I want a piece for the top of my feed that feels like a dream you half remember — dreamcore, but on the soft storybook side, not the horror side. 10 seconds, vertical 9:16, no people's faces, no text on screen. One continuous drift through three or four places that shouldn't connect but do: a bedroom where the wallpaper is sky, a corridor of doors lit by paper lanterns, a field of grass under two moons, a staircase going into shallow water. Everything slightly too still, everything slightly too bright at the edges. Colours washed and pastel — faded pink, pale green, milk blue — with the grain and soft halo of old film or a VHS tape. The camera never cuts. It floats forward, and the next place is already there when the last one fades. One small living thing moves in each place: a moth, a curtain, ripples, a paper boat. Sound is a muffled music-box tone and room tone, nothing sharp. Give me the finished mp4, a cover frame, and the prompts you used per shot.
I want a piece for the top of my feed that feels like a dream you half remember —
dreamcore, but on the soft storybook side, not the horror side.
10 seconds, vertical 9:16, no people's faces, no text on screen.
One continuous drift through three or four places that shouldn't connect but do:
a bedroom where the wallpaper is sky, a corridor of doors lit by paper lanterns,
a field of grass under two moons, a staircase going into shallow water.
Everything slightly too still, everything slightly too bright at the edges.
Colours washed and pastel — faded pink, pale green, milk blue — with the grain and
soft halo of old film or a VHS tape.
The camera never cuts. It floats forward, and the next place is already there when
the last one fades.
One small living thing moves in each place: a moth, a curtain, ripples, a paper boat.
Sound is a muffled music-box tone and room tone, nothing sharp.
Give me the finished mp4, a cover frame, and the prompts you used per shot.
Open one to inspect its creator, recorded recipe and run record.
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