DH8P2F396SK/out_5NT109NYN7YKKF8CD2T4X7MGY6/output.mp4","sha256":"6685e827af63b91afa2e4a5891c278f4ab6765f3b9e94d4557c569f02cfccd19","mime_type":"video/mp4","kind":"video","byte_size":17997546,"width":1080,"height":1920,"duration":30,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"6164e08f7320acbe0cecc2e57c1e6376","source_content_type":null,"url":"/api/v1/media/assets/ast_2WC8BB5DR55YKH34NSSSYNRXQ6/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/66/6685e827af63b91afa2e4a5891c278f4ab6765f3b9e94d4557c569f02cfccd19/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=1cf1ea25007199a7f84befcb1313c886bfda838c9329035edd01504dc0a6f0de&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/66/6685e827af63b91afa2e4a5891c278f4ab6765f3b9e94d4557c569f02cfccd19/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=ca20d15c39c36a591d7e4e73dd850df50aefedcc06712f2dde87cfcce08fc5c7","gallery_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/66/6685e827af63b91afa2e4a5891c278f4ab6765f3b9e94d4557c569f02cfccd19/gallery-v1.mp4?expires=1793897280&type=video%2Fmp4&sig=855c02c5193d69e190ed23b64bb967f54b62c7410cf4e0f041171147fa0b0be2"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_02WYSDVFWYARQFHFV4ZMC7B45C","title":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown. · B","preview":{"id":"ast_15KY2SJB1PWE91WB3GJT5YTQ1Q","source_key":null,"source_order":0,"source_path":"publications/tsk_7FSWV3JQ0DJDMB4DH8P2F396SK/out_02WYSDVFWYARQFHFV4ZMC7B45C/output.md","sha256":"0403e9da8f2f3d515008d1f97e357331f4991eec82537689b80d7bfeacff9b64","mime_type":"text/markdown","kind":"document","byte_size":5553,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"7fdb0ee3f4e8d5e2bf100413069ab647","source_content_type":null,"url":"/api/v1/media/assets/ast_15KY2SJB1PWE91WB3GJT5YTQ1Q/content","thumbnail_url":null,"preview_video_url":null,"gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_35KKJ43F5AC54AD1KMWG921EWP","title":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. 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Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown. · D","preview":{"id":"ast_2WF21BFR66MJJW2H87RXKG1ZPB","source_key":null,"source_order":0,"source_path":"publications/tsk_7FSWV3JQ0DJDMB4DH8P2F396SK/out_2SWV1PYH3FNGMPAW2TB6XNDYG8/output.mp4","sha256":"aac1f03c86b5543d428653528f780a26b60ba2edb132de7290fbe44b78c57f49","mime_type":"video/mp4","kind":"video","byte_size":24566955,"width":1080,"height":1920,"duration":30,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"7d33fc710d9a1d2dd10cbac5594c9b0e","source_content_type":null,"url":"/api/v1/media/assets/ast_2WF21BFR66MJJW2H87RXKG1ZPB/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/aa/aac1f03c86b5543d428653528f780a26b60ba2edb132de7290fbe44b78c57f49/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=0dadc41712bd59ffd2644c3a1da40c33358d71df1b2ff402d9b819c589b8e14d&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/aa/aac1f03c86b5543d428653528f780a26b60ba2edb132de7290fbe44b78c57f49/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=37cac27bc3f9d8274970cc3c3dad55ecf7b84511f1896f5a002703e11970422e","gallery_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/aa/aac1f03c86b5543d428653528f780a26b60ba2edb132de7290fbe44b78c57f49/gallery-v1.mp4?expires=1793897280&type=video%2Fmp4&sig=5eaa958c0e1744fa005c62bc8be57bbbb1bf19325edd05b1bc7c995d01b0a84a"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_0B6QBZ1HE8D7DBYK4N7JC208JK","title":"Make a 30-second vertical short (9:16, with sound) that continues the \"TS Malfoy\" story, where Draco Malfoy is gender-swapped into a girl, from these two AI fan videos:\n\n- Story: https://www.youtube.com/watch?v=-S7WVmXqz0E (Parts 1–3)\n- Mood and music: https://www.youtube.com/watch?v=kxlbn5ydE28\n\nWatch both first. Then write a short breakdown: why this became a phenomenon, who the characters are, and where Part 3 leaves the story.\n\nThen make Episode 1 of a continuation that picks up after Part 3. Hook the viewer in the first two seconds and end on a cliffhanger.\n\n- Keep the characters exactly as they look in the references: same faces, hair, costumes and cinematic look. \n- Both characters are adults. Keep it rivalry with tension, nothing sexual.\n- Make new footage and new music. Don't reuse clips or the song from the references.\n- Dialogue and on-screen text in the same language as the references.\n\nDeliver the final video and the breakdown. · E","preview":{"id":"ast_0HXHC6K5X273KCF59EC4DFV0XN","source_key":null,"source_order":0,"source_path":"publications/tsk_7FSWV3JQ0DJDMB4DH8P2F396SK/out_0B6QBZ1HE8D7DBYK4N7JC208JK/output.mp4","sha256":"4f589c5157239f77535882b6847aea9c4619206e123f937ed2f6dc6c6f383480","mime_type":"video/mp4","kind":"video","byte_size":22553369,"width":1080,"height":1920,"duration":30,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"5b00b983555c1b2a118a18ef6f0eae9a","source_content_type":null,"url":"/api/v1/media/assets/ast_0HXHC6K5X273KCF59EC4DFV0XN/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4f/4f589c5157239f77535882b6847aea9c4619206e123f937ed2f6dc6c6f383480/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=80514d980666f277bf0a49d95f91e23a9a96e9b83d27cd7a52a72eb51939418d&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4f/4f589c5157239f77535882b6847aea9c4619206e123f937ed2f6dc6c6f383480/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=ea0ef892df218f92f98195b27a5dc559f607c78b97a028ff3199b0745f927d90","gallery_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4f/4f589c5157239f77535882b6847aea9c4619206e123f937ed2f6dc6c6f383480/gallery-v1.mp4?expires=1793897280&type=video%2Fmp4&sig=63e4d245b623f5e395c460cbc4c08746968518a8ba48fc986023e70807a52ce6"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-28T14:19:36.843119Z"},{"id":"tsk_0XHMCAKKWMMDRQDZ7FTK3W3KYD","comparisonId":"cmp_7YKZNWBY232YEGE1B853V2TS4E","title":"Build a playable Rocket League-style car soccer game in the browser (Three.js, single page, no external assets). A neon stadium with curved walls you can drive up, a giant bouncing ball and two glowing goals; a 2v2 match where you and an AI teammate face two AI rivals that chase the ball, rotate and defend; jump, double-jump flips and a boost meter that refills from boost pads; goal explosions with a slow-mo moment, a scoreboard and a 2-minute match clock. WASD or arrows to drive, Space to jump, Shift to boost. It should feel fast and chaotic the moment it loads.","category":"Website","summary":"Build a playable Rocket League-style car soccer game in the browser (Three.js, single page, no external assets). A neon stadium with curved walls you can drive up, a giant bouncing ball and two glowing goals; a 2v2 match where you and an AI teammate face two AI rivals that chase the ball, rotate and defend; jump, double-jump flips and a boost meter that refills from boost pads; goal explosions with a slow-mo moment, a scoreboard and a 2-minute match clock. WASD or arrows to drive, Space to jump, Shift to boost. It should feel fast and chaotic the moment it loads.","prompt":"Build a playable Rocket League-style car soccer game in the browser (Three.js, single page, no external assets). A neon stadium with curved walls you can drive up, a giant bouncing ball and two glowing goals; a 2v2 match where you and an AI teammate face two AI rivals that chase the ball, rotate and defend; jump, double-jump flips and a boost meter that refills from boost pads; goal explosions with a slow-mo moment, a scoreboard and a 2-minute match clock. WASD or arrows to drive, Space to jump, Shift to boost. It should feel fast and chaotic the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_3XTZZ1WS5ZA1D6AV5C77NTW8K0","title":"Build a playable Rocket League-style car soccer game in the browser (Three.js, single page, no external assets). A neon stadium with curved walls you can drive up, a giant bouncing ball and two glowing goals; a 2v2 match where you and an AI teammate face two AI rivals that chase the ball, rotate and defend; jump, double-jump flips and a boost meter that refills from boost pads; goal explosions with a slow-mo moment, a scoreboard and a 2-minute match clock. WASD or arrows to drive, Space to jump, Shift to boost. It should feel fast and chaotic the moment it loads. · A","preview":{"id":"ast_1JAZ32HRGG1EH54D0X49SJ9RSV","source_key":null,"source_order":0,"source_path":"publications/tsk_0XHMCAKKWMMDRQDZ7FTK3W3KYD/out_3XTZZ1WS5ZA1D6AV5C77NTW8K0/index.html","sha256":"54b44776043f07aea64373f8e3a0aa208924ced98db6dafaf18c5beb4764b3c8","mime_type":"text/html","kind":"document","byte_size":654390,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"f37586e0d6c68c0ae494002ae03b0afe","source_content_type":null,"url":"/api/v1/media/assets/ast_1JAZ32HRGG1EH54D0X49SJ9RSV/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/54/54b44776043f07aea64373f8e3a0aa208924ced98db6dafaf18c5beb4764b3c8/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=709ae88a92090497ac9301967bbe054fbe74911ba2f21db9cafeafa0a399f388&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/54/54b44776043f07aea64373f8e3a0aa208924ced98db6dafaf18c5beb4764b3c8/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=7783ca5269105f622ad5df5dd7813b0fd06f5b08c2dc2fd35060dfab2ef4d791","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_564TPNNHKMX90WBNX5RV9VKXBA","title":"Build a playable Rocket League-style car soccer game in the browser (Three.js, single page, no external assets). A neon stadium with curved walls you can drive up, a giant bouncing ball and two glowing goals; a 2v2 match where you and an AI teammate face two AI rivals that chase the ball, rotate and defend; jump, double-jump flips and a boost meter that refills from boost pads; goal explosions with a slow-mo moment, a scoreboard and a 2-minute match clock. WASD or arrows to drive, Space to jump, Shift to boost. It should feel fast and chaotic the moment it loads. · B","preview":{"id":"ast_2XBYXDYJPHNQZ6GNRGPQYRRYNH","source_key":null,"source_order":0,"source_path":"publications/tsk_0XHMCAKKWMMDRQDZ7FTK3W3KYD/out_564TPNNHKMX90WBNX5RV9VKXBA/index.html","sha256":"ad4e820583e15963d41698cf32e0229b651863ea56ac3f94b26ba49e10c3af91","mime_type":"text/html","kind":"document","byte_size":2433,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"dc8c82b4e378309a6c0412f99335338a","source_content_type":null,"url":"/api/v1/media/assets/ast_2XBYXDYJPHNQZ6GNRGPQYRRYNH/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/ad/ad4e820583e15963d41698cf32e0229b651863ea56ac3f94b26ba49e10c3af91/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=da724b91f36b2ad470bb87d21add229c21af04412e94719338d9061a48fae012&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/ad/ad4e820583e15963d41698cf32e0229b651863ea56ac3f94b26ba49e10c3af91/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=cc46f167f92c23fb0ad835fda8137d8baa1e40fd2ecd5548477cf0e87acf1d55","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-27T05:06:59.189939Z"},{"id":"tsk_7G4MXQYMZH1QHH6SHZZAFAAPMY","comparisonId":"cmp_39PPVM23F8RPB6MK2BWCH928PN","title":"Build a single-page web toy: a glossy black 3D pill button that says \"let's collaborate\" sits in the middle of a clean white studio page. The cursor is a cartoon white-glove hand. When the cursor touches the button and moves away, thick sticky black goo strands stretch from the button to the hand like melted tar or spider web, sag and wobble with real physics, thin out the further you pull, then snap and drip back into the button. Pressing and dragging should pull even more strands. Soft studio shadows, realistic glossy highlights on the button. One HTML file, no external assets. It should feel satisfying the moment it loads.","category":"Website","summary":"Build a single-page web toy: a glossy black 3D pill button that says \"let's collaborate\" sits in the middle of a clean white studio page. The cursor is a cartoon white-glove hand. When the cursor touches the button and moves away, thick sticky black goo strands stretch from the button to the hand like melted tar or spider web, sag and wobble with real physics, thin out the further you pull, then snap and drip back into the button. Pressing and dragging should pull even more strands. Soft studio shadows, realistic glossy highlights on the button. One HTML file, no external assets. It should feel satisfying the moment it loads.","prompt":"Build a single-page web toy: a glossy black 3D pill button that says \"let's collaborate\" sits in the middle of a clean white studio page. The cursor is a cartoon white-glove hand. When the cursor touches the button and moves away, thick sticky black goo strands stretch from the button to the hand like melted tar or spider web, sag and wobble with real physics, thin out the further you pull, then snap and drip back into the button. Pressing and dragging should pull even more strands. Soft studio shadows, realistic glossy highlights on the button. One HTML file, no external assets. It should feel satisfying the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_74VEEYS282WBCHN84ETGR0YAA5","title":"Build a single-page web toy: a glossy black 3D pill button that says \"let's collaborate\" sits in the middle of a clean white studio page. The cursor is a cartoon white-glove hand. When the cursor touches the button and moves away, thick sticky