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—	Claude Fable 5.1	—	—	—

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—	Claude Fable 5.1	—	—	—

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Ink Wanderer: a playable 3D game in one web page

Your mission: build an original third-person 3D platformer that runs in the browser (Three.js is fine). The player is a lone traveler in a straw hat and a dark cloak, crossing a misty ink-painted mountain world: stone ledges over waterfalls, crumbling cliff stairs, blocks hanging on ropes, a wooden raft, and a torii gate at the summit. It should feel like walking into a moving sumi-e painting.

It has to be a real game, not a demo: WASD to move, Space to jump, mouse or arrow keys to turn the camera, a camera that follows smoothly, jumps that feel good. At least 3 short areas, each adding one new idea (a moving platform, a simple puzzle such as a lever or pressure plate, a patrolling enemy you avoid or knock off the edge), checkpoints when you fall, and an ending when you reach the gate.

The look is the point: ink-wash shading, paper texture, brush-stroke outlines, drifting mist, and a single warm accent colour. Make or generate every asset yourself; original designs only.

The bar: someone just built a game like this in 24 hours with six different tools and a lot of hand work. Show what one prompt can do.

Deliver one finished game as a single playable web page (index.html plus any files it needs).

1

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—	Claude Fable 5.1	—	—	—	$Make one UI component in a single web page: a toggle switch that people want to keep clicking forever. The switch is a wide pill. Its track is a window into a tiny living pixel-art world: a lighthouse on a cliff above the sea, a small keeper who walks around, waves rolling in, gulls, drifting clouds. The knob is a glass marble that slides along the track and refracts the scene behind it like a real lens. Off is day, on is night. When it switches, the world changes over about a second with a dithered sunset or sunrise: the sky shifts, the lighthouse lamp turns on and sweeps the sea, the moon and stars come out. The page background changes with it. The click should feel physical: the knob squashes, overshoots and settles, with a soft click made in code. Make all the art in code (canvas or WebGL, no image files, no image or video models). Put everything in one self-contained index.html with no network requests. It has to work with mouse, touch and keyboard (space or enter), and it should look and feel like a finished product, not a demo. Test it in a headless browser, including toggling it several times, before you finish.$ 11

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—	claude-haiku-5-5	—	—	—	$Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text.$ 1

—	claude-sonnet-5-5	—	—	—	$Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text.$ 1

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Create a 2D anime scene for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic.

Deliver the final result as a single, self-contained HTML file. Use any tools, libraries, references, guides, literally anything etc.

Use Studio Ghibli films as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. Create an original giant robot as the main character. No people appear in the scene. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime.

SCENE
At sunrise, mist hangs over an abandoned forest. A giant robot has knelt here for so long that moss, wildflowers, and old trees have grown over its body. A small bird lands on its shoulder as the first ray of sunlight reaches its weathered face. Deep inside its chest, a faint light flickers on. The ground trembles and birds burst from the treetops. With a deep, creaking groan, the robot slowly rises as soil, vines, and leaves pour from its armor. It lifts its head toward a gap in the canopy. The engines ignite, sending a great ring of wind across the forest. The robot tears into the golden sky, leaving a curving trail of light and mist as leaves spiral down through the sunbeams.

ANIME QUALITY STANDARD
Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film.

Robot: A hand-drawn anime mecha that feels heavy, ancient, and full of personality, with cel-colored forms, chipped paint, rust, moss, and believable weathering. Keep it on-model from every angle, and let its posture and glowing eyes express emotion.
Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure.
Coloring: Traditional anime cel coloring with clean color areas, simple hard-edged shadows, and a soft, natural palette.
Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style, with visible brushwork, natural color variation, layered foliage, and real depth.
Lighting: Golden sunrise light, colorful shadows, glowing mist, and soft atmosphere that unite the robot and background.
Animation: Authentic hand-drawn anime timing with real weight, strong key poses, natural holds, and overlapping movement in vines, grass, leaves, birds, and falling debris. The robot should rise slowly and feel massive, then launch with explosive power.
Direction: Cinematic anime shots, beautiful composition, thoughtful staging, and pacing that starts quietly, builds tension, and ends in a soaring climax.
IT MUST NOT LOOK LIKE
- 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective.
- SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients.
- Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation.

You are free to change any part of the prompt, if it would result, in better results.
- AI art: No warped shapes, melted details, flickering, or changing robot designs.
- Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the robot, or generic digital illustration.
- Amateur work: No stiff poses, empty backgrounds, repeated trees, muddy colors, clip art, placeholders, or unfinished details.

The result should feel awe-inspiring, nostalgic, and full of wonder, like the moment an old forgotten dream comes back to life. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.

Make one HTML file: a black hole you can look at in 3D, built with Three.js.

Show the event horizon, a glowing accretion disk that swirls around it, and the light bending around the hole so the disk wraps over the top and under the bottom. Stars behind it should warp near the edge. Let me drag to orbit the camera and scroll to zoom. It should look like a still from a space film, not a screensaver.

Put Three.js inside the file (no CDN links), so it opens offline with no network requests. No images, no other libraries. Before you finish, open it in a headless browser, take screenshots, look at them, and fix anything that doesn't look like a film still.

Here are three months of my checking and credit card transactions (CSV at the end). I'm Jordan, I live in Portland, Oregon, and I get paid every other Friday.

Build me a personal finance dashboard as one HTML file that works offline (no external scripts, fonts, images or network requests). It should show:
- money in vs money out for each month
- where my money goes, by category, for each month
- every recurring charge and what it costs me per month
- a short list called "Act on this": anything I'm wasting money on, any mistakes, anything that looks wrong or suspicious. For each item, show the exact transactions, the dollar amount and what I should do.