black goo strands stretch from the button to the hand like melted tar or spider web, sag and wobble with real physics, thin out the further you pull, then snap and drip back into the button. Pressing and dragging should pull even more strands. Soft studio shadows, realistic glossy highlights on the button. One HTML file, no external assets. It should feel satisfying the moment it loads. · A","preview":{"id":"ast_12Q397T4TZ33BVPHDECV5VKA9Z","source_key":null,"source_order":0,"source_path":"publications/tsk_7G4MXQYMZH1QHH6SHZZAFAAPMY/out_74VEEYS282WBCHN84ETGR0YAA5/index.html","sha256":"487414654b5f8199f6117ca442799e302957c8926316ce4ca10394f7b0122bac","mime_type":"text/html","kind":"document","byte_size":28494,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"23e5cce24bbc89286b1fd8447b5688dc","source_content_type":null,"url":"/api/v1/media/assets/ast_12Q397T4TZ33BVPHDECV5VKA9Z/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/48/487414654b5f8199f6117ca442799e302957c8926316ce4ca10394f7b0122bac/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=dd62807151fef2426c7609f3bcabbe5ca72afc35700c3cdad369398229498d6c&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/48/487414654b5f8199f6117ca442799e302957c8926316ce4ca10394f7b0122bac/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=e90ddaa69d28d937c0b5ba0d8e9d8b2f51967f559de689c33450d6c3c714145a","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_5SMP5NW4KJKQE4QEH1DSPAHXPA","title":"Build a single-page web toy: a glossy black 3D pill button that says \"let's collaborate\" sits in the middle of a clean white studio page. The cursor is a cartoon white-glove hand. When the cursor touches the button and moves away, thick sticky black goo strands stretch from the button to the hand like melted tar or spider web, sag and wobble with real physics, thin out the further you pull, then snap and drip back into the button. Pressing and dragging should pull even more strands. Soft studio shadows, realistic glossy highlights on the button. One HTML file, no external assets. It should feel satisfying the moment it loads. · B","preview":{"id":"ast_4SRNYTHT0JZPTTC2P1220VVMFD","source_key":null,"source_order":0,"source_path":"publications/tsk_7G4MXQYMZH1QHH6SHZZAFAAPMY/out_5SMP5NW4KJKQE4QEH1DSPAHXPA/index.html","sha256":"fc674935ab76ae7b98f40b42a62bb91abdb76173557b9b8a011864616757f436","mime_type":"text/html","kind":"document","byte_size":32827,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"45a00e2c30f2e30ea4e654e7f67f3728","source_content_type":null,"url":"/api/v1/media/assets/ast_4SRNYTHT0JZPTTC2P1220VVMFD/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/fc/fc674935ab76ae7b98f40b42a62bb91abdb76173557b9b8a011864616757f436/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=03d8d311d7258ead82d299b9b05b57278bf899b269409f935b0c9e06279568fe&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/fc/fc674935ab76ae7b98f40b42a62bb91abdb76173557b9b8a011864616757f436/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=3a624e9f353b38573c65dba45ab0e9087965101034de686ef4348142cbf8a2d9","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-23T05:42:03.601082Z"},{"id":"tsk_593069GT32EQ5Q76C9WRJQ1K8P","comparisonId":"cmp_7G7JGP8AYSKFX8W3YV59QH4NH6","title":"Build a playable Subway Surfers-style 3D endless runner in the browser (Three.js, single page, no external assets). Three lanes of subway tracks through a colorful city, trains coming at you that you dodge, jump onto and run across, barriers to jump or roll under, coins and power-ups (jetpack, magnet, super sneakers), a chasing guard, speed that ramps up, score and coin counter, and a game-over screen with instant restart. Arrow keys or WASD to switch lanes, jump and roll. It should feel fast and fun the moment it loads.","category":"Website","summary":"Build a playable Subway Surfers-style 3D endless runner in the browser (Three.js, single page, no external assets). Three lanes of subway tracks through a colorful city, trains coming at you that you dodge, jump onto and run across, barriers to jump or roll under, coins and power-ups (jetpack, magnet, super sneakers), a chasing guard, speed that ramps up, score and coin counter, and a game-over screen with instant restart. Arrow keys or WASD to switch lanes, jump and roll. 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Three lanes of subway tracks through a colorful city, trains coming at you that you dodge, jump onto and run across, barriers to jump or roll under, coins and power-ups (jetpack, magnet, super sneakers), a chasing guard, speed that ramps up, score and coin counter, and a game-over screen with instant restart. Arrow keys or WASD to switch lanes, jump and roll. 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Procedurally generated terrain with grass, dirt, stone, sand, water and trees; first-person WASD + mouse look, jump, break and place blocks with a hotbar of 6 block types; day/night cycle with a sun and moon; simple ambient occlusion so it looks good. It should be fun the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_1WKDG9PGM1F72RR0RN0CAAR6A2","title":"Build a playable Minecraft-style voxel sandbox in the browser (Three.js, single page, no external assets). Procedurally generated terrain with grass, dirt, stone, sand, water and trees; first-person WASD + mouse look, jump, break and place blocks with a hotbar of 6 block types; day/night cycle with a sun and moon; simple ambient occlusion so it looks good. 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Motion must be speedy. Fonts and color, style should all feel like the consistent brand. \n\nAnother day. Another model.\nIt's hard to keep up.\nAnd honestly—should you even care?\nWill it make better designs? Better videos? Better games?\n\nFind your best setup on Evals.\nGive different AI setups the same task, in a sandbox.\nChange the model. Add a skill. Give it Blender.\nThen compare what they actually make.\n\nConnect your ChatGPT, Claude, and Higgsfield accounts. Use the subscriptions you already pay for.\n\nPick the result you'd actually use. Keep working on it.\nOr explore what others made, see how they got there, and try it yourself.","category":"Video","summary":"Create a viral launch demo video for https://evals.ag/ with the following script. Motion must be speedy. Fonts and color, style should all feel like the consistent brand. \n\nAnother day. Another model.\nIt's hard to keep up.\nAnd honestly—should you even care?\nWill it make better designs? Better videos? Better games?\n\nFind your best setup on Evals.\nGive different AI setups the same task, in a sandbox.\nChange the model. Add a skill. Give it Blender.\nThen compare what they actually make.\n\nConnect your ChatGPT, Claude, and Higgsfield accounts. Use the subscriptions you already pay for.\n\nPick the result you'd actually use. Keep working on it.\nOr explore what others made, see how they got there, and try it yourself.","prompt":"Create a viral launch demo video for https://evals.ag/ with the following script. Motion must be speedy. Fonts and color, style should all feel like the consistent brand. \n\nAnother day. Another model.\nIt's hard to keep up.\nAnd honestly—should you even care?\nWill it make better designs? Better videos? Better games?\n\nFind your best setup on Evals.\nGive different AI setups the same task, in a sandbox.\nChange the model. Add a skill. Give it Blender.\nThen compare what they actually make.\n\nConnect your ChatGPT, Claude, and Higgsfield accounts. Use the subscriptions you already pay for.\n\nPick the result you'd actually use. Keep working on it.\nOr explore what others made, see how they got there, and try it yourself.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_5YDKJ4NEP4XYC6GQQR1NY0N408","title":"Create a viral launch demo video for https://evals.ag/ with the following script. Motion must be speedy. Fonts and color, style should all feel like the consistent brand. \n\nAnother day. Another model.\nIt's hard to keep up.\nAnd honestly—should you even care?\nWill it make better designs? Better videos? Better games?\n\nFind your best setup on Evals.\nGive different AI setups the same task, in a sandbox.\nChange the model. Add a skill. Give it Blender.\nThen compare what they actually make.\n\nConnect your ChatGPT, Claude, and Higgsfield accounts. Use the subscriptions you already pay for.\n\nPick the result you'd actually use. Keep working on it.\nOr explore what others made, see how they got there, and try it yourself. · A","preview":{"id":"ast_2ZVEM95PMPHQ7GD8BQ9D5EBNEN","source_key":null,"source_order":0,"source_path":"publications/tsk_3S4HC48KV42AZ1D8Q70HXX539J/out_5YDKJ4NEP4XYC6GQQR1NY0N408/output.mp4","sha256":"636c088aa04291ee27ed79c61c3421989235d46af11661a07265295c4355fd0f","mime_type":"video/mp4","kind":"video","byte_size":14885970,"width":1920,"height":1080,"duration":40.512,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"10811e9892242897d039764f8caa45bd","source_content_type":null,"url":"/api/v1/media/assets/ast_2ZVEM95PMPHQ7GD8BQ9D5EBNEN/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/63/636c088aa04291ee27ed79c61c3421989235d46af11661a07265295c4355fd0f/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=5c7610ca8abd8ae197ed922ecab1fb8320fa4aa5b378ded5ec1e4726b505e4db&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/63/636c088aa04291ee27ed79c61c3421989235d46af11661a07265295c4355fd0f/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=d3e3753147c3f2bf8ad25b2308b354424a3b718c3ed7c5b0180e425799b64338","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_109X7VX6JHBGTH0QGNCVWRDK1T","title":"Create a viral launch demo video for https://evals.ag/ with the following script. Motion must be speedy. Fonts and color, style should all feel like the consistent brand. \n\nAnother day. Another model.\nIt's hard to keep up.\nAnd honestly—should you even care?\nWill it make better designs? Better videos? Better games?\n\nFind your best setup on Evals.\nGive different AI setups the same task, in a sandbox.\nChange the model. Add a skill. Give it Blender.\nThen compare what they actually make.\n\nConnect your ChatGPT, Claude, and Higgsfield accounts. Use the subscriptions you already pay for.\n\nPick the result you'd actually use. Keep working on it.\nOr explore what others made, see how they got there, and try it yourself. · B","preview":{"id":"ast_2TN52TC3SSYBBQPJSWJ7ET47QH","source_key":null,"source_order":0,"source_path":"publications/tsk_3S4HC48KV42AZ1D8Q70HXX539J/out_109X7VX6JHBGTH0QGNCVWRDK1T/output.mp4","sha256":"ddc71af50649f4a899b0e04fff2ab15ea74f5709ea896377406e2b53fe6f6ce8","mime_type":"video/mp4","kind":"video","byte_size":4814412,"width":1920,"height":1080,"duration":35,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"5786ef247b9fe9e54e8903aa09066e7a","source_content_type":null,"url":"/api/v1/media/assets/ast_2TN52TC3SSYBBQPJSWJ7ET47QH/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/dd/ddc71af50649f4a899b0e04fff2ab15ea74f5709ea896377406e2b53fe6f6ce8/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=adbf5cdefb9adce262a8a901e12f01b56fbe8d1928b955455d3ba5cc0acd4832&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/dd/ddc71af50649f4a899b0e04fff2ab15ea74f5709ea896377406e2b53fe6f6ce8/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=0c7c9f9419c8e3c2b01721973d5f63f04590cdabeb030f9ea2de7beda4906567","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_12VDB5XJGSEQH3CJNBEERSR3S5","title":"Create a viral launch demo video for https://evals.ag/ with the following script. Motion must be speedy. Fonts and color, style should all feel like the consistent brand. \n\nAnother day. Another model.\nIt's hard to keep up.\nAnd honestly—should you even care?\nWill it make better designs? Better videos? Better games?\n\nFind your best setup on Evals.\nGive different AI setups the same task, in a sandbox.\nChange the model. Add a skill. Give it Blender.\nThen compare what they actually make.\n\nConnect your ChatGPT, Claude, and Higgsfield accounts. Use the subscriptions you already pay for.\n\nPick the result you'd actually use. Keep working on it.\nOr explore what others made, see how they got there, and try it yourself. · C","preview":{"id":"ast_1WY2XN9N11WM9JBR9N2MY72781","source_key":null,"source_order":0,"source_path":"publications/tsk_3S4HC48KV42AZ1D8Q70HXX539J/out_12VDB5XJGSEQH3CJNBEERSR3S5/output.mp4","sha256":"7bfa3b5bb8644c7c15de090f8e1cefa4b8fc99afc6557b52d639f3f7c680b840","mime_type":"video/mp4","kind":"video","byte_size":2733853,"width":1920,"height":1080,"duration":34,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"6743a19bf77b078e5a8bb2f6ba99168a","source_content_type":null,"url":"/api/v1/media/assets/ast_1WY2XN9N11WM9JBR9N2MY72781/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/7b/7bfa3b5bb8644c7c15de090f8e1cefa4b8fc99afc6557b52d639f3f7c680b840/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=dd846b8ca63d78a84ffc8fcad4671c9c23fda5f728c46b532b87f5322b26ff74&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/7b/7bfa3b5bb8644c7c15de090f8e1cefa4b8fc99afc6557b52d639f3f7c680b840/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=e4f7f9b5a9a958694c87b3e753dfbb5375269043f8b108e5de17753209776517","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-19T07:01:42.015040Z"},{"id":"tsk_56JXKBYT6F8D6YBPB1NT5H2AVS","comparisonId":"cmp_49M08EBS705HXQ2M8P64EPQMP4","title":"Build a playable GTA-style 3D open-world mini city in the browser (Three.js + physics, single page, no external assets). Walk around in third person, steal and drive cars with arcade handling, traffic and pedestrians that react, a wanted-level system with police chases, a minimap and a day/night cycle. It should feel chaotic and fun from the first second.","category":"Website","summary":"Build a playable GTA-style 3D open-world mini city in the browser (Three.js + physics, single page, no external assets). Walk around in third person, steal and drive cars with arcade handling, traffic and pedestrians that react, a wanted-level system with police chases, a minimap and a day/night cycle. It should feel chaotic and fun from the first second.","prompt":"Build a playable GTA-style 3D open-world mini city in the browser (Three.js + physics, single page, no external assets). Walk around in third person, steal and drive cars with arcade handling, traffic and pedestrians that react, a wanted-level system with police chases, a minimap and a day/night cycle. It should feel chaotic and fun from the first second.