Make it something I'd actually want to open every month. Don't ask me questions; make reasonable assumptions and list them at the bottom of the page.

```csv
date,account,description,amount,checking_balance
2026-08-01,Checking,PROPERTYPAY RENT 4410 SE DIVISION,-1650.00,1750.00
2026-08-01,Credit card,CORNER PHARMACY PORTLAND OR,-21.73,
2026-08-01,Credit card,GREENLEAF GROCERY PORTLAND OR,-115.07,
2026-08-01,Credit card,ZOOMRIDE TRIP PORTLAND OR,-17.53,
2026-08-02,Credit card,CLOUDSAFE STORAGE 200GB,-2.99,
2026-08-03,Credit card,VIDFLIX.COM MONTHLY,-15.99,
2026-08-04,Credit card,CORNER PHARMACY PORTLAND OR,-15.70,
2026-08-04,Credit card,FRESHWAY MARKET PORTLAND OR,-70.94,
2026-08-04,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-7.40,
2026-08-05,Credit card,BEAN THERE COFFEE PORTLAND OR,-7.40,
2026-08-06,Checking,FITCORE GYM MEMBERSHIP ACH,-39.00,1711.00
2026-08-06,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-6.85,
2026-08-07,Checking,ACME LOGISTICS PAYROLL DIRECT DEP,2186.40,3897.40
2026-08-08,Credit card,FRESHWAY MARKET PORTLAND OR,-41.13,
2026-08-08,Credit card,TACO CART 82 PORTLAND OR,-41.72,
2026-08-09,Checking,ONLINE TRANSFER TO SAVINGS x4471,-600.00,3297.40
2026-08-09,Credit card,TUNEBOX MUSIC SUBSCRIPTION,-10.99,
2026-08-10,Credit card,LUCKY NOODLE BAR PORTLAND OR,-28.10,
2026-08-11,Credit card,GREENLEAF GROCERY PORTLAND OR,-97.49,
2026-08-11,Credit card,NEWSDAILY DIGITAL ACCESS,-4.00,
2026-08-12,Checking,NORTHWIRE MOBILE AUTOPAY,-65.00,3232.40
2026-08-13,Credit card,SAKURA SUSHI PORTLAND OR,-24.32,
2026-08-14,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-4.75,
2026-08-15,Checking,SAFEDRIVE AUTO INS PREMIUM,-132.40,3100.00
2026-08-15,Credit card,GREENLEAF GROCERY PORTLAND OR,-46.66,
2026-08-15,Credit card,ZOOMRIDE TRIP PORTLAND OR,-21.61,
2026-08-16,Credit card,BURGERWORKS PORTLAND OR,-48.39,
2026-08-17,Credit card,BEAN THERE COFFEE PORTLAND OR,-7.40,
2026-08-18,Credit card,CORNER PHARMACY PORTLAND OR,-17.48,
2026-08-18,Credit card,FRESHWAY MARKET PORTLAND OR,-38.06,
2026-08-18,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-6.10,
2026-08-19,Credit card,BEAN THERE COFFEE PORTLAND OR,-4.75,
2026-08-19,Credit card,BOOKNOOK.CO.UK LONDON GBR,-38.40,
2026-08-19,Credit card,FOREIGN TRANSACTION FEE,-1.15,
2026-08-20,Checking,BEAMNET INTERNET AUTOPAY,-70.00,3030.00
2026-08-21,Checking,ACME LOGISTICS PAYROLL DIRECT DEP,2186.40,5216.40
2026-08-21,Credit card,BEAN THERE COFFEE PORTLAND OR,-4.75,
2026-08-21,Credit card,LUCKY NOODLE BAR PORTLAND OR,-45.44,
2026-08-22,Checking,CASCADE POWER UTILITY AUTOPAY,-61.18,5155.22
2026-08-22,Credit card,FRESHWAY MARKET PORTLAND OR,-113.90,
2026-08-24,Credit card,BEAN THERE COFFEE PORTLAND OR,-4.75,
2026-08-24,Credit card,SHOPMART ONLINE ORDER 77-2041,-129.00,
2026-08-24,Credit card,TACO CART 82 PORTLAND OR,-24.67,
2026-08-25,Credit card,FRESHWAY MARKET PORTLAND OR,-96.98,
2026-08-26,Credit card,BURGERWORKS PORTLAND OR,-44.47,
2026-08-26,Credit card,ZOOMRIDE TRIP PORTLAND OR,-26.86,
2026-08-27,Checking,PAYMENT TO CREDIT CARD x9012,-1183.59,3971.63
2026-08-27,Credit card,PAYMENT RECEIVED THANK YOU,1183.59,
2026-08-27,Credit card,RIVERSIDE FUEL PORTLAND OR,-52.91,
2026-08-28,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-4.75,
2026-08-29,Credit card,FRESHWAY MARKET PORTLAND OR,-87.95,
2026-08-31,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-5.25,
2026-09-01,Checking,PROPERTYPAY RENT 4410 SE DIVISION,-1650.00,2321.63
2026-09-01,Credit card,FRESHWAY MARKET PORTLAND OR,-67.13,