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_6JYMC0EC7ZT1TKBP8V42ES0G7Z","title":"Build a playable GTA-style 3D open-world mini city in the browser (Three.js + physics, single page, no external assets). Walk around in third person, steal and drive cars with arcade handling, traffic and pedestrians that react, a wanted-level system with police chases, a minimap and a day/night cycle. It should feel chaotic and fun from the first second. · A","preview":{"id":"ast_6Y0J0QSMR8W39BF8VWQ5J9ZNR5","source_key":null,"source_order":0,"source_path":"publications/tsk_56JXKBYT6F8D6YBPB1NT5H2AVS/out_6JYMC0EC7ZT1TKBP8V42ES0G7Z/index.html","sha256":"17379349e1a20ca7b64172c1f8b2f81c1ecf123468908ce371d366c621b97ee7","mime_type":"text/html","kind":"document","byte_size":675020,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"bdd6eb7fb05dbe2b0954bd3c3fc7c595","source_content_type":null,"url":"/api/v1/media/assets/ast_6Y0J0QSMR8W39BF8VWQ5J9ZNR5/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/17/17379349e1a20ca7b64172c1f8b2f81c1ecf123468908ce371d366c621b97ee7/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=8dcbce3f130500349212a26e8ee32beb0665be97eba76049aef273ab30ca7668&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/17/17379349e1a20ca7b64172c1f8b2f81c1ecf123468908ce371d366c621b97ee7/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=24befbf74cc0a5faa36d59236096c570daf6ea9169165aa17de5df2f4b772a22","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_7TGZGY4MM1MQCVVBSYMZVJZ663","title":"Build a playable GTA-style 3D open-world mini city in the browser (Three.js + physics, single page, no external assets). Walk around in third person, steal and drive cars with arcade handling, traffic and pedestrians that react, a wanted-level system with police chases, a minimap and a day/night cycle. It should feel chaotic and fun from the first second. · B","preview":{"id":"ast_4SEAEWGP3FTSBCD2C1S7WZJ3D0","source_key":null,"source_order":0,"source_path":"publications/tsk_56JXKBYT6F8D6YBPB1NT5H2AVS/out_7TGZGY4MM1MQCVVBSYMZVJZ663/index.html","sha256":"555a76959685114a01a1c7ccea389eb928e2e727daa758db42d3ff3a57492f1a","mime_type":"text/html","kind":"document","byte_size":589311,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"3580937bc4bf9ef06c7fac3a3b32f81a","source_content_type":null,"url":"/api/v1/media/assets/ast_4SEAEWGP3FTSBCD2C1S7WZJ3D0/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/55/555a76959685114a01a1c7ccea389eb928e2e727daa758db42d3ff3a57492f1a/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=8fd6b01beecaafdf91f8a92f5075fddac59d409c1ac6dce7dede5e2d10a654ed&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/55/555a76959685114a01a1c7ccea389eb928e2e727daa758db42d3ff3a57492f1a/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=9bd9db1649b46a6124807d9bac1f3ed33bad673ef6358e7cae42b7af015e1fa3","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_0C64YE9E811TDCCED7WN5GZTC3","title":"Build a playable GTA-style 3D open-world mini city in the browser (Three.js + physics, single page, no external assets). Walk around in third person, steal and drive cars with arcade handling, traffic and pedestrians that react, a wanted-level system with police chases, a minimap and a day/night cycle. It should feel chaotic and fun from the first second. · C","preview":{"id":"ast_2XA6TFS38Q0C7A7JANB1XV3HCG","source_key":null,"source_order":0,"source_path":"publications/tsk_56JXKBYT6F8D6YBPB1NT5H2AVS/out_0C64YE9E811TDCCED7WN5GZTC3/index.html","sha256":"26175f56523f5edd5b47b369acde615884033b166fdfbf37f41f144681e9774a","mime_type":"text/html","kind":"document","byte_size":9347,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"f88cb2bde059a544e6911bf396cfafa9","source_content_type":null,"url":"/api/v1/media/assets/ast_2XA6TFS38Q0C7A7JANB1XV3HCG/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/26/26175f56523f5edd5b47b369acde615884033b166fdfbf37f41f144681e9774a/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=dcba450989325492b0dbed00c4689b1a6a1902b5aa6b34772deaf386bb5c3ff8&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/26/26175f56523f5edd5b47b369acde615884033b166fdfbf37f41f144681e9774a/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=66717943ec3f97f012274b8cc04222574cd9d0da75c6f892b7c005163c0270b1","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_1QR9V9EXZ4K2H025C9XBH11NA5","title":"Build a playable GTA-style 3D open-world mini city in the browser (Three.js + physics, single page, no external assets). Walk around in third person, steal and drive cars with arcade handling, traffic and pedestrians that react, a wanted-level system with police chases, a minimap and a day/night cycle. It should feel chaotic and fun from the first second. · D","preview":{"id":"ast_7PR5542M38P8C7C9TYB0YVXRGK","source_key":null,"source_order":0,"source_path":"publications/tsk_56JXKBYT6F8D6YBPB1NT5H2AVS/out_1QR9V9EXZ4K2H025C9XBH11NA5/index.html","sha256":"9df93393d4bb08d84fe9da54956797e55758e104346bb692d5cc6a6ae5118590","mime_type":"text/html","kind":"document","byte_size":832385,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"e05f9562fcab84b900c676ac0b32f356","source_content_type":null,"url":"/api/v1/media/assets/ast_7PR5542M38P8C7C9TYB0YVXRGK/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/9d/9df93393d4bb08d84fe9da54956797e55758e104346bb692d5cc6a6ae5118590/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=cbbd5f0ec9c8175a76d026f97a4eb14fa959b3b508e2dbcb666991b06d76a5a6&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/9d/9df93393d4bb08d84fe9da54956797e55758e104346bb692d5cc6a6ae5118590/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=9518b88cf9498b1718223f0f08edddca0b8efc34c080a4fd83a6787e9c3dbbf0","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-19T12:21:32.480576Z"},{"id":"tsk_5BHZVYWAXADAJZZ1YVDCP0DZS9","comparisonId":"cmp_13NNR2MJM9WMRHPDY3Q8R3N7QC","title":"Build a single-file HTML shooting game called \"Acorn Squad\": a cartoon squirrel defends its oak tree by throwing acorns at waves of enemies (beetles, crows and a boss raccoon). Move with arrow keys or WASD, aim with the mouse and click (or hold Space) to throw; on phones use a virtual joystick and a fire button. Acorns fly in an arc and bounce once. Draw everything in code with canvas (no external images), with hit flashes, small particle bursts and screen shake. Add waves that get harder, a health bar, a power-up that throws three acorns at once, a score with a best score saved in localStorage, and a game-over screen with a restart button. Make it feel good on both desktop and phone.","category":"Website","summary":"Build a single-file HTML shooting game called \"Acorn Squad\": a cartoon squirrel defends its oak tree by throwing acorns at waves of enemies (beetles, crows and a boss raccoon). Move with arrow keys or WASD, aim with the mouse and click (or hold Space) to throw; on phones use a virtual joystick and a fire button. Acorns fly in an arc and bounce once. Draw everything in code with canvas (no external images), with hit flashes, small particle bursts and screen shake. Add waves that get harder, a health bar, a power-up that throws three acorns at once, a score with a best score saved in localStorage, and a game-over screen with a restart button. Make it feel good on both desktop and phone.","prompt":"Build a single-file HTML shooting game called \"Acorn Squad\": a cartoon squirrel defends its oak tree by throwing acorns at waves of enemies (beetles, crows and a boss raccoon). Move with arrow keys or WASD, aim with the mouse and click (or hold Space) to throw; on phones use a virtual joystick and a fire button. Acorns fly in an arc and bounce once. Draw everything in code with canvas (no external images), with hit flashes, small particle bursts and screen shake. Add waves that get harder, a health bar, a power-up that throws three acorns at once, a score with a best score saved in localStorage, and a game-over screen with a restart button. Make it feel good on both desktop and phone.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_7RVG43SDVD3F2487YQ5KA6PBJF","title":"Build a single-file HTML shooting game called \"Acorn Squad\": a cartoon squirrel defends its oak tree by throwing acorns at waves of enemies (beetles, crows and a boss raccoon). Move with arrow keys or WASD, aim with the mouse and click (or hold Space) to throw; on phones use a virtual joystick and a fire button. Acorns fly in an arc and bounce once. Draw everything in code with canvas (no external images), with hit flashes, small particle bursts and screen shake. Add waves that get harder, a health bar, a power-up that throws three acorns at once, a score with a best score saved in localStorage, and a game-over screen with a restart button. Make it feel good on both desktop and phone. · A","preview":{"id":"ast_14D5RG46FXN46G8M4HY3B47PW1","source_key":null,"source_order":0,"source_path":"publications/tsk_5BHZVYWAXADAJZZ1YVDCP0DZS9/out_7RVG43SDVD3F2487YQ5KA6PBJF/index.html","sha256":"6c3179847a2558054b339a845d5a31253307561b9041ed94a5e19832525f293b","mime_type":"text/html","kind":"document","byte_size":33890,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"3a7acbfe3eb1c911e62e3402eb07e40e","source_content_type":null,"url":"/api/v1/media/assets/ast_14D5RG46FXN46G8M4HY3B47PW1/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/6c/6c3179847a2558054b339a845d5a31253307561b9041ed94a5e19832525f293b/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=c2c851c72521118acda02b8718dba5a98e75047e322d467f4174ba92bb3ae218&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/6c/6c3179847a2558054b339a845d5a31253307561b9041ed94a5e19832525f293b/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=28558f4ea34e5612aa40fc719a67364cb92a142c2479903c78090d3e8e077768","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_6J1QHJAHPQ9R9KT6TQ4581MMFZ","title":"Build a single-file HTML shooting game called \"Acorn Squad\": a cartoon squirrel defends its oak tree by throwing acorns at waves of enemies (beetles, crows and a boss raccoon). 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A glossy, translucent water balloon rests on a soft studio backdrop. Grab it with the mouse or a finger and drag: it stretches, squishes and wobbles with believable soft-body physics while the water inside sloshes. Pull too far and it bursts in a satisfying splash of droplets, then a fresh balloon drops in. Make the material feel real: thin latex sheen, refraction, caustic highlights, soft contact shadow. Add a small control panel for balloon color and water amount. It should look like a premium product page, not a tech demo.","category":"Website","summary":"Build a single-page interactive 3D water balloon toy in the browser (Three.js/WebGL). A glossy, translucent water balloon rests on a soft studio backdrop. Grab it with the mouse or a finger and drag: it stretches, squishes and wobbles with believable soft-body physics while the water inside sloshes. Pull too far and it bursts in a satisfying splash of droplets, then a fresh balloon drops in. Make the material feel real: thin latex sheen, refraction, caustic highlights, soft contact shadow. Add a small control panel for balloon color and water amount. It should look like a premium product page, not a tech demo.","prompt":"Build a single-page interactive 3D water balloon toy in the browser (Three.js/WebGL). A glossy, translucent water balloon rests on a soft studio backdrop. Grab it with the mouse or a finger and drag: it stretches, squishes and wobbles with believable soft-body physics while the water inside sloshes. Pull too far and it bursts in a satisfying splash of droplets, then a fresh balloon drops in. Make the material feel real: thin latex sheen, refraction, caustic highlights, soft contact shadow. Add a small control panel for balloon color and water amount. It should look like a premium product page, not a tech demo.