2026-09-01,Credit card,LUCKY NOODLE BAR PORTLAND OR,-53.84,
2026-09-02,Credit card,CLOUDSAFE STORAGE 200GB,-2.99,
2026-09-02,Credit card,SHIPRIGHT RETURN LABEL 77-2041,-7.99,
2026-09-02,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-6.85,
2026-09-03,Credit card,RIVERSIDE FUEL PORTLAND OR,-43.72,
2026-09-03,Credit card,VIDFLIX.COM MONTHLY,-15.99,
2026-09-04,Checking,ACME LOGISTICS PAYROLL DIRECT DEP,2186.40,4508.03
2026-09-04,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-7.40,
2026-09-05,Credit card,FRESHWAY MARKET PORTLAND OR,-97.18,
2026-09-06,Checking,FITCORE GYM MEMBERSHIP ACH,-39.00,4469.03
2026-09-06,Credit card,SAKURA SUSHI PORTLAND OR,-43.17,
2026-09-07,Credit card,BEAN THERE COFFEE PORTLAND OR,-6.85,
2026-09-08,Credit card,BOOKNOOK.CO.UK LONDON GBR,-22.10,
2026-09-08,Credit card,FOREIGN TRANSACTION FEE,-0.66,
2026-09-08,Credit card,GREENLEAF GROCERY PORTLAND OR,-100.50,
2026-09-09,Checking,ONLINE TRANSFER TO SAVINGS x4471,-600.00,3869.03
2026-09-09,Credit card,TACO CART 82 PORTLAND OR,-57.93,
2026-09-09,Credit card,TUNEBOX MUSIC SUBSCRIPTION,-10.99,
2026-09-10,Checking,FITCORE GYM CANCELLATION FEE,-25.00,3844.03
2026-09-10,Credit card,RIVERSIDE FUEL PORTLAND OR,-57.48,
2026-09-11,Credit card,NEWSDAILY DIGITAL ACCESS,-4.00,
2026-09-12,Checking,NORTHWIRE MOBILE AUTOPAY,-65.00,3779.03
2026-09-12,Credit card,FRESHWAY MARKET PORTLAND OR,-48.93,
2026-09-12,Credit card,SHOPMART ONLINE ORDER 88-5530,-46.75,
2026-09-13,Credit card,BURGERWORKS PORTLAND OR,-14.55,
2026-09-14,Credit card,CLOUDSAFE STORAGE 2TB ANNUAL PLAN,-119.99,
2026-09-15,Checking,SAFEDRIVE AUTO INS PREMIUM,-132.40,3646.63
2026-09-15,Credit card,BEAN THERE COFFEE PORTLAND OR,-6.85,
2026-09-15,Credit card,CORNER PHARMACY PORTLAND OR,-23.74,
2026-09-15,Credit card,FRESHWAY MARKET PORTLAND OR,-105.30,
2026-09-15,Credit card,TACO CART 82 PORTLAND OR,-38.72,
2026-09-16,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-4.75,
2026-09-17,Credit card,RIVERSIDE FUEL PORTLAND OR,-47.66,
2026-09-17,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-6.10,
2026-09-18,Checking,ACME LOGISTICS PAYROLL DIRECT DEP,2186.40,5833.03
2026-09-18,Credit card,SAKURA SUSHI PORTLAND OR,-46.10,
2026-09-19,Credit card,GREENLEAF GROCERY PORTLAND OR,-92.09,
2026-09-20,Checking,BEAMNET INTERNET AUTOPAY,-70.00,5763.03
2026-09-21,Credit card,SHOPMART ONLINE REFUND 88-5530,46.75,
2026-09-21,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-4.75,
2026-09-22,Checking,CASCADE POWER UTILITY AUTOPAY,-58.92,5704.11
2026-09-22,Credit card,FRESHWAY MARKET PORTLAND OR,-96.32,
2026-09-22,Credit card,LUCKY NOODLE BAR PORTLAND OR,-35.67,
2026-09-22,Credit card,ZOOMRIDE TRIP PORTLAND OR,-20.80,
2026-09-23,Credit card,CASCADE POWER ONLINE PMT,-58.92,
2026-09-24,Credit card,RIVERSIDE FUEL PORTLAND OR,-42.25,
2026-09-24,Credit card,ZOOMRIDE TRIP PORTLAND OR,-28.14,
2026-09-25,Credit card,BEAN THERE COFFEE PORTLAND OR,-5.25,
2026-09-25,Credit card,ZOOMRIDE TRIP PORTLAND OR,-15.52,
2026-09-26,Credit card,GREENLEAF GROCERY PORTLAND OR,-101.04,
2026-09-26,Credit card,TACO CART 82 PORTLAND OR,-43.12,
2026-09-27,Checking,PAYMENT TO CREDIT CARD x9012,-1691.36,4012.75
2026-09-27,Credit card,PAYMENT RECEIVED THANK YOU,1691.36,
2026-09-28,Credit card,BEAN THERE COFFEE PORTLAND OR,-4.75,
2026-09-29,Credit card,BEAN THERE COFFEE PORTLAND OR,-6.10,
2026-09-29,Credit card,GREENLEAF GROCERY PORTLAND OR,-83.59,
2026-09-29,Credit card,LUCKY NOODLE BAR PORTLAND OR,-27.49,
2026-09-29,Credit card,ZOOMRIDE TRIP PORTLAND OR,-22.58,