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_56HPA67702W83KY84WJHZTRJTK","title":"Build a single-page interactive 3D water balloon toy in the browser (Three.js/WebGL). A glossy, translucent water balloon rests on a soft studio backdrop. Grab it with the mouse or a finger and drag: it stretches, squishes and wobbles with believable soft-body physics while the water inside sloshes. Pull too far and it bursts in a satisfying splash of droplets, then a fresh balloon drops in. Make the material feel real: thin latex sheen, refraction, caustic highlights, soft contact shadow. Add a small control panel for balloon color and water amount. 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A glossy, translucent water balloon rests on a soft studio backdrop. Grab it with the mouse or a finger and drag: it stretches, squishes and wobbles with believable soft-body physics while the water inside sloshes. Pull too far and it bursts in a satisfying splash of droplets, then a fresh balloon drops in. Make the material feel real: thin latex sheen, refraction, caustic highlights, soft contact shadow. Add a small control panel for balloon color and water amount. 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Make it look stunning and screenshot-worthy.","prompt":"Create a single-page web experience of a realistic CD jewel case (clear plastic CD case) with an open-lid animation.\n\n- Use three.js with custom shaders only — no external 3D models, no image textures you didn't generate in code.\n- The plastic should look real: transparent, glossy, refractive/fresnel edges, subtle scratches and reflections.\n- Inside: a disc with iridescent rainbow diffraction that shifts as the camera/light moves, plus a printed booklet cover.\n- Clicking the case (or a button) plays a smooth hinged lid-open animation; clicking again closes it.\n- Mouse drag orbits the case; it idles with a slow float/rotation.\n- Dark studio background with soft lighting. Make it look stunning and screenshot-worthy.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_395VB3N9DA2RMFSRPGJ03JRH2J","title":"Create a single-page web experience of a realistic CD jewel case (clear plastic CD case) with an open-lid animation.\n\n- Use three.js with custom shaders only — no external 3D models, no image textures you didn't generate in code.\n- The plastic should look real: transparent, glossy, refractive/fresnel edges, subtle scratches and reflections.\n- Inside: a disc with iridescent rainbow diffraction that shifts as the camera/light moves, plus a printed booklet cover.\n- Clicking the case (or a button) plays a smooth hinged lid-open animation; clicking again closes it.\n- Mouse drag orbits the case; it idles with a slow float/rotation.\n- Dark studio background with soft lighting. 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A working 3D modeling and animation app (Three.js), single page, that looks and feels like Blender: dark Blender-style UI with top menu bar, left toolbar, 3D viewport with grid and axis gizmo, Outliner and Properties panels on the right, and a timeline at the bottom. Orbit, pan and zoom with the mouse, numpad-style view buttons. Add > Mesh menu with cube, UV sphere, cylinder, cone, torus and a Suzanne-like monkey head. Click to select with orange outline, G/R/S hotkeys and a transform gizmo to move, rotate and scale, X to delete, Shift+D to duplicate. Properties panel edits transform values and material (base color, roughness, metallic, emission). Insert keyframes with I, scrub the timeline and press play to animate. A Render button (F12) opens a render window with soft shadows and nice lighting. Start with a default scene: cube, camera and light. It should feel like the real thing the moment it loads.","category":"Website","summary":"Build Blender in the browser. A working 3D modeling and animation app (Three.js), single page, that looks and feels like Blender: dark Blender-style UI with top menu bar, left toolbar, 3D viewport with grid and axis gizmo, Outliner and Properties panels on the right, and a timeline at the bottom. Orbit, pan and zoom with the mouse, numpad-style view buttons. Add > Mesh menu with cube, UV sphere, cylinder, cone, torus and a Suzanne-like monkey head. Click to select with orange outline, G/R/S hotkeys and a transform gizmo to move, rotate and scale, X to delete, Shift+D to duplicate. Properties panel edits transform values and material (base color, roughness, metallic, emission). Insert keyframes with I, scrub the timeline and press play to animate. A Render button (F12) opens a render window with soft shadows and nice lighting. Start with a default scene: cube, camera and light. It should feel like the real thing the moment it loads.","prompt":"Build Blender in the browser. A working 3D modeling and animation app (Three.js), single page, that looks and feels like Blender: dark Blender-style UI with top menu bar, left toolbar, 3D viewport with grid and axis gizmo, Outliner and Properties panels on the right, and a timeline at the bottom. Orbit, pan and zoom with the mouse, numpad-style view buttons. Add > Mesh menu with cube, UV sphere, cylinder, cone, torus and a Suzanne-like monkey head. Click to select with orange outline, G/R/S hotkeys and a transform gizmo to move, rotate and scale, X to delete, Shift+D to duplicate. Properties panel edits transform values and material (base color, roughness, metallic, emission). Insert keyframes with I, scrub the timeline and press play to animate. A Render button (F12) opens a render window with soft shadows and nice lighting. Start with a default scene: cube, camera and light. It should feel like the real thing the moment it loads.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_4C7S3ZFBX35N49YE3AKNP55ETW","title":"Build Blender in the browser. A working 3D modeling and animation app (Three.js), single page, that looks and feels like Blender: dark Blender-style UI with top menu bar, left toolbar, 3D viewport with grid and axis gizmo, Outliner and Properties panels on the right, and a timeline at the bottom. Orbit, pan and zoom with the mouse, numpad-style view buttons. Add > Mesh menu with cube, UV sphere, cylinder, cone, torus and a Suzanne-like monkey head. Click to select with orange outline, G/R/S hotkeys and a transform gizmo to move, rotate and scale, X to delete, Shift+D to duplicate. Properties panel edits transform values and material (base color, roughness, metallic, emission). Insert keyframes with I, scrub the timeline and press play to animate. 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A working 3D modeling and animation app (Three.js), single page, that looks and feels like Blender: dark Blender-style UI with top menu bar, left toolbar, 3D viewport with grid and axis gizmo, Outliner and Properties panels on the right, and a timeline at the bottom. Orbit, pan and zoom with the mouse, numpad-style view buttons. Add > Mesh menu with cube, UV sphere, cylinder, cone, torus and a Suzanne-like monkey head. Click to select with orange outline, G/R/S hotkeys and a transform gizmo to move, rotate and scale, X to delete, Shift+D to duplicate. Properties panel edits transform values and material (base color, roughness, metallic, emission). Insert keyframes with I, scrub the timeline and press play to animate. A Render button (F12) opens a render window with soft shadows and nice lighting. Start with a default scene: cube, camera and light. 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Do the real work in Blender itself (install it if needed and drive it headless with Python/bpy): model the scene, shade Suzanne with a striking material, light it like a studio product shot, set up the camera with depth of field, and render with Cycles. Deliver a 1920x1080 PNG hero still and an 8-second 1080p MP4 turntable of Suzanne spinning. Make it gorgeous from the first frame.","category":"Other","summary":"Use Blender to make a hero render of Suzanne, the Blender monkey, good enough for Blender's own homepage. Do the real work in Blender itself (install it if needed and drive it headless with Python/bpy): model the scene, shade Suzanne with a striking material, light it like a studio product shot, set up the camera with depth of field, and render with Cycles. Deliver a 1920x1080 PNG hero still and an 8-second 1080p MP4 turntable of Suzanne spinning. Make it gorgeous from the first frame.","prompt":"Use Blender to make a hero render of Suzanne, the Blender monkey, good enough for Blender's own homepage. Do the real work in Blender itself (install it if needed and drive it headless with Python/bpy): model the scene, shade Suzanne with a striking material, light it like a studio product shot, set up the camera with depth of field, and render with Cycles. Deliver a 1920x1080 PNG hero still and an 8-second 1080p MP4 turntable of Suzanne spinning. Make it gorgeous from the first frame.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_2QDXPGHVZ0FJ06PHK32G7QTXVG","title":"Use Blender to make a hero render of Suzanne, the Blender monkey, good enough for Blender's own homepage. Do the real work in Blender itself (install it if needed and drive it headless with Python/bpy): model the scene, shade Suzanne with a striking material, light it like a studio product shot, set up the camera with depth of field, and render with Cycles. Deliver a 1920x1080 PNG hero still and an 8-second 1080p MP4 turntable of Suzanne spinning. Make it gorgeous from the first frame. · A","preview":{"id":"ast_3TWHKMF0QB2A87XQECZS7SJ44D","source_key":null,"source_order":0,"source_path":"publications/tsk_7PMVHJTVPSE6B6EMFV8J2APGMX/out_2QDXPGHVZ0FJ06PHK32G7QTXVG/output.mp4","sha256":"94747ec111d59364d8a0f892095268857fbdbd8b5ea32b55606f6b60089d5ff3","mime_type":"video/mp4","kind":"video","byte_size":2387221,"width":1920,"height":1080,"duration":8,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"5515f7bd565f4dba72c6eabb89b87bb0","source_content_type":null,"url":"/api/v1/media/assets/ast_3TWHKMF0QB2A87XQECZS7SJ44D/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/94/94747ec111d59364d8a0f892095268857fbdbd8b5ea32b55606f6b60089d5ff3/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=081c418b44334e1965e81337b2d9cbb7de3cac88b2b598a70f5c1324f5292de8&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/94/94747ec111d59364d8a0f892095268857fbdbd8b5ea32b55606f6b60089d5ff3/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=29f06e2202fa2f9dee6447d0c8fbf10f74087f0815591d6b60e34ecd26fc4b24","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_1NBJ1HSNSBCXVSPFBMFEG66VY9","title":"Use Blender to make a hero render of Suzanne, the Blender monkey, good enough for Blender's own homepage. 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Single page, no external assets: draw every sprite, tile and background with code. Run and jump with variable jump height, smooth side-scrolling camera, question blocks that pop coins and a mushroom power-up, breakable bricks, Goombas you can stomp, pipes, pits, and a flagpole finish. HUD with score, coins, world and timer, plus title and game-over screens. It should feel tight and fun the moment it loads.","category":"Website","summary":"Build a playable Super Mario Bros-style 2D platformer in the browser, recreating World 1-1. Single page, no external assets: draw every sprite, tile and background with code. Run and jump with variable jump height, smooth side-scrolling camera, question blocks that pop coins and a mushroom power-up, breakable bricks, Goombas you can stomp, pipes, pits, and a flagpole finish. HUD with score, coins, world and timer, plus title and game-over screens. 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Single page, no external assets: draw every sprite, tile and background with code. Run and jump with variable jump height, smooth side-scrolling camera, question blocks that pop coins and a mushroom power-up, breakable bricks, Goombas you can stomp, pipes, pits, and a flagpole finish. HUD with score, coins, world and timer, plus title and game-over screens. 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Drive a giant monster truck through a colourful toy city and smash everything: towers of blocks topple, cars flip, glass shatters into debris with real physics, slow-motion on big crashes, dust and sparks, a destruction score. Should feel explosive and satisfying from the first second.","category":"Website","summary":"Build a playable 3D monster-truck smash game in the browser (Three.js + physics). Drive a giant monster truck through a colourful toy city and smash everything: towers of blocks topple, cars flip, glass shatters into debris with real physics, slow-motion on big crashes, dust and sparks, a destruction score. Should feel explosive and satisfying from the first second.","prompt":"Build a playable 3D monster-truck smash game in the browser (Three.js + physics). Drive a giant monster truck through a colourful toy city and smash everything: towers of blocks topple, cars flip, glass shatters into debris with real physics, slow-motion on big crashes, dust and sparks, a destruction score. Should feel explosive and satisfying from the first second.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_4A1CN8PMHYB43WJBP78NHR74N7","title":"Build a playable 3D monster-truck smash game in the browser (Three.js + physics). Drive a giant monster truck through a colourful toy city and smash everything: towers of blocks topple, cars flip, glass shatters into debris with real physics, slow-motion on big crashes, dust and sparks, a destruction score. 