2026-10-01,Checking,PROPERTYPAY RENT 4410 SE DIVISION,-1650.00,2362.75
2026-10-01,Credit card,RIVERSIDE FUEL PORTLAND OR,-42.55,
2026-10-02,Checking,ACME LOGISTICS PAYROLL DIRECT DEP,2186.40,4549.15
2026-10-02,Credit card,CLOUDSAFE STORAGE 200GB,-2.99,
2026-10-02,Credit card,TACO CART 82 PORTLAND OR,-34.60,
2026-10-03,Credit card,FRESHWAY MARKET PORTLAND OR,-64.75,
2026-10-03,Credit card,VIDFLIX.COM MONTHLY,-15.99,
2026-10-04,Credit card,SAKURA SUSHI PORTLAND OR,-48.80,
2026-10-06,Checking,FITCORE GYM MEMBERSHIP ACH,-39.00,4510.15
2026-10-06,Credit card,FRESHWAY MARKET PORTLAND OR,-62.48,
2026-10-07,Credit card,SAKURA SUSHI PORTLAND OR,-23.67,
2026-10-07,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-6.10,
2026-10-09,Checking,ONLINE TRANSFER TO SAVINGS x4471,-600.00,3910.15
2026-10-09,Credit card,BEAN THERE COFFEE PORTLAND OR,-6.10,
2026-10-09,Credit card,TACO CART 82 PORTLAND OR,-238.00,
2026-10-09,Credit card,TUNEBOX MUSIC SUBSCRIPTION,-10.99,
2026-10-09,Credit card,ZOOMRIDE TRIP PORTLAND OR,-20.45,
2026-10-10,Credit card,FRESHWAY MARKET PORTLAND OR,-92.58,
2026-10-11,Credit card,CORNER PHARMACY PORTLAND OR,-12.43,
2026-10-11,Credit card,NEWSDAILY DIGITAL ACCESS,-4.00,
2026-10-11,Credit card,PDX DENTAL GROUP,-85.00,
2026-10-11,Credit card,ZOOMRIDE TRIP PORTLAND OR,-13.24,
2026-10-12,Checking,NORTHWIRE MOBILE AUTOPAY,-65.00,3845.15
2026-10-12,Credit card,FOREIGN TRANSACTION FEE,-1.92,
2026-10-12,Credit card,PRINTHAUS BERLIN DEU,-64.00,
2026-10-12,Credit card,SAKURA SUSHI PORTLAND OR,-18.94,
2026-10-13,Credit card,BURGERWORKS PORTLAND OR,-27.23,
2026-10-13,Credit card,FRESHWAY MARKET PORTLAND OR,-71.17,
2026-10-14,Credit card,CORNER PHARMACY PORTLAND OR,-25.27,
2026-10-14,Credit card,TACO CART 82 PORTLAND OR,-24.22,
2026-10-15,Checking,SAFEDRIVE AUTO INS PREMIUM,-158.90,3686.25
2026-10-15,Credit card,BEAN THERE COFFEE PORTLAND OR,-6.10,
2026-10-15,Credit card,RIVERSIDE FUEL PORTLAND OR,-57.93,
2026-10-16,Checking,ACME LOGISTICS PAYROLL DIRECT DEP,1986.40,5672.65
2026-10-16,Credit card,SAKURA SUSHI PORTLAND OR,-50.16,
2026-10-16,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-7.40,
2026-10-17,Credit card,GREENLEAF GROCERY PORTLAND OR,-38.44,
2026-10-19,Credit card,SHOPMART ONLINE ORDER 88-6127,-31.40,
2026-10-19,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-6.10,
2026-10-20,Checking,BEAMNET INTERNET AUTOPAY,-70.00,5602.65
2026-10-20,Credit card,FRESHWAY MARKET PORTLAND OR,-60.05,
2026-10-21,Credit card,LUCKY NOODLE BAR PORTLAND OR,-33.44,
2026-10-22,Checking,CASCADE POWER UTILITY AUTOPAY,-74.35,5528.30
2026-10-22,Credit card,RIVERSIDE FUEL PORTLAND OR,-46.55,
2026-10-23,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-7.40,
2026-10-24,Credit card,FRESHWAY MARKET PORTLAND OR,-115.05,
2026-10-24,Credit card,ZOOMRIDE TRIP PORTLAND OR,-24.19,
2026-10-26,Credit card,BEAN THERE COFFEE PORTLAND OR,-6.10,
2026-10-27,Checking,PAYMENT TO CREDIT CARD x9012,-1790.35,3737.95
2026-10-27,Credit card,GREENLEAF GROCERY PORTLAND OR,-55.61,
2026-10-27,Credit card,PAYMENT RECEIVED THANK YOU,1790.35,
2026-10-28,Credit card,BEAN THERE COFFEE PORTLAND OR,-7.40,
2026-10-29,Credit card,RIVERSIDE FUEL PORTLAND OR,-57.61,
2026-10-29,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-4.75,
2026-10-29,Credit card,TACO CART 82 PORTLAND OR,-56.75,
2026-10-30,Checking,ACME LOGISTICS PAYROLL DIRECT DEP,2186.40,5924.35
2026-10-30,Credit card,STUMPTOWN ROAST CAFE PORTLAND OR,-6.85,
2026-10-31,Credit card,FRESHWAY MARKET PORTLAND OR,-73.09,
2026-10-31,Credit card,ZOOMRIDE TRIP PORTLAND OR,-21.54,
```

$Make one UI component in a single web page: a toggle switch that people want to keep clicking forever. The switch is a wide pill. Its track is a window into a tiny living pixel-art world: a lighthouse on a cliff above the sea, a small keeper who walks around, waves rolling in, gulls, drifting clouds. The knob is a glass marble that slides along the track and refracts the scene behind it like a real lens. Off is day, on is night. When it switches, the world changes over about a second with a dithered sunset or sunrise: the sky shifts, the lighthouse lamp turns on and sweeps the sea, the moon and stars come out. The page background changes with it. The click should feel physical: the knob squashes, overshoots and settles, with a soft click made in code. Make all the art in code (canvas or WebGL, no image files, no image or video models). Put everything in one self-contained index.html with no network requests. It has to work with mouse, touch and keyboard (space or enter), and it should look and feel like a finished product, not a demo. Test it in a headless browser, including toggling it several times, before you finish.$

Make an original third-person 3D game that runs in the browser with Three.js, in one web page.

The game: a small fox runs across floating sky islands, collecting glowing seeds before a storm arrives. Arrow keys or WASD to move, space to jump, and the camera follows behind the fox. Three islands linked by moving platforms, a 90-second timer, a score, and win and game-over screens. Make all the art in code, with no image or video models. It should feel good to play the moment it loads.

Test it in a headless browser before you finish.

This dashboard looks AI-generated: https://raw.githubusercontent.com/heydamir/unslop/main/examples/dashboard.html (its card image is examples/assets/blob.webp in the same repo). Make it look designed, with its own character. Just do it, don't stop to ask me questions; make sensible assumptions and say what they are. Keep it one HTML file, then make a short video of it going from before to after.

We are building an original third-person 3D parkour game for the browser with Three.js, in stages. The world and the character are finished and attached. This run is the third stage: a playable prototype of one continuous stretch. Polish of many levels comes later.

The game: Odile, a young salt miner with a lit lantern on her back, climbs through a drowned clockwork city in a hand-printed linocut look.

Attached from the earlier stages:
- odile_stage2_source_bundle.txt: all text source. Each file starts with a line "=====FILE path=====". Unpack it. Read NOTE.md first; it lists every known shortfall. It holds src/, tools/, blender/scripts/ (world and character), docs/ and the asset JSON. Running the Blender scripts rebuilds masonry, clockwork and odile .blend and .glb, and tools/rebuild_odile.sh bake rebuilds her clips. The page shell index.html is not in the bundle: it is a plain page with a full-window canvas id "c", a loading div id "loading" and a hud div id "hud", which loads game/assets.js and then game/bundle.js.
- clockface, clouds, felt, paper, salt, stone, water, wood .png: textures for assets/tex/.
- odile_reference_video_recompressed.mp4: the 15 s reference video, recompressed. It is the target for what playing should look like.

First rebuild everything and confirm that the viewer still works. Then make it a game:

1. Character fixes first, from NOTE.md: the lantern should read as a brass cylinder with a small hot core, not a flat glowing window grid; the jump air clip is nearly frozen; crossfades must not snap a thigh; and she needs a real shadow on ground and walls.
2. Controls: WASD or arrows to move relative to the camera, shift to run, space to jump, E to grab or let go of a ladder, mouse drag or Q and R to turn the camera. A third-person camera follows her as in the video, and stays out of walls.
3. One continuous route, following the video: causeway of salt, the clock-hand bridge, up the turning gear, the block stair, the ladder, the tower roof, to an ending at the view over the city. Collision is real and comes from the actual geometry she stands on. The gears really turn and carry her. Falling in the water returns her to the last checkpoint. There are at least 3 checkpoints, at least 1 timing challenge and 1 small puzzle tied to the clockwork, and a clear ending. No text tutorial beyond a short key list.
4. Sound: use the audio generation tool for footsteps on salt and wood, ladder, gears, water and a quiet ambient track, and play them in the game.
5. Test by actually playing with real key events only, with no teleporting: write a scripted key-input playthrough that finishes the whole route, run it, and record it. Then have a subagent that did not build the game play with its own key input from the start, report every bug it hits with a screenshot, and fix those bugs. Repeat at least twice. This machine renders in software at a few seconds per frame, so make game logic independent of frame rate and test with a fixed time step where you need to.

For outside testing, expose read-only state as window.__odile with position, animation state, last checkpoint, deaths, and whether the ending was reached.

Deliver: index.html opening on the game; the key-input script and its recording; screenshots of each stretch beside the matching video frame; the bug list with what was fixed; all source; and a note of what still falls short, plainly. Finish within 90 minutes.

We are building an original third-person 3D parkour game for the browser with Three.js, over several turns. This turn covers only the look and the world. Do not build the character, controls or gameplay yet.

The game: Odile, a young salt miner with a brass lantern on her back, climbs out of a drowned clockwork city. Cobalt-ink masonry, rust-ochre gears and clock hands as big as bridges, salt crust on every ledge, black water below. The look is a hand-pulled linocut print on rough paper: carved hatching, ink bleed, misregistered colour.

1. Generate one 15-second reference video with FLUX 3 Max Video: Odile running and climbing through the city, as if it were gameplay of a finished, beautiful game. This video is the reference for everything: look, world, character. If the first result is weak, generate another and keep the best.

2. Take screenshots from the video across its whole length. Rebuild what you see as real 3D assets in Blender (buildings, gears, clock faces, bridges, ladders, ledges, water, salt crust). Export them to glTF and place them in a Three.js scene that follows the route in the video, using a post-processing shader that gives the linocut look. Use subagents so that building and checking run in parallel.

3. Check your work against the video. Render the Three.js scene from the same viewpoints as at least 6 video frames and put each pair side by side. Fix what differs: composition, scale, colour, line weight, density of detail. Repeat until each pair looks like the same game. Keep every comparison image.

The bar: a screenshot of the scene next to a video frame should pass as the same game. It must also run smoothly in a desktop browser.

Deliver index.html with a slow camera flythrough along the route, plus the video, screenshots, comparison images, .blend files and a short note of what still falls short. Finish within 90 minutes; a working scene with honest gaps beats an unfinished one.

We are building an original third-person 3D parkour game for the browser with Three.js, in stages. The first stage, the world, is finished and attached. This run is the second stage: the character only. No levels and no gameplay yet.

The game: Odile, a young salt miner with a lit lantern, climbs through a drowned clockwork city in a hand-printed linocut look.