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Drive a giant monster truck through a colourful toy city and smash everything: towers of blocks topple, cars flip, glass shatters into debris with real physics, slow-motion on big crashes, dust and sparks, a destruction score. Should feel explosive and satisfying from the first second. · B","preview":{"id":"ast_65RFW2XDM99PV89G0GY523MYBQ","source_key":null,"source_order":0,"source_path":"publications/tsk_2K1JZX4B10CXHJZ637D6WZJHFG/out_1BYNG3CCSPDPMFS0YF90VEWF66/index.html","sha256":"28094b90705a82f1a9392ff28d4edf05fa889a12fd8254937bc4dfe7c487c8a3","mime_type":"text/html","kind":"document","byte_size":8739,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"69193bced9f129cf06f5ef2552452133","source_content_type":null,"url":"/api/v1/media/assets/ast_65RFW2XDM99PV89G0GY523MYBQ/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/28/28094b90705a82f1a9392ff28d4edf05fa889a12fd8254937bc4dfe7c487c8a3/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=8aa7335c11b0da9446290ee0957a9df904a0252097ea536ac0a6ddd76a1fcbb9&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/28/28094b90705a82f1a9392ff28d4edf05fa889a12fd8254937bc4dfe7c487c8a3/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=9035458c448f8444703a6dee2db531e9780538d3eef25bb2bb1199581146d8e9","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_4ABTMD158KSKQFH7CHZ9TZ4GGK","title":"Build a playable 3D monster-truck smash game in the browser (Three.js + physics). Drive a giant monster truck through a colourful toy city and smash everything: towers of blocks topple, cars flip, glass shatters into debris with real physics, slow-motion on big crashes, dust and sparks, a destruction score. Should feel explosive and satisfying from the first second. · C","preview":{"id":"ast_7AQZDQQMA96T8TK6B520Y2N1PC","source_key":null,"source_order":0,"source_path":"publications/tsk_2K1JZX4B10CXHJZ637D6WZJHFG/out_4ABTMD158KSKQFH7CHZ9TZ4GGK/index.html","sha256":"9ce9ed8fafe45a7039526a28ceabf3596065194b83a429247ac338c1796e776c","mime_type":"text/html","kind":"document","byte_size":1760295,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"b66d9b3de023b0cfbce1e1ea24f59216","source_content_type":null,"url":"/api/v1/media/assets/ast_7AQZDQQMA96T8TK6B520Y2N1PC/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/9c/9ce9ed8fafe45a7039526a28ceabf3596065194b83a429247ac338c1796e776c/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=ae91b6978b554889d71cf0f1b0578b1d2fcc79839d332e955acb9136895ab87c&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/9c/9ce9ed8fafe45a7039526a28ceabf3596065194b83a429247ac338c1796e776c/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=4fab23fe9e897e8b87b1c81d7ae047b3ff0f40c19df78d2381c6561ce57e6bdc","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_4BCWQ0ZZ6HY1BADA81SDS8ED8V","title":"Build a playable 3D monster-truck smash game in the browser (Three.js + physics). 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a 20-second concept launch video for ChatGPT-6 Sol and Luna. Use only these model names as factual copy; invent no performance, pricing or availability claims. Build a polished motion-design treatment with expressive typography, contrasting visual identities, elegant transitions and a final two-model lockup. Label it an unofficial concept. Deliver a playable animation and MP4 if available.\n\nSource: https://x.com/israelfemiojo/status/2102642002613481939 (196K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","category":"Website","summary":"Create a 20-second concept launch video for ChatGPT-6 Sol and Luna. Use only these model names as factual copy; invent no performance, pricing or availability claims. Build a polished motion-design treatment with expressive typography, contrasting visual identities, elegant transitions and a final two-model lockup. Label it an unofficial concept. Deliver a playable animation and MP4 if available.\n\nSource: https://x.com/israelfemiojo/status/2102642002613481939 (196K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","prompt":"Create a 20-second concept launch video for ChatGPT-6 Sol and Luna. Use only these model names as factual copy; invent no performance, pricing or availability claims. Build a polished motion-design treatment with expressive typography, contrasting visual identities, elegant transitions and a final two-model lockup. Label it an unofficial concept. Deliver a playable animation and MP4 if available.\n\nSource: https://x.com/israelfemiojo/status/2102642002613481939 (196K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_69DE3ME1GAJ1SZN43E2EZFM1SX","title":"Create a 20-second concept launch video for ChatGPT-6 Sol and Luna. Use only these model names as factual copy; invent no performance, pricing or availability claims. Build a polished motion-design treatment with expressive typography, contrasting visual identities, elegant transitions and a final two-model lockup. Label it an unofficial concept. Deliver a playable animation and MP4 if available.\n\nSource: https://x.com/israelfemiojo/status/2102642002613481939 (196K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. 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Use only these model names as factual copy; invent no performance, pricing or availability claims. Build a polished motion-design treatment with expressive typography, contrasting visual identities, elegant transitions and a final two-model lockup. Label it an unofficial concept. Deliver a playable animation and MP4 if available.\n\nSource: https://x.com/israelfemiojo/status/2102642002613481939 (196K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals. · B","preview":{"id":"ast_7XRBPVBS9PQ68D3VG39A1RKQFB","source_key":null,"source_order":0,"source_path":"publications/tsk_0CWGPF9HX7NT18DFVRDY05AF4W/out_4VMME22S28PD6SQA6ZE2FGKQZD/index.html","sha256":"72eaa9f0a825828454826088db1b6f545f61af8abfa3930a0e2ec8247d7d2547","mime_type":"text/html","kind":"document","byte_size":586798,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"53c1234250241515c6580c7a0b38513b","source_content_type":null,"url":"/api/v1/media/assets/ast_7XRBPVBS9PQ68D3VG39A1RKQFB/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/72/72eaa9f0a825828454826088db1b6f545f61af8abfa3930a0e2ec8247d7d2547/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=596af0a5dc240b666a7e758b817da0e4e64a20a5c869a4675ec990219cb954d1&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/72/72eaa9f0a825828454826088db1b6f545f61af8abfa3930a0e2ec8247d7d2547/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=29de29a76436aa0558fe34db58e898851f83f15f1e501776ca8bf8073bf1ecf2","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T03:57:19.469511Z"},{"id":"tsk_138JE37BEW132D1Z8XMEAPD5DF","comparisonId":"cmp_7FFD4SNDJRS0H5HAQM0VY49WK8","title":"Build an interactive educational 3D jet engine in the browser. Include cutaway and x-ray views, animated airflow and rotating fan/compressor/turbine stages, clear labels, an exploded view and orbit controls. Explain the airflow visually and mark simplifications. Deliver the working browser artifact.\n\nSource: https://x.com/YouWareAI/status/2101271938706685991 (80K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","category":"Website","summary":"Build an interactive educational 3D jet engine in the browser. Include cutaway and x-ray views, animated airflow and rotating fan/compressor/turbine stages, clear labels, an exploded view and orbit controls. Explain the airflow visually and mark simplifications. Deliver the working browser artifact.\n\nSource: https://x.com/YouWareAI/status/2101271938706685991 (80K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","prompt":"Build an interactive educational 3D jet engine in the browser. Include cutaway and x-ray views, animated airflow and rotating fan/compressor/turbine stages, clear labels, an exploded view and orbit controls. Explain the airflow visually and mark simplifications. Deliver the working browser artifact.\n\nSource: https://x.com/YouWareAI/status/2101271938706685991 (80K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_7KG2DRW48CJAX4E4XEVDR4KCK5","title":"Build an interactive educational 3D jet engine in the browser. Include cutaway and x-ray views, animated airflow and rotating fan/compressor/turbine stages, clear labels, an exploded view and orbit controls. Explain the airflow visually and mark simplifications. Deliver the working browser artifact.\n\nSource: https://x.com/YouWareAI/status/2101271938706685991 (80K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. 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Include cutaway and x-ray views, animated airflow and rotating fan/compressor/turbine stages, clear labels, an exploded view and orbit controls. Explain the airflow visually and mark simplifications. Deliver the working browser artifact.\n\nSource: https://x.com/YouWareAI/status/2101271938706685991 (80K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. Use the models selected in Evals. · B","preview":{"id":"ast_21TJG4TB1D934Q763XSMFB9KYS","source_key":null,"source_order":0,"source_path":"publications/tsk_138JE37BEW132D1Z8XMEAPD5DF/out_7ZEE5TGTE3DK00F3AZ5ADDFG09/index.html","sha256":"0cd2c9e2684305c33cc35cab3f09e350736f3915170ae18792bd386895b3ab84","mime_type":"text/html","kind":"document","byte_size":640865,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"13ab64d69fed237221fcf4ef1d6912f0","source_content_type":null,"url":"/api/v1/media/assets/ast_21TJG4TB1D934Q763XSMFB9KYS/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/0c/0cd2c9e2684305c33cc35cab3f09e350736f3915170ae18792bd386895b3ab84/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=fc6f03637f341ed7f5dd4ce1ab8c37791b7c1c32d87710acc95f252e7b4695ca&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/0c/0cd2c9e2684305c33cc35cab3f09e350736f3915170ae18792bd386895b3ab84/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=6c054fb5544c408ffb205bb10f90fa9fb6b59af2bdf1606a8f6dcafb03a7ec8e","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T03:50:05.784492Z"},{"id":"tsk_3VRTTR1WATRBT61JNY04B52QYE","comparisonId":"cmp_53PGZWP1YM6ESMTW4DF7W1B7ME","title":"Create a visually engaging animated history of dinosaurs in under one minute using JavaScript. Cover their emergence in the Triassic, the Jurassic giants, Cretaceous diversity, and the end-Cretaceous extinction, with clear English labels, a timeline, recognizable moving dinosaurs and smooth scene transitions. Deliver a playable HTML artifact with play/pause and replay controls.\n\nSource: https://x.com/claudeai/status/2104674993212702803 (273K views, 684 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","category":"Website","summary":"Create a visually engaging animated history of dinosaurs in under one minute using JavaScript. Cover their emergence in the Triassic, the Jurassic giants, Cretaceous diversity, and the end-Cretaceous extinction, with clear English labels, a timeline, recognizable moving dinosaurs and smooth scene transitions. Deliver a playable HTML artifact with play/pause and replay controls.\n\nSource: https://x.com/claudeai/status/2104674993212702803 (273K views, 684 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","prompt":"Create a visually engaging animated history of dinosaurs in under one minute using JavaScript. Cover their emergence in the Triassic, the Jurassic giants, Cretaceous diversity, and the end-Cretaceous extinction, with clear English labels, a timeline, recognizable moving dinosaurs and smooth scene transitions. Deliver a playable HTML artifact with play/pause and replay controls.\n\nSource: https://x.com/claudeai/status/2104674993212702803 (273K views, 684 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_765JPDZ592CDDBDX45C89NBFZ7","title":"Create a visually engaging animated history of dinosaurs in under one minute using JavaScript. Cover their emergence in the Triassic, the Jurassic giants, Cretaceous diversity, and the end-Cretaceous extinction, with clear English labels, a timeline, recognizable moving dinosaurs and smooth scene transitions. Deliver a playable HTML artifact with play/pause and replay controls.\n\nSource: https://x.com/claudeai/status/2104674993212702803 (273K views, 684 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · A","preview":{"id":"ast_7DXPR8ER4ERZYR3Y84X42YAY8H","source_key":null,"source_order":0,"source_path":"publications/tsk_3VRTTR1WATRBT61JNY04B52QYE/out_765JPDZ592CDDBDX45C89NBFZ7/index.html","sha256":"96a5ef9af5c364508c8b48856eda652768a18184028002095d53bf01c78225a8","mime_type":"text/html","kind":"document","byte_size":55480,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"cd496540e2345449fecaf9e9ed3985c5","source_content_type":null,"url":"/api/v1/media/assets/ast_7DXPR8ER4ERZYR3Y84X42YAY8H/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/96/96a5ef9af5c364508c8b48856eda652768a18184028002095d53bf01c78225a8/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=66bdf65a19ec163a8355bed675f23c325a4e131d6b10a93a049ca2b3353b0076&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/96/96a5ef9af5c364508c8b48856eda652768a18184028002095d53bf01c78225a8/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=5b5058b1c52615e9c412acd8465fb54260bc416c7dfef4548171dc9bc3bd82cf","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_0R9DP03K292Z8NR0W9FGG2EVK4","title":"Create a visually engaging animated history of dinosaurs in under one minute using JavaScript. Cover their emergence in the Triassic, the Jurassic giants, Cretaceous diversity, and the end-Cretaceous extinction, with clear English labels, a timeline, recognizable moving dinosaurs and smooth scene transitions. Deliver a playable HTML artifact with play/pause and replay controls.\n\nSource: https://x.com/claudeai/status/2104674993212702803 (273K views, 684 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · B","preview":{"id":"ast_5VXF2ZNS73ZNVW22YA9SCY3JHM","source_key":null,"source_order":0,"source_path":"publications/tsk_3VRTTR1WATRBT61JNY04B52QYE/out_0R9DP03K292Z8NR0W9FGG2EVK4/index.html","sha256":"9bfd5f6b846d45473724ed9770d5d1a8c8ef597bc75bce74293b785c57d96f1f","mime_type":"text/html","kind":"document","byte_size":18346,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"2372271cb7c3486b9c3e26f21dc142d1","source_content_type":null,"url":"/api/v1/media/assets/ast_5VXF2ZNS73ZNVW22YA9SCY3JHM/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/9b/9bfd5f6b846d45473724ed9770d5d1a8c8ef597bc75bce74293b785c57d96f1f/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=bfc0f08e50e2578a62ab40a4d8e18e6e1211961b5b403f706b676fe2b0d136d8&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/9b/9bfd5f6b846d45473724ed9770d5d1a8c8ef597bc75bce74293b785c57d96f1f/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=02fa1280ba762e0fd1a2ffaf034a2644ae557374eaa4554bbaa01ca5eb246481","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T02:50:54.558619Z"},{"id":"tsk_51H2XZ9HTYNFZZ1NDT4MWK2N5E","comparisonId":"cmp_70QZKBBEEWPSZNZ24DSAEJE259","title":"$124","category":"Video","summary":"$125","prompt":"$126","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_178YVBANM4H81NG7824Q2FDR0J","title":"$127","preview":{"id":"ast_7DX55242RM63V27YG29G6XZDK8","source_key":null,"source_order":0,"source_path":"publications/tsk_51H2XZ9HTYNFZZ1NDT4MWK2N5E/out_178YVBANM4H81NG7824Q2FDR0J/output.mp4","sha256":"a1085db27cf28a17051830bbdde0360ed879bfd9f9a6ff0a4939ccd8e6875919","mime_type":"video/mp4","kind":"video","byte_size":10876177,"width":1080,"height":1920,"duration":15,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"5c9bef486c0bc63ddb20fb698f1104d1","source_content_type":null,"url":"/api/v1/media/assets/ast_7DX55242RM63V27YG29G6XZDK8/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a1/a1085db27cf28a17051830bbdde0360ed879bfd9f9a6ff0a4939ccd8e6875919/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=5c1b48df9d79b7b0c7e34b175e0f5d14dbd462a5c69b1092b47f1a3b4d11b675&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a1/a1085db27cf28a17051830bbdde0360ed879bfd9f9a6ff0a4939ccd8e6875919/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=015a5d4c99c5e988fc37fc1e4e2d354c5843a634fb87fdc0e775386550ed15ec","gallery_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a1/a1085db27cf28a17051830bbdde0360ed879bfd9f9a6ff0a4939ccd8e6875919/gallery-v1.mp4?expires=1793897280&type=video%2Fmp4&sig=a2407917e5068282fb4d81969efa483c557495c1023da083841396df5ba52bfb"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_2V0MZV1XVJK5VT4X9DMC3QH06Y","title":"$128","preview":{"id":"ast_6DAWFA03361V4MGECE3KNFFK8G","source_key":null,"source_order":0,"source_path":"publications/tsk_51H2XZ9HTYNFZZ1NDT4MWK2N5E/out_2V0MZV1XVJK5VT4X9DMC3QH06Y/output.mp4","sha256":"cd4ea3a33c3e0128a2688363baf60efc1622afc4a43ce8e2ec0bc7e37f4d90fc","mime_type":"video/mp4","kind":"video","byte_size":24651891,"width":1920,"height":1080,"duration":15,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"e74f3eab5df713d2d1d68e79e65dbb9b","source_content_type":null,"url":"/api/v1/media/assets/ast_6DAWFA03361V4MGECE3KNFFK8G/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/cd/cd4ea3a33c3e0128a2688363baf60efc1622afc4a43ce8e2ec0bc7e37f4d90fc/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=29212d137e6144de8b64e66fc1389ff35fa6dee8dc746d0acf4f62f21bd5dead&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/cd/cd4ea3a33c3e0128a2688363baf60efc1622afc4a43ce8e2ec0bc7e37f4d90fc/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=f1c76a505fc38bf29289530e66b23f389604a6eb3716f418210f2ffaf5acf598","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T06:41:51.606750Z"},{"id":"tsk_5PN5QHK1W2R2V7SBWCGNFJ0Y7G","comparisonId":"cmp_7QX5TFC7VHN0WS2EVTWM3P14WH","title":"Create a cinematic luxury car rental website with a striking premium hero, beautifully presented vehicle collection, subtle motion, refined typography, and a functional booking interaction with dates, vehicle choice and a clear price summary. Make the layout responsive and accessible. Use fictional branding and demo pricing. Deliver a working browser artifact.\n\nSource: https://x.com/viktoroddy/status/2105226806492283286 (25K views, 404 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","category":"Website","summary":"Create a cinematic luxury car rental website with a striking premium hero, beautifully presented vehicle collection, subtle motion, refined typography, and a functional booking interaction with dates, vehicle choice and a clear price summary. Make the layout responsive and accessible. Use fictional branding and demo pricing. Deliver a working browser artifact.\n\nSource: https://x.com/viktoroddy/status/2105226806492283286 (25K views, 404 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","prompt":"Create a cinematic luxury car rental website with a striking premium hero, beautifully presented vehicle collection, subtle motion, refined typography, and a functional booking interaction with dates, vehicle choice and a clear price summary. Make the layout responsive and accessible. Use fictional branding and demo pricing. Deliver a working browser artifact.\n\nSource: https://x.com/viktoroddy/status/2105226806492283286 (25K views, 404 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_6XSSV1FYZZVTZ2T8787NY4WQGB","title":"Create a cinematic luxury car rental website with a striking premium hero, beautifully presented vehicle collection, subtle motion, refined typography, and a functional booking interaction with dates, vehicle choice and a clear price summary. Make the layout responsive and accessible. Use fictional branding and demo pricing. Deliver a working browser artifact.\n\nSource: https://x.com/viktoroddy/status/2105226806492283286 (25K views, 404 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · A","preview":{"id":"ast_49JFPFHNVWMYVX4HVDTMGHNQJ7","source_key":null,"source_order":0,"source_path":"publications/tsk_5PN5QHK1W2R2V7SBWCGNFJ0Y7G/out_6XSSV1FYZZVTZ2T8787NY4WQGB/index.html","sha256":"7511b7002a96f48b53e10b70f447b88d49ba960e1ab5421fa44eb4b8a651b863","mime_type":"text/html","kind":"document","byte_size":57774,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"8491877cd81a75b4175c5efec81339be","source_content_type":null,"url":"/api/v1/media/assets/ast_49JFPFHNVWMYVX4HVDTMGHNQJ7/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/75/7511b7002a96f48b53e10b70f447b88d49ba960e1ab5421fa44eb4b8a651b863/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=4c24f0c308b852989cc33e82f5bdc1e46cdaeeb5d1844067723006ba177bc223&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/75/7511b7002a96f48b53e10b70f447b88d49ba960e1ab5421fa44eb4b8a651b863/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=0c0f46ce2ef2a5831182f0862765be9bd12831cb4f15abc899f69c48a482f395","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_3ER1G6Y3GA6CXTRBTT6MRKGHA2","title":"Create a cinematic luxury car rental website with a striking premium hero, beautifully presented vehicle collection, subtle motion, refined typography, and a functional booking interaction with dates, vehicle choice and a clear price summary. Make the layout responsive and accessible. Use fictional branding and demo pricing. Deliver a working browser artifact.\n\nSource: https://x.com/viktoroddy/status/2105226806492283286 (25K views, 404 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · B","preview":{"id":"ast_45YF0263K6N2BNT0VV5K6QW445","source_key":null,"source_order":0,"source_path":"publications/tsk_5PN5QHK1W2R2V7SBWCGNFJ0Y7G/out_3ER1G6Y3GA6CXTRBTT6MRKGHA2/index.html","sha256":"8489b52f99109a87e60d5add9f264dc4f29eed367a0aa395b3365460e35b4f62","mime_type":"text/html","kind":"document","byte_size":9426,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"aac7afb318dd23b0636eb8be052123dd","source_content_type":null,"url":"/api/v1/media/assets/ast_45YF0263K6N2BNT0VV5K6QW445/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/84/8489b52f99109a87e60d5add9f264dc4f29eed367a0aa395b3365460e35b4f62/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=e6a15bd0c608fcf3a15e345a741805c734ea9dd66df4d819a0e0527bcf2b0772&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/84/8489b52f99109a87e60d5add9f264dc4f29eed367a0aa395b3365460e35b4f62/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=b744acf5ce7df52faf5928e7338c2f810ab13168caf2a565646a04bfd8007459","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T02:45:22.009115Z"},{"id":"tsk_1EVTCQFCWGZA0MV2RBT9ATCZ78","comparisonId":"cmp_70624VH4REDMF3TAD0D0A9A2D3","title":"Create an interactive fall foliage simulator as a polished browser experience. Show a grove of trees whose leaves transition from green through gold, orange and red, then fall with believable wind and accumulate on the ground. Include season progression and wind controls, pause/reset, and a beautiful coherent composition. Deliver a working HTML artifact, not just an explanation.\n\nSource inspiration: https://x.com/claudeai/status/2104674987164782598 (Sonnet 5 vs Sonnet 5.5 fall foliage simulator; observed 687K views, 7.8K likes on 2026-10-01). This is an adapted reproduction brief based on the public post description, not the original verbatim prompt. The current comparison uses the models selected in Evals; do not claim to reproduce the original model versions.","category":"Website","summary":"Create an interactive fall foliage simulator as a polished browser experience. Show a grove of trees whose leaves transition from green through gold, orange and red, then fall with believable wind and accumulate on the ground. Include season progression and wind controls, pause/reset, and a beautiful coherent composition. Deliver a working HTML artifact, not just an explanation.\n\nSource inspiration: https://x.com/claudeai/status/2104674987164782598 (Sonnet 5 vs Sonnet 5.5 fall foliage simulator; observed 687K views, 7.8K likes on 2026-10-01). This is an adapted reproduction brief based on the public post description, not the original verbatim prompt. The current comparison uses the models selected in Evals; do not claim to reproduce the original model versions.","prompt":"Create an interactive fall foliage simulator as a polished browser experience. Show a grove of trees whose leaves transition from green through gold, orange and red, then fall with believable wind and accumulate on the ground. Include season progression and wind controls, pause/reset, and a beautiful coherent composition. Deliver a working HTML artifact, not just an explanation.\n\nSource inspiration: https://x.com/claudeai/status/2104674987164782598 (Sonnet 5 vs Sonnet 5.5 fall foliage simulator; observed 687K views, 7.8K likes on 2026-10-01). This is an adapted reproduction brief based on the public post description, not the original verbatim prompt. The current comparison uses the models selected in Evals; do not claim to reproduce the original model versions.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_5Z3DTA17V23XDDF9MSWXQ35MRE","title":"Create an interactive fall foliage simulator as a polished browser experience. Show a grove of trees whose leaves transition from green through gold, orange and red, then fall with believable wind and accumulate on the ground. Include season progression and wind controls, pause/reset, and a beautiful coherent composition. Deliver a working HTML artifact, not just an explanation.\n\nSource inspiration: https://x.com/claudeai/status/2104674987164782598 (Sonnet 5 vs Sonnet 5.5 fall foliage simulator; observed 687K views, 7.8K likes on 2026-10-01). This is an adapted reproduction brief based on the public post description, not the original verbatim prompt. The current comparison uses the models selected in Evals; do not claim to reproduce the original model versions. · A","preview":{"id":"ast_6J8PQ2S3B5ZGH8JYC3T4V8B4ZV","source_key":null,"source_order":0,"source_path":"publications/tsk_1EVTCQFCWGZA0MV2RBT9ATCZ78/out_5Z3DTA17V23XDDF9MSWXQ35MRE/index.html","sha256":"dffde77c924f980c21364f7240d16c8da22346c05cdb632c30b7d32cc4870127","mime_type":"text/html","kind":"document","byte_size":47625,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"55c0fc0a86098b565b1d08fdf37ea0a5","source_content_type":null,"url":"/api/v1/media/assets/ast_6J8PQ2S3B5ZGH8JYC3T4V8B4ZV/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/df/dffde77c924f980c21364f7240d16c8da22346c05cdb632c30b7d32cc4870127/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=9972fecab496ab47d8a2eab03e3eb928088b277a2744c6f5bce439001ed0f487&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/df/dffde77c924f980c21364f7240d16c8da22346c05cdb632c30b7d32cc4870127/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=47a66c0e0dd4f2c5d12aa29868394476784e8bfa574aaa495cea694515a931b0","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_1QZT5AGBENDQWSQYCC7FFGEWZW","title":"Create an interactive fall foliage simulator as a polished browser experience. Show a grove of trees whose leaves transition from green through gold, orange and red, then fall with believable wind and accumulate on the ground. Include season progression and wind controls, pause/reset, and a beautiful coherent composition. Deliver a working HTML artifact, not just an explanation.