Attached from the first stage:
- odile_world_source_bundle.txt: all text source for the world. Each file starts with a line "=====FILE path=====". Unpack it. It holds NOTE.md (read first), docs/CONTRACT.md, src/, tools/, blender/scripts/ and the asset manifests. Running the Blender scripts rebuilds masonry and clockwork .blend and .glb. Blender, Python and Node may need checking in this machine. The page shell index.html is not in the bundle: it is a plain page with a full-window canvas id "c", a loading div and a hud div that loads game/assets.js and then game/bundle.js. Rewrite it.
- clockface, clouds, paper, salt, stone, water, wood .png: the carved textures, which go in assets/tex/.
- odile_reference_video_recompressed.mp4: the 15 s FLUX 3 Max Video reference, recompressed to under 10 MB.
- world_round11_video_vs_render.jpg: video frames beside the finished world render, which is the look to hold.

First rebuild the world and confirm that it renders the same as the attached comparison. Then:

1. Take the clearest video frames of Odile and use GPT Image 2 to make a clean turnaround from them: front, back, left and right on a plain ground, same character in all four. Regenerate until all four agree and match the video. Keep every take.
2. Build one 3D model from the four views, with the views as Blender reference planes, and check the model from the same four angles beside them. Fix it until silhouette and proportions match. Use the same linocut look as the world.
3. Rig it and make real animations: idle, walk, run, jump (up, air, land), climb a ladder, fall. Her lantern is lit and swings. Her coat and scarf move as cloth, driven by a real simulation or a spring chain, and do not pass through her body. Use subagents in parallel where it helps.
4. Fix these three known world bugs: the floating fragment and hand clipping in viewpoint v03, the spiral boss reading as loose discs in v06 and v08, the ladder bottom poking through the salt in v09.
5. Put her in the scene and render the same viewpoints as the video frames (at least 6) with her posed as in each frame. Keep the side-by-side comparisons of video and render.

Deliver: index.html that opens on an animation viewer in the world, with keys to switch each animation and to orbit the camera; the turnaround images; model-versus-view comparisons; video-versus-render comparisons; the .blend and .glb; all source; and a note of what still falls short, plainly. Have a subagent that did not build her score the comparisons. Finish within 90 minutes.

Influencer photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt. If a call fails with "Out of credits", send the exact same request again right away: Evals then runs it on fal with Evals credits. Retry any other error once. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported.

01. A phone selfie of a beautiful 24-year-old lifestyle influencer with long copper-red hair, in a fitted grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, glowing skin with light freckles, soft natural makeup, a confident smile, hair a little messy from the wind.
02. A candid night photo taken on a phone: a stylish young Korean woman with a slim figure, long dark hair and a cropped puffer jacket, laughing as she holds a fish cake skewer at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur.
03. A close-up portrait of a gorgeous woman in her late 20s with model-like features, wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, flawless but real skin texture, natural makeup.
04. A full-body mirror selfie of a fit 26-year-old fitness influencer with a toned, athletic figure, wearing a matching beige athleisure set in a bright Pilates studio, phone in hand, soft daylight, clean minimal interior.

Phone-photo realism test: Generate exactly these images with the image model you were given. Use each prompt word for word: do not rewrite, add to or "improve" it. Use the highest quality the tool offers and 2K if it offers a resolution. Aspect ratio 2:3 unless the prompt says otherwise. One generation per prompt; retry only if the call errors. Do not edit, crop or upscale the results. Deliver the images in order (01.png, 02.png, ...) and an index.html that shows each image with its prompt underneath and the exact model name the tool reported.

01. A phone selfie of a woman with long copper-red hair in a grey knit sweater, standing in a bare autumn forest on an overcast afternoon. Arm's-length front camera, slight wide-angle distortion, natural skin with freckles and pores, no makeup, hair a little messy from the wind.
02. A candid night street photo taken on a phone: an older man buying fish cakes at a street food stall in Seoul, steam rising, neon signs reflected on wet pavement, people passing with motion blur, slightly noisy shadows.
03. A close-up portrait of a freckled woman in her 40s wearing an orange wool scarf, autumn leaves behind her, 50mm lens at f/2, overcast light, visible fine lines and real skin texture.

Turn one image into a 3D simulator that takes itself apart. First, make one reference image with the image model selected for this run: "A robotic hammerhead shark as a precision machine, studio product shot on a near-white background with a soft floor shadow. White glossy shells with clearcoat, green only on tips, rims, edges and joint rings. Dense dark mechanism showing through cut-outs and clear glass: gears, pistons, hoses, small screws. Eyes as glossy black lenses with a thin green ring. Fins and membranes milky and frosted with thin veins. Front three-quarter view, the whole subject in frame." Then rebuild it in three.js on one web page, entirely in code: no 3D model files, and never use the picture as a texture. Read it and build your own. The look: white shells with clearcoat and an environment map; green as a sparse accent only (tips, rims, edge lines, a bezel, joint rings), never dots over a shell; dark mechanism in 2 levels, big parts (gears, rings, actuators) and about 260 small ones (pistons, hoses, screws, wiring), with windows cut into the shells so the dark mass shows; eyes as glossy black lenses with a thin green bezel; fins milky and frosted with thin veins; near-white studio, soft floor shadow. The order: measure the reference's main proportions as shares of its length before you build. Write a 10 to 12 line checklist of what this picture stands on. Render a still posed like the reference, put the reference and your still side by side, and grade every line yes, partial or no against the picture, not against what you remember building. Count the share of dark pixels (luma under 80) in both bounding boxes; yours has to reach 0.8 of the reference's. Fix and repeat for at least 2 rounds. The page: the shark in the middle, an invented product name and title, one pill button per part (the eye, the hammer, the flank, the jaw, the pectoral fin) that takes that part apart, and live cards that move with the parts. On load it plays a film of about 21 seconds and loops: frame 0 is the front 3/4 hero view with the shark big and already swimming; every 2 to 3 seconds a part opens in about 1 s, holds with its parts still spinning and closes in 0.5 s, each with its own camera side, height and distance, pushing in on that part; then a full explode on a 330 degree turntable, a fast reassembly while it turns, and an exit. Smooth camera paths only. Save the reference, your stills and the grades next to the page. It should look like a product film the moment it loads.