\n\nSource inspiration: https://x.com/claudeai/status/2104674987164782598 (Sonnet 5 vs Sonnet 5.5 fall foliage simulator; observed 687K views, 7.8K likes on 2026-10-01). This is an adapted reproduction brief based on the public post description, not the original verbatim prompt. The current comparison uses the models selected in Evals; do not claim to reproduce the original model versions. · B","preview":{"id":"ast_5ER3TKKXMEHTGF7SQJBZKH6NFS","source_key":null,"source_order":0,"source_path":"publications/tsk_1EVTCQFCWGZA0MV2RBT9ATCZ78/out_1QZT5AGBENDQWSQYCC7FFGEWZW/index.html","sha256":"397acac9c1405c53b8f9a88a3a74eb5fbdecb8304a5150a98245653ae9de48d4","mime_type":"text/html","kind":"document","byte_size":129769,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"d950bb28f81b411e2af4c4789c755f82","source_content_type":null,"url":"/api/v1/media/assets/ast_5ER3TKKXMEHTGF7SQJBZKH6NFS/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/39/397acac9c1405c53b8f9a88a3a74eb5fbdecb8304a5150a98245653ae9de48d4/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=92452ac025c7f75f5875eb6767c95dd9ea394b98e82a04461a4ef2fdce4dfe25&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/39/397acac9c1405c53b8f9a88a3a74eb5fbdecb8304a5150a98245653ae9de48d4/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=46f617feddaeea0c5c9bb060f64ded5419f662584f02ed6f7e127304f5420b05","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T02:52:41.722455Z"},{"id":"tsk_6YSFNRSBYNP47V24E8TEC67J2F","comparisonId":"cmp_1JXXYC1HEZZQMHV8Y37KRCFC1Q","title":"Create a playable 3D high-speed ride through a cyberpunk city in the browser. Include neon architecture, a convincing sense of speed, a controllable vehicle, obstacles, collision feedback, a score and restart. Support keyboard and visible touch controls, and deliver the working browser artifact.\n\nSource: https://x.com/higgsfield_ai/status/2105087030464245944 (37K views, 247 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","category":"Website","summary":"Create a playable 3D high-speed ride through a cyberpunk city in the browser. Include neon architecture, a convincing sense of speed, a controllable vehicle, obstacles, collision feedback, a score and restart. Support keyboard and visible touch controls, and deliver the working browser artifact.\n\nSource: https://x.com/higgsfield_ai/status/2105087030464245944 (37K views, 247 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","prompt":"Create a playable 3D high-speed ride through a cyberpunk city in the browser. Include neon architecture, a convincing sense of speed, a controllable vehicle, obstacles, collision feedback, a score and restart. Support keyboard and visible touch controls, and deliver the working browser artifact.\n\nSource: https://x.com/higgsfield_ai/status/2105087030464245944 (37K views, 247 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_3EXM9YNGJ72FPVVS64G3Q8ZFG7","title":"Create a playable 3D high-speed ride through a cyberpunk city in the browser. Include neon architecture, a convincing sense of speed, a controllable vehicle, obstacles, collision feedback, a score and restart. Support keyboard and visible touch controls, and deliver the working browser artifact.\n\nSource: https://x.com/higgsfield_ai/status/2105087030464245944 (37K views, 247 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. 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D","preview":{"id":"ast_0MZVQF5BBSD85CH3Y323S7FG07","source_key":null,"source_order":0,"source_path":"publications/tsk_79K93JDB1564V863A9VWA2M7Y0/out_380FKZ292RJXJD10QRQSPFBTT0/index.html","sha256":"900eafc6d7344867118901e0320cebcb9fd952637d07b2b8fab497bad19add03","mime_type":"text/html","kind":"document","byte_size":632338,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"eefdbae99d9468421cbf269a68f0fdb4","source_content_type":null,"url":"/api/v1/media/assets/ast_0MZVQF5BBSD85CH3Y323S7FG07/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/90/900eafc6d7344867118901e0320cebcb9fd952637d07b2b8fab497bad19add03/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=135445717ad690af35817ba8fe5d794d253674d1ecb882786e54c0ad22a4a917&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/90/900eafc6d7344867118901e0320cebcb9fd952637d07b2b8fab497bad19add03/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=bef6264d3e51ab074e8d718b2043890b8c94fe6b2d848045987cc6aa9512b1f7","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T14:48:25.617145Z"},{"id":"tsk_65S9X3T6PCAJ4244S9EBRKC1E6","comparisonId":"cmp_16GJECXM9MH2SW2W4AZF7BDJ7X","title":"make a advertisment which can upload to instgram reels.","category":"Video","summary":"make a advertisment which can upload to instgram reels.","prompt":"make a advertisment which can upload to instgram reels.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[{"name":"유니세프-팀팔찌_페이커6_1200x1200.jpg","asset":{"id":"ast_2D7WHN8CTZ7HGACR0QP2NHNECF","source_key":null,"source_order":0,"source_path":"publications/tsk_65S9X3T6PCAJ4244S9EBRKC1E6/inputs/0-d56854f4b4a4b184.jpg","sha256":"d56854f4b4a4b1849b9f17d475a6d6dd37259f66d7ca16ed001451ba0bc558e4","mime_type":"image/jpeg","kind":"image","byte_size":156431,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_input","source_etag":"01d584ef7bf7d2195049a73bca66ded9","source_content_type":null,"url":"/api/v1/media/assets/ast_2D7WHN8CTZ7HGACR0QP2NHNECF/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/d5/d56854f4b4a4b1849b9f17d475a6d6dd37259f66d7ca16ed001451ba0bc558e4?expires=1793897280&type=image%2Fjpeg&sig=afe6a131f7fcc0f686fc5a2bbe1b928473da5c5464cac86efed8c3ff3764738f&tile=2","preview_video_url":null,"gallery_video_url":null}}],"outputs":[{"id":"out_7T8Y4GNS7GWMT6BWZTEZEBZCPN","title":"make a advertisment which can upload to instgram reels. · A","preview":{"id":"ast_1YXTBTRSW1D8FWEVY82JEA2AWZ","source_key":null,"source_order":0,"source_path":"publications/tsk_65S9X3T6PCAJ4244S9EBRKC1E6/out_7T8Y4GNS7GWMT6BWZTEZEBZCPN/output.mp4","sha256":"4df56ada3db75498edb62f709b84a10af4a19e347babe0e322bb91f7e6e4da50","mime_type":"video/mp4","kind":"video","byte_size":6252016,"width":1080,"height":1920,"duration":15,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"6a2b95304f3ecdf55ff5a10852cb313a","source_content_type":null,"url":"/api/v1/media/assets/ast_1YXTBTRSW1D8FWEVY82JEA2AWZ/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4d/4df56ada3db75498edb62f709b84a10af4a19e347babe0e322bb91f7e6e4da50/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=fdceafb3d49a5f7da46adde11c08420062fb2e12b882e361d8acb5d069e4c57b&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4d/4df56ada3db75498edb62f709b84a10af4a19e347babe0e322bb91f7e6e4da50/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=3c75d8337f07976d1f23379e722ab59c2614e003322a890dd98831104597a333","gallery_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4d/4df56ada3db75498edb62f709b84a10af4a19e347babe0e322bb91f7e6e4da50/gallery-v1.mp4?expires=1793897280&type=video%2Fmp4&sig=8e232801e93c19cd9c156bf7ff7af6c4536dee2e1225efc59c492a39803059f6"},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_36RY5BB61TBMKC2ZZVST6TVT7C","title":"make a advertisment which can upload to instgram reels. · B","preview":{"id":"ast_41ENFKC863GEAS5K5YN1G792KC","source_key":null,"source_order":0,"source_path":"publications/tsk_65S9X3T6PCAJ4244S9EBRKC1E6/out_36RY5BB61TBMKC2ZZVST6TVT7C/output.mp4","sha256":"a94ba0fd066a121f79201cfd763e06ec83f56416a44c64dbc7f525f98708d93e","mime_type":"video/mp4","kind":"video","byte_size":2235432,"width":1080,"height":1920,"duration":15,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"a1e0cd0ac8eb10501acc387161d7ee5e","source_content_type":null,"url":"/api/v1/media/assets/ast_41ENFKC863GEAS5K5YN1G792KC/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a9/a94ba0fd066a121f79201cfd763e06ec83f56416a44c64dbc7f525f98708d93e/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=52de6c1c13fd59e12ad98faacd9f9b337ea4a4bb82092d9035742b825a496117&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a9/a94ba0fd066a121f79201cfd763e06ec83f56416a44c64dbc7f525f98708d93e/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=257bf2b722b796b1e6aee8dd43911a71dcac07b3a0630213e51dee0fcd58c8da","gallery_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/a9/a94ba0fd066a121f79201cfd763e06ec83f56416a44c64dbc7f525f98708d93e/gallery-v1.mp4?expires=1793897280&type=video%2Fmp4&sig=19dfdd5d452bf91983139e04b5a6d85f918318b4b6ab2e3800502507bd0a637b"},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-09-30T21:08:03.361588Z"},{"id":"tsk_68TAV6A0NSB2DQN3QQ3K6SNFY8","comparisonId":"cmp_4C224NVPA2XC1AADJ0SCB1MARZ","title":"Create an interactive 3D gummy dice experience in the browser: colorful translucent dice with rounded edges, correctly arranged pips, glossy highlights, and soft stretchy jelly deformation as they drop, bounce and settle. Add a Roll button and appealing studio lighting. Deliver the working browser artifact.\n\nSource: https://x.com/vib3coded/status/2104828270789492913 (30K views, 559 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","category":"Website","summary":"Create an interactive 3D gummy dice experience in the browser: colorful translucent dice with rounded edges, correctly arranged pips, glossy highlights, and soft stretchy jelly deformation as they drop, bounce and settle. Add a Roll button and appealing studio lighting. Deliver the working browser artifact.\n\nSource: https://x.com/vib3coded/status/2104828270789492913 (30K views, 559 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","prompt":"Create an interactive 3D gummy dice experience in the browser: colorful translucent dice with rounded edges, correctly arranged pips, glossy highlights, and soft stretchy jelly deformation as they drop, bounce and settle. Add a Roll button and appealing studio lighting. Deliver the working browser artifact.\n\nSource: https://x.com/vib3coded/status/2104828270789492913 (30K views, 559 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_25C8JYT26MX87K5F3ES84J238T","title":"Create an interactive 3D gummy dice experience in the browser: colorful translucent dice with rounded edges, correctly arranged pips, glossy highlights, and soft stretchy jelly deformation as they drop, bounce and settle. Add a Roll button and appealing studio lighting. Deliver the working browser artifact.\n\nSource: https://x.com/vib3coded/status/2104828270789492913 (30K views, 559 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · A","preview":{"id":"ast_49ENKADGV6RQ9KKPX0A0GRCMCW","source_key":null,"source_order":0,"source_path":"publications/tsk_68TAV6A0NSB2DQN3QQ3K6SNFY8/out_25C8JYT26MX87K5F3ES84J238T/index.html","sha256":"00160641318c232afc9e473209e2546bd257fd4c92297d22eeaa1b874b1cf4dc","mime_type":"text/html","kind":"document","byte_size":2595,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"d360611174354a0931dbc72768074235","source_content_type":null,"url":"/api/v1/media/assets/ast_49ENKADGV6RQ9KKPX0A0GRCMCW/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/00/00160641318c232afc9e473209e2546bd257fd4c92297d22eeaa1b874b1cf4dc/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=c8c33c6907e173cd5cbe9f0efdb2d5c31570a9498765d2c5fc92c21100e34697&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/00/00160641318c232afc9e473209e2546bd257fd4c92297d22eeaa1b874b1cf4dc/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=dcef56bd167f2634456f7c58072ae3859e5e73ea53a82d17d31bdaf324496d45","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_0RZ06BR6R0TBMYK4WB1PYJH8WJ","title":"Create an interactive 3D gummy dice experience in the browser: colorful translucent dice with rounded edges, correctly arranged pips, glossy highlights, and soft stretchy jelly deformation as they drop, bounce and settle. Add a Roll button and appealing studio lighting. Deliver the working browser artifact.\n\nSource: https://x.com/vib3coded/status/2104828270789492913 (30K views, 559 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · B","preview":{"id":"ast_3G610XR8D58S7Y7FKR7ZQ1QPDE","source_key":null,"source_order":0,"source_path":"publications/tsk_68TAV6A0NSB2DQN3QQ3K6SNFY8/out_0RZ06BR6R0TBMYK4WB1PYJH8WJ/index.html","sha256":"4bd781a7fbab60aa44864c27aac5bb1347caf85085121c42027673e23b540812","mime_type":"text/html","kind":"document","byte_size":623724,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"8cead7cf52d740b47a8cfaa3d7371a11","source_content_type":null,"url":"/api/v1/media/assets/ast_3G610XR8D58S7Y7FKR7ZQ1QPDE/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4b/4bd781a7fbab60aa44864c27aac5bb1347caf85085121c42027673e23b540812/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=e0f1247a38a0d8f002f3fb71d5bf639391f7bc7c9da3bd446b1b5db9e6861e91&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/4b/4bd781a7fbab60aa44864c27aac5bb1347caf85085121c42027673e23b540812/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=ad2857ee10a6caf3d8fb055cdd46aefa2ccfae69506c88f5c1d1abff88e04a48","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T02:55:29.139962Z"},{"id":"tsk_2HYAE0KC03XWQFG8YC1PVV30SN","comparisonId":"cmp_52N2JM6MMZXX3QTEFD1R38JNG5","title":"Build a playable futuristic anti-gravity racing game inspired by the F-Zero-style racing demo in the source post. Create an original hovering vehicle, a twisting elevated track, boost, steering, lap timing and restart with a strong sense of speed. Deliver a browser-playable artifact. This adaptation targets the browser instead of the original Unreal environment.\n\nSource: https://x.com/ForwardEditor/status/2104633533981491575 (9.3K views, 128 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","category":"Website","summary":"Build a playable futuristic anti-gravity racing game inspired by the F-Zero-style racing demo in the source post. Create an original hovering vehicle, a twisting elevated track, boost, steering, lap timing and restart with a strong sense of speed. Deliver a browser-playable artifact. This adaptation targets the browser instead of the original Unreal environment.\n\nSource: https://x.com/ForwardEditor/status/2104633533981491575 (9.3K views, 128 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","prompt":"Build a playable futuristic anti-gravity racing game inspired by the F-Zero-style racing demo in the source post. Create an original hovering vehicle, a twisting elevated track, boost, steering, lap timing and restart with a strong sense of speed. Deliver a browser-playable artifact. This adaptation targets the browser instead of the original Unreal environment.\n\nSource: https://x.com/ForwardEditor/status/2104633533981491575 (9.3K views, 128 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_5MQWN8AKTZ3ANC34BB95KNEECN","title":"Build a playable futuristic anti-gravity racing game inspired by the F-Zero-style racing demo in the source post. Create an original hovering vehicle, a twisting elevated track, boost, steering, lap timing and restart with a strong sense of speed. Deliver a browser-playable artifact. This adaptation targets the browser instead of the original Unreal environment.\n\nSource: https://x.com/ForwardEditor/status/2104633533981491575 (9.3K views, 128 likes observed 2026-10-01). Adapted reproduction brief based on the public post; not the original verbatim prompt. Compare the current Evals-selected models, not the original model versions. · A","preview":{"id":"ast_1H3263MG4REVXF0HKAF9BQ85ND","source_key":null,"source_order":0,"source_path":"publications/tsk_2HYAE0KC03XWQFG8YC1PVV30SN/out_5MQWN8AKTZ3ANC34BB95KNEECN/index.html","sha256":"b7037ed1f2b6c86aa3353fc9ef6b6bc4c41d0f2d3d0bfb679462f894988a4086","mime_type":"text/html","kind":"document","byte_size":609612,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"f6c5fa29402e804d80ce6ae832c7c59e","source_content_type":null,"url":"/api/v1/media/assets/ast_1H3263MG4REVXF0HKAF9BQ85ND/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/b7/b7037ed1f2b6c86aa3353fc9ef6b6bc4c41d0f2d3d0bfb679462f894988a4086/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=eb14a19eea103e3331aeda5b5fe48f538a55a5ca4e5564833c97ecbf63115fa5&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/b7/b7037ed1f2b6c86aa3353fc9ef6b6bc4c41d0f2d3d0bfb679462f894988a4086/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=56cce97a36d14bc9cdb022a984e879fcdac7b3412197819b504d775fd661cf14","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_4B10EB7V1QDJN694NFAGQM7XJF","title":"Build a playable futuristic anti-gravity racing game inspired by the F-Zero-style racing demo in the source post. 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Compare the current Evals-selected models, not the original model versions. · B","preview":{"id":"ast_57E3BQH40AKNGYVNS1VB7B2B0Z","source_key":null,"source_order":0,"source_path":"publications/tsk_2HYAE0KC03XWQFG8YC1PVV30SN/out_4B10EB7V1QDJN694NFAGQM7XJF/index.html","sha256":"6f4a1a192446cd80ff0ddaa736079ca7a92396565f7cc7ce5cb13321e50f3942","mime_type":"text/html","kind":"document","byte_size":652907,"width":null,"height":null,"duration":null,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"53509a0e9809fb2d5f3bf8dff5e7002b","source_content_type":null,"url":"/api/v1/media/assets/ast_57E3BQH40AKNGYVNS1VB7B2B0Z/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/6f/6f4a1a192446cd80ff0ddaa736079ca7a92396565f7cc7ce5cb13321e50f3942/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=98c081d8fd549eb7907bf6f8a6295de27639ecd60e144148c289015414eda73f&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/6f/6f4a1a192446cd80ff0ddaa736079ca7a92396565f7cc7ce5cb13321e50f3942/page-motion-v4.mp4?expires=1793897280&type=video%2Fmp4&sig=a095b21964bb0c382ceae3fff3bca624c65a3ccbbd6e6cbe59812dcdd7cc13a8","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T02:56:48.558589Z"},{"id":"tsk_7GE0ETNCZEXAYXMYQMCH3GW959","comparisonId":"cmp_2530VFQNNARVQKB166DKFF7KCN","title":"Make me a 15-second ad with MapleStory characters built in 3D","category":"Video","summary":"Make me a 15-second ad with MapleStory characters built in 3D","prompt":"Make me a 15-second ad with MapleStory characters built in 3D","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_133TGX5FJKEKD0SGMA7985AFYQ","title":"Make me a 15-second ad with MapleStory characters built in 3D · A","preview":{"id":"ast_51AVP2M9N7PC4ZAJVW9EX8K6PD","source_key":null,"source_order":0,"source_path":"publications/tsk_7GE0ETNCZEXAYXMYQMCH3GW959/out_133TGX5FJKEKD0SGMA7985AFYQ/output.mp4","sha256":"022d08c64bf5db2c11386ea973744714d443d1a0636daeb8bc28a17a7dc4240b","mime_type":"video/mp4","kind":"video","byte_size":2039586,"width":960,"height":540,"duration":15,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"449b4afac3ecef2e5c66cd9fafd59d7d","source_content_type":null,"url":"/api/v1/media/assets/ast_51AVP2M9N7PC4ZAJVW9EX8K6PD/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/02/022d08c64bf5db2c11386ea973744714d443d1a0636daeb8bc28a17a7dc4240b/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=1923ba606e47151e161102e1471b3bcc5c0cabd9d11e7a1045583e5940deaf68&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/02/022d08c64bf5db2c11386ea973744714d443d1a0636daeb8bc28a17a7dc4240b/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=7589ae00879402404d3f3da1e919fc354d812337d51734ace5af1bed714b5419","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]},{"id":"out_4N02HACBMABP88X5JA04BXZ73C","title":"Make me a 15-second ad with MapleStory characters built in 3D · B","preview":{"id":"ast_3CQZ5XQRD0EAKAHRQ2SRKWNYYM","source_key":null,"source_order":0,"source_path":"publications/tsk_7GE0ETNCZEXAYXMYQMCH3GW959/out_4N02HACBMABP88X5JA04BXZ73C/output.mp4","sha256":"ebfb1f185113bfba87a25c9a1c23eb1a379e5a9afb59f05a214e3941911a7551","mime_type":"video/mp4","kind":"video","byte_size":5774222,"width":1280,"height":720,"duration":15,"original_url":null,"attribution":null,"provenance":"user_published_execution","source_etag":"426e14b5159ecb49849f76c4e5f56b24","source_content_type":null,"url":"/api/v1/media/assets/ast_3CQZ5XQRD0EAKAHRQ2SRKWNYYM/content","thumbnail_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/eb/ebfb1f185113bfba87a25c9a1c23eb1a379e5a9afb59f05a214e3941911a7551/share-still-v3.jpg?expires=1793897280&type=image%2Fjpeg&sig=c75c53786fc46e7e520020cce1d23428d3a1856ee49c0cbbac00787c78510618&tile=2","preview_video_url":"https://evals-media.evals-and-skillshop.workers.dev/reference/sha256/eb/ebfb1f185113bfba87a25c9a1c23eb1a379e5a9afb59f05a214e3941911a7551/thumb-v3?expires=1793897280&type=video%2Fmp4&sig=b0f9d81bbfe8fcf861fff0da1a8f3eab5b711e6176a06aea8b381149153d9a89","gallery_video_url":null},"video":"$undefined","live":true,"creator":"$undefined","software":[]}],"latestAt":"2026-10-01T08:23:25.217278Z"},{"id":"tsk_1EK39BN4DZEMXQ1FJ4ZEPHZWA9","comparisonId":"cmp_4SEBN1RJR816FNEVFGDCNEKEF6","title":"Create the Eiffel Tower and its surroundings in Paris as a detailed interactive 3D browser scene. 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Show recognizable lattice structure, all platforms, Champ de Mars paths and greenery, neighboring Parisian buildings, atmospheric lighting and orbit controls. Deliver a working browser artifact.\n\nSource: https://x.com/EnvolDev/status/2103535619603567054 (66K views observed 2026-10-01). Adapted recreation brief based on the public post, not a verbatim original prompt or replication of its model versions. 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Use the official launch video in this post as a reference for the tone, pacing, and visual style: https://x.com/claudeai/status/2102435511222890900. Make it an original, polished piece with on-screen text that highlights what's new in Opus 5.5.","category":"Video","summary":"Create a promotional video for Claude Opus 5.5. Use the official launch video in this post as a reference for the tone, pacing, and visual style: https://x.com/claudeai/status/2102435511222890900. Make it an original, polished piece with on-screen text that highlights what's new in Opus 5.5.","prompt":"Create a promotional video for Claude Opus 5.5. Use the official launch video in this post as a reference for the tone, pacing, and visual style: https://x.com/claudeai/status/2102435511222890900. 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want a piece for the top of my feed that feels like a dream you half remember —\ndreamcore, but on the soft storybook side, not the horror side.\n10 seconds, vertical 9:16, no people's faces, no text on screen.\nOne continuous drift through three or four places that shouldn't connect but do:\na bedroom where the wallpaper is sky, a corridor of doors lit by paper lanterns,\na field of grass under two moons, a staircase going into shallow water.\nEverything slightly too still, everything slightly too bright at the edges.\nColours washed and pastel — faded pink, pale green, milk blue — with the grain and\nsoft halo of old film or a VHS tape.\nThe camera never cuts. It floats forward, and the next place is already there when\nthe last one fades.\nOne small living thing moves in each place: a moth, a curtain, ripples, a paper boat.\nSound is a muffled music-box tone and room tone, nothing sharp.\nGive me the finished mp4, a cover frame, and the prompts you used per shot.","category":"Video","summary":"I want a piece for the top of my feed that feels like a dream you half remember —\ndreamcore, but on the soft storybook side, not the horror side.\n10 seconds, vertical 9:16, no people's faces, no text on screen.\nOne continuous drift through three or four places that shouldn't connect but do:\na bedroom where the wallpaper is sky, a corridor of doors lit by paper lanterns,\na field of grass under two moons, a staircase going into shallow water.\nEverything slightly too still, everything slightly too bright at the edges.\nColours washed and pastel — faded pink, pale green, milk blue — with the grain and\nsoft halo of old film or a VHS tape.\nThe camera never cuts. It floats forward, and the next place is already there when\nthe last one fades.\nOne small living thing moves in each place: a moth, a curtain, ripples, a paper boat.\nSound is a muffled music-box tone and room tone, nothing sharp.\nGive me the finished mp4, a cover frame, and the prompts you used per shot.","prompt":"I want a piece for the top of my feed that feels like a dream you half remember —\ndreamcore, but on the soft storybook side, not the horror side.\n10 seconds, vertical 9:16, no people's faces, no text on screen.\nOne continuous drift through three or four places that shouldn't connect but do:\na bedroom where the wallpaper is sky, a corridor of doors lit by paper lanterns,\na field of grass under two moons, a staircase going into shallow water.\nEverything slightly too still, everything slightly too bright at the edges.\nColours washed and pastel — faded pink, pale green, milk blue — with the grain and\nsoft halo of old film or a VHS tape.\nThe camera never cuts. It floats forward, and the next place is already there when\nthe last one fades.\nOne small living thing moves in each place: a moth, a curtain, ripples, a paper boat.\nSound is a muffled music-box tone and room tone, nothing sharp.\nGive me the finished mp4, a cover frame, and the prompts you used per shot.","provenance":"user_published_execution","reconstructed":false,"sourceUrl":"$undefined","inputs":[],"outputs":[{"id":"out_2MASKCZMJPKD6396ZNWRJ058A4","title":"I want a piece for the top of my feed that feels like a dream you half remember —\ndreamcore, but on the soft storybook side, not the horror side.\n10 seconds, vertical 9:16, no people's faces, no text on screen.\nOne continuous drift through three or four places that shouldn't connect but do:\na bedroom where the wallpaper is sky, a corridor of doors lit by paper lanterns,\na field of grass under two moons, a staircase going into shallow water.\nEverything slightly too still, everything slightly too bright at the edges.\nColours washed and pastel — faded pink, pale green, milk blue — with the grain and\nsoft halo of old film or a VHS tape.\nThe camera never cuts. 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