Build a small 3D game level with real Blender doing the 3D work: write Python scripts, run Blender headless, export GLB, then make it playable in three.js on one web page. The game is Small Hours: at 3:07 a.m. a kitchen-table inventor shrinks herself to 4 cm with her own ray, so the kitchen is 40x real size (she is 1.65 m tall, the counter top is at 36 m). In Blender, build by script at 40x: the counter with a sink, a chrome toaster, sugar cubes, a wooden spoon, a mug on its side, a window with moonlight and an open fridge glowing warm. Model the heroine and a house cat (about 18 m long) as low-poly characters, rig them and animate them in code (hero: idle, run, jump; cat: walk and pounce). Export one GLB under 60k triangles. In three.js: third-person WASD, Space to jump, mouse to aim. Left click grows and right click shrinks the object under the crosshair, so sugar cubes become steps and the spoon becomes a bridge over the sink. Each shot costs 25 charge and the ray recharges only in light (moonlight, fridge glow). The cat wanders and chases her when she gets close. Show a HUD with charge and the triangle count of the loaded GLB. It should feel magical the moment it loads.

Use Blender to build a small game-ready level and prove it works in an engine: a low-poly harbor at dusk with a wooden pier, a crate kit in three sizes on a 0.5 m grid, barrels, two lamp posts with warm glowing lights, and a small rowboat. Work in meters, keep names clean (no Cube.001), put the origins of floor props at bottom center, apply transforms, and stay under 25k triangles. Export it as one GLB. Then make a web page that loads that GLB in three.js as a walkable level: WASD and the mouse to walk around, water moving around the pier, the boat bobbing. Show the triangle count of the loaded file on screen. It should look good the moment it loads.

Build a complex, cinematic 2D animation as a single standalone HTML file, using WebGL with GLSL shaders and a 2D Canvas. No external assets, images or libraries: draw and shade everything in code.

The scene: an original masked hero swings through a dense, towering city at golden hour, shot from a steep high angle looking down the street canyons. They fire glowing web lines that snap onto rooftops, swing in long arcs with real momentum, let go at the top of the arc, flip through the air and shoot the next line before they fall. The camera chases them through the buildings.

The city should feel enormous and alive: hundreds of buildings with lit windows, rooftop water towers and details, traffic far below, warm sunlight and long shadows, haze and depth. Use shaders for lighting, atmosphere and motion blur, and the 2D canvas for the hero, the web lines and particles. Swing physics should come from a real pendulum, not canned paths.

It should run on its own forever with no input, at 60 fps in a normal laptop browser, and feel fast and fun the moment it loads.

Build a small three.js world drawn in coloured pencil on a page of a sketchbook. Nothing is a photograph run through a filter: every surface is shaded the way a hand with a pencil would draw it.

The look:
- Every surface is shaded in strokes of its own coloured pencil. The strokes follow the form of each thing (along its shape, not screen-space hatching) and stay fixed to the surface as the camera moves, so they never swim. Stroke spacing adapts to how big the thing is on screen without sliding as you walk closer.
- Colour is laid in layers on white paper: a warm yellow pencil where the light falls, then the thing's own colour lightly all over, then strokes of that colour pressed harder toward the shade, then a blue-violet shadow pencil across those. The paper's tooth breaks every layer.
- A soft graphite line goes round each thing.
- The drawing fades to bare paper at the edges of the page, like a sketchbook page.
- Shadows still work as normal (a bright morning sun).

The scene: a small harbour town on a bright morning. A wooden pier, a stone quay with bunting strung overhead, a row of tall pastel houses (pink, ochre, blue) with shutters, balconies and flower boxes, a fruit stall, a cat, a red-and-white lighthouse at the far end, a windmill and a green hill with sheep behind the town, water at the harbour. A young sailor (striped shirt, red beret) to walk about in it.

When the page opens, play about 20 seconds by itself: the sailor walks in off the pier, along the quay under the bunting, past the fruit stall and the cat, to the lighthouse, with a third-person camera following. After that the viewer can play: click to look with the mouse, WASD to move, Shift to sprint, Space to jump, mouse wheel to zoom the camera in and out. No sound.

Keep it running smoothly in a normal laptop browser.

Make it one HTML file that opens offline in a browser: no CDN links and no network requests. If you use a library like Three.js, put it inside the file. No image files, no image or video models.

Build a snow globe that you can shake.

Make it one HTML file that opens offline in a browser: no CDN links and no network requests. If you use a library like Three.js, put it inside the file. No image files, no image or video models.

Make one HTML file: a 10-second looping animation of a dinosaur scene.

Long-necked dinosaurs wade across a misty river at sunrise, birds lift off the water, and at the end a T-rex steps out of the jungle and roars.

Draw everything in code (SVG or canvas). No images, no external libraries, no network requests, no image or video models. It should look like the opening shot of a nature documentary, not clip art.

Write it in one go: don't open it in a browser, render it or test it. Just deliver the file.

Make a 3D first-person military shooter in one web page: a lone soldier fights through an abandoned dockside refinery at sunset, with cranes, shipping containers, catwalks and long shadows. WASD to move, mouse to aim, click to fire, right-click to aim down sights, R to reload, Shift to sprint. Give the rifle a red-dot sight, recoil, muzzle flash and a reload animation. Enemy soldiers patrol, take cover and shoot back. Add a HUD with health, ammo, a crosshair, hit markers and a kill counter, plus win and game over screens. Make it look as cinematic as you can. It should feel fun the moment it loads.

Make a console-style 3D action boss fight that runs in one web page with Three.js. Original setting: a masked desert knight with a curved blade walks a sunlit canyon path, fights through sand wraiths and a sword-bearing statue, and reaches a ruined sun temple where a giant obsidian sphinx boss wakes up. Design the knight, both enemies and the sphinx with the image model selected for this run first, then turn those designs into real 3D models for the game. Third-person camera with mouse look, WASD to move, left click to attack, Shift to dodge, Q to switch between two combat stances (fast and heavy), and 1, 2, 3 for three skills with cooldowns. A dodge timed right before a hit is a perfect dodge with a slow-motion beat and a counter window. The boss has telegraphed attacks and a second phase. Add health and stamina bars, a boss bar, hit feedback, and win and game over screens. It should feel like a console game the moment it loads.

Here's one picture of a PS5 DualSense controller. Build me a simulator of it I can take apart: it should split open part by part so I can see what's inside and how the sticks, triggers, rumble and battery work. One offline HTML page. Then record a 20-second video of it taking itself apart. Don't stop to ask me questions; make sensible assumptions and say what they are.

Build the Golden Gate Bridge in 3D.

Make it one HTML file that opens offline in a browser: no CDN links and no network requests. If you use a library like Three.js, put it inside the file. No image files.

Make one web page: a set of 24 animated icons where every icon does what it's for.

Dark background, a 6 x 4 grid of rounded square tiles, one white line icon per tile, all drawn by you in SVG with the same stroke width and corner style so they read as one set. The 24 icons: bell, heart, settings gear, search, paper plane, lock, mail, trash can, clock, hourglass, eye, check circle, cloud with rain, sun, flame, coffee cup, delivery truck, shopping cart, wifi, speaker, download, heartbeat line, magic wand, thumbs up.

On hover each one acts out its meaning in under a second, then settles back: the bell rings, the trash lid opens, the plane takes off, the lock clicks open, the hourglass flips, the truck drives off and comes back, and so on for all 24. Make the motion feel like a well-made product icon set: small, snappy, springy.

So it can be watched without a mouse, when the page opens play a demo that sets off every icon one after another in a wave, then all of them at once, about 20 seconds in all. After that, hover works.

One HTML file that opens offline: no CDN links, no network requests, no image files, no image or video models. Check it in a headless browser before you finish.

Explain why two fingertips never really touch, as an interactive visualization in one HTML file.

Start on two fingertips about to meet, then zoom in step by step: skin, cells, molecules, atoms, until the viewer sees the electron clouds pushing back before anything actually touches. Show the scale at each step and keep the explanation short and clear, like a great science video. It should play by itself in about 20 seconds when the page opens, then let me drag, scroll or replay to explore.

Make it one HTML file that opens offline: no CDN links and no network requests. If you use a library like Three.js, put it inside the file. No image files, no image or video models.

$Build a spreadsheet app as one self-contained index.html (no external assets, no network). UI: a visible grid with columns A-Z and rows 1-1000, a formula bar, click a cell to edit, Enter commits, arrow keys move. It should look like a tool someone would actually use. Also expose this exact API on window.Sheet. It must stay in sync with the UI: - set(ref, text): enter text into a cell, as if typed. Empty string clears it. - get(ref): the computed value. A number for numeric results (JS number), a string for text and for errors, "" for empty cells. - getRaw(ref): exactly what was entered. - undo(), redo(): cover set, insertRow, deleteRow and fromCSV. A new edit clears the redo history. - insertRow(n), deleteRow(n): 1-based. Rows shift, and formulas are rewritten as Excel does. Both relative and $absolute references move with their cells. A reference to a deleted single cell becomes #REF! in the formula text (for example "=#REF!"). A range that loses a row shrinks. - toCSV(): RFC 4180 raw text (formulas as typed), rectangular up to the last non-empty row and column, rows joined by \n, no trailing newline. - fromCSV(text): replaces the whole sheet, starting at A1. Handles quoted commas, doubled quotes and newlines inside quotes. Formulas start with "=". Case-insensitive, whitespace ignored. - Operators: + - * / ^ & (text concat), postfix %, parentheses. ^ is right-associative. Unary minus binds tighter than ^, as in Excel, so =-2^2 is 4. - References: A1, $A$1, $A1, A$1. Ranges: A1:B3. - Functions: SUM, AVERAGE, MIN, MAX, COUNT, IF(cond, a, b). Conditions use = <> < > <= >=. - Text in double quotes. - Empty cells are 0 in arithmetic and "" in concat. Range functions skip text and empty cells. Numbers concat in plain form (5 & "x" is "5x"). - Errors, exact strings: #DIV/0!, #REF!, #CYCLE!, #NAME? (unknown function), #VALUE! (text in arithmetic). Errors propagate, including through range functions. Every cell in a cycle, and every cell depending on one, shows #CYCLE!. Fixing the cycle recovers them. - Cells recalculate automatically. With 10,000 filled cells and a SUM over them, editing one input must finish recalculating within 1 second. A dependency chain 1000 cells deep must work. A numeric cell typed as 42 or 3.5 is a number. Anything else not starting with "=